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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DA2D5 it is the complementary color #B25D2A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DA2D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DA2D5 shade: #52A2D0, #63B4E3, #74C6F6, #85D8FF and #96EAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DA2D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DA2D5 shade: #4DA2D5, #3C90C2, #2B7EAF, #1A6C9C and #095A89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DA2D5 shade: #4DA2D5, #4D7DD5, #4D59D5, #664DD5 and #8B4DD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DA2D5 shade: #4DA2D5, #4D7DD5, #4D59D5 and #4D4DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DA2D5 shade matches the following richer shades: #4DA2D5, #3BA6E7 and #29ABF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DA2D5 shade: #4DA2D5, #5F9DC3, #7099B1, #8295A0 and #94908E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DA2D5 shade: #4DD5BE, #4DC7D5, #4DA3D5, #4D7FD5 and #4D5AD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DA2D5 shade: #2778A8, #2F90CA, #4DA2D5, #6EB3DD and #90C5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DA2D5 shade: #4DA2D5, #9A4DD5 and #D5D04D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DA2D5 shade: #4DA2D5, #D54DA3 and #A3D54D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DA2D5 shade: #4DA2D5, #9A4DD5, #D57F4D and #88D54D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DA2D5 shade: #4DA2D5, #C34DD5, #D57F4D and #5FD54D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 24 / 0 / 16

HEX #4DA2D5

RGB 77 162 213

HSL 202.5, 0.62%, 0.57%

LAB 63.53, -10.13, -33.58

 

Complementary color

CMYK 0 / 48 / 76 / 30

HEX #B25D2A

RGB 178 93 42

HSL 22.5, 0.62%, 0.43%

LAB 48.84, 30.72, 43.34

 

CMYK 61 / 22 / 0 / 18

HEX #52A2D0

RGB 82 162 208

HSL 201.9, 0.57%, 0.57%

LAB 63.5, -10.83, -30.84

 

CMYK 56 / 21 / 0 / 11

HEX #63B4E3

RGB 99 180 227

HSL 202.03, 0.7%, 0.64%

LAB 70.06, -11.46, -31.1

 

CMYK 53 / 20 / 0 / 4

HEX #74C6F6

RGB 116 198 246

HSL 202.15, 0.88%, 0.71%

LAB 76.53, -11.96, -31.35

 

CMYK 48 / 15 / 0 / 0

HEX #85D8FF

RGB 133 216 255

HSL 199.18, 1%, 0.76%

LAB 82.55, -15.11, -26.85

 

CMYK 41 / 8 / 0 / 0

HEX #96EAFF

RGB 150 234 255

HSL 192, 1%, 0.79%

LAB 88.23, -20.24, -18.16

 

CMYK 64 / 24 / 0 / 16

HEX #4DA2D5

RGB 77 162 213

HSL 202.5, 0.62%, 0.57%

LAB 63.53, -10.13, -33.58

 

CMYK 69 / 26 / 0 / 24

HEX #3C90C2

RGB 60 144 194

HSL 202.39, 0.53%, 0.5%

LAB 56.88, -9.15, -33.32

 

CMYK 75 / 28 / 0 / 31

HEX #2B7EAF

RGB 43 126 175

HSL 202.27, 0.61%, 0.43%

LAB 50.13, -7.86, -33.03

 

CMYK 83 / 31 / 0 / 39

HEX #1A6C9C

RGB 26 108 156

HSL 202.15, 0.71%, 0.36%

LAB 43.28, -6.16, -32.69

 

CMYK 93 / 34 / 0 / 46

HEX #095A89

RGB 9 90 137

HSL 202.03, 0.88%, 0.29%

LAB 36.32, -3.84, -32.26

 

CMYK 64 / 24 / 0 / 16

HEX #4DA2D5

RGB 77 162 213

HSL 202.5, 0.62%, 0.57%

LAB 63.53, -10.13, -33.58

 

