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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4EBD14 it is the complementary color #B142EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4EBD14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4EBD14 shade: #53BD0F, #64CF22, #75E135, #86F348 and #97FF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4EBD14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4EBD14 shade: #4EBD14, #3DAB01, #2C9900, #1B8700 and #0A7500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4EBD14 shade: #4DBD13, #7BBD13, #A9BD13, #BDA313 and #BD7513

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4EBD14 shade: #4DBD13, #20BD13, #13BD35, #13BD62 and #13BD90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4EBD14 shade matches the following richer shades: #4DBD13 and #48CE02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4EBD14 shade: #4DBD13, #53AC24, #589B35, #5D8A46 and #637957

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4EBD14 shade: #A9BD13, #7CBD13, #4FBD13, #21BD13 and #13BD32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4EBD14 shade: #2F720C, #3E970F, #4DBD13, #5DE217 and #76EA39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4EBD14 shade: #4EBD14, #13BDA3 and #BD1392

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4EBD14 shade: #4EBD14, #134FBD and #BD134F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4EBD14 shade: #4EBD14, #13BDA3, #8113BD and #BD132D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4EBD14 shade: #4EBD14, #13A3BD, #8113BD and #BD2D13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 89 / 26

HEX #4EBD14

RGB 78 189 20

HSL 99.41, 0.81%, 0.41%

LAB 68.07, -57.88, 65.29

 

Complementary color

CMYK 25 / 72 / 0 / 8

HEX #B142EB

RGB 177 66 235

HSL 279.41, 0.81%, 0.59%

LAB 50.97, 69.98, -65.35

 

CMYK 56 / 0 / 92 / 26

HEX #53BD0F

RGB 83 189 15

HSL 96.55, 0.85%, 0.4%

LAB 68.22, -56.71, 66.3

 

CMYK 52 / 0 / 84 / 19

HEX #64CF22

RGB 100 207 34

HSL 97.11, 0.72%, 0.47%

LAB 74.48, -57.86, 68.22

 

CMYK 48 / 0 / 76 / 12

HEX #75E135

RGB 117 225 53

HSL 97.67, 0.74%, 0.55%

LAB 80.68, -58.66, 68.96

 

CMYK 45 / 0 / 70 / 5

HEX #86F348

RGB 134 243 72

HSL 98.25, 0.88%, 0.62%

LAB 86.82, -59.19, 68.94

 

CMYK 41 / 0 / 64 / 0

HEX #97FF5B

RGB 151 255 91

HSL 98.05, 1%, 0.68%

LAB 91.17, -57.2, 66.6

 

CMYK 59 / 0 / 89 / 26

HEX #4EBD14

RGB 78 189 20

HSL 99.41, 0.81%, 0.41%

LAB 68.07, -57.88, 65.29

 

CMYK 64 / 0 / 99 / 33

HEX #3DAB01

RGB 61 171 1

HSL 98.82, 0.99%, 0.34%

LAB 61.76, -56.28, 62.57

 

CMYK 71 / 0 / 100 / 40

HEX #2C9900

RGB 44 153 0

HSL 102.75, 1%, 0.3%

LAB 55.4, -53.96, 57.48

 

CMYK 80 / 0 / 100 / 47

HEX #1B8700

RGB 27 135 0

HSL 108, 1%, 0.26%

LAB 48.96, -51.13, 52.21

 

CMYK 91 / 0 / 100 / 54

HEX #0A7500

RGB 10 117 0

HSL 114.87, 1%, 0.23%

LAB 42.44, -47.57, 46.9

 

CMYK 59 / 0 / 90 / 26

HEX #4DBD13

RGB 77 189 19

HSL 99.53, 0.82%, 0.41%

LAB 68.04, -58.16, 65.43

 

CMYK 35 / 0 / 90 / 26

HEX #7BBD13

RGB 123 189 19

HSL 83.29, 0.82%, 0.41%

LAB 69.93, -43.82, 67.78

 

