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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53B117 it is the complementary color #AC4EE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53B117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53B117 shade: #58B112, #69C325, #7AD538, #8BE74B and #9CF95E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53B117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53B117 shade: #53B117, #429F04, #318D00, #207B00 and #0F6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53B117 shade: #52B016, #7BB016, #A5B016, #B09116 and #B06816

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53B117 shade: #52B016, #29B016, #16B02D, #16B057 and #16B080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53B117 shade matches the following richer shades: #52B016 and #4FC006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53B117 shade: #52B016, #569F26, #598F37, #5D7F47 and #606F57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53B117 shade: #A5B016, #7CB016, #54B016, #2BB016 and #16B02B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53B117 shade: #30660D, #418B12, #52B016, #63D41B and #79E434

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53B117 shade: #53B117, #16B091 and #B01691

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53B117 shade: #53B117, #1654B0 and #B01654

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53B117 shade: #53B117, #16B091, #7216B0 and #B01635

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53B117 shade: #53B117, #16A0B0, #7216B0 and #B02616

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 87 / 31

HEX #53B117

RGB 83 177 23

HSL 96.62, 0.77%, 0.39%

LAB 64.44, -52.11, 61.65

 

Complementary color

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

CMYK 50 / 0 / 90 / 31

HEX #58B112

RGB 88 177 18

HSL 93.58, 0.82%, 0.38%

LAB 64.61, -50.8, 62.87

 

CMYK 46 / 0 / 81 / 24

HEX #69C325

RGB 105 195 37

HSL 94.18, 0.68%, 0.45%

LAB 70.99, -51.72, 64.38

 

CMYK 43 / 0 / 74 / 16

HEX #7AD538

RGB 122 213 56

HSL 94.78, 0.65%, 0.53%

LAB 77.29, -52.34, 64.78

 

CMYK 40 / 0 / 68 / 9

HEX #8BE74B

RGB 139 231 75

HSL 95.38, 0.76%, 0.6%

LAB 83.52, -52.74, 64.51

 

CMYK 37 / 0 / 62 / 2

HEX #9CF95E

RGB 156 249 94

HSL 96, 0.93%, 0.67%

LAB 89.69, -52.98, 63.85

 

CMYK 53 / 0 / 87 / 31

HEX #53B117

RGB 83 177 23

HSL 96.62, 0.77%, 0.39%

LAB 64.44, -52.11, 61.65

 

CMYK 58 / 0 / 97 / 38

HEX #429F04

RGB 66 159 4

HSL 96, 0.95%, 0.32%

LAB 58, -50.79, 59.2

 

CMYK 65 / 0 / 100 / 45

HEX #318D00

RGB 49 141 0

HSL 99.15, 1%, 0.28%

LAB 51.5, -48.83, 54.44

 

CMYK 74 / 0 / 100 / 52

HEX #207B00

RGB 32 123 0

HSL 104.39, 1%, 0.24%

LAB 44.9, -46.37, 49.02

 

CMYK 86 / 0 / 100 / 59

HEX #0F6900

RGB 15 105 0

HSL 111.43, 1%, 0.21%

LAB 38.21, -43.25, 43.54

 

CMYK 53 / 0 / 88 / 31

HEX #52B016

RGB 82 176 22

HSL 96.62, 0.78%, 0.39%

LAB 64.08, -52.06, 61.54

 

CMYK 30 / 0 / 88 / 31

HEX #7BB016

RGB 123 176 22

HSL 80.65, 0.78%, 0.39%

LAB 66, -38.11, 63.94

 

CMYK 6 / 0 / 88 / 31

HEX #A5B016

RGB 165 176 22

HSL 64.29, 0.78%, 0.39%

LAB 68.83, -20.78, 67.44

 

CMYK 0 / 18 / 88 / 31

HEX #B09116

RGB 176 145 22

HSL 47.92, 0.78%, 0.39%

LAB 61.25, 0.39, 61.69

 

CMYK 0 / 41 / 88 / 31

HEX #B06816

RGB 176 104 22

HSL 31.95, 0.78%, 0.39%

LAB 50.91, 23.18, 53.31

 

CMYK 53 / 0 / 88 / 31

HEX #52B016

RGB 82 176 22

HSL 96.62, 0.78%, 0.39%

LAB 64.08, -52.06, 61.54

 

CMYK 77 / 0 / 88 / 31

HEX #29B016

RGB 41 176 22

HSL 112.6, 0.78%, 0.39%

LAB 62.99, -61.09, 60.17

 

CMYK 88 / 0 / 74 / 31

HEX #16B02D

RGB 22 176 45

HSL 128.96, 0.78%, 0.39%

LAB 62.85, -61.92, 53.3

 

CMYK 88 / 0 / 51 / 31

HEX #16B057

RGB 22 176 87

HSL 145.32, 0.78%, 0.39%

LAB 63.27, -56.81, 35.13

 

CMYK 88 / 0 / 27 / 31

HEX #16B080

RGB 22 176 128

HSL 161.3, 0.78%, 0.39%

LAB 63.98, -48.59, 14.29

 

CMYK 53 / 0 / 88 / 31

HEX #52B016

RGB 82 176 22

HSL 96.62, 0.78%, 0.39%

LAB 64.08, -52.06, 61.54

 

CMYK 59 / 0 / 97 / 25

HEX #4FC006

RGB 79 192 6

HSL 96.45, 0.94%, 0.39%

LAB 69.02, -58.98, 68

 

CMYK 53 / 0 / 88 / 31

HEX #52B016

RGB 82 176 22

HSL 96.62, 0.78%, 0.39%

LAB 64.08, -52.06, 61.54

 

