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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C93B1 it is the complementary color #B36C4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C93B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C93B1 shade: #5193AC, #62A5BF, #73B7D2, #84C9E5 and #95DBF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C93B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C93B1 shade: #4C93B1, #3B819E, #2A6F8B, #195D78 and #084B65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C93B1 shade: #4C94B2, #4C78B2, #4C5DB2, #574CB2 and #724CB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C93B1 shade: #4C94B2, #4C78B2, #4C5DB2 and #4C4CB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C93B1 shade matches the following richer shades: #4C94B2, #379CC7, #23A4DB and #0EADF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C93B1 shade: #4C94B2, #618B9D, #758389, #8A7B74 and #9F725F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C93B1 shade: #4CB299, #4CB0B2, #4C95B2, #4C7AB2 and #4C5FB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C93B1 shade: #336478, #407C95, #4C94B2, #69A5BE and #86B6CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C93B1 shade: #4C93B1, #7D4CB2 and #B2A64C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C93B1 shade: #4C93B1, #B24C95 and #95B24C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C93B1 shade: #4C93B1, #7D4CB2, #B2694C and #81B24C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C93B1 shade: #4C93B1, #9C4CB2, #B2694C and #62B24C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 17 / 0 / 31

HEX #4C93B1

RGB 76 147 177

HSL 197.82, 0.4%, 0.5%

LAB 57.63, -13.45, -22.47

 

Complementary color

CMYK 0 / 40 / 56 / 30

HEX #B36C4E

RGB 179 108 78

HSL 17.82, 0.4%, 0.5%

LAB 52.79, 25.23, 28.68

 

CMYK 53 / 15 / 0 / 33

HEX #5193AC

RGB 81 147 172

HSL 196.48, 0.36%, 0.5%

LAB 57.65, -13.88, -19.58

 

CMYK 49 / 14 / 0 / 25

HEX #62A5BF

RGB 98 165 191

HSL 196.77, 0.42%, 0.57%

LAB 64.38, -14.18, -19.96

 

CMYK 45 / 13 / 0 / 18

HEX #73B7D2

RGB 115 183 210

HSL 197.05, 0.51%, 0.64%

LAB 70.98, -14.39, -20.34

 

CMYK 42 / 12 / 0 / 10

HEX #84C9E5

RGB 132 201 229

HSL 197.32, 0.65%, 0.71%

LAB 77.48, -14.56, -20.7

 

CMYK 40 / 12 / 0 / 3

HEX #95DBF8

RGB 149 219 248

HSL 197.58, 0.88%, 0.78%

LAB 83.88, -14.69, -21.06

 

CMYK 57 / 17 / 0 / 31

HEX #4C93B1

RGB 76 147 177

HSL 197.82, 0.4%, 0.5%

LAB 57.63, -13.45, -22.47

 

CMYK 63 / 18 / 0 / 38

HEX #3B819E

RGB 59 129 158

HSL 197.58, 0.46%, 0.43%

LAB 50.8, -12.87, -22.09

 

CMYK 70 / 20 / 0 / 45

HEX #2A6F8B

RGB 42 111 139

HSL 197.32, 0.54%, 0.35%

LAB 43.84, -12.06, -21.67

 

CMYK 79 / 23 / 0 / 53

HEX #195D78

RGB 25 93 120

HSL 197.05, 0.66%, 0.28%

LAB 36.73, -10.87, -21.2

 

CMYK 92 / 26 / 0 / 60

HEX #084B65

RGB 8 75 101

HSL 196.77, 0.85%, 0.21%

LAB 29.47, -9.09, -20.62

 

CMYK 57 / 17 / 0 / 30

HEX #4C94B2

RGB 76 148 178

HSL 197.65, 0.4%, 0.5%

LAB 57.97, -13.69, -22.52

 

CMYK 57 / 33 / 0 / 30

HEX #4C78B2

RGB 76 120 178

HSL 214.12, 0.4%, 0.5%

LAB 49.72, 2.44, -35.33

 

