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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #53C72D it is the complementary color #AC38D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #53C72D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #53C72D shade: #58C728, #69D93B, #7AEB4E, #8BFD61 and #9CFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #53C72D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #53C72D shade: #53C72D, #42B51A, #31A307, #209100 and #0F7F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #53C72D shade: #53C72D, #7CC72D, #A6C72D, #C7BE2D and #C7952D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #53C72D shade: #53C72D, #2DC730, #2DC75A, #2DC783 and #2DC7AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #53C72D shade matches the following richer shades: #53C72D, #49DB19 and #3FEF05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #53C72D shade: #53C72D, #5DB341, #679F54, #718C68 and #7B787C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #53C72D shade: #A6C72D, #7CC72D, #53C72D, #2DC72F and #2DC758

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #53C72D shade: #37841E, #45A525, #53C72D, #6BD548 and #86DD6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #53C72D shade: #53C72D, #2DC7BF and #C72D91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #53C72D shade: #53C72D, #2D53C7 and #C72D53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #53C72D shade: #53C72D, #2DC7BF, #A02DC7 and #C72D34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #53C72D shade: #53C72D, #2DA0C7, #A02DC7 and #C7532D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

Complementary color

CMYK 18 / 73 / 0 / 18

HEX #AC38D2

RGB 172 56 210

HSL 285.19, 0.63%, 0.52%

LAB 47.3, 67.8, -57.09

 

CMYK 56 / 0 / 80 / 22

HEX #58C728

RGB 88 199 40

HSL 101.89, 0.67%, 0.47%

LAB 71.61, -57.98, 63.88

 

CMYK 52 / 0 / 73 / 15

HEX #69D93B

RGB 105 217 59

HSL 102.53, 0.68%, 0.54%

LAB 77.84, -58.74, 64.08

 

CMYK 48 / 0 / 67 / 8

HEX #7AEB4E

RGB 122 235 78

HSL 103.18, 0.8%, 0.61%

LAB 84.02, -59.23, 63.67

 

CMYK 45 / 0 / 62 / 1

HEX #8BFD61

RGB 139 253 97

HSL 103.85, 0.98%, 0.69%

LAB 90.14, -59.51, 62.91

 

CMYK 39 / 0 / 55 / 0

HEX #9CFF74

RGB 156 255 116

HSL 102.73, 1%, 0.73%

LAB 91.62, -53.3, 56.63

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 64 / 0 / 86 / 29

HEX #42B51A

RGB 66 181 26

HSL 104.52, 0.75%, 0.41%

LAB 65.18, -57.8, 61.43

 

CMYK 70 / 0 / 96 / 36

HEX #31A307

RGB 49 163 7

HSL 103.85, 0.92%, 0.33%

LAB 58.85, -56.05, 59.25

 

CMYK 78 / 0 / 100 / 43

HEX #209100

RGB 32 145 0

HSL 106.76, 1%, 0.28%

LAB 52.46, -53.51, 55.04

 

CMYK 88 / 0 / 100 / 50

HEX #0F7F00

RGB 15 127 0

HSL 112.91, 1%, 0.25%

LAB 46.02, -50.15, 49.78

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 38 / 0 / 77 / 22

HEX #7CC72D

RGB 124 199 45

HSL 89.22, 0.63%, 0.48%

LAB 73.1, -46.65, 64.33

 

CMYK 17 / 0 / 77 / 22

HEX #A6C72D

RGB 166 199 45

HSL 72.86, 0.63%, 0.48%

LAB 75.54, -30.73, 67.48

 

CMYK 0 / 5 / 77 / 22

HEX #C7BE2D

RGB 199 190 45

HSL 56.49, 0.63%, 0.48%

LAB 75.55, -12.45, 68.42

 

CMYK 0 / 25 / 77 / 22

HEX #C7952D

RGB 199 149 45

HSL 40.52, 0.63%, 0.48%

LAB 64.82, 9.23, 58.56

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 77 / 0 / 76 / 22

HEX #2DC730

RGB 45 199 48

HSL 121.17, 0.63%, 0.48%

LAB 70.61, -66.13, 60.1

 

CMYK 77 / 0 / 55 / 22

HEX #2DC75A

RGB 45 199 90

HSL 137.53, 0.63%, 0.48%

LAB 70.97, -61.71, 43.15

 

CMYK 77 / 0 / 34 / 22

HEX #2DC783

RGB 45 199 131

HSL 153.51, 0.63%, 0.48%

LAB 71.58, -54.61, 23.17

 

CMYK 77 / 0 / 13 / 22

HEX #2DC7AD

RGB 45 199 173

HSL 169.87, 0.63%, 0.48%

LAB 72.51, -44.71, 1.91

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 67 / 0 / 89 / 14

HEX #49DB19

RGB 73 219 25

HSL 105.15, 0.8%, 0.48%

LAB 77.37, -68.76, 72.29

 

