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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DA21F it is the complementary color #B25DE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DA21F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DA21F shade: #52A21A, #63B42D, #74C640, #85D853 and #96EA66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DA21F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DA21F shade: #4DA21F, #3C900C, #2B7E00, #1A6C00 and #095A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DA21F shade: #4DA21F, #70A21F, #94A21F, #A28D1F and #A26A1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DA21F shade: #4DA21F, #29A21F, #1FA237, #1FA25B and #1FA27E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DA21F shade matches the following richer shades: #4DA21F and #48B20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DA21F shade: #4DA21F, #51932E, #56833E, #5B734E and #5F645D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DA21F shade: #95A21F, #72A21F, #4FA21F, #2CA21F and #1FA234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DA21F shade: #2C5D11, #3C8018, #4DA21F, #5DC525 and #72D93A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DA21F shade: #4DA21F, #1FA28C and #A21F84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DA21F shade: #4DA21F, #1F4FA2 and #A21F4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DA21F shade: #4DA21F, #1FA28C, #721FA2 and #A21F34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DA21F shade: #4DA21F, #1F91A2, #721FA2 and #A2301F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

Complementary color

CMYK 21 / 58 / 0 / 12

HEX #B25DE0

RGB 178 93 224

HSL 278.93, 0.68%, 0.62%

LAB 54.74, 55.95, -53.1

 

CMYK 49 / 0 / 84 / 36

HEX #52A21A

RGB 82 162 26

HSL 95.29, 0.72%, 0.37%

LAB 59.62, -46.56, 56.67

 

CMYK 45 / 0 / 75 / 29

HEX #63B42D

RGB 99 180 45

HSL 96, 0.6%, 0.44%

LAB 66.12, -47.27, 57.22

 

CMYK 41 / 0 / 68 / 22

HEX #74C640

RGB 116 198 64

HSL 96.72, 0.54%, 0.51%

LAB 72.54, -47.69, 56.93

 

CMYK 38 / 0 / 62 / 15

HEX #85D853

RGB 133 216 83

HSL 97.44, 0.63%, 0.59%

LAB 78.88, -47.91, 56.19

 

CMYK 36 / 0 / 56 / 8

HEX #96EA66

RGB 150 234 102

HSL 98.18, 0.76%, 0.66%

LAB 85.14, -48.01, 55.23

 

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

CMYK 58 / 0 / 92 / 44

HEX #3C900C

RGB 60 144 12

HSL 98.18, 0.85%, 0.31%

LAB 52.88, -46.73, 53.62

 

CMYK 66 / 0 / 100 / 51

HEX #2B7E00

RGB 43 126 0

HSL 99.52, 1%, 0.25%

LAB 46.22, -44.99, 50.19

 

CMYK 76 / 0 / 100 / 58

HEX #1A6C00

RGB 26 108 0

HSL 105.56, 1%, 0.21%

LAB 39.49, -42.45, 44.65

 

CMYK 90 / 0 / 100 / 65

HEX #095A00

RGB 9 90 0

HSL 114, 1%, 0.18%

LAB 32.64, -39.14, 39.05

 

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

CMYK 31 / 0 / 81 / 36

HEX #70A21F

RGB 112 162 31

HSL 82.9, 0.68%, 0.38%

LAB 61.12, -35.76, 57.19

 

CMYK 9 / 0 / 81 / 36

HEX #94A21F

RGB 148 162 31

HSL 66.41, 0.68%, 0.38%

LAB 63.54, -20.86, 60.27

 

CMYK 0 / 13 / 81 / 36

HEX #A28D1F

RGB 162 141 31

HSL 50.38, 0.68%, 0.38%

LAB 58.82, -3.53, 56.55

 

CMYK 0 / 35 / 81 / 36

HEX #A26A1F

RGB 162 106 31

HSL 34.35, 0.68%, 0.38%

LAB 49.6, 16.11, 48.23

 

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

CMYK 75 / 0 / 81 / 36

HEX #29A21F

RGB 41 162 31

HSL 115.42, 0.68%, 0.38%

LAB 58.43, -56.22, 53.71

 

CMYK 81 / 0 / 66 / 36

HEX #1FA237

RGB 31 162 55

HSL 130.99, 0.68%, 0.38%

LAB 58.42, -55.63, 44.67

 

CMYK 81 / 0 / 44 / 36

HEX #1FA25B

RGB 31 162 91

HSL 147.48, 0.68%, 0.38%

LAB 58.87, -50.29, 27.48

 

CMYK 81 / 0 / 22 / 36

HEX #1FA27E

RGB 31 162 126

HSL 163.51, 0.68%, 0.38%

LAB 59.56, -42.6, 9.19

 

