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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5D54D it is the complementary color #4A2AB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5D54D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5D54D shade: #BAD548, #CBE75B, #DCF96E, #EDFF81 and #FEFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5D54D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5D54D shade: #B5D54D, #A4C33A, #93B127, #829F14 and #718D01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5D54D shade: #B5D54D, #D5D04D, #D5AB4D, #D5874D and #D5624D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5D54D shade: #B5D54D, #90D54D, #6CD54D, #4DD553 and #4DD578

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5D54D shade matches the following richer shades: #B5D54D, #BEE73B and #C8F829

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5D54D shade: #B5D54D, #ABC35F, #A2B170, #99A082 and #8F8E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5D54D shade: #D5AC4D, #D5D04D, #B5D54D, #91D54D and #6DD54D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5D54D shade: #8AA827, #A5CA2F, #B5D54D, #C3DD6E and #D1E590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5D54D shade: #B5D54D, #4DD588 and #BE4DD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5D54D shade: #B5D54D, #4DB5D5 and #D54DB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5D54D shade: #B5D54D, #4DD588, #6D4DD5 and #D54D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5D54D shade: #B5D54D, #4DD5B1, #6D4DD5 and #D54D71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

Complementary color

CMYK 58 / 76 / 0 / 30

HEX #4A2AB2

RGB 74 42 178

HSL 254.12, 0.62%, 0.43%

LAB 30.22, 49.41, -66.73

 

CMYK 13 / 0 / 66 / 16

HEX #BAD548

RGB 186 213 72

HSL 71.49, 0.63%, 0.56%

LAB 81.01, -27.85, 63.88

 

CMYK 12 / 0 / 61 / 9

HEX #CBE75B

RGB 203 231 91

HSL 72, 0.74%, 0.63%

LAB 87.29, -28.33, 63.23

 

CMYK 12 / 0 / 56 / 2

HEX #DCF96E

RGB 220 249 110

HSL 72.52, 0.92%, 0.7%

LAB 93.49, -28.72, 62.36

 

CMYK 7 / 0 / 49 / 0

HEX #EDFF81

RGB 237 255 129

HSL 68.57, 1%, 0.75%

LAB 96.46, -23.41, 57.64

 

CMYK 0 / 0 / 42 / 0

HEX #FEFF94

RGB 254 255 148

HSL 60.56, 1%, 0.79%

LAB 97.92, -15.11, 50.86

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 16 / 0 / 70 / 24

HEX #A4C33A

RGB 164 195 58

HSL 73.58, 0.54%, 0.5%

LAB 74.34, -29, 61.92

 

CMYK 17 / 0 / 78 / 31

HEX #93B127

RGB 147 177 39

HSL 73.04, 0.64%, 0.42%

LAB 67.87, -28.33, 61.78

 

CMYK 18 / 0 / 87 / 38

HEX #829F14

RGB 130 159 20

HSL 72.52, 0.78%, 0.35%

LAB 61.3, -27.46, 60.58

 

CMYK 20 / 0 / 99 / 45

HEX #718D01

RGB 113 141 1

HSL 72, 0.99%, 0.28%

LAB 54.62, -26.37, 58.03

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 0 / 20 / 64 / 16

HEX #D5AB4D

RGB 213 171 77

HSL 41.47, 0.62%, 0.57%

LAB 72.1, 5.11, 52.93

 

CMYK 0 / 37 / 64 / 16

HEX #D5874D

RGB 213 135 77

HSL 25.59, 0.62%, 0.57%

LAB 63.35, 24.51, 43.03

 

CMYK 0 / 54 / 64 / 16

HEX #D5624D

RGB 213 98 77

HSL 9.26, 0.62%, 0.57%

LAB 55.5, 43.76, 33.66

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 32 / 0 / 64 / 16

HEX #90D54D

RGB 144 213 77

HSL 90.44, 0.62%, 0.57%

LAB 78.49, -43.42, 58.44

 

CMYK 49 / 0 / 64 / 16

HEX #6CD54D

RGB 108 213 77

HSL 106.32, 0.62%, 0.57%

LAB 76.87, -54.95, 56.2

 

CMYK 64 / 0 / 61 / 16

HEX #4DD553

RGB 77 213 83

HSL 122.65, 0.62%, 0.57%

LAB 75.94, -61.96, 52.33

 

CMYK 64 / 0 / 44 / 16

HEX #4DD578

RGB 77 213 120

HSL 138.97, 0.62%, 0.57%

LAB 76.39, -56.87, 35.33

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 18 / 0 / 74 / 9

HEX #BEE73B

RGB 190 231 59

HSL 74.3, 0.78%, 0.57%

LAB 86.21, -35.34, 73.69

 

