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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 213 208 77 it is the complementary color RGB 42 47 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 213 208 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 213 208 77 shade: RGB 218 208 72, RGB 235 226 91, RGB 252 244 110, RGB 255 255 129 and RGB 255 255 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 213 208 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 213 208 77 shade: RGB 213 208 77, RGB 196 190 58, RGB 179 172 39, RGB 162 154 20 and RGB 145 136 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 213 208 77 shade: RGB 213 208 77, RGB 213 171 77, RGB 213 134 77, RGB 213 98 77 and RGB 213 77 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 213 208 77 shade: RGB 213 208 77, RGB 181 213 77, RGB 145 213 77, RGB 108 213 77 and RGB 77 213 83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 213 208 77 shade matches the following richer shades: RGB 213 208 77, RGB 231 224 59 and RGB 248 241 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 213 208 77 shade: RGB 213 208 77, RGB 195 191 95, RGB 177 175 112, RGB 160 159 130 and RGB 142 142 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 213 208 77 shade: RGB 213 134 77, RGB 213 170 77, RGB 213 206 77, RGB 183 213 77 and RGB 147 213 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 213 208 77 shade: RGB 168 163 39, RGB 202 196 47, RGB 213 208 77, RGB 221 217 110 and RGB 229 225 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 213 208 77 shade: RGB 213 208 77, RGB 77 213 97 and RGB 152 77 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 213 208 77 shade: RGB 213 208 77, RGB 77 213 206 and RGB 206 77 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 213 208 77 shade: RGB 213 208 77, RGB 77 213 97, RGB 77 84 213 and RGB 213 77 192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 213 208 77 shade: RGB 213 208 77, RGB 77 213 138, RGB 77 84 213 and RGB 213 77 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

Complementary color

CMYK 76 / 74 / 0 / 30

HEX #2A2FB2

RGB 42 47 178

HSL 237.79, 0.62%, 0.43%

LAB 28.75, 43.23, -69.24

 

CMYK 0 / 5 / 67 / 15

HEX #DAD048

RGB 218 208 72

HSL 55.89, 0.66%, 0.57%

LAB 82.1, -12.24, 65.77

 

CMYK 0 / 4 / 61 / 8

HEX #EBE25B

RGB 235 226 91

HSL 56.25, 0.78%, 0.64%

LAB 88.36, -13.07, 65.09

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 0 / 3 / 70 / 23

HEX #C4BE3A

RGB 196 190 58

HSL 57.39, 0.54%, 0.5%

LAB 75.37, -13.17, 63.75

 

CMYK 0 / 4 / 78 / 30

HEX #B3AC27

RGB 179 172 39

HSL 57, 0.64%, 0.43%

LAB 68.92, -12.12, 63.65

 

CMYK 0 / 5 / 88 / 36

HEX #A29A14

RGB 162 154 20

HSL 56.62, 0.78%, 0.36%

LAB 62.37, -10.84, 62.5

 

CMYK 0 / 6 / 99 / 43

HEX #918801

RGB 145 136 1

HSL 56.25, 0.99%, 0.29%

LAB 55.72, -9.33, 60

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 0 / 20 / 64 / 16

HEX #D5AB4D

RGB 213 171 77

HSL 41.47, 0.62%, 0.57%

LAB 72.1, 5.11, 52.93

 

CMYK 0 / 37 / 64 / 16

HEX #D5864D

RGB 213 134 77

HSL 25.15, 0.62%, 0.57%

LAB 63.12, 25.05, 42.76

 

CMYK 0 / 54 / 64 / 16

HEX #D5624D

RGB 213 98 77

HSL 9.26, 0.62%, 0.57%

LAB 55.5, 43.76, 33.66

 

CMYK 0 / 64 / 64 / 16

HEX #D54D4D

RGB 213 77 77

HSL 0, 0.62%, 0.57%

LAB 51.83, 53.42, 29.11

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 32 / 0 / 64 / 16

HEX #91D54D

RGB 145 213 77

HSL 90, 0.62%, 0.57%

LAB 78.55, -43.06, 58.51

 

CMYK 49 / 0 / 64 / 16

HEX #6CD54D

RGB 108 213 77

HSL 106.32, 0.62%, 0.57%

LAB 76.87, -54.95, 56.2

 

CMYK 64 / 0 / 61 / 16

HEX #4DD553

RGB 77 213 83

HSL 122.65, 0.62%, 0.57%

LAB 75.94, -61.96, 52.33

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 0 / 3 / 74 / 9

HEX #E7E03B

RGB 231 224 59

HSL 57.56, 0.78%, 0.57%

LAB 87.3, -15.38, 75.77

 