CMYK 57 / 48 / 0 / 30

HEX #4C5DB2

RGB 76 93 178

HSL 230, 0.4%, 0.5%

LAB 42.12, 19.26, -47.38

 

CMYK 51 / 57 / 0 / 30

HEX #574CB2

RGB 87 76 178

HSL 246.47, 0.4%, 0.5%

LAB 38.57, 32.27, -53.06

 

CMYK 36 / 57 / 0 / 30

HEX #724CB2

RGB 114 76 178

HSL 262.35, 0.4%, 0.5%

LAB 41.15, 38.42, -48.76

 

CMYK 57 / 17 / 0 / 30

HEX #4C94B2

RGB 76 148 178

HSL 197.65, 0.4%, 0.5%

LAB 57.97, -13.69, -22.52

 

CMYK 57 / 33 / 0 / 30

HEX #4C78B2

RGB 76 120 178

HSL 214.12, 0.4%, 0.5%

LAB 49.72, 2.44, -35.33

 

CMYK 57 / 48 / 0 / 30

HEX #4C5DB2

RGB 76 93 178

HSL 230, 0.4%, 0.5%

LAB 42.12, 19.26, -47.38

 

CMYK 57 / 57 / 0 / 30

HEX #4C4CB2

RGB 76 76 178

HSL 240, 0.4%, 0.5%

LAB 37.7, 30.07, -54.51

 

CMYK 57 / 17 / 0 / 30

HEX #4C94B2

RGB 76 148 178

HSL 197.65, 0.4%, 0.5%

LAB 57.97, -13.69, -22.52

 

CMYK 72 / 22 / 0 / 22

HEX #379CC7

RGB 55 156 199

HSL 197.92, 0.57%, 0.5%

LAB 60.53, -14.83, -30.48

 

CMYK 84 / 25 / 0 / 14

HEX #23A4DB

RGB 35 164 219

HSL 197.93, 0.72%, 0.5%

LAB 63.36, -14.39, -37.24

 

CMYK 94 / 28 / 0 / 6

HEX #0EADF0

RGB 14 173 240

HSL 197.79, 0.89%, 0.5%

LAB 66.73, -12.95, -43.53

 

CMYK 57 / 17 / 0 / 30

HEX #4C94B2

RGB 76 148 178

HSL 197.65, 0.4%, 0.5%

LAB 57.97, -13.69, -22.52

 

CMYK 38 / 11 / 0 / 38

HEX #618B9D

RGB 97 139 157

HSL 198, 0.24%, 0.5%

LAB 55.52, -9.67, -14.15

 

CMYK 15 / 4 / 0 / 46

HEX #758389

RGB 117 131 137

HSL 198, 0.08%, 0.5%

LAB 53.84, -3.78, -4.97

 

CMYK 0 / 11 / 16 / 46

HEX #8A7B74

RGB 138 123 116

HSL 19.09, 0.09%, 0.5%

LAB 52.76, 4.51, 5.92

 

CMYK 0 / 28 / 40 / 38

HEX #9F725F

RGB 159 114 95

HSL 17.81, 0.25%, 0.5%

LAB 52.1, 15.23, 17.55

 

CMYK 57 / 0 / 14 / 30

HEX #4CB299

RGB 76 178 153

HSL 165.29, 0.4%, 0.5%

LAB 66.27, -35.76, 3.91

 

CMYK 57 / 1 / 0 / 30

HEX #4CB0B2

RGB 76 176 178

HSL 181.18, 0.4%, 0.5%

LAB 66.37, -28.22, -9.81

 

CMYK 57 / 16 / 0 / 30

HEX #4C95B2

RGB 76 149 178

HSL 197.06, 0.4%, 0.5%

LAB 58.27, -14.23, -22.06

 

CMYK 57 / 31 / 0 / 30

HEX #4C7AB2

RGB 76 122 178

HSL 212.94, 0.4%, 0.5%

LAB 50.3, 1.23, -34.42

 