CMYK 19 / 0 / 83 / 3

HEX #C8F829

RGB 200 248 41

HSL 73.91, 0.94%, 0.57%

LAB 91.49, -39.76, 83.41

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 12 / 0 / 51 / 24

HEX #ABC35F

RGB 171 195 95

HSL 74.4, 0.45%, 0.57%

LAB 75.15, -23.33, 47.05

 

CMYK 8 / 0 / 37 / 31

HEX #A2B170

RGB 162 177 112

HSL 73.85, 0.29%, 0.57%

LAB 69.68, -15.96, 31.55

 

CMYK 4 / 0 / 19 / 37

HEX #99A082

RGB 153 160 130

HSL 74, 0.14%, 0.57%

LAB 64.58, -7.91, 14.82

 

CMYK 3 / 4 / 0 / 42

HEX #8F8E94

RGB 143 142 148

HSL 250, 0.03%, 0.57%

LAB 59.27, 1.56, -3.06

 

CMYK 0 / 19 / 64 / 16

HEX #D5AC4D

RGB 213 172 77

HSL 41.91, 0.62%, 0.57%

LAB 72.35, 4.58, 53.21

 

CMYK 0 / 2 / 64 / 16

HEX #D5D04D

RGB 213 208 77

HSL 57.79, 0.62%, 0.57%

LAB 81.73, -14.04, 63.27

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 32 / 0 / 64 / 16

HEX #91D54D

RGB 145 213 77

HSL 90, 0.62%, 0.57%

LAB 78.55, -43.06, 58.51

 

CMYK 49 / 0 / 64 / 16

HEX #6DD54D

RGB 109 213 77

HSL 105.88, 0.62%, 0.57%

LAB 76.91, -54.66, 56.25

 

CMYK 18 / 0 / 77 / 34

HEX #8AA827

RGB 138 168 39

HSL 73.95, 0.62%, 0.41%

LAB 64.61, -27.73, 58.53

 

CMYK 18 / 0 / 77 / 21

HEX #A5CA2F

RGB 165 202 47

HSL 74.32, 0.62%, 0.49%

LAB 76.34, -32.45, 67.59

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 12 / 0 / 50 / 13

HEX #C3DD6E

RGB 195 221 110

HSL 74.05, 0.62%, 0.65%

LAB 84.19, -25.11, 51.12

 

CMYK 9 / 0 / 37 / 10

HEX #D1E590

RGB 209 229 144

HSL 74.12, 0.62%, 0.73%

LAB 87.78, -19.97, 39.27

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 64 / 0 / 36 / 16

HEX #4DD588

RGB 77 213 136

HSL 146.03, 0.62%, 0.57%

LAB 76.64, -54.06, 27.49

 

CMYK 11 / 64 / 0 / 16

HEX #BE4DD5

RGB 190 77 213

HSL 289.85, 0.62%, 0.57%

LAB 53.01, 63.95, -49.52

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 64 / 15 / 0 / 16

HEX #4DB5D5

RGB 77 181 213

HSL 194.12, 0.62%, 0.57%

LAB 69.06, -20.28, -25.04

 

CMYK 0 / 64 / 15 / 16

HEX #D54DB5

RGB 213 77 181

HSL 314.12, 0.62%, 0.57%

LAB 54.86, 64.33, -28

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 64 / 0 / 36 / 16

HEX #4DD588

RGB 77 213 136

HSL 146.03, 0.62%, 0.57%

LAB 76.64, -54.06, 27.49

 

CMYK 49 / 64 / 0 / 16

HEX #6D4DD5

RGB 109 77 213

HSL 254.12, 0.62%, 0.57%

LAB 43.31, 46.5, -65.65

 

CMYK 0 / 64 / 28 / 16

HEX #D54D9A

RGB 213 77 154

HSL 326.03, 0.62%, 0.57%

LAB 53.8, 60.66, -13.84

 

CMYK 15 / 0 / 64 / 16

HEX #B5D54D

RGB 181 213 77

HSL 74.12, 0.62%, 0.57%

LAB 80.71, -29.51, 61.47

 

CMYK 64 / 0 / 17 / 16

HEX #4DD5B1

RGB 77 213 177

HSL 164.12, 0.62%, 0.57%

LAB 77.48, -45.28, 7.02

 

CMYK 49 / 64 / 0 / 16

HEX #6D4DD5

RGB 109 77 213

HSL 254.12, 0.62%, 0.57%

LAB 43.31, 46.5, -65.65

 

CMYK 0 / 64 / 47 / 16

HEX #D54D71

RGB 213 77 113

HSL 344.12, 0.62%, 0.57%

LAB 52.56, 56.17, 8.72

 

Description

Color code: HEX #B5D54D | qconv.com Color code: HEX #B5D54D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 213 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 213 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 64 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 64% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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