CMYK 46 / 0 / 76 / 38

HEX #569F26

RGB 86 159 38

HSL 96.2, 0.61%, 0.39%

LAB 58.9, -43.42, 52.37

 

CMYK 38 / 0 / 62 / 44

HEX #598F37

RGB 89 143 55

HSL 96.82, 0.44%, 0.39%

LAB 54.07, -34.07, 40.32

 

CMYK 27 / 0 / 44 / 50

HEX #5D7F47

RGB 93 127 71

HSL 96.43, 0.28%, 0.39%

LAB 49.45, -22.91, 26.6

 

CMYK 14 / 0 / 22 / 56

HEX #606F57

RGB 96 111 87

HSL 97.5, 0.12%, 0.39%

LAB 45, -10.53, 11.53

 

CMYK 6 / 0 / 88 / 31

HEX #A5B016

RGB 165 176 22

HSL 64.29, 0.78%, 0.39%

LAB 68.83, -20.78, 67.44

 

CMYK 30 / 0 / 88 / 31

HEX #7CB016

RGB 124 176 22

HSL 80.26, 0.78%, 0.39%

LAB 66.05, -37.73, 64.01

 

CMYK 52 / 0 / 88 / 31

HEX #54B016

RGB 84 176 22

HSL 95.84, 0.78%, 0.39%

LAB 64.16, -51.48, 61.63

 

CMYK 76 / 0 / 88 / 31

HEX #2BB016

RGB 43 176 22

HSL 111.82, 0.78%, 0.39%

LAB 63.03, -60.79, 60.22

 

CMYK 88 / 0 / 76 / 31

HEX #16B02B

RGB 22 176 43

HSL 128.18, 0.78%, 0.39%

LAB 62.84, -62.08, 54

 

CMYK 53 / 0 / 87 / 60

HEX #30660D

RGB 48 102 13

HSL 96.4, 0.77%, 0.23%

LAB 38.13, -33.75, 40.35

 

CMYK 53 / 0 / 87 / 45

HEX #418B12

RGB 65 139 18

HSL 96.69, 0.77%, 0.31%

LAB 51.42, -43.15, 51.14

 

CMYK 53 / 0 / 88 / 31

HEX #52B016

RGB 82 176 22

HSL 96.62, 0.78%, 0.39%

LAB 64.08, -52.06, 61.54

 

CMYK 53 / 0 / 87 / 17

HEX #63D41B

RGB 99 212 27

HSL 96.65, 0.77%, 0.47%

LAB 75.96, -60.2, 71.01

 

CMYK 47 / 0 / 77 / 11

HEX #79E434

RGB 121 228 52

HSL 96.48, 0.77%, 0.55%

LAB 81.73, -58.65, 70.32

 

CMYK 53 / 0 / 87 / 31

HEX #53B117

RGB 83 177 23

HSL 96.62, 0.77%, 0.39%

LAB 64.44, -52.11, 61.65

 

CMYK 88 / 0 / 18 / 31

HEX #16B091

RGB 22 176 145

HSL 167.92, 0.78%, 0.39%

LAB 64.38, -44.33, 5.46

 

CMYK 0 / 88 / 18 / 31

HEX #B01691

RGB 176 22 145

HSL 312.08, 0.78%, 0.39%

LAB 40.97, 67.36, -28.72

 

CMYK 53 / 0 / 87 / 31

HEX #53B117

RGB 83 177 23

HSL 96.62, 0.77%, 0.39%

LAB 64.44, -52.11, 61.65

 

CMYK 88 / 52 / 0 / 31

HEX #1654B0

RGB 22 84 176

HSL 215.84, 0.78%, 0.39%

LAB 37.2, 16.82, -54.26

 

CMYK 0 / 88 / 52 / 31

HEX #B01654

RGB 176 22 84

HSL 335.84, 0.78%, 0.39%

LAB 38.63, 60.89, 5.92

 

CMYK 53 / 0 / 87 / 31

HEX #53B117

RGB 83 177 23

HSL 96.62, 0.77%, 0.39%

LAB 64.44, -52.11, 61.65

 

CMYK 88 / 0 / 18 / 31

HEX #16B091

RGB 22 176 145

HSL 167.92, 0.78%, 0.39%

LAB 64.38, -44.33, 5.46

 

CMYK 35 / 88 / 0 / 31

HEX #7216B0

RGB 114 22 176

HSL 275.84, 0.78%, 0.39%

LAB 32.45, 61.75, -61.69

 

CMYK 0 / 88 / 70 / 31

HEX #B01635

RGB 176 22 53

HSL 347.92, 0.78%, 0.39%

LAB 37.95, 58.95, 24.82

 

CMYK 53 / 0 / 87 / 31

HEX #53B117

RGB 83 177 23

HSL 96.62, 0.77%, 0.39%

LAB 64.44, -52.11, 61.65

 

CMYK 88 / 9 / 0 / 31

HEX #16A0B0

RGB 22 160 176

HSL 186.23, 0.78%, 0.39%

LAB 60.29, -27.83, -17.96

 

CMYK 35 / 88 / 0 / 31

HEX #7216B0

RGB 114 22 176

HSL 275.84, 0.78%, 0.39%

LAB 32.45, 61.75, -61.69

 

CMYK 0 / 78 / 88 / 31

HEX #B02616

RGB 176 38 22

HSL 6.23, 0.78%, 0.39%

LAB 39.03, 53.84, 43.63

 

Description

Color code: HEX #53B117 | qconv.com Color code: HEX #53B117 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 177 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 177 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 87 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 87% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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