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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC4EE8 it is the complementary color #53B117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC4EE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC4EE8 shade: #B14EE3, #C260F6, #D372FF, #E484FF and #F596FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC4EE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC4EE8 shade: #AC4EE8, #9B3CD5, #8A2AC2, #7918AF and #68069C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC4EE8 shade: #AC4EE8, #D54EE8, #E84ED1, #E84EA7 and #E84E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC4EE8 shade: #AC4EE8, #834EE8, #594EE8 and #4E4EE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC4EE8 shade matches the following richer shades: #AC4EE8 and #AF3EF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC4EE8 shade: #AC4EE8, #A85FD8, #A56FC7, #A17FB7 and #9E8FA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC4EE8 shade: #594EE8, #824EE8, #AA4EE8, #D34EE8 and #E84ED3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC4EE8 shade: #851ACA, #9B2AE3, #AC4EE8, #BD73EC and #CE98F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC4EE8 shade: #AC4EE8, #E84E6D and #4EE86D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC4EE8 shade: #AC4EE8, #E8AA4E and #4EE8AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC4EE8 shade: #AC4EE8, #E84E6D, #8CE84E and #4EE8C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC4EE8 shade: #AC4EE8, #E85E4E, #8CE84E and #4ED8E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

Complementary color

CMYK 53 / 0 / 87 / 31

HEX #53B117

RGB 83 177 23

HSL 96.62, 0.77%, 0.39%

LAB 64.44, -52.11, 61.65

 

CMYK 22 / 66 / 0 / 11

HEX #B14EE3

RGB 177 78 227

HSL 279.87, 0.73%, 0.6%

LAB 52.22, 63.37, -58.83

 

CMYK 21 / 61 / 0 / 4

HEX #C260F6

RGB 194 96 246

HSL 279.2, 0.89%, 0.67%

LAB 58.5, 62.92, -59.27

 

CMYK 17 / 55 / 0 / 0

HEX #D372FF

RGB 211 114 255

HSL 281.28, 1%, 0.72%

LAB 64.24, 60.24, -54.95

 

CMYK 11 / 48 / 0 / 0

HEX #E484FF

RGB 228 132 255

HSL 286.83, 1%, 0.76%

LAB 69.62, 55.75, -46.32

 

CMYK 4 / 41 / 0 / 0

HEX #F596FF

RGB 245 150 255

HSL 294.29, 1%, 0.79%

LAB 75.1, 51.44, -37.62

 

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

CMYK 27 / 72 / 0 / 16

HEX #9B3CD5

RGB 155 60 213

HSL 277.25, 0.65%, 0.54%

LAB 45.64, 63.58, -61.62

 

CMYK 29 / 78 / 0 / 24

HEX #8A2AC2

RGB 138 42 194

HSL 277.89, 0.64%, 0.46%

LAB 39.5, 63.26, -60.68

 

CMYK 31 / 86 / 0 / 31

HEX #7918AF

RGB 121 24 175

HSL 278.54, 0.76%, 0.39%

LAB 33.59, 62.03, -59.19

 

CMYK 33 / 96 / 0 / 39

HEX #68069C

RGB 104 6 156

HSL 279.2, 0.93%, 0.32%

LAB 28.04, 59.41, -56.88

 

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

CMYK 8 / 66 / 0 / 9

HEX #D54EE8

RGB 213 78 232

HSL 292.6, 0.77%, 0.61%

LAB 57.48, 72.18, -52.94

 

CMYK 0 / 66 / 10 / 9

HEX #E84ED1

RGB 232 78 209

HSL 308.96, 0.77%, 0.61%

LAB 59.17, 72.82, -37.12

 

CMYK 0 / 66 / 28 / 9

HEX #E84EA7

RGB 232 78 167

HSL 325.32, 0.77%, 0.61%

LAB 57.46, 67.14, -15.62

 

CMYK 0 / 66 / 46 / 9

HEX #E84E7E

RGB 232 78 126

HSL 341.3, 0.77%, 0.61%

LAB 56.2, 62.77, 6.6

 

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

CMYK 44 / 66 / 0 / 9

HEX #834EE8

RGB 131 78 232

HSL 260.65, 0.77%, 0.61%

LAB 47.11, 55.25, -70.19

 

CMYK 62 / 66 / 0 / 9

HEX #594EE8

RGB 89 78 232

HSL 244.29, 0.77%, 0.61%

LAB 43.36, 48.37, -76.46

 

CMYK 66 / 66 / 0 / 9

HEX #4E4EE8

RGB 78 78 232

HSL 240, 0.77%, 0.61%

LAB 42.6, 46.92, -77.73

 

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

CMYK 29 / 75 / 0 / 3

HEX #AF3EF8

RGB 175 62 248

HSL 276.45, 0.93%, 0.61%

LAB 51.08, 73.78, -72.48

 

