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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FAA9E it is the complementary color #B05561. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FAA9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FAA9E shade: #54AA99, #65BCAC, #76CEBF, #87E0D2 and #98F2E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FAA9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FAA9E shade: #4FAA9E, #3E988B, #2D8678, #1C7465 and #0B6252

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FAA9E shade: #4EAB9E, #4EAB86, #4EAB6D, #4EAB54 and #62AB4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FAA9E shade: #4EAB9E, #4E9EAB, #4E85AB, #4E6CAB and #4E53AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FAA9E shade matches the following richer shades: #4EAB9E, #3ABFAD, #26D3BC and #12E7CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FAA9E shade: #4EAB9E, #629690, #778281, #8B6E72 and #9F5A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FAA9E shade: #4EAB6D, #4EAB86, #4EAB9E, #4E9EAB and #4E86AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FAA9E shade: #34726A, #418E84, #4EAB9E, #69BAAF and #85C7BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FAA9E shade: #4FAA9E, #544EAB and #AB794E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FAA9E shade: #4FAA9E, #9E4EAB and #AB9E4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FAA9E shade: #4FAA9E, #544EAB, #AB4E5B and #A5AB4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FAA9E shade: #4FAA9E, #704EAB, #AB4E5B and #89AB4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 7 / 33

HEX #4FAA9E

RGB 79 170 158

HSL 172.09, 0.37%, 0.49%

LAB 64.06, -30.08, -2.08

 

Complementary color

CMYK 0 / 52 / 45 / 31

HEX #B05561

RGB 176 85 97

HSL 352.09, 0.37%, 0.51%

LAB 47.74, 38.24, 10.7

 

CMYK 51 / 0 / 10 / 33

HEX #54AA99

RGB 84 170 153

HSL 168.14, 0.34%, 0.5%

LAB 64.11, -30.23, 0.8

 

CMYK 46 / 0 / 9 / 26

HEX #65BCAC

RGB 101 188 172

HSL 168.97, 0.39%, 0.57%

LAB 70.67, -30.17, -0.04

 

CMYK 43 / 0 / 7 / 19

HEX #76CEBF

RGB 118 206 191

HSL 169.77, 0.47%, 0.64%

LAB 77.13, -30.07, -0.83

 

CMYK 40 / 0 / 6 / 12

HEX #87E0D2

RGB 135 224 210

HSL 170.56, 0.59%, 0.7%

LAB 83.5, -29.95, -1.56

 

CMYK 37 / 0 / 5 / 5

HEX #98F2E5

RGB 152 242 229

HSL 171.33, 0.78%, 0.77%

LAB 89.78, -29.82, -2.25

 

CMYK 54 / 0 / 7 / 33

HEX #4FAA9E

RGB 79 170 158

HSL 172.09, 0.37%, 0.49%

LAB 64.06, -30.08, -2.08

 

CMYK 59 / 0 / 9 / 40

HEX #3E988B

RGB 62 152 139

HSL 171.33, 0.42%, 0.42%

LAB 57.41, -29.96, -1.18

 

CMYK 66 / 0 / 10 / 47

HEX #2D8678

RGB 45 134 120

HSL 170.56, 0.5%, 0.35%

LAB 50.65, -29.67, -0.18

 

CMYK 76 / 0 / 13 / 55

HEX #1C7465

RGB 28 116 101

HSL 169.77, 0.61%, 0.28%

LAB 43.77, -29.1, 0.97

 

CMYK 89 / 0 / 16 / 62

HEX #0B6252

RGB 11 98 82

HSL 168.97, 0.8%, 0.21%

LAB 36.77, -28.07, 2.34

 

CMYK 54 / 0 / 8 / 33

HEX #4EAB9E

RGB 78 171 158

HSL 171.61, 0.37%, 0.49%

LAB 64.33, -30.78, -1.68

 

CMYK 54 / 0 / 22 / 33

HEX #4EAB86

RGB 78 171 134

HSL 156.13, 0.37%, 0.49%

LAB 63.73, -36.62, 10.79

 