CMYK 74 / 0 / 98 / 6

HEX #3FEF05

RGB 63 239 5

HSL 105.13, 0.96%, 0.48%

LAB 83.34, -76.96, 79.47

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 48 / 0 / 64 / 30

HEX #5DB341

RGB 93 179 65

HSL 105.26, 0.47%, 0.48%

LAB 65.71, -47.13, 48.85

 

CMYK 35 / 0 / 47 / 38

HEX #679F54

RGB 103 159 84

HSL 104.8, 0.31%, 0.48%

LAB 60.18, -32.99, 33.31

 

CMYK 19 / 0 / 26 / 45

HEX #718C68

RGB 113 140 104

HSL 105, 0.15%, 0.48%

LAB 55.35, -16.79, 16.16

 

CMYK 1 / 3 / 0 / 51

HEX #7B787C

RGB 123 120 124

HSL 285, 0.02%, 0.48%

LAB 50.8, 1.94, -1.79

 

CMYK 17 / 0 / 77 / 22

HEX #A6C72D

RGB 166 199 45

HSL 72.86, 0.63%, 0.48%

LAB 75.54, -30.73, 67.48

 

CMYK 38 / 0 / 77 / 22

HEX #7CC72D

RGB 124 199 45

HSL 89.22, 0.63%, 0.48%

LAB 73.1, -46.65, 64.33

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 77 / 0 / 76 / 22

HEX #2DC72F

RGB 45 199 47

HSL 120.78, 0.63%, 0.48%

LAB 70.6, -66.2, 60.42

 

CMYK 77 / 0 / 56 / 22

HEX #2DC758

RGB 45 199 88

HSL 136.75, 0.63%, 0.48%

LAB 70.95, -61.99, 44.07

 

CMYK 58 / 0 / 77 / 48

HEX #37841E

RGB 55 132 30

HSL 105.29, 0.63%, 0.32%

LAB 48.77, -42.66, 44.87

 

CMYK 58 / 0 / 78 / 35

HEX #45A525

RGB 69 165 37

HSL 105, 0.63%, 0.4%

LAB 60.17, -50.84, 53.73

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 50 / 0 / 66 / 16

HEX #6BD548

RGB 107 213 72

HSL 105.11, 0.63%, 0.56%

LAB 76.79, -55.68, 58.14

 

CMYK 39 / 0 / 52 / 13

HEX #86DD6A

RGB 134 221 106

HSL 105.39, 0.63%, 0.64%

LAB 80.64, -47.27, 47.89

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 0 / 77 / 27 / 22

HEX #C72D91

RGB 199 45 145

HSL 321.04, 0.63%, 0.48%

LAB 47.06, 67.12, -18.96

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 77 / 58 / 0 / 22

HEX #2D53C7

RGB 45 83 199

HSL 225.19, 0.63%, 0.48%

LAB 39.36, 28.46, -64.19

 

CMYK 0 / 77 / 58 / 22

HEX #C72D53

RGB 199 45 83

HSL 345.19, 0.63%, 0.48%

LAB 45.14, 61.25, 16.29

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 77 / 0 / 4 / 22

HEX #2DC7BF

RGB 45 199 191

HSL 176.88, 0.63%, 0.48%

LAB 73, -39.79, -7.15

 

CMYK 20 / 77 / 0 / 22

HEX #A02DC7

RGB 160 45 199

HSL 284.81, 0.63%, 0.48%

LAB 43.47, 67.18, -57.02

 

CMYK 0 / 77 / 74 / 22

HEX #C72D34

RGB 199 45 52

HSL 357.27, 0.63%, 0.48%

LAB 44.61, 59.57, 34.45

 

CMYK 58 / 0 / 77 / 22

HEX #53C72D

RGB 83 199 45

HSL 105.19, 0.63%, 0.48%

LAB 71.47, -58.97, 62.2

 

CMYK 77 / 20 / 0 / 22

HEX #2DA0C7

RGB 45 160 199

HSL 195.19, 0.63%, 0.48%

LAB 61.5, -18.2, -28.99

 

CMYK 20 / 77 / 0 / 22

HEX #A02DC7

RGB 160 45 199

HSL 284.81, 0.63%, 0.48%

LAB 43.47, 67.18, -57.02

 

CMYK 0 / 58 / 77 / 22

HEX #C7532D

RGB 199 83 45

HSL 14.81, 0.63%, 0.48%

LAB 50.12, 44.18, 44.2

 

Description

Color code: HEX #53C72D | qconv.com Color code: HEX #53C72D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 199 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 199 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 77 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 77% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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