CMYK 64 / 41 / 0 / 16

HEX #4D7DD5

RGB 77 125 213

HSL 218.82, 0.62%, 0.57%

LAB 53, 11.44, -50.15

 

CMYK 64 / 58 / 0 / 16

HEX #4D59D5

RGB 77 89 213

HSL 234.71, 0.62%, 0.57%

LAB 43.55, 33.85, -65.37

 

CMYK 52 / 64 / 0 / 16

HEX #664DD5

RGB 102 77 213

HSL 251.03, 0.62%, 0.57%

LAB 42.67, 45.23, -66.72

 

CMYK 35 / 64 / 0 / 16

HEX #8B4DD5

RGB 139 77 213

HSL 267.35, 0.62%, 0.57%

LAB 46.45, 52.52, -60.41

 

CMYK 64 / 24 / 0 / 16

HEX #4DA2D5

RGB 77 162 213

HSL 202.5, 0.62%, 0.57%

LAB 63.53, -10.13, -33.58

 

CMYK 64 / 41 / 0 / 16

HEX #4D7DD5

RGB 77 125 213

HSL 218.82, 0.62%, 0.57%

LAB 53, 11.44, -50.15

 

CMYK 64 / 58 / 0 / 16

HEX #4D59D5

RGB 77 89 213

HSL 234.71, 0.62%, 0.57%

LAB 43.55, 33.85, -65.37

 

CMYK 64 / 64 / 0 / 16

HEX #4D4DD5

RGB 77 77 213

HSL 240, 0.62%, 0.57%

LAB 40.72, 41.18, -69.98

 

CMYK 64 / 24 / 0 / 16

HEX #4DA2D5

RGB 77 162 213

HSL 202.5, 0.62%, 0.57%

LAB 63.53, -10.13, -33.58

 

CMYK 74 / 28 / 0 / 9

HEX #3BA6E7

RGB 59 166 231

HSL 202.67, 0.78%, 0.57%

LAB 64.94, -8.96, -41.36

 

CMYK 83 / 31 / 0 / 3

HEX #29ABF8

RGB 41 171 248

HSL 202.32, 0.94%, 0.57%

LAB 66.81, -7.57, -47.75

 

CMYK 64 / 24 / 0 / 16

HEX #4DA2D5

RGB 77 162 213

HSL 202.5, 0.62%, 0.57%

LAB 63.53, -10.13, -33.58

 

CMYK 51 / 19 / 0 / 24

HEX #5F9DC3

RGB 95 157 195

HSL 202.8, 0.45%, 0.57%

LAB 62.07, -9.36, -25.74

 

CMYK 37 / 14 / 0 / 31

HEX #7099B1

RGB 112 153 177

HSL 202.15, 0.29%, 0.57%

LAB 61.13, -7.86, -16.97

 

CMYK 19 / 7 / 0 / 37

HEX #8295A0

RGB 130 149 160

HSL 202, 0.14%, 0.57%

LAB 60.59, -4.3, -8.05

 

CMYK 0 / 3 / 4 / 42

HEX #94908E

RGB 148 144 142

HSL 20, 0.03%, 0.57%

LAB 60.06, 1.1, 1.58

 

CMYK 64 / 0 / 11 / 16

HEX #4DD5BE

RGB 77 213 190

HSL 169.85, 0.62%, 0.57%

LAB 77.81, -42.08, 0.53

 

CMYK 64 / 7 / 0 / 16

HEX #4DC7D5

RGB 77 199 213

HSL 186.18, 0.62%, 0.57%

LAB 74.34, -29.32, -17.02

 

CMYK 64 / 23 / 0 / 16

HEX #4DA3D5

RGB 77 163 213

HSL 202.06, 0.62%, 0.57%

LAB 63.82, -10.68, -33.13

 

CMYK 64 / 40 / 0 / 16

HEX #4D7FD5

RGB 77 127 213

HSL 217.94, 0.62%, 0.57%

LAB 53.56, 10.22, -49.26

 

