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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D89CA it is the complementary color #B27635. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D89CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D89CA shade: #5289C5, #639BD8, #74ADEB, #85BFFE and #96D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D89CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D89CA shade: #4D89CA, #3C77B7, #2B65A4, #1A5391 and #09417E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D89CA shade: #4E89CA, #4E68CA, #554ECA, #774ECA and #984ECA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D89CA shade: #4E89CA, #4E68CA and #4E4ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D89CA shade matches the following richer shades: #4E89CA, #3B89DC and #2988EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D89CA shade: #4E89CA, #608AB7, #738BA5, #858B92 and #988C7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D89CA shade: #4ECAC8, #4EABCA, #4E8ACA, #4E69CA and #544ECA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D89CA shade: #2D6098, #3775B8, #4E89CA, #6E9ED3 and #8DB3DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D89CA shade: #4D89CA, #A74ECA and #BBCA4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D89CA shade: #4D89CA, #CA4E8A and #8ACA4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D89CA shade: #4D89CA, #A74ECA, #CA8E4E and #71CA4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D89CA shade: #4D89CA, #CA4EC8, #CA8E4E and #4ECA50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 32 / 0 / 21

HEX #4D89CA

RGB 77 137 202

HSL 211.2, 0.54%, 0.55%

LAB 55.82, 0.5, -39.47

 

Complementary color

CMYK 0 / 34 / 70 / 30

HEX #B27635

RGB 178 118 53

HSL 31.2, 0.54%, 0.45%

LAB 54.74, 17.49, 44.19

 

CMYK 58 / 30 / 0 / 23

HEX #5289C5

RGB 82 137 197

HSL 211.3, 0.5%, 0.55%

LAB 55.8, -0.18, -36.65

 

CMYK 54 / 28 / 0 / 15

HEX #639BD8

RGB 99 155 216

HSL 211.28, 0.6%, 0.62%

LAB 62.55, -0.97, -36.7

 

CMYK 51 / 26 / 0 / 8

HEX #74ADEB

RGB 116 173 235

HSL 211.26, 0.75%, 0.69%

LAB 69.18, -1.62, -36.77

 

CMYK 48 / 25 / 0 / 0

HEX #85BFFE

RGB 133 191 254

HSL 211.24, 0.98%, 0.76%

LAB 75.7, -2.16, -36.86

 

CMYK 41 / 18 / 0 / 0

HEX #96D1FF

RGB 150 209 255

HSL 206.29, 1%, 0.79%

LAB 81.46, -7.43, -28.45

 

CMYK 62 / 32 / 0 / 21

HEX #4D89CA

RGB 77 137 202

HSL 211.2, 0.54%, 0.55%

LAB 55.82, 0.5, -39.47

 

CMYK 67 / 35 / 0 / 28

HEX #3C77B7

RGB 60 119 183

HSL 211.22, 0.51%, 0.48%

LAB 48.97, 1.69, -39.44

 

CMYK 74 / 38 / 0 / 36

HEX #2B65A4

RGB 43 101 164

HSL 211.24, 0.58%, 0.41%

LAB 42, 3.24, -39.42

 

CMYK 82 / 43 / 0 / 43

HEX #1A5391

RGB 26 83 145

HSL 211.26, 0.7%, 0.34%

LAB 34.9, 5.32, -39.36

 

CMYK 93 / 48 / 0 / 51

HEX #09417E

RGB 9 65 126

HSL 211.28, 0.87%, 0.26%

LAB 27.7, 8.15, -39.23

 

CMYK 61 / 32 / 0 / 21

HEX #4E89CA

RGB 78 137 202

HSL 211.45, 0.54%, 0.55%

LAB 55.86, 0.69, -39.4

 

CMYK 61 / 49 / 0 / 21

HEX #4E68CA

RGB 78 104 202

HSL 227.42, 0.54%, 0.55%

LAB 46.69, 20.86, -53.98

 

CMYK 58 / 61 / 0 / 21

HEX #554ECA

RGB 85 78 202

HSL 243.39, 0.54%, 0.55%

LAB 40.65, 38.28, -63.73

 

CMYK 41 / 61 / 0 / 21

HEX #774ECA

RGB 119 78 202

HSL 259.84, 0.54%, 0.55%

LAB 43.7, 44.89, -58.63

 

CMYK 25 / 61 / 0 / 21

HEX #984ECA

RGB 152 78 202

HSL 275.81, 0.54%, 0.55%

LAB 47.48, 52.34, -52.35

 

CMYK 61 / 32 / 0 / 21

HEX #4E89CA

RGB 78 137 202

HSL 211.45, 0.54%, 0.55%

LAB 55.86, 0.69, -39.4

 

CMYK 61 / 49 / 0 / 21

HEX #4E68CA

RGB 78 104 202

HSL 227.42, 0.54%, 0.55%

LAB 46.69, 20.86, -53.98

 

CMYK 61 / 61 / 0 / 21

HEX #4E4ECA

RGB 78 78 202

HSL 240, 0.54%, 0.55%

LAB 40.14, 37.11, -64.59

 

CMYK 61 / 32 / 0 / 21

HEX #4E89CA

RGB 78 137 202

HSL 211.45, 0.54%, 0.55%

LAB 55.86, 0.69, -39.4

 

CMYK 73 / 38 / 0 / 14

HEX #3B89DC

RGB 59 137 220

HSL 210.93, 0.7%, 0.55%

LAB 56.08, 3.89, -49.24

 

CMYK 83 / 43 / 0 / 6

HEX #2988EF

RGB 41 136 239

HSL 211.21, 0.86%, 0.55%

LAB 56.4, 9.57, -59.34

 