CMYK 11 / 0 / 90 / 26

HEX #A9BD13

RGB 169 189 19

HSL 67.06, 0.82%, 0.41%

LAB 72.81, -25.53, 71.32

 

CMYK 0 / 14 / 90 / 26

HEX #BDA313

RGB 189 163 19

HSL 50.82, 0.82%, 0.41%

LAB 67.32, -3.51, 67.69

 

CMYK 0 / 38 / 90 / 26

HEX #BD7513

RGB 189 117 19

HSL 34.59, 0.82%, 0.41%

LAB 55.67, 21.62, 58.67

 

CMYK 59 / 0 / 90 / 26

HEX #4DBD13

RGB 77 189 19

HSL 99.53, 0.82%, 0.41%

LAB 68.04, -58.16, 65.43

 

CMYK 83 / 0 / 90 / 26

HEX #20BD13

RGB 32 189 19

HSL 115.41, 0.82%, 0.41%

LAB 67.09, -66.24, 64.25

 

CMYK 90 / 0 / 72 / 26

HEX #13BD35

RGB 19 189 53

HSL 132, 0.82%, 0.41%

LAB 67.12, -65.36, 54.72

 

CMYK 90 / 0 / 48 / 26

HEX #13BD62

RGB 19 189 98

HSL 147.88, 0.82%, 0.41%

LAB 67.59, -59.61, 34.99

 

CMYK 90 / 0 / 24 / 26

HEX #13BD90

RGB 19 189 144

HSL 164.12, 0.82%, 0.41%

LAB 68.42, -50.07, 11.77

 

CMYK 59 / 0 / 90 / 26

HEX #4DBD13

RGB 77 189 19

HSL 99.53, 0.82%, 0.41%

LAB 68.04, -58.16, 65.43

 

CMYK 65 / 0 / 99 / 19

HEX #48CE02

RGB 72 206 2

HSL 99.41, 0.98%, 0.41%

LAB 73.24, -65.33, 71.73

 

CMYK 59 / 0 / 90 / 26

HEX #4DBD13

RGB 77 189 19

HSL 99.53, 0.82%, 0.41%

LAB 68.04, -58.16, 65.43

 

CMYK 52 / 0 / 79 / 33

HEX #53AC24

RGB 83 172 36

HSL 99.26, 0.65%, 0.41%

LAB 62.9, -49.62, 56.84

 

CMYK 43 / 0 / 66 / 39

HEX #589B35

RGB 88 155 53

HSL 99.41, 0.49%, 0.41%

LAB 57.82, -39.91, 45.37

 

CMYK 33 / 0 / 49 / 46

HEX #5D8A46

RGB 93 138 70

HSL 99.71, 0.33%, 0.41%

LAB 52.89, -28.5, 31.46

 

CMYK 18 / 0 / 28 / 53

HEX #637957

RGB 99 121 87

HSL 98.82, 0.16%, 0.41%

LAB 48.28, -14.89, 16.07

 

CMYK 11 / 0 / 90 / 26

HEX #A9BD13

RGB 169 189 19

HSL 67.06, 0.82%, 0.41%

LAB 72.81, -25.53, 71.32

 

CMYK 34 / 0 / 90 / 26

HEX #7CBD13

RGB 124 189 19

HSL 82.94, 0.82%, 0.41%

LAB 69.98, -43.46, 67.85

 

CMYK 58 / 0 / 90 / 26

HEX #4FBD13

RGB 79 189 19

HSL 98.82, 0.82%, 0.41%

LAB 68.1, -57.65, 65.51

 

CMYK 83 / 0 / 90 / 26

HEX #21BD13

RGB 33 189 19

HSL 115.06, 0.82%, 0.41%

LAB 67.1, -66.14, 64.26

 

CMYK 90 / 0 / 74 / 26

HEX #13BD32

RGB 19 189 50

HSL 130.94, 0.82%, 0.41%

LAB 67.1, -65.62, 55.8

 