CMYK 54 / 0 / 36 / 33

HEX #4EAB6D

RGB 78 171 109

HSL 140, 0.37%, 0.49%

LAB 63.22, -41.78, 23.78

 

CMYK 54 / 0 / 51 / 33

HEX #4EAB54

RGB 78 171 84

HSL 123.87, 0.37%, 0.49%

LAB 62.83, -45.88, 36.37

 

CMYK 43 / 0 / 54 / 33

HEX #62AB4E

RGB 98 171 78

HSL 107.1, 0.37%, 0.49%

LAB 63.57, -40.81, 40.42

 

CMYK 54 / 0 / 8 / 33

HEX #4EAB9E

RGB 78 171 158

HSL 171.61, 0.37%, 0.49%

LAB 64.33, -30.78, -1.68

 

CMYK 54 / 8 / 0 / 33

HEX #4E9EAB

RGB 78 158 171

HSL 188.39, 0.37%, 0.49%

LAB 60.79, -20.7, -14.25

 

CMYK 54 / 22 / 0 / 33

HEX #4E85AB

RGB 78 133 171

HSL 204.52, 0.37%, 0.49%

LAB 53.31, -7.03, -25.68

 

CMYK 54 / 37 / 0 / 33

HEX #4E6CAB

RGB 78 108 171

HSL 220.65, 0.37%, 0.49%

LAB 46.02, 7.9, -37.07

 

CMYK 54 / 51 / 0 / 33

HEX #4E53AB

RGB 78 83 171

HSL 236.77, 0.37%, 0.49%

LAB 39.15, 23.71, -48.02

 

CMYK 54 / 0 / 8 / 33

HEX #4EAB9E

RGB 78 171 158

HSL 171.61, 0.37%, 0.49%

LAB 64.33, -30.78, -1.68

 

CMYK 70 / 0 / 9 / 25

HEX #3ABFAD

RGB 58 191 173

HSL 171.88, 0.53%, 0.49%

LAB 70.3, -39.62, -1.29

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 92 / 0 / 12 / 9

HEX #12E7CB

RGB 18 231 203

HSL 172.11, 0.86%, 0.49%

LAB 82.7, -51.96, 0.65

 

CMYK 54 / 0 / 8 / 33

HEX #4EAB9E

RGB 78 171 158

HSL 171.61, 0.37%, 0.49%

LAB 64.33, -30.78, -1.68

 

CMYK 35 / 0 / 4 / 41

HEX #629690

RGB 98 150 144

HSL 173.08, 0.21%, 0.49%

LAB 58.44, -18.68, -2.35

 

CMYK 8 / 0 / 1 / 49

HEX #778281

RGB 119 130 129

HSL 174.55, 0.04%, 0.49%

LAB 53.46, -4.25, -0.85

 

CMYK 0 / 21 / 18 / 45

HEX #8B6E72

RGB 139 110 114

HSL 351.72, 0.12%, 0.49%

LAB 49.32, 12.13, 2.15

 

CMYK 0 / 43 / 38 / 38

HEX #9F5A63

RGB 159 90 99

HSL 352.17, 0.28%, 0.49%

LAB 46.42, 29.35, 7.29

 

CMYK 54 / 0 / 36 / 33

HEX #4EAB6D

RGB 78 171 109

HSL 140, 0.37%, 0.49%

LAB 63.22, -41.78, 23.78

 

CMYK 54 / 0 / 22 / 33

HEX #4EAB86

RGB 78 171 134

HSL 156.13, 0.37%, 0.49%

LAB 63.73, -36.62, 10.79

 

CMYK 54 / 0 / 8 / 33

HEX #4EAB9E

RGB 78 171 158

HSL 171.61, 0.37%, 0.49%

LAB 64.33, -30.78, -1.68

 

CMYK 54 / 8 / 0 / 33

HEX #4E9EAB

RGB 78 158 171

HSL 188.39, 0.37%, 0.49%

LAB 60.79, -20.7, -14.25

 

