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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 211 188 it is the complementary color RGB 217 44 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 211 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 211 188 shade: RGB 43 211 183, RGB 60 229 202, RGB 77 247 221, RGB 94 255 240 and RGB 111 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 211 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 211 188 shade: RGB 38 211 188, RGB 21 193 169, RGB 4 175 150, RGB 0 157 131 and RGB 0 139 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 211 188 shade: RGB 38 211 188, RGB 38 211 141, RGB 38 211 95, RGB 38 211 48 and RGB 75 211 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 211 188 shade: RGB 38 211 188, RGB 38 187 211, RGB 38 141 211, RGB 38 94 211 and RGB 38 48 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 211 188 shade matches the following richer shades: RGB 38 211 188 and RGB 18 231 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 211 188 shade: RGB 38 211 188, RGB 58 190 173, RGB 79 170 158, RGB 99 150 143 and RGB 119 130 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 211 188 shade: RGB 38 211 96, RGB 38 211 142, RGB 38 211 188, RGB 38 188 211 and RGB 38 142 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 211 188 shade: RGB 25 141 126, RGB 32 176 157, RGB 38 211 188, RGB 70 221 200 and RGB 104 227 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 211 188 shade: RGB 38 211 188, RGB 50 38 211 and RGB 211 119 38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 211 188 shade: RGB 38 211 188, RGB 188 38 211 and RGB 211 188 38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 211 188 shade: RGB 38 211 188, RGB 50 38 211, RGB 211 38 61 and RGB 199 211 38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 211 188 shade: RGB 38 211 188, RGB 101 38 211, RGB 211 38 61 and RGB 147 211 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

Complementary color

CMYK 0 / 80 / 69 / 15

HEX #D92C43

RGB 217 44 67

HSL 352.02, 0.69%, 0.51%

LAB 48.21, 65.67, 30.68

 

CMYK 80 / 0 / 13 / 17

HEX #2BD3B7

RGB 43 211 183

HSL 170, 0.66%, 0.5%

LAB 76.39, -47.38, 2.14

 

CMYK 74 / 0 / 12 / 10

HEX #3CE5CA

RGB 60 229 202

HSL 170.41, 0.76%, 0.57%

LAB 82.52, -48.27, 0.97

 

CMYK 69 / 0 / 11 / 3

HEX #4DF7DD

RGB 77 247 221

HSL 170.82, 0.91%, 0.64%

LAB 88.6, -48.93, -0.09

 

CMYK 63 / 0 / 6 / 0

HEX #5EFFF0

RGB 94 255 240

HSL 174.41, 1%, 0.68%

LAB 91.77, -45.1, -5.27

 

CMYK 56 / 0 / 0 / 0

HEX #6FFFFF

RGB 111 255 255

HSL 180, 1%, 0.72%

LAB 92.63, -38.44, -11.72

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 89 / 0 / 12 / 24

HEX #15C1A9

RGB 21 193 169

HSL 171.63, 0.8%, 0.42%

LAB 70.29, -45.13, 0.82

 

CMYK 98 / 0 / 14 / 31

HEX #04AF96

RGB 4 175 150

HSL 171.23, 0.96%, 0.35%

LAB 64.07, -43.41, 2.23

 

CMYK 100 / 0 / 17 / 38

HEX #009D83

RGB 0 157 131

HSL 170.06, 1%, 0.31%

LAB 57.8, -41.15, 3.82

 

CMYK 100 / 0 / 19 / 45

HEX #008B70

RGB 0 139 112

HSL 168.35, 1%, 0.27%

LAB 51.42, -38.69, 5.52

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 82 / 0 / 33 / 17

HEX #26D38D

RGB 38 211 141

HSL 155.72, 0.69%, 0.49%

LAB 75.4, -57.76, 23.09

 

CMYK 82 / 0 / 55 / 17

HEX #26D35F

RGB 38 211 95

HSL 139.77, 0.69%, 0.49%

LAB 74.72, -65.78, 45.28

 

CMYK 82 / 0 / 77 / 17

HEX #26D330

RGB 38 211 48

HSL 123.47, 0.69%, 0.49%

LAB 74.33, -70.58, 63.7

 

CMYK 64 / 0 / 82 / 17

HEX #4BD326

RGB 75 211 38

HSL 107.17, 0.69%, 0.49%

LAB 74.97, -65.27, 67.38

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 82 / 11 / 0 / 17

HEX #26BBD3

RGB 38 187 211

HSL 188.32, 0.69%, 0.49%

LAB 69.93, -28.74, -22.69

 

CMYK 82 / 33 / 0 / 17

HEX #268DD3

RGB 38 141 211

HSL 204.28, 0.69%, 0.49%

LAB 56.25, -4.06, -43.94

 

CMYK 82 / 55 / 0 / 17

HEX #265ED3

RGB 38 94 211

HSL 220.58, 0.69%, 0.49%

LAB 42.94, 25.19, -65.28

 