CMYK 57 / 47 / 0 / 30

HEX #4C5FB2

RGB 76 95 178

HSL 228.82, 0.4%, 0.5%

LAB 42.67, 17.98, -46.51

 

CMYK 58 / 17 / 0 / 53

HEX #336478

RGB 51 100 120

HSL 197.39, 0.4%, 0.34%

LAB 39.87, -10.32, -16.28

 

CMYK 57 / 17 / 0 / 42

HEX #407C95

RGB 64 124 149

HSL 197.65, 0.4%, 0.42%

LAB 49.1, -11.93, -19.43

 

CMYK 57 / 17 / 0 / 30

HEX #4C94B2

RGB 76 148 178

HSL 197.65, 0.4%, 0.5%

LAB 57.97, -13.69, -22.52

 

CMYK 45 / 13 / 0 / 25

HEX #69A5BE

RGB 105 165 190

HSL 197.65, 0.4%, 0.58%

LAB 64.67, -12.76, -18.93

 

CMYK 34 / 10 / 0 / 20

HEX #86B6CB

RGB 134 182 203

HSL 198.26, 0.4%, 0.66%

LAB 71.44, -10.72, -15.72

 

CMYK 57 / 17 / 0 / 31

HEX #4C93B1

RGB 76 147 177

HSL 197.82, 0.4%, 0.5%

LAB 57.63, -13.45, -22.47

 

CMYK 30 / 57 / 0 / 30

HEX #7D4CB2

RGB 125 76 178

HSL 268.82, 0.4%, 0.5%

LAB 42.37, 41.14, -46.74

 

CMYK 0 / 7 / 57 / 30

HEX #B2A64C

RGB 178 166 76

HSL 52.94, 0.4%, 0.5%

LAB 67.47, -7.3, 47.3

 

CMYK 57 / 17 / 0 / 31

HEX #4C93B1

RGB 76 147 177

HSL 197.82, 0.4%, 0.5%

LAB 57.63, -13.45, -22.47

 

CMYK 0 / 57 / 16 / 30

HEX #B24C95

RGB 178 76 149

HSL 317.06, 0.4%, 0.5%

LAB 48.01, 50.19, -20.19

 

CMYK 16 / 0 / 57 / 30

HEX #95B24C

RGB 149 178 76

HSL 77.06, 0.4%, 0.5%

LAB 68.57, -25.55, 47.95

 

CMYK 57 / 17 / 0 / 31

HEX #4C93B1

RGB 76 147 177

HSL 197.82, 0.4%, 0.5%

LAB 57.63, -13.45, -22.47

 

CMYK 30 / 57 / 0 / 30

HEX #7D4CB2

RGB 125 76 178

HSL 268.82, 0.4%, 0.5%

LAB 42.37, 41.14, -46.74

 

CMYK 0 / 41 / 57 / 30

HEX #B2694C

RGB 178 105 76

HSL 17.06, 0.4%, 0.5%

LAB 51.94, 26.3, 28.7

 

CMYK 28 / 0 / 57 / 30

HEX #81B24C

RGB 129 178 76

HSL 88.82, 0.4%, 0.5%

LAB 67.3, -33.32, 46.16

 

CMYK 57 / 17 / 0 / 31

HEX #4C93B1

RGB 76 147 177

HSL 197.82, 0.4%, 0.5%

LAB 57.63, -13.45, -22.47

 

CMYK 12 / 57 / 0 / 30

HEX #9C4CB2

RGB 156 76 178

HSL 287.06, 0.4%, 0.5%

LAB 46.25, 49.17, -40.34

 

CMYK 0 / 41 / 57 / 30

HEX #B2694C

RGB 178 105 76

HSL 17.06, 0.4%, 0.5%

LAB 51.94, 26.3, 28.7

 

CMYK 45 / 0 / 57 / 30

HEX #62B24C

RGB 98 178 76

HSL 107.06, 0.4%, 0.5%

LAB 65.72, -44.02, 43.92

 

Description

Color code: HEX #4C93B1 | qconv.com Color code: HEX #4C93B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 147 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 147 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 17 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 17% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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