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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA4E8A it is the complementary color #35B175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA4E8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA4E8A shade: #CF4E85, #E06098, #F172AB, #FF84BE and #FF96D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA4E8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA4E8A shade: #CA4E8A, #B93C77, #A82A64, #971851 and #86063E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA4E8A shade: #CA4E8A, #CA4E68 and #CA4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA4E8A shade: #CA4E8A, #CA4EAB, #C74ECA, #A54ECA and #844ECA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA4E8A shade matches the following richer shades: #CA4E8A, #DC3B89 and #EF2989

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA4E8A shade: #CA4E8A, #B7608A, #A5738B, #92858C and #7F988C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA4E8A shade: #C64ECA, #CA4EAD, #CA4E8C, #CA4E6B and #CA524E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA4E8A shade: #982D61, #B83775, #CA4E8A, #D36E9F and #DD8DB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA4E8A shade: #CA4E8A, #CAA54E and #4EBDCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA4E8A shade: #CA4E8A, #8CCA4E and #4E8CCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA4E8A shade: #CA4E8A, #CAA54E, #4ECA8C and #4E73CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA4E8A shade: #CA4E8A, #CACA4E, #4ECA8C and #4E4ECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

Complementary color

CMYK 70 / 0 / 34 / 31

HEX #35B175

RGB 53 177 117

HSL 150.97, 0.54%, 0.45%

LAB 64.55, -47.84, 21.14

 

CMYK 0 / 62 / 36 / 19

HEX #CF4E85

RGB 207 78 133

HSL 334.42, 0.57%, 0.56%

LAB 52.29, 55.94, -3.74

 

CMYK 0 / 57 / 32 / 12

HEX #E06098

RGB 224 96 152

HSL 333.75, 0.67%, 0.63%

LAB 58.49, 55.45, -5.47

 

CMYK 0 / 53 / 29 / 5

HEX #F172AB

RGB 241 114 171

HSL 333.07, 0.82%, 0.7%

LAB 64.7, 54.8, -6.92

 

CMYK 0 / 48 / 25 / 0

HEX #FF84BE

RGB 255 132 190

HSL 331.71, 1%, 0.76%

LAB 70.51, 53.11, -8.78

 

CMYK 0 / 41 / 18 / 0

HEX #FF96D1

RGB 255 150 209

HSL 326.29, 1%, 0.79%

LAB 74.62, 46.85, -13.16

 

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

CMYK 0 / 68 / 36 / 27

HEX #B93C77

RGB 185 60 119

HSL 331.68, 0.51%, 0.48%

LAB 45.47, 55.22, -5.8

 

CMYK 0 / 75 / 40 / 34

HEX #A82A64

RGB 168 42 100

HSL 332.38, 0.6%, 0.41%

LAB 39.41, 54.92, -3.31

 

CMYK 0 / 84 / 46 / 41

HEX #971851

RGB 151 24 81

HSL 333.07, 0.73%, 0.34%

LAB 33.62, 53.74, -0.02

 

CMYK 0 / 96 / 54 / 47

HEX #86063E

RGB 134 6 62

HSL 333.75, 0.91%, 0.27%

LAB 28.24, 51.24, 4.36

 

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

CMYK 0 / 61 / 49 / 21

HEX #CA4E68

RGB 202 78 104

HSL 347.42, 0.54%, 0.55%

LAB 50.69, 51.37, 11.22

 

CMYK 0 / 61 / 61 / 21

HEX #CA4E4E

RGB 202 78 78

HSL 0, 0.54%, 0.55%

LAB 50.16, 49.31, 26.03

 

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

CMYK 0 / 61 / 15 / 21

HEX #CA4EAB

RGB 202 78 171

HSL 315, 0.54%, 0.55%

LAB 52.89, 59.49, -25.36

 

CMYK 1 / 61 / 0 / 21

HEX #C74ECA

RGB 199 78 202

HSL 298.55, 0.54%, 0.55%

LAB 53.87, 63.7, -41.79

 

CMYK 18 / 61 / 0 / 21

HEX #A54ECA

RGB 165 78 202

HSL 282.1, 0.54%, 0.55%

LAB 49.15, 55.43, -49.59

 

CMYK 35 / 61 / 0 / 21

HEX #844ECA

RGB 132 78 202

HSL 266.13, 0.54%, 0.55%

LAB 45.11, 47.74, -56.29

 

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

CMYK 0 / 73 / 38 / 14

HEX #DC3B89

RGB 220 59 137

HSL 330.93, 0.7%, 0.55%

LAB 52.01, 67.27, -6.32

 

CMYK 0 / 83 / 43 / 6

HEX #EF2989

RGB 239 41 137

HSL 330.91, 0.86%, 0.55%

LAB 53.75, 76.84, -3.35

 

