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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 115 78 it is the complementary color RGB 164 140 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 115 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 91 115 78 shade: RGB 96 115 73, RGB 113 133 92, RGB 130 151 111, RGB 147 169 130 and RGB 164 187 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 115 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 91 115 78 shade: RGB 91 115 78, RGB 74 97 59, RGB 57 79 40, RGB 40 61 21 and RGB 23 43 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 91 115 78 shade: RGB 91 115 78, RGB 101 115 78, RGB 111 115 78, RGB 115 109 78 and RGB 115 99 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 91 115 78 shade: RGB 91 115 78, RGB 81 115 78, RGB 78 115 85, RGB 78 115 95 and RGB 78 115 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 91 115 78 shade matches the following richer shades: RGB 91 115 78, RGB 86 130 62, RGB 82 146 47, RGB 77 162 31 and RGB 72 178 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 91 115 78 shade: RGB 91 115 78, RGB 96 99 94, RGB 100 83 109, RGB 105 68 125 and RGB 110 52 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 91 115 78 shade: RGB 111 115 78, RGB 101 115 78, RGB 91 115 78, RGB 82 115 78 and RGB 78 115 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 91 115 78 shade: RGB 52 66 45, RGB 71 90 61, RGB 91 115 78, RGB 110 139 95 and RGB 131 160 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 91 115 78 shade: RGB 91 115 78, RGB 78 115 109 and RGB 115 78 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 91 115 78 shade: RGB 91 115 78, RGB 78 91 115 and RGB 115 78 91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 91 115 78 shade: RGB 91 115 78, RGB 78 115 109, RGB 101 78 115 and RGB 115 78 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 91 115 78 shade: RGB 91 115 78, RGB 78 110 115, RGB 101 78 115 and RGB 115 83 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

Complementary color

CMYK 7 / 21 / 0 / 31

HEX #A48CB1

RGB 164 140 177

HSL 278.92, 0.19%, 0.62%

LAB 61.5, 16.02, -16.05

 

CMYK 17 / 0 / 37 / 55

HEX #607349

RGB 96 115 73

HSL 87.14, 0.22%, 0.37%

LAB 45.95, -15.09, 20.99

 

CMYK 15 / 0 / 31 / 48

HEX #71855C

RGB 113 133 92

HSL 89.27, 0.18%, 0.44%

LAB 53.01, -15.05, 19.79

 

CMYK 14 / 0 / 26 / 41

HEX #82976F

RGB 130 151 111

HSL 91.5, 0.16%, 0.51%

LAB 59.91, -14.99, 18.68

 

CMYK 13 / 0 / 23 / 34

HEX #93A982

RGB 147 169 130

HSL 93.85, 0.18%, 0.59%

LAB 66.67, -14.94, 17.64

 

CMYK 12 / 0 / 20 / 27

HEX #A4BB95

RGB 164 187 149

HSL 96.32, 0.22%, 0.66%

LAB 73.29, -14.89, 16.67

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 24 / 0 / 39 / 62

HEX #4A613B

RGB 74 97 59

HSL 96.32, 0.24%, 0.31%

LAB 38.41, -16.44, 18.94

 

CMYK 28 / 0 / 49 / 69

HEX #394F28

RGB 57 79 40

HSL 93.85, 0.33%, 0.23%

LAB 30.91, -16.55, 20.29

 

CMYK 34 / 0 / 66 / 76

HEX #283D15

RGB 40 61 21

HSL 91.5, 0.49%, 0.16%

LAB 23.14, -16.56, 21.66

 

CMYK 47 / 0 / 95 / 83

HEX #172B02

RGB 23 43 2

HSL 89.27, 0.91%, 0.09%

LAB 15.03, -16.42, 20.73

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 12 / 0 / 32 / 55

HEX #65734E

RGB 101 115 78

HSL 82.7, 0.19%, 0.38%

LAB 46.42, -12.26, 18.8

 

CMYK 3 / 0 / 32 / 55

HEX #6F734E

RGB 111 115 78

HSL 66.49, 0.19%, 0.38%

LAB 47.22, -8.07, 20.02

 

CMYK 0 / 5 / 32 / 55

HEX #736D4E

RGB 115 109 78

HSL 50.27, 0.19%, 0.38%

LAB 45.81, -2.93, 18.2

 

CMYK 0 / 14 / 32 / 55

HEX #73634E

RGB 115 99 78

HSL 34.05, 0.19%, 0.38%

LAB 42.94, 2.94, 14.31

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 30 / 0 / 32 / 55

HEX #51734E

RGB 81 115 78

HSL 115.14, 0.19%, 0.38%

LAB 45.03, -20.13, 16.69

 

CMYK 32 / 0 / 26 / 55

HEX #4E7355

RGB 78 115 85

HSL 131.35, 0.19%, 0.38%

LAB 44.99, -19.89, 12.51

 

CMYK 32 / 0 / 17 / 55

HEX #4E735F

RGB 78 115 95

HSL 147.57, 0.19%, 0.38%

LAB 45.23, -17.79, 6.92

 

CMYK 32 / 0 / 9 / 55

HEX #4E7369

RGB 78 115 105

HSL 163.78, 0.19%, 0.38%

LAB 45.5, -15.49, 1.34

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 34 / 0 / 52 / 49

HEX #56823E

RGB 86 130 62

HSL 98.82, 0.35%, 0.38%

LAB 49.85, -28.28, 31.84

 

