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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4DC203 it is the complementary color #B23DFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4DC203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4DC203 shade: #52C200, #63D411, #74E624, #85F837 and #96FF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4DC203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4DC203 shade: #4DC203, #3CB000, #2B9E00, #1A8C00 and #097A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4DC203 shade: #4DC302, #81C302, #B5C302, #C39E02 and #C36902

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4DC203 shade: #4DC302, #19C302, #02C320, #02C354 and #02C388

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4DC203 shade matches the following richer shades: #4DC302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4DC203 shade: #4DC302, #51B313, #54A323, #589333 and #5C8343

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4DC203 shade: #B7C302, #83C302, #50C302, #1CC302 and #02C31C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4DC203 shade: #2D7201, #3D9B02, #4DC302, #5DEC03 and #73FB1D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4DC203 shade: #4DC203, #02C39D and #C3029D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4DC203 shade: #4DC203, #0250C3 and #C30250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4DC203 shade: #4DC203, #02C39D, #7602C3 and #C30229

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4DC203 shade: #4DC203, #02B0C3, #7602C3 and #C31602

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 98 / 24

HEX #4DC203

RGB 77 194 3

HSL 96.75, 0.97%, 0.39%

LAB 69.59, -60.22, 68.76

 

Complementary color

CMYK 29 / 76 / 0 / 1

HEX #B23DFC

RGB 178 61 252

HSL 276.75, 0.97%, 0.61%

LAB 51.65, 75.47, -73.77

 

CMYK 58 / 0 / 100 / 24

HEX #52C200

RGB 82 194 0

HSL 94.64, 1%, 0.38%

LAB 69.74, -59.02, 69.29

 

CMYK 53 / 0 / 92 / 17

HEX #63D411

RGB 99 212 17

HSL 94.77, 0.85%, 0.45%

LAB 75.93, -60.47, 72.62

 

CMYK 50 / 0 / 84 / 10

HEX #74E624

RGB 116 230 36

HSL 95.26, 0.8%, 0.52%

LAB 82.07, -61.58, 74.7

 

CMYK 46 / 0 / 78 / 3

HEX #85F837

RGB 133 248 55

HSL 95.75, 0.93%, 0.59%

LAB 88.16, -62.38, 75.67

 

CMYK 41 / 0 / 71 / 0

HEX #96FF4A

RGB 150 255 74

HSL 94.81, 1%, 0.65%

LAB 91.01, -58.76, 72.7

 

CMYK 60 / 0 / 98 / 24

HEX #4DC203

RGB 77 194 3

HSL 96.75, 0.97%, 0.39%

LAB 69.59, -60.22, 68.76

 

CMYK 66 / 0 / 100 / 31

HEX #3CB000

RGB 60 176 0

HSL 99.55, 1%, 0.35%

LAB 63.35, -58.19, 63.96

 

CMYK 73 / 0 / 100 / 38

HEX #2B9E00

RGB 43 158 0

HSL 103.67, 1%, 0.31%

LAB 57.04, -55.76, 58.78

 

CMYK 81 / 0 / 100 / 45

HEX #1A8C00

RGB 26 140 0

HSL 108.86, 1%, 0.27%

LAB 50.66, -52.83, 53.56

 

CMYK 93 / 0 / 100 / 52

HEX #097A00

RGB 9 122 0

HSL 115.57, 1%, 0.24%

LAB 44.2, -49.18, 48.31

 

CMYK 61 / 0 / 99 / 24

HEX #4DC302

RGB 77 195 2

HSL 96.68, 0.98%, 0.39%

LAB 69.9, -60.57, 69.13

 

CMYK 34 / 0 / 99 / 24

HEX #81C302

RGB 129 195 2

HSL 80.52, 0.98%, 0.39%

LAB 72.03, -44.46, 71.71

 

CMYK 7 / 0 / 99 / 24

HEX #B5C302

RGB 181 195 2

HSL 64.35, 0.98%, 0.39%

LAB 75.36, -23.59, 75.7

 

CMYK 0 / 19 / 99 / 24

HEX #C39E02

RGB 195 158 2

HSL 48.5, 0.98%, 0.39%

LAB 66.57, 1.62, 69.86

 

CMYK 0 / 46 / 99 / 24

HEX #C36902

RGB 195 105 2

HSL 32.02, 0.98%, 0.39%

LAB 53.72, 30.47, 61.21

 

CMYK 61 / 0 / 99 / 24

HEX #4DC302

RGB 77 195 2

HSL 96.68, 0.98%, 0.39%

LAB 69.9, -60.57, 69.13

 

CMYK 87 / 0 / 99 / 24

HEX #19C302

RGB 25 195 2

HSL 112.85, 0.98%, 0.39%

LAB 68.93, -69.03, 67.93

 

CMYK 99 / 0 / 84 / 24

HEX #02C320

RGB 2 195 32

HSL 129.33, 0.98%, 0.39%

LAB 68.86, -69.36, 62.96

 

CMYK 99 / 0 / 57 / 24

HEX #02C354

RGB 2 195 84

HSL 145.49, 0.98%, 0.39%

LAB 69.24, -64.48, 43.83

 

CMYK 99 / 0 / 30 / 24

HEX #02C388

RGB 2 195 136

HSL 161.66, 0.98%, 0.39%

LAB 70.05, -54.95, 18.35

 

CMYK 61 / 0 / 99 / 24

HEX #4DC302

RGB 77 195 2

HSL 96.68, 0.98%, 0.39%

LAB 69.9, -60.57, 69.13

 

CMYK 61 / 0 / 99 / 24

HEX #4DC302

RGB 77 195 2

HSL 96.68, 0.98%, 0.39%

LAB 69.9, -60.57, 69.13

 

