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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4D94DF it is the complementary color #B26B20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4D94DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4D94DF shade: #5294DA, #63A6ED, #74B8FF, #85CAFF and #96DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4D94DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4D94DF shade: #4D94DF, #3C82CC, #2B70B9, #1A5EA6 and #094C93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4D94DF shade: #4D94DF, #4D6CDF, #554DDF, #7C4DDF and #A34DDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4D94DF shade: #4D94DF, #4D6CDF and #4D4DDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4D94DF shade matches the following richer shades: #4D94DF and #3C93F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4D94DF shade: #4D94DF, #5E94CE, #6F95BD, #8095AC and #90969B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4D94DF shade: #4DDFDA, #4DBDDF, #4D96DF, #4D6FDF and #524DDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4D94DF shade: #206BB9, #2A7FD9, #4D94DF, #70A9E5 and #93BEEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4D94DF shade: #4D94DF, #B34DDF and #D0DF4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4D94DF shade: #4D94DF, #DF4D96 and #96DF4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4D94DF shade: #4D94DF, #B34DDF, #DF964D and #79DF4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4D94DF shade: #4D94DF, #DF4DDF, #DF964D and #4DDF4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 34 / 0 / 13

HEX #4D94DF

RGB 77 148 223

HSL 210.82, 0.7%, 0.59%

LAB 59.97, 1.12, -44.72

 

Complementary color

CMYK 0 / 40 / 82 / 30

HEX #B26B20

RGB 178 107 32

HSL 30.82, 0.7%, 0.41%

LAB 51.93, 22.68, 50.72

 

CMYK 62 / 32 / 0 / 15

HEX #5294DA

RGB 82 148 218

HSL 210.88, 0.65%, 0.59%

LAB 59.92, 0.32, -41.99

 

CMYK 58 / 30 / 0 / 7

HEX #63A6ED

RGB 99 166 237

HSL 210.87, 0.79%, 0.66%

LAB 66.55, -0.65, -42.03

 

CMYK 55 / 28 / 0 / 0

HEX #74B8FF

RGB 116 184 255

HSL 210.65, 1%, 0.73%

LAB 73.03, -1.74, -41.61

 

CMYK 48 / 21 / 0 / 0

HEX #85CAFF

RGB 133 202 255

HSL 206.07, 1%, 0.76%

LAB 78.72, -7.79, -32.73

 

CMYK 41 / 14 / 0 / 0

HEX #96DCFF

RGB 150 220 255

HSL 200, 1%, 0.79%

LAB 84.43, -13.16, -23.92

 

CMYK 65 / 34 / 0 / 13

HEX #4D94DF

RGB 77 148 223

HSL 210.82, 0.7%, 0.59%

LAB 59.97, 1.12, -44.72

 

CMYK 71 / 36 / 0 / 20

HEX #3C82CC

RGB 60 130 204

HSL 210.83, 0.59%, 0.52%

LAB 53.26, 2.51, -44.68

 

CMYK 77 / 39 / 0 / 27

HEX #2B70B9

RGB 43 112 185

HSL 210.85, 0.62%, 0.45%

LAB 46.45, 4.26, -44.64

 

CMYK 84 / 43 / 0 / 35

HEX #1A5EA6

RGB 26 94 166

HSL 210.86, 0.73%, 0.38%

LAB 39.54, 6.53, -44.55

 

CMYK 94 / 48 / 0 / 42

HEX #094C93

RGB 9 76 147

HSL 210.87, 0.88%, 0.31%

LAB 32.55, 9.5, -44.37

 

CMYK 65 / 34 / 0 / 13

HEX #4D94DF

RGB 77 148 223

HSL 210.82, 0.7%, 0.59%

LAB 59.97, 1.12, -44.72

 

CMYK 65 / 52 / 0 / 13

HEX #4D6CDF

RGB 77 108 223

HSL 227.26, 0.7%, 0.59%

LAB 49.04, 25.43, -62.15

 

CMYK 62 / 65 / 0 / 13

HEX #554DDF

RGB 85 77 223

HSL 243.29, 0.7%, 0.59%

LAB 42.1, 45.55, -73.42

 

CMYK 44 / 65 / 0 / 13

HEX #7C4DDF

RGB 124 77 223

HSL 259.32, 0.7%, 0.59%

LAB 45.53, 52.08, -67.69

 

CMYK 27 / 65 / 0 / 13

HEX #A34DDF

RGB 163 77 223

HSL 275.34, 0.7%, 0.59%

LAB 50, 59.96, -60.22

 

CMYK 65 / 34 / 0 / 13

HEX #4D94DF

RGB 77 148 223

HSL 210.82, 0.7%, 0.59%

LAB 59.97, 1.12, -44.72

 

CMYK 65 / 52 / 0 / 13

HEX #4D6CDF

RGB 77 108 223

HSL 227.26, 0.7%, 0.59%

LAB 49.04, 25.43, -62.15

 

CMYK 65 / 65 / 0 / 13

HEX #4D4DDF

RGB 77 77 223

HSL 240, 0.7%, 0.59%

LAB 41.55, 44.45, -74.34

 

CMYK 65 / 34 / 0 / 13

HEX #4D94DF

RGB 77 148 223

HSL 210.82, 0.7%, 0.59%

LAB 59.97, 1.12, -44.72

 

CMYK 75 / 39 / 0 / 6

HEX #3C93F0

RGB 60 147 240

HSL 211, 0.86%, 0.59%

LAB 60, 5.22, -54.12

 

CMYK 65 / 34 / 0 / 13

HEX #4D94DF

RGB 77 148 223

HSL 210.82, 0.7%, 0.59%

LAB 59.97, 1.12, -44.72

 