CMYK 61 / 32 / 0 / 21

HEX #4E89CA

RGB 78 137 202

HSL 211.45, 0.54%, 0.55%

LAB 55.86, 0.69, -39.4

 

CMYK 48 / 25 / 0 / 28

HEX #608AB7

RGB 96 138 183

HSL 211.03, 0.38%, 0.55%

LAB 56.17, -1.96, -28.06

 

CMYK 30 / 16 / 0 / 35

HEX #738BA5

RGB 115 139 165

HSL 211.2, 0.22%, 0.55%

LAB 56.91, -2.25, -16.54

 

CMYK 9 / 5 / 0 / 43

HEX #858B92

RGB 133 139 146

HSL 212.31, 0.06%, 0.55%

LAB 57.59, -0.74, -4.49

 

CMYK 0 / 8 / 16 / 40

HEX #988C7F

RGB 152 140 127

HSL 31.2, 0.11%, 0.55%

LAB 58.94, 2.21, 8.56

 

CMYK 61 / 0 / 1 / 21

HEX #4ECAC8

RGB 78 202 200

HSL 179.03, 0.54%, 0.55%

LAB 74.84, -34.26, -9.22

 

CMYK 61 / 15 / 0 / 21

HEX #4EABCA

RGB 78 171 202

HSL 195, 0.54%, 0.55%

LAB 65.76, -18.26, -24.04

 

CMYK 61 / 32 / 0 / 21

HEX #4E8ACA

RGB 78 138 202

HSL 210.97, 0.54%, 0.55%

LAB 56.15, 0.1, -38.95

 

CMYK 61 / 48 / 0 / 21

HEX #4E69CA

RGB 78 105 202

HSL 226.94, 0.54%, 0.55%

LAB 46.96, 20.23, -53.55

 

CMYK 58 / 61 / 0 / 21

HEX #544ECA

RGB 84 78 202

HSL 242.9, 0.54%, 0.55%

LAB 40.57, 38.11, -63.86

 

CMYK 70 / 37 / 0 / 40

HEX #2D6098

RGB 45 96 152

HSL 211.4, 0.54%, 0.39%

LAB 39.9, 2.22, -35.6

 

CMYK 70 / 36 / 0 / 28

HEX #3775B8

RGB 55 117 184

HSL 211.16, 0.54%, 0.47%

LAB 48.25, 2.46, -41.17

 

CMYK 61 / 32 / 0 / 21

HEX #4E89CA

RGB 78 137 202

HSL 211.45, 0.54%, 0.55%

LAB 55.86, 0.69, -39.4

 

CMYK 48 / 25 / 0 / 17

HEX #6E9ED3

RGB 110 158 211

HSL 211.49, 0.53%, 0.63%

LAB 63.73, -1.67, -32.04

 

CMYK 36 / 19 / 0 / 13

HEX #8DB3DD

RGB 141 179 221

HSL 211.5, 0.54%, 0.71%

LAB 71.64, -2.57, -25.22

 

CMYK 62 / 32 / 0 / 21

HEX #4D89CA

RGB 77 137 202

HSL 211.2, 0.54%, 0.55%

LAB 55.82, 0.5, -39.47

 

CMYK 17 / 61 / 0 / 21

HEX #A74ECA

RGB 167 78 202

HSL 283.06, 0.54%, 0.55%

LAB 49.41, 55.91, -49.16

 

CMYK 7 / 0 / 61 / 21

HEX #BBCA4E

RGB 187 202 78

HSL 67.26, 0.54%, 0.55%

LAB 78.08, -21.73, 58.37

 

CMYK 62 / 32 / 0 / 21

HEX #4D89CA

RGB 77 137 202

HSL 211.2, 0.54%, 0.55%

LAB 55.82, 0.5, -39.47

 

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

CMYK 32 / 0 / 61 / 21

HEX #8ACA4E

RGB 138 202 78

HSL 90.97, 0.54%, 0.55%

LAB 74.95, -40.67, 54.04

 

CMYK 62 / 32 / 0 / 21

HEX #4D89CA

RGB 77 137 202

HSL 211.2, 0.54%, 0.55%

LAB 55.82, 0.5, -39.47

 

CMYK 17 / 61 / 0 / 21

HEX #A74ECA

RGB 167 78 202

HSL 283.06, 0.54%, 0.55%

LAB 49.41, 55.91, -49.16

 

CMYK 0 / 30 / 61 / 21

HEX #CA8E4E

RGB 202 142 78

HSL 30.97, 0.54%, 0.55%

LAB 63.72, 16.16, 42.61

 

CMYK 44 / 0 / 61 / 21

HEX #71CA4E

RGB 113 202 78

HSL 103.06, 0.54%, 0.55%

LAB 73.74, -49.03, 52.36

 

CMYK 62 / 32 / 0 / 21

HEX #4D89CA

RGB 77 137 202

HSL 211.2, 0.54%, 0.55%

LAB 55.82, 0.5, -39.47

 

CMYK 0 / 61 / 1 / 21

HEX #CA4EC8

RGB 202 78 200

HSL 300.97, 0.54%, 0.55%

LAB 54.21, 64.1, -40.08

 

CMYK 0 / 30 / 61 / 21

HEX #CA8E4E

RGB 202 142 78

HSL 30.97, 0.54%, 0.55%

LAB 63.72, 16.16, 42.61

 

CMYK 61 / 0 / 60 / 21

HEX #4ECA50

RGB 78 202 80

HSL 120.97, 0.54%, 0.55%

LAB 72.52, -58.19, 49.76

 

Description

Color code: HEX #4D89CA | qconv.com Color code: HEX #4D89CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 137 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 137 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 32 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 32% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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