CMYK 55 / 0 / 89 / 30

HEX #51B313

RGB 81 179 19

HSL 96.75, 0.81%, 0.39%

LAB 64.99, -53.55, 62.9

 

CMYK 48 / 0 / 79 / 36

HEX #54A323

RGB 84 163 35

HSL 97.03, 0.65%, 0.39%

LAB 60.07, -45.86, 54.48

 

CMYK 40 / 0 / 65 / 42

HEX #589333

RGB 88 147 51

HSL 96.88, 0.48%, 0.39%

LAB 55.26, -36.61, 43.46

 

CMYK 30 / 0 / 49 / 49

HEX #5C8343

RGB 92 131 67

HSL 96.56, 0.32%, 0.39%

LAB 50.59, -25.85, 30.18

 

CMYK 6 / 0 / 99 / 24

HEX #B7C302

RGB 183 195 2

HSL 63.73, 0.98%, 0.39%

LAB 75.51, -22.74, 75.88

 

CMYK 33 / 0 / 99 / 24

HEX #83C302

RGB 131 195 2

HSL 79.9, 0.98%, 0.39%

LAB 72.13, -43.73, 71.83

 

CMYK 59 / 0 / 99 / 24

HEX #50C302

RGB 80 195 2

HSL 95.75, 0.98%, 0.39%

LAB 69.99, -59.83, 69.24

 

CMYK 86 / 0 / 99 / 24

HEX #1CC302

RGB 28 195 2

HSL 111.92, 0.98%, 0.39%

LAB 68.95, -68.76, 67.97

 

CMYK 99 / 0 / 86 / 24

HEX #02C31C

RGB 2 195 28

HSL 128.08, 0.98%, 0.39%

LAB 68.84, -69.55, 63.9

 

CMYK 61 / 0 / 99 / 55

HEX #2D7201

RGB 45 114 1

HSL 96.64, 0.98%, 0.23%

LAB 42.15, -40, 46.74

 

CMYK 61 / 0 / 99 / 39

HEX #3D9B02

RGB 61 155 2

HSL 96.86, 0.97%, 0.31%

LAB 56.52, -50.72, 58.25

 

CMYK 61 / 0 / 99 / 24

HEX #4DC302

RGB 77 195 2

HSL 96.68, 0.98%, 0.39%

LAB 69.9, -60.57, 69.13

 

CMYK 61 / 0 / 99 / 7

HEX #5DEC03

RGB 93 236 3

HSL 96.82, 0.97%, 0.47%

LAB 83.09, -70.34, 79.72

 

CMYK 54 / 0 / 88 / 2

HEX #73FB1D

RGB 115 251 29

HSL 96.76, 0.97%, 0.55%

LAB 88.32, -69.45, 81.38

 

CMYK 60 / 0 / 98 / 24

HEX #4DC203

RGB 77 194 3

HSL 96.75, 0.97%, 0.39%

LAB 69.59, -60.22, 68.76

 

CMYK 99 / 0 / 19 / 24

HEX #02C39D

RGB 2 195 157

HSL 168.19, 0.98%, 0.39%

LAB 70.51, -49.87, 7.66

 

CMYK 0 / 99 / 19 / 24

HEX #C3029D

RGB 195 2 157

HSL 311.81, 0.98%, 0.39%

LAB 44.35, 74.99, -30.44

 

CMYK 60 / 0 / 98 / 24

HEX #4DC203

RGB 77 194 3

HSL 96.75, 0.97%, 0.39%

LAB 69.59, -60.22, 68.76

 

CMYK 99 / 59 / 0 / 24

HEX #0250C3

RGB 2 80 195

HSL 215.75, 0.98%, 0.39%

LAB 37.28, 26.25, -65.29

 

CMYK 0 / 99 / 59 / 24

HEX #C30250

RGB 195 2 80

HSL 335.75, 0.98%, 0.39%

LAB 41.57, 67.77, 13.17

 

CMYK 60 / 0 / 98 / 24

HEX #4DC203

RGB 77 194 3

HSL 96.75, 0.97%, 0.39%

LAB 69.59, -60.22, 68.76

 

CMYK 99 / 0 / 19 / 24

HEX #02C39D

RGB 2 195 157

HSL 168.19, 0.98%, 0.39%

LAB 70.51, -49.87, 7.66

 

CMYK 39 / 99 / 0 / 24

HEX #7602C3

RGB 118 2 195

HSL 276.06, 0.98%, 0.39%

LAB 33.64, 69.64, -70.98

 

CMYK 0 / 99 / 79 / 24

HEX #C30229

RGB 195 2 41

HSL 347.88, 0.98%, 0.39%

LAB 40.91, 65.97, 36.6

 

CMYK 60 / 0 / 98 / 24

HEX #4DC203

RGB 77 194 3

HSL 96.75, 0.97%, 0.39%

LAB 69.59, -60.22, 68.76

 

CMYK 99 / 10 / 0 / 24

HEX #02B0C3

RGB 2 176 195

HSL 185.91, 0.98%, 0.39%

LAB 65.75, -30.32, -20.28

 

CMYK 39 / 99 / 0 / 24

HEX #7602C3

RGB 118 2 195

HSL 276.06, 0.98%, 0.39%

LAB 33.64, 69.64, -70.98

 

CMYK 0 / 89 / 99 / 24

HEX #C31602

RGB 195 22 2

HSL 6.22, 0.98%, 0.39%

LAB 41.5, 62.84, 54.55

 

Description

Color code: HEX #4DC203 | qconv.com Color code: HEX #4DC203 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 194 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 194 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 98 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 98% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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