CMYK 54 / 28 / 0 / 19

HEX #5E94CE

RGB 94 148 206

HSL 211.07, 0.53%, 0.59%

LAB 59.9, -1.16, -35.27

 

CMYK 41 / 21 / 0 / 26

HEX #6F95BD

RGB 111 149 189

HSL 210.77, 0.37%, 0.59%

LAB 60.38, -2.63, -24.9

 

CMYK 26 / 13 / 0 / 33

HEX #8095AC

RGB 128 149 172

HSL 211.36, 0.21%, 0.59%

LAB 60.84, -2.12, -14.5

 

CMYK 7 / 3 / 0 / 39

HEX #90969B

RGB 144 150 155

HSL 207.27, 0.05%, 0.59%

LAB 61.75, -1.15, -3.38

 

CMYK 65 / 0 / 2 / 13

HEX #4DDFDA

RGB 77 223 218

HSL 177.95, 0.7%, 0.59%

LAB 81.52, -39.19, -8.95

 

CMYK 65 / 15 / 0 / 13

HEX #4DBDDF

RGB 77 189 223

HSL 193.97, 0.7%, 0.59%

LAB 71.76, -21.34, -26.37

 

CMYK 65 / 33 / 0 / 13

HEX #4D96DF

RGB 77 150 223

HSL 210, 0.7%, 0.59%

LAB 60.53, -0.04, -43.82

 

CMYK 65 / 50 / 0 / 13

HEX #4D6FDF

RGB 77 111 223

HSL 226.03, 0.7%, 0.59%

LAB 49.83, 23.56, -60.89

 

CMYK 63 / 65 / 0 / 13

HEX #524DDF

RGB 82 77 223

HSL 242.05, 0.7%, 0.59%

LAB 41.89, 45.13, -73.77

 

CMYK 83 / 42 / 0 / 27

HEX #206BB9

RGB 32 107 185

HSL 210.59, 0.71%, 0.43%

LAB 44.7, 6.22, -47.45

 

CMYK 81 / 41 / 0 / 15

HEX #2A7FD9

RGB 42 127 217

HSL 210.86, 0.7%, 0.51%

LAB 52.6, 6.92, -53.12

 

CMYK 65 / 34 / 0 / 13

HEX #4D94DF

RGB 77 148 223

HSL 210.82, 0.7%, 0.59%

LAB 59.97, 1.12, -44.72

 

CMYK 51 / 26 / 0 / 10

HEX #70A9E5

RGB 112 169 229

HSL 210.77, 0.69%, 0.67%

LAB 67.63, -2.06, -35.91

 

CMYK 38 / 19 / 0 / 7

HEX #93BEEC

RGB 147 190 236

HSL 211.01, 0.7%, 0.75%

LAB 75.5, -3.03, -27.41

 

CMYK 65 / 34 / 0 / 13

HEX #4D94DF

RGB 77 148 223

HSL 210.82, 0.7%, 0.59%

LAB 59.97, 1.12, -44.72

 

CMYK 20 / 65 / 0 / 13

HEX #B34DDF

RGB 179 77 223

HSL 281.92, 0.7%, 0.59%

LAB 52.08, 63.42, -56.77

 

CMYK 7 / 0 / 65 / 13

HEX #D0DF4D

RGB 208 223 77

HSL 66.16, 0.7%, 0.59%

LAB 85.36, -23.46, 66.93

 

CMYK 65 / 34 / 0 / 13

HEX #4D94DF

RGB 77 148 223

HSL 210.82, 0.7%, 0.59%

LAB 59.97, 1.12, -44.72

 

CMYK 0 / 65 / 33 / 13

HEX #DF4D96

RGB 223 77 150

HSL 330, 0.7%, 0.59%

LAB 55.28, 63.02, -9.1

 

CMYK 33 / 0 / 65 / 13

HEX #96DF4D

RGB 150 223 77

HSL 90, 0.7%, 0.59%

LAB 81.73, -45.59, 62

 

CMYK 65 / 34 / 0 / 13

HEX #4D94DF

RGB 77 148 223

HSL 210.82, 0.7%, 0.59%

LAB 59.97, 1.12, -44.72

 

CMYK 20 / 65 / 0 / 13

HEX #B34DDF

RGB 179 77 223

HSL 281.92, 0.7%, 0.59%

LAB 52.08, 63.42, -56.77

 

CMYK 0 / 33 / 65 / 13

HEX #DF964D

RGB 223 150 77

HSL 30, 0.7%, 0.59%

LAB 68.05, 20.6, 48.72

 

CMYK 46 / 0 / 65 / 13

HEX #79DF4D

RGB 121 223 77

HSL 101.92, 0.7%, 0.59%

LAB 80.39, -55.02, 60.17

 

CMYK 65 / 34 / 0 / 13

HEX #4D94DF

RGB 77 148 223

HSL 210.82, 0.7%, 0.59%

LAB 59.97, 1.12, -44.72

 

CMYK 0 / 65 / 0 / 13

HEX #DF4DDF

RGB 223 77 223

HSL 300, 0.7%, 0.59%

LAB 58.34, 73.27, -46.43

 

CMYK 0 / 33 / 65 / 13

HEX #DF964D

RGB 223 150 77

HSL 30, 0.7%, 0.59%

LAB 68.05, 20.6, 48.72

 

CMYK 65 / 0 / 65 / 13

HEX #4DDF4D

RGB 77 223 77

HSL 120, 0.7%, 0.59%

LAB 78.98, -66, 58.23

 

Description

Color code: HEX #4D94DF | qconv.com Color code: HEX #4D94DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 148 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 148 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 34 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 34% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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