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

CMYK 0 / 48 / 25 / 28

HEX #B7608A

RGB 183 96 138

HSL 331.03, 0.38%, 0.55%

LAB 52.14, 40.17, -7.33

 

CMYK 0 / 30 / 16 / 35

HEX #A5738B

RGB 165 115 139

HSL 331.2, 0.22%, 0.55%

LAB 54.16, 23.44, -5.17

 

CMYK 0 / 9 / 4 / 43

HEX #92858C

RGB 146 133 140

HSL 327.69, 0.06%, 0.55%

LAB 56.86, 6.2, -1.98

 

CMYK 16 / 0 / 8 / 40

HEX #7F988C

RGB 127 152 140

HSL 151.2, 0.11%, 0.55%

LAB 60.66, -11.3, 3.38

 

CMYK 2 / 61 / 0 / 21

HEX #C64ECA

RGB 198 78 202

HSL 298.06, 0.54%, 0.55%

LAB 53.73, 63.46, -42.03

 

CMYK 0 / 61 / 14 / 21

HEX #CA4EAD

RGB 202 78 173

HSL 314.03, 0.54%, 0.55%

LAB 52.97, 59.79, -26.4

 

CMYK 0 / 61 / 31 / 21

HEX #CA4E8C

RGB 202 78 140

HSL 330, 0.54%, 0.55%

LAB 51.72, 55.26, -8.85

 

CMYK 0 / 61 / 47 / 21

HEX #CA4E6B

RGB 202 78 107

HSL 345.97, 0.54%, 0.55%

LAB 50.77, 51.65, 9.52

 

CMYK 0 / 59 / 61 / 21

HEX #CA524E

RGB 202 82 78

HSL 1.94, 0.54%, 0.55%

LAB 50.85, 47.48, 26.91

 

CMYK 0 / 70 / 36 / 40

HEX #982D61

RGB 152 45 97

HSL 330.84, 0.54%, 0.39%

LAB 36.77, 48.87, -5.65

 

CMYK 0 / 70 / 36 / 28

HEX #B83775

RGB 184 55 117

HSL 331.16, 0.54%, 0.47%

LAB 44.53, 56.63, -5.99

 

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

CMYK 0 / 48 / 25 / 17

HEX #D36E9F

RGB 211 110 159

HSL 330.89, 0.53%, 0.63%

LAB 59.44, 45.42, -8.32

 

CMYK 0 / 36 / 19 / 13

HEX #DD8DB4

RGB 221 141 180

HSL 330.75, 0.54%, 0.71%

LAB 67.81, 35.76, -7.66

 

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

CMYK 0 / 18 / 61 / 21

HEX #CAA54E

RGB 202 165 78

HSL 42.1, 0.54%, 0.55%

LAB 69.48, 3.68, 49.24

 

CMYK 61 / 6 / 0 / 21

HEX #4EBDCA

RGB 78 189 202

HSL 186.29, 0.54%, 0.55%

LAB 71.06, -27.44, -15.97

 

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

CMYK 31 / 0 / 61 / 21

HEX #8CCA4E

RGB 140 202 78

HSL 90, 0.54%, 0.55%

LAB 75.06, -39.96, 54.19

 

CMYK 61 / 31 / 0 / 21

HEX #4E8CCA

RGB 78 140 202

HSL 210, 0.54%, 0.55%

LAB 56.72, -1.07, -38.05

 

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

CMYK 0 / 18 / 61 / 21

HEX #CAA54E

RGB 202 165 78

HSL 42.1, 0.54%, 0.55%

LAB 69.48, 3.68, 49.24

 

CMYK 61 / 0 / 31 / 21

HEX #4ECA8C

RGB 78 202 140

HSL 150, 0.54%, 0.55%

LAB 73.39, -48.69, 20.98

 

CMYK 61 / 43 / 0 / 21

HEX #4E73CA

RGB 78 115 202

HSL 222.1, 0.54%, 0.55%

LAB 49.67, 14, -49.2

 

CMYK 0 / 61 / 32 / 21

HEX #CA4E8A

RGB 202 78 138

HSL 330.97, 0.54%, 0.55%

LAB 51.66, 55.01, -7.76

 

CMYK 0 / 0 / 61 / 21

HEX #CACA4E

RGB 202 202 78

HSL 60, 0.54%, 0.55%

LAB 79.24, -15.55, 59.96

 

CMYK 61 / 0 / 31 / 21

HEX #4ECA8C

RGB 78 202 140

HSL 150, 0.54%, 0.55%

LAB 73.39, -48.69, 20.98

 

CMYK 61 / 61 / 0 / 21

HEX #4E4ECA

RGB 78 78 202

HSL 240, 0.54%, 0.55%

LAB 40.14, 37.11, -64.59

 

Description

Color code: HEX #CA4E8A | qconv.com Color code: HEX #CA4E8A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 78 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 78 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 32 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 32% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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