CMYK 59 / 0 / 89 / 55

HEX #2F720C

RGB 47 114 12

HSL 99.41, 0.81%, 0.25%

LAB 42.25, -38.99, 44.28

 

CMYK 59 / 0 / 90 / 41

HEX #3E970F

RGB 62 151 15

HSL 99.26, 0.82%, 0.33%

LAB 55.27, -48.66, 55.11

 

CMYK 59 / 0 / 90 / 26

HEX #4DBD13

RGB 77 189 19

HSL 99.53, 0.82%, 0.41%

LAB 68.04, -58.16, 65.43

 

CMYK 59 / 0 / 90 / 11

HEX #5DE217

RGB 93 226 23

HSL 99.31, 0.82%, 0.49%

LAB 80.06, -66.69, 75.11

 

CMYK 50 / 0 / 76 / 8

HEX #76EA39

RGB 118 234 57

HSL 99.32, 0.81%, 0.57%

LAB 83.44, -61.46, 70.39

 

CMYK 59 / 0 / 89 / 26

HEX #4EBD14

RGB 78 189 20

HSL 99.41, 0.81%, 0.41%

LAB 68.07, -57.88, 65.29

 

CMYK 90 / 0 / 14 / 26

HEX #13BDA3

RGB 19 189 163

HSL 170.82, 0.82%, 0.41%

LAB 68.88, -45.17, 2.05

 

CMYK 0 / 90 / 23 / 26

HEX #BD1392

RGB 189 19 146

HSL 315.18, 0.82%, 0.41%

LAB 43.3, 70.66, -25.51

 

CMYK 59 / 0 / 89 / 26

HEX #4EBD14

RGB 78 189 20

HSL 99.41, 0.81%, 0.41%

LAB 68.07, -57.88, 65.29

 

CMYK 90 / 58 / 0 / 26

HEX #134FBD

RGB 19 79 189

HSL 218.82, 0.82%, 0.41%

LAB 36.75, 25.18, -62.64

 

CMYK 0 / 90 / 58 / 26

HEX #BD134F

RGB 189 19 79

HSL 338.82, 0.82%, 0.41%

LAB 40.98, 64.32, 12.78

 

CMYK 59 / 0 / 89 / 26

HEX #4EBD14

RGB 78 189 20

HSL 99.41, 0.81%, 0.41%

LAB 68.07, -57.88, 65.29

 

CMYK 90 / 0 / 14 / 26

HEX #13BDA3

RGB 19 189 163

HSL 170.82, 0.82%, 0.41%

LAB 68.88, -45.17, 2.05

 

CMYK 32 / 90 / 0 / 26

HEX #8113BD

RGB 129 19 189

HSL 278.82, 0.82%, 0.41%

LAB 35.61, 67.16, -64.15

 

CMYK 0 / 90 / 76 / 26

HEX #BD132D

RGB 189 19 45

HSL 350.82, 0.82%, 0.41%

LAB 40.37, 62.6, 33.27

 

CMYK 59 / 0 / 89 / 26

HEX #4EBD14

RGB 78 189 20

HSL 99.41, 0.81%, 0.41%

LAB 68.07, -57.88, 65.29

 

CMYK 90 / 14 / 0 / 26

HEX #13A3BD

RGB 19 163 189

HSL 189.18, 0.82%, 0.41%

LAB 61.66, -25.21, -23.18

 

CMYK 32 / 90 / 0 / 26

HEX #8113BD

RGB 129 19 189

HSL 278.82, 0.82%, 0.41%

LAB 35.61, 67.16, -64.15

 

CMYK 0 / 76 / 90 / 26

HEX #BD2D13

RGB 189 45 19

HSL 9.18, 0.82%, 0.41%

LAB 42.37, 55.58, 48.64

 

Description

Color code: HEX #4EBD14 | qconv.com Color code: HEX #4EBD14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 189 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 189 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 89 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 89% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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