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

CMYK 22 / 56 / 0 / 15

HEX #A85FD8

RGB 168 95 216

HSL 276.2, 0.61%, 0.61%

LAB 53.46, 50.74, -50.69

 

CMYK 17 / 44 / 0 / 22

HEX #A56FC7

RGB 165 111 199

HSL 276.82, 0.44%, 0.61%

LAB 55.58, 37.54, -37.69

 

CMYK 12 / 31 / 0 / 28

HEX #A17FB7

RGB 161 127 183

HSL 276.43, 0.28%, 0.61%

LAB 58.2, 23.72, -24.52

 

CMYK 5 / 14 / 0 / 35

HEX #9E8FA7

RGB 158 143 167

HSL 277.5, 0.12%, 0.61%

LAB 61.4, 10.18, -10.58

 

CMYK 62 / 66 / 0 / 9

HEX #594EE8

RGB 89 78 232

HSL 244.29, 0.77%, 0.61%

LAB 43.36, 48.37, -76.46

 

CMYK 44 / 66 / 0 / 9

HEX #824EE8

RGB 130 78 232

HSL 260.26, 0.77%, 0.61%

LAB 47, 55.07, -70.36

 

CMYK 27 / 66 / 0 / 9

HEX #AA4EE8

RGB 170 78 232

HSL 275.84, 0.77%, 0.61%

LAB 51.63, 62.95, -62.64

 

CMYK 9 / 66 / 0 / 9

HEX #D34EE8

RGB 211 78 232

HSL 291.82, 0.77%, 0.61%

LAB 57.2, 71.74, -53.41

 

CMYK 0 / 66 / 9 / 9

HEX #E84ED3

RGB 232 78 211

HSL 308.18, 0.77%, 0.61%

LAB 59.26, 73.12, -38.11

 

CMYK 34 / 87 / 0 / 21

HEX #851ACA

RGB 133 26 202

HSL 276.48, 0.77%, 0.45%

LAB 37.82, 68.84, -68.12

 

CMYK 32 / 81 / 0 / 11

HEX #9B2AE3

RGB 155 42 227

HSL 276.65, 0.77%, 0.53%

LAB 44.48, 72.85, -71.51

 

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

CMYK 20 / 51 / 0 / 7

HEX #BD73EC

RGB 189 115 236

HSL 276.69, 0.76%, 0.69%

LAB 60.9, 50.14, -49.93

 

CMYK 15 / 37 / 0 / 5

HEX #CE98F1

RGB 206 152 241

HSL 276.4, 0.76%, 0.77%

LAB 70.82, 36.17, -36.98

 

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

CMYK 0 / 66 / 53 / 9

HEX #E84E6D

RGB 232 78 109

HSL 347.92, 0.77%, 0.61%

LAB 55.79, 61.33, 16.09

 

CMYK 66 / 0 / 53 / 9

HEX #4EE86D

RGB 78 232 109

HSL 132.08, 0.77%, 0.61%

LAB 82.08, -65.18, 47.78

 

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

CMYK 0 / 27 / 66 / 9

HEX #E8AA4E

RGB 232 170 78

HSL 35.84, 0.77%, 0.61%

LAB 73.84, 13.75, 54.95

 

CMYK 66 / 0 / 27 / 9

HEX #4EE8AA

RGB 78 232 170

HSL 155.84, 0.77%, 0.61%

LAB 83.04, -54.54, 18.57

 

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

CMYK 0 / 66 / 53 / 9

HEX #E84E6D

RGB 232 78 109

HSL 347.92, 0.77%, 0.61%

LAB 55.79, 61.33, 16.09

 

CMYK 40 / 0 / 66 / 9

HEX #8CE84E

RGB 140 232 78

HSL 95.84, 0.77%, 0.61%

LAB 83.88, -52.59, 63.75

 

CMYK 66 / 0 / 13 / 9

HEX #4EE8C9

RGB 78 232 201

HSL 167.92, 0.77%, 0.61%

LAB 83.73, -47.41, 3.3

 

CMYK 26 / 66 / 0 / 9

HEX #AC4EE8

RGB 172 78 232

HSL 276.62, 0.77%, 0.61%

LAB 51.89, 63.36, -62.21

 

CMYK 0 / 59 / 66 / 9

HEX #E85E4E

RGB 232 94 78

HSL 6.23, 0.77%, 0.61%

LAB 57.76, 52.51, 36.54

 

CMYK 40 / 0 / 66 / 9

HEX #8CE84E

RGB 140 232 78

HSL 95.84, 0.77%, 0.61%

LAB 83.88, -52.59, 63.75

 

CMYK 66 / 7 / 0 / 9

HEX #4ED8E8

RGB 78 216 232

HSL 186.23, 0.77%, 0.61%

LAB 79.93, -31.86, -18.78

 

Description

Color code: HEX #AC4EE8 | qconv.com Color code: HEX #AC4EE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 78 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 78 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 66 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 66% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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