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

CMYK 60 / 0 / 92 / 30

HEX #48B20F

RGB 72 178 15

HSL 99.02, 0.84%, 0.38%

LAB 64.37, -55.7, 62.94

 

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

CMYK 45 / 0 / 69 / 42

HEX #51932E

RGB 81 147 46

HSL 99.21, 0.52%, 0.38%

LAB 54.88, -39.46, 45.12

 

CMYK 34 / 0 / 53 / 49

HEX #56833E

RGB 86 131 62

HSL 99.13, 0.36%, 0.38%

LAB 50.17, -28.76, 32.23

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 5 / 0 / 7 / 61

HEX #5F645D

RGB 95 100 93

HSL 102.86, 0.04%, 0.38%

LAB 41.75, -3.4, 3.29

 

CMYK 8 / 0 / 81 / 36

HEX #95A21F

RGB 149 162 31

HSL 65.95, 0.68%, 0.38%

LAB 63.61, -20.42, 60.37

 

CMYK 30 / 0 / 81 / 36

HEX #72A21F

RGB 114 162 31

HSL 81.98, 0.68%, 0.38%

LAB 61.24, -34.99, 57.34

 

CMYK 51 / 0 / 81 / 36

HEX #4FA21F

RGB 79 162 31

HSL 98.02, 0.68%, 0.38%

LAB 59.53, -47.23, 55.14

 

CMYK 73 / 0 / 81 / 36

HEX #2CA21F

RGB 44 162 31

HSL 114.05, 0.68%, 0.38%

LAB 58.49, -55.71, 53.79

 

CMYK 81 / 0 / 68 / 36

HEX #1FA234

RGB 31 162 52

HSL 129.62, 0.68%, 0.38%

LAB 58.4, -55.95, 45.93

 

CMYK 53 / 0 / 82 / 64

HEX #2C5D11

RGB 44 93 17

HSL 98.68, 0.69%, 0.22%

LAB 34.81, -30.99, 35.86

 

CMYK 53 / 0 / 81 / 50

HEX #3C8018

RGB 60 128 24

HSL 99.23, 0.68%, 0.3%

LAB 47.58, -40.01, 45.85

 

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

CMYK 53 / 0 / 81 / 23

HEX #5DC525

RGB 93 197 37

HSL 99, 0.68%, 0.46%

LAB 71.14, -56.04, 64.35

 

CMYK 47 / 0 / 73 / 15

HEX #72D93A

RGB 114 217 58

HSL 98.87, 0.68%, 0.54%

LAB 78.17, -56.23, 64.86

 

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

CMYK 81 / 0 / 14 / 36

HEX #1FA28C

RGB 31 162 140

HSL 169.92, 0.68%, 0.38%

LAB 59.91, -38.91, 1.82

 

CMYK 0 / 81 / 19 / 36

HEX #A21F84

RGB 162 31 132

HSL 313.74, 0.68%, 0.38%

LAB 38.42, 60.59, -24.92

 

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

CMYK 81 / 51 / 0 / 36

HEX #1F4FA2

RGB 31 79 162

HSL 218.02, 0.68%, 0.38%

LAB 34.99, 15.34, -49.49

 

CMYK 0 / 81 / 51 / 36

HEX #A21F4F

RGB 162 31 79

HSL 338.02, 0.68%, 0.38%

LAB 36.42, 54.68, 5.6

 

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

CMYK 81 / 0 / 14 / 36

HEX #1FA28C

RGB 31 162 140

HSL 169.92, 0.68%, 0.38%

LAB 59.91, -38.91, 1.82

 

CMYK 30 / 81 / 0 / 36

HEX #721FA2

RGB 114 31 162

HSL 278.02, 0.68%, 0.38%

LAB 32.18, 56.07, -53.71

 

CMYK 0 / 81 / 68 / 36

HEX #A21F34

RGB 162 31 52

HSL 350.38, 0.68%, 0.38%

LAB 35.81, 52.82, 22.16

 

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

CMYK 81 / 10 / 0 / 36

HEX #1F91A2

RGB 31 145 162

HSL 187.79, 0.68%, 0.38%

LAB 55.23, -24.13, -17.69

 

CMYK 30 / 81 / 0 / 36

HEX #721FA2

RGB 114 31 162

HSL 278.02, 0.68%, 0.38%

LAB 32.18, 56.07, -53.71

 

CMYK 0 / 70 / 81 / 36

HEX #A2301F

RGB 162 48 31

HSL 7.79, 0.68%, 0.38%

LAB 37.65, 45.99, 36.8

 

Description

Color code: HEX #4DA21F | qconv.com Color code: HEX #4DA21F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 162 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 162 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 81 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 81% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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