CMYK 0 / 3 / 83 / 3

HEX #F8F129

RGB 248 241 41

HSL 57.97, 0.94%, 0.57%

LAB 93.03, -17.19, 86.07

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 0 / 2 / 51 / 24

HEX #C3BF5F

RGB 195 191 95

HSL 57.6, 0.45%, 0.57%

LAB 75.88, -11.59, 48.36

 

CMYK 0 / 1 / 37 / 31

HEX #B1AF70

RGB 177 175 112

HSL 58.15, 0.29%, 0.57%

LAB 70.3, -8.93, 32.58

 

CMYK 0 / 1 / 19 / 37

HEX #A09F82

RGB 160 159 130

HSL 58, 0.14%, 0.57%

LAB 64.87, -4.68, 15.3

 

CMYK 4 / 4 / 0 / 42

HEX #8E8E94

RGB 142 142 148

HSL 240, 0.03%, 0.57%

LAB 59.19, 1.2, -3.19

 

CMYK 0 / 37 / 64 / 16

HEX #D5864D

RGB 213 134 77

HSL 25.15, 0.62%, 0.57%

LAB 63.12, 25.05, 42.76

 

CMYK 0 / 20 / 64 / 16

HEX #D5AA4D

RGB 213 170 77

HSL 41.03, 0.62%, 0.57%

LAB 71.85, 5.65, 52.65

 

CMYK 0 / 3 / 64 / 16

HEX #D5CE4D

RGB 213 206 77

HSL 56.91, 0.62%, 0.57%

LAB 81.2, -13.04, 62.71

 

CMYK 14 / 0 / 64 / 16

HEX #B7D54D

RGB 183 213 77

HSL 73.24, 0.62%, 0.57%

LAB 80.85, -28.72, 61.66

 

CMYK 31 / 0 / 64 / 16

HEX #93D54D

RGB 147 213 77

HSL 89.12, 0.62%, 0.57%

LAB 78.65, -42.35, 58.66

 

CMYK 0 / 3 / 77 / 34

HEX #A8A327

RGB 168 163 39

HSL 57.67, 0.62%, 0.41%

LAB 65.49, -12.28, 60.19

 

CMYK 0 / 3 / 77 / 21

HEX #CAC42F

RGB 202 196 47

HSL 57.68, 0.62%, 0.49%

LAB 77.43, -14.13, 69.59

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 0 / 2 / 50 / 13

HEX #DDD96E

RGB 221 217 110

HSL 57.84, 0.62%, 0.65%

LAB 85.06, -12.86, 52.62

 

CMYK 0 / 2 / 37 / 10

HEX #E5E190

RGB 229 225 144

HSL 57.18, 0.62%, 0.73%

LAB 88.22, -10.35, 40.13

RGB 229 225 144

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 64 / 0 / 54 / 16

HEX #4DD561

RGB 77 213 97

HSL 128.82, 0.62%, 0.57%

LAB 76.09, -60.27, 46.16

 

CMYK 29 / 64 / 0 / 16

HEX #984DD5

RGB 152 77 213

HSL 273.09, 0.62%, 0.57%

LAB 47.99, 55.33, -57.84

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 64 / 0 / 3 / 16

HEX #4DD5CE

RGB 77 213 206

HSL 176.91, 0.62%, 0.57%

LAB 78.24, -37.88, -7.41

 

CMYK 3 / 64 / 0 / 16

HEX #CE4DD5

RGB 206 77 213

HSL 296.91, 0.62%, 0.57%

LAB 55.31, 67.68, -45.73

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 64 / 0 / 54 / 16

HEX #4DD561

RGB 77 213 97

HSL 128.82, 0.62%, 0.57%

LAB 76.09, -60.27, 46.16

 

CMYK 64 / 61 / 0 / 16

HEX #4D54D5

RGB 77 84 213

HSL 236.91, 0.62%, 0.57%

LAB 42.34, 36.93, -67.33

 

CMYK 0 / 64 / 10 / 16

HEX #D54DC0

RGB 213 77 192

HSL 309.26, 0.62%, 0.57%

LAB 55.34, 65.97, -33.6

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 64 / 0 / 35 / 16

HEX #4DD58A

RGB 77 213 138

HSL 146.91, 0.62%, 0.57%

LAB 76.68, -53.68, 26.5

 

CMYK 64 / 61 / 0 / 16

HEX #4D54D5

RGB 77 84 213

HSL 236.91, 0.62%, 0.57%

LAB 42.34, 36.93, -67.33

 

CMYK 0 / 64 / 29 / 16

HEX #D54D98

RGB 213 77 152

HSL 326.91, 0.62%, 0.57%

LAB 53.73, 60.41, -12.77

 

Description

Color code: RGB 213 208 77 | qconv.com Color code: RGB 213 208 77 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 208 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 208 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 64 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 64% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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