CMYK 54 / 22 / 0 / 33

HEX #4E86AB

RGB 78 134 171

HSL 203.87, 0.37%, 0.49%

LAB 53.61, -7.6, -25.22

 

CMYK 54 / 0 / 7 / 55

HEX #34726A

RGB 52 114 106

HSL 172.26, 0.37%, 0.33%

LAB 43.95, -22.1, -1.67

 

CMYK 54 / 0 / 7 / 44

HEX #418E84

RGB 65 142 132

HSL 172.21, 0.37%, 0.41%

LAB 54.17, -26.28, -1.9

 

CMYK 54 / 0 / 8 / 33

HEX #4EAB9E

RGB 78 171 158

HSL 171.61, 0.37%, 0.49%

LAB 64.33, -30.78, -1.68

 

CMYK 44 / 0 / 6 / 27

HEX #69BAAF

RGB 105 186 175

HSL 171.85, 0.37%, 0.57%

LAB 70.33, -27.47, -2.17

 

CMYK 33 / 0 / 5 / 22

HEX #85C7BE

RGB 133 199 190

HSL 171.82, 0.37%, 0.65%

LAB 75.79, -22.88, -2.17

 

CMYK 54 / 0 / 7 / 33

HEX #4FAA9E

RGB 79 170 158

HSL 172.09, 0.37%, 0.49%

LAB 64.06, -30.08, -2.08

 

CMYK 51 / 54 / 0 / 33

HEX #544EAB

RGB 84 78 171

HSL 243.87, 0.37%, 0.49%

LAB 38.33, 28.18, -49.31

 

CMYK 0 / 29 / 54 / 33

HEX #AB794E

RGB 171 121 78

HSL 27.74, 0.37%, 0.49%

LAB 54.95, 14.56, 31.18

 

CMYK 54 / 0 / 7 / 33

HEX #4FAA9E

RGB 79 170 158

HSL 172.09, 0.37%, 0.49%

LAB 64.06, -30.08, -2.08

 

CMYK 8 / 54 / 0 / 33

HEX #9E4EAB

RGB 158 78 171

HSL 291.61, 0.37%, 0.49%

LAB 46.52, 47.3, -35.77

 

CMYK 0 / 8 / 54 / 33

HEX #AB9E4E

RGB 171 158 78

HSL 51.61, 0.37%, 0.49%

LAB 64.69, -5.89, 42.96

 

CMYK 54 / 0 / 7 / 33

HEX #4FAA9E

RGB 79 170 158

HSL 172.09, 0.37%, 0.49%

LAB 64.06, -30.08, -2.08

 

CMYK 51 / 54 / 0 / 33

HEX #544EAB

RGB 84 78 171

HSL 243.87, 0.37%, 0.49%

LAB 38.33, 28.18, -49.31

 

CMYK 0 / 54 / 47 / 33

HEX #AB4E5B

RGB 171 78 91

HSL 351.61, 0.37%, 0.49%

LAB 45.44, 39.37, 11.02

 

CMYK 4 / 0 / 54 / 33

HEX #A5AB4E

RGB 165 171 78

HSL 63.87, 0.37%, 0.49%

LAB 67.78, -15.27, 46.42

 

CMYK 54 / 0 / 7 / 33

HEX #4FAA9E

RGB 79 170 158

HSL 172.09, 0.37%, 0.49%

LAB 64.06, -30.08, -2.08

 

CMYK 35 / 54 / 0 / 33

HEX #704EAB

RGB 112 78 171

HSL 261.94, 0.37%, 0.49%

LAB 40.95, 34.89, -44.96

 

CMYK 0 / 54 / 47 / 33

HEX #AB4E5B

RGB 171 78 91

HSL 351.61, 0.37%, 0.49%

LAB 45.44, 39.37, 11.02

 

CMYK 20 / 0 / 54 / 33

HEX #89AB4E

RGB 137 171 78

HSL 81.94, 0.37%, 0.49%

LAB 65.74, -26.71, 43.53

 

Description

Color code: HEX #4FAA9E | qconv.com Color code: HEX #4FAA9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 170 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 170 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 7 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 7% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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