CMYK 82 / 77 / 0 / 17

HEX #2630D3

RGB 38 48 211

HSL 236.53, 0.69%, 0.49%

LAB 32.32, 53.32, -82.73

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 92 / 0 / 12 / 9

HEX #12E7CB

RGB 18 231 203

HSL 172.11, 0.86%, 0.49%

LAB 82.7, -51.96, 0.65

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 69 / 0 / 9 / 25

HEX #3ABEAD

RGB 58 190 173

HSL 172.27, 0.53%, 0.49%

LAB 70, -39.17, -1.74

 

CMYK 54 / 0 / 7 / 33

HEX #4FAA9E

RGB 79 170 158

HSL 172.09, 0.37%, 0.49%

LAB 64.06, -30.08, -2.08

 

CMYK 34 / 0 / 5 / 41

HEX #63968F

RGB 99 150 143

HSL 171.76, 0.2%, 0.49%

LAB 58.46, -18.63, -1.74

 

CMYK 8 / 0 / 2 / 49

HEX #778280

RGB 119 130 128

HSL 169.09, 0.04%, 0.49%

LAB 53.43, -4.46, -0.31

 

CMYK 82 / 0 / 55 / 17

HEX #26D360

RGB 38 211 96

HSL 140.12, 0.69%, 0.49%

LAB 74.73, -65.64, 44.82

 

CMYK 82 / 0 / 33 / 17

HEX #26D38E

RGB 38 211 142

HSL 156.07, 0.69%, 0.49%

LAB 75.42, -57.55, 22.59

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 82 / 11 / 0 / 17

HEX #26BCD3

RGB 38 188 211

HSL 187.98, 0.69%, 0.49%

LAB 70.23, -29.23, -22.23

 

CMYK 82 / 33 / 0 / 17

HEX #268ED3

RGB 38 142 211

HSL 203.93, 0.69%, 0.49%

LAB 56.55, -4.64, -43.48

 

CMYK 82 / 0 / 11 / 45

HEX #198D7E

RGB 25 141 126

HSL 172.24, 0.7%, 0.33%

LAB 52.69, -33.97, -0.72

 

CMYK 82 / 0 / 11 / 31

HEX #20B09D

RGB 32 176 157

HSL 172.08, 0.69%, 0.41%

LAB 64.8, -40.31, -0.57

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 68 / 0 / 10 / 13

HEX #46DDC8

RGB 70 221 200

HSL 171.66, 0.69%, 0.57%

LAB 80.28, -44.08, -1.21

 

CMYK 54 / 0 / 7 / 11

HEX #68E3D3

RGB 104 227 211

HSL 172.2, 0.69%, 0.65%

LAB 83.22, -38.17, -2.63

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 76 / 82 / 0 / 17

HEX #3226D3

RGB 50 38 211

HSL 244.16, 0.69%, 0.49%

LAB 31.27, 58.82, -84.45

 

CMYK 0 / 44 / 82 / 17

HEX #D37726

RGB 211 119 38

HSL 28.09, 0.69%, 0.49%

LAB 59.14, 30.38, 56.54

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 11 / 82 / 0 / 17

HEX #BC26D3

RGB 188 38 211

HSL 292.02, 0.69%, 0.49%

LAB 47.98, 76.31, -56.45

 

CMYK 0 / 11 / 82 / 17

HEX #D3BC26

RGB 211 188 38

HSL 52.02, 0.69%, 0.49%

LAB 76.04, -6.47, 71.27

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 76 / 82 / 0 / 17

HEX #3226D3

RGB 50 38 211

HSL 244.16, 0.69%, 0.49%

LAB 31.27, 58.82, -84.45

 

CMYK 0 / 82 / 71 / 17

HEX #D3263D

RGB 211 38 61

HSL 352.02, 0.69%, 0.49%

LAB 46.41, 65.27, 31.82

 

CMYK 6 / 0 / 82 / 17

HEX #C7D326

RGB 199 211 38

HSL 64.16, 0.69%, 0.49%

LAB 81.22, -23.11, 75.3

 

CMYK 82 / 0 / 11 / 17

HEX #26D3BC

RGB 38 211 188

HSL 172.02, 0.69%, 0.49%

LAB 76.46, -46.49, -0.45

 

CMYK 52 / 82 / 0 / 17

HEX #6526D3

RGB 101 38 211

HSL 261.85, 0.69%, 0.49%

LAB 35.71, 63.29, -76.98

 

CMYK 0 / 82 / 71 / 17

HEX #D3263D

RGB 211 38 61

HSL 352.02, 0.69%, 0.49%

LAB 46.41, 65.27, 31.82

 

CMYK 30 / 0 / 82 / 17

HEX #93D326

RGB 147 211 38

HSL 82.2, 0.69%, 0.49%

LAB 77.83, -43.78, 71.04

 

Description

Color code: RGB 38 211 188 | qconv.com Color code: RGB 38 211 188 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 211 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 211 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 11 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 11% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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