CMYK 44 / 0 / 68 / 43

HEX #52922F

RGB 82 146 47

HSL 98.79, 0.51%, 0.38%

LAB 54.61, -38.61, 44.43

 

CMYK 52 / 0 / 81 / 36

HEX #4DA21F

RGB 77 162 31

HSL 98.93, 0.68%, 0.38%

LAB 59.45, -47.83, 55.04

 

CMYK 60 / 0 / 92 / 30

HEX #48B20F

RGB 72 178 15

HSL 99.02, 0.84%, 0.38%

LAB 64.37, -55.7, 62.94

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 3 / 0 / 5 / 61

HEX #60635E

RGB 96 99 94

HSL 96, 0.03%, 0.38%

LAB 41.56, -2.21, 2.43

 

CMYK 8 / 24 / 0 / 57

HEX #64536D

RGB 100 83 109

HSL 279.23, 0.14%, 0.38%

LAB 37.84, 12.39, -12.29

 

CMYK 16 / 46 / 0 / 51

HEX #69447D

RGB 105 68 125

HSL 278.95, 0.3%, 0.38%

LAB 35.24, 27.12, -26.2

 

CMYK 22 / 63 / 0 / 45

HEX #6E348D

RGB 110 52 141

HSL 279.1, 0.46%, 0.38%

LAB 33.34, 41.38, -39.06

 

CMYK 3 / 0 / 32 / 55

HEX #6F734E

RGB 111 115 78

HSL 66.49, 0.19%, 0.38%

LAB 47.22, -8.07, 20.02

 

CMYK 12 / 0 / 32 / 55

HEX #65734E

RGB 101 115 78

HSL 82.7, 0.19%, 0.38%

LAB 46.42, -12.26, 18.8

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 29 / 0 / 32 / 55

HEX #52734E

RGB 82 115 78

HSL 113.51, 0.19%, 0.38%

LAB 45.09, -19.76, 16.78

 

CMYK 32 / 0 / 27 / 55

HEX #4E7354

RGB 78 115 84

HSL 129.73, 0.19%, 0.38%

LAB 44.97, -20.09, 13.07

 

CMYK 21 / 0 / 32 / 74

HEX #34422D

RGB 52 66 45

HSL 100, 0.19%, 0.22%

LAB 26.2, -10.38, 10.98

 

CMYK 21 / 0 / 32 / 65

HEX #475A3D

RGB 71 90 61

HSL 99.31, 0.19%, 0.3%

LAB 35.96, -13.43, 14.44

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 21 / 0 / 32 / 45

HEX #6E8B5F

RGB 110 139 95

HSL 99.55, 0.19%, 0.46%

LAB 54.66, -18.91, 20.28

 

CMYK 18 / 0 / 28 / 37

HEX #83A073

RGB 131 160 115

HSL 98.67, 0.19%, 0.54%

LAB 62.68, -18.67, 20.24

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 32 / 0 / 5 / 55

HEX #4E736D

RGB 78 115 109

HSL 170.27, 0.19%, 0.38%

LAB 45.61, -14.52, -0.88

 

CMYK 0 / 32 / 8 / 55

HEX #734E6A

RGB 115 78 106

HSL 314.59, 0.19%, 0.38%

LAB 38.08, 20.45, -9.91

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 32 / 21 / 0 / 55

HEX #4E5B73

RGB 78 91 115

HSL 218.92, 0.19%, 0.38%

LAB 38.45, 1.19, -15.26

 

CMYK 0 / 32 / 21 / 55

HEX #734E5B

RGB 115 78 91

HSL 338.92, 0.19%, 0.38%

LAB 37.57, 17.7, -1.3

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 32 / 0 / 5 / 55

HEX #4E736D

RGB 78 115 109

HSL 170.27, 0.19%, 0.38%

LAB 45.61, -14.52, -0.88

 

CMYK 12 / 32 / 0 / 55

HEX #654E73

RGB 101 78 115

HSL 277.3, 0.19%, 0.38%

LAB 36.84, 17.26, -17.54

 

CMYK 0 / 32 / 27 / 55

HEX #734E54

RGB 115 78 84

HSL 350.27, 0.19%, 0.38%

LAB 37.36, 16.54, 2.78

 

CMYK 21 / 0 / 32 / 55

HEX #5B734E

RGB 91 115 78

HSL 98.92, 0.19%, 0.38%

LAB 45.68, -16.3, 17.69

 

CMYK 32 / 4 / 0 / 55

HEX #4E6E73

RGB 78 110 115

HSL 188.11, 0.19%, 0.38%

LAB 44.25, -10.16, -6.5

 

CMYK 12 / 32 / 0 / 55

HEX #654E73

RGB 101 78 115

HSL 277.3, 0.19%, 0.38%

LAB 36.84, 17.26, -17.54

 

CMYK 0 / 28 / 32 / 55

HEX #73534E

RGB 115 83 78

HSL 8.11, 0.19%, 0.38%

LAB 38.52, 12.58, 8.18

 

Description

Color code: RGB 91 115 78 | qconv.com Color code: RGB 91 115 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 115 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 115 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 32 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 32% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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