CMYK 64 / 58 / 0 / 16

HEX #4D5AD5

RGB 77 90 213

HSL 234.26, 0.62%, 0.57%

LAB 43.79, 33.23, -64.97

 

CMYK 77 / 29 / 0 / 34

HEX #2778A8

RGB 39 120 168

HSL 202.33, 0.62%, 0.41%

LAB 47.87, -7.39, -32.52

 

CMYK 77 / 29 / 0 / 21

HEX #2F90CA

RGB 47 144 202

HSL 202.45, 0.62%, 0.49%

LAB 56.89, -8.11, -37.85

 

CMYK 64 / 24 / 0 / 16

HEX #4DA2D5

RGB 77 162 213

HSL 202.5, 0.62%, 0.57%

LAB 63.53, -10.13, -33.58

 

CMYK 50 / 19 / 0 / 13

HEX #6EB3DD

RGB 110 179 221

HSL 202.7, 0.62%, 0.65%

LAB 70.02, -10.35, -27.85

 

CMYK 37 / 14 / 0 / 10

HEX #90C5E5

RGB 144 197 229

HSL 202.59, 0.62%, 0.73%

LAB 76.99, -9.38, -21.39

 

CMYK 64 / 24 / 0 / 16

HEX #4DA2D5

RGB 77 162 213

HSL 202.5, 0.62%, 0.57%

LAB 63.53, -10.13, -33.58

 

CMYK 28 / 64 / 0 / 16

HEX #9A4DD5

RGB 154 77 213

HSL 273.97, 0.62%, 0.57%

LAB 48.24, 55.77, -57.44

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 64 / 24 / 0 / 16

HEX #4DA2D5

RGB 77 162 213

HSL 202.5, 0.62%, 0.57%

LAB 63.53, -10.13, -33.58

 

CMYK 0 / 64 / 23 / 16

HEX #D54DA3

RGB 213 77 163

HSL 322.06, 0.62%, 0.57%

LAB 54.13, 61.82, -18.63

 

CMYK 23 / 0 / 64 / 16

HEX #A3D54D

RGB 163 213 77

HSL 82.06, 0.62%, 0.57%

LAB 79.56, -36.47, 59.9

 

CMYK 64 / 24 / 0 / 16

HEX #4DA2D5

RGB 77 162 213

HSL 202.5, 0.62%, 0.57%

LAB 63.53, -10.13, -33.58

 

CMYK 28 / 64 / 0 / 16

HEX #9A4DD5

RGB 154 77 213

HSL 273.97, 0.62%, 0.57%

LAB 48.24, 55.77, -57.44

 

CMYK 0 / 40 / 64 / 16

HEX #D57F4D

RGB 213 127 77

HSL 22.06, 0.62%, 0.57%

LAB 61.53, 28.8, 40.91

 

CMYK 36 / 0 / 64 / 16

HEX #88D54D

RGB 136 213 77

HSL 93.97, 0.62%, 0.57%

LAB 78.09, -46.18, 57.88

 

CMYK 64 / 24 / 0 / 16

HEX #4DA2D5

RGB 77 162 213

HSL 202.5, 0.62%, 0.57%

LAB 63.53, -10.13, -33.58

 

CMYK 8 / 64 / 0 / 16

HEX #C34DD5

RGB 195 77 213

HSL 292.06, 0.62%, 0.57%

LAB 53.72, 65.11, -48.35

 

CMYK 0 / 40 / 64 / 16

HEX #D57F4D

RGB 213 127 77

HSL 22.06, 0.62%, 0.57%

LAB 61.53, 28.8, 40.91

 

CMYK 55 / 0 / 64 / 16

HEX #5FD54D

RGB 95 213 77

HSL 112.06, 0.62%, 0.57%

LAB 76.41, -58.44, 55.56

 

Description

Color code: HEX #4DA2D5 | qconv.com Color code: HEX #4DA2D5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 162 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 162 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 24 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 24% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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