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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #502891 it is the complementary color #AFD76E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #502891. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #502891 shade: #55288C, #663A9F, #774CB2, #885EC5 and #9970D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #502891. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #502891 shade: #502891, #3F167E, #2E046B, #1D0058 and #0C0045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #502891 shade: #4F2790, #6B2790, #872790, #90277C and #902760

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #502891 shade: #4F2790, #332790 and #272790

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #502891 shade matches the following richer shades: #4F2790, #4B189E and #4809AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #502891 shade: #4F2790, #523681, #564572, #595463 and #5D6254

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #502891 shade: #273890, #312790, #4D2790, #692790 and #852790

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #502891 shade: #2B154F, #3D1E6F, #4F2790, #6130B0 and #743FCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #502891 shade: #502891, #902754 and #2A9027

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #502891 shade: #502891, #904D27 and #27904D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #502891 shade: #502891, #902754, #699027 and #279062

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #502891 shade: #502891, #902735, #699027 and #279082

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 72 / 0 / 43

HEX #502891

RGB 80 40 145

HSL 262.86, 0.57%, 0.36%

LAB 27.48, 41.96, -51.18

 

Complementary color

CMYK 19 / 0 / 49 / 16

HEX #AFD76E

RGB 175 215 110

HSL 82.86, 0.57%, 0.64%

LAB 81.2, -29.88, 47.2

 

CMYK 39 / 71 / 0 / 45

HEX #55288C

RGB 85 40 140

HSL 267, 0.56%, 0.35%

LAB 27.69, 41.58, -47.72

 

CMYK 36 / 64 / 0 / 38

HEX #663A9F

RGB 102 58 159

HSL 266.14, 0.47%, 0.43%

LAB 34.71, 40.68, -47.88

 

CMYK 33 / 57 / 0 / 30

HEX #774CB2

RGB 119 76 178

HSL 265.29, 0.4%, 0.5%

LAB 41.7, 39.65, -47.86

 

CMYK 31 / 52 / 0 / 23

HEX #885EC5

RGB 136 94 197

HSL 264.47, 0.47%, 0.57%

LAB 48.6, 38.61, -47.79

 

CMYK 29 / 48 / 0 / 15

HEX #9970D8

RGB 153 112 216

HSL 263.65, 0.57%, 0.64%

LAB 55.4, 37.62, -47.7

 

CMYK 45 / 72 / 0 / 43

HEX #502891

RGB 80 40 145

HSL 262.86, 0.57%, 0.36%

LAB 27.48, 41.96, -51.18

 

CMYK 50 / 83 / 0 / 51

HEX #3F167E

RGB 63 22 126

HSL 263.65, 0.7%, 0.29%

LAB 20.58, 42.53, -50.66

 

CMYK 57 / 96 / 0 / 58

HEX #2E046B

RGB 46 4 107

HSL 264.47, 0.93%, 0.22%

LAB 14, 42.03, -49.33

 

CMYK 67 / 100 / 0 / 65

HEX #1D0058

RGB 29 0 88

HSL 259.77, 1%, 0.17%

LAB 8.7, 37.47, -45.49

 

CMYK 83 / 100 / 0 / 73

HEX #0C0045

RGB 12 0 69

HSL 250.43, 1%, 0.14%

LAB 4.59, 28.52, -39.16

 

CMYK 45 / 73 / 0 / 44

HEX #4F2790

RGB 79 39 144

HSL 262.86, 0.57%, 0.36%

LAB 27.09, 42.01, -51.2

 

CMYK 26 / 73 / 0 / 44

HEX #6B2790

RGB 107 39 144

HSL 278.86, 0.57%, 0.36%

LAB 30.86, 47.63, -44.92

 

CMYK 6 / 73 / 0 / 44

HEX #872790

RGB 135 39 144

HSL 294.86, 0.57%, 0.36%

LAB 35.23, 53.81, -37.66

 

CMYK 0 / 73 / 14 / 44

HEX #90277C

RGB 144 39 124

HSL 311.43, 0.57%, 0.36%

LAB 35.67, 52.6, -24.49

 

CMYK 0 / 73 / 33 / 44

HEX #902760

RGB 144 39 96

HSL 327.43, 0.57%, 0.36%

LAB 34.45, 48.73, -8.64

 

CMYK 45 / 73 / 0 / 44

HEX #4F2790

RGB 79 39 144

HSL 262.86, 0.57%, 0.36%

LAB 27.09, 42.01, -51.2

 

CMYK 65 / 73 / 0 / 44

HEX #332790

RGB 51 39 144

HSL 246.86, 0.57%, 0.36%

LAB 24.22, 37.46, -56.02

 

CMYK 73 / 73 / 0 / 44

HEX #272790

RGB 39 39 144

HSL 240, 0.57%, 0.36%

LAB 23.32, 35.97, -57.52

 

CMYK 45 / 73 / 0 / 44

HEX #4F2790

RGB 79 39 144

HSL 262.86, 0.57%, 0.36%

LAB 27.09, 42.01, -51.2

 

CMYK 53 / 85 / 0 / 38

HEX #4B189E

RGB 75 24 158

HSL 262.84, 0.74%, 0.36%

LAB 25.62, 51.84, -62.24

 

CMYK 58 / 95 / 0 / 32

HEX #4809AD

RGB 72 9 173

HSL 263.05, 0.9%, 0.36%

LAB 25.53, 59.45, -71.48

 

CMYK 45 / 73 / 0 / 44

HEX #4F2790

RGB 79 39 144

HSL 262.86, 0.57%, 0.36%

LAB 27.09, 42.01, -51.2

 

CMYK 36 / 58 / 0 / 49

HEX #523681

RGB 82 54 129

HSL 262.4, 0.41%, 0.36%

LAB 29.46, 29.93, -38.03

 

CMYK 25 / 39 / 0 / 55

HEX #564572

RGB 86 69 114

HSL 262.67, 0.25%, 0.36%

LAB 32.81, 17.54, -23.29

 

CMYK 10 / 15 / 0 / 61

HEX #595463

RGB 89 84 99

HSL 260, 0.08%, 0.36%

LAB 36.68, 5.32, -7.93

 

CMYK 5 / 0 / 14 / 62

HEX #5D6254

RGB 93 98 84

HSL 81.43, 0.08%, 0.36%

LAB 40.74, -4.79, 7.31

 

CMYK 73 / 61 / 0 / 44

HEX #273890

RGB 39 56 144

HSL 230.29, 0.57%, 0.36%

LAB 27.5, 24.89, -50.68

 

CMYK 66 / 73 / 0 / 44

HEX #312790

RGB 49 39 144

HSL 245.71, 0.57%, 0.36%

LAB 24.06, 37.19, -56.29

 

CMYK 47 / 73 / 0 / 44

HEX #4D2790

RGB 77 39 144

HSL 261.71, 0.57%, 0.36%

LAB 26.86, 41.65, -51.6

 

CMYK 27 / 73 / 0 / 44

HEX #692790

RGB 105 39 144

HSL 277.71, 0.57%, 0.36%

LAB 30.56, 47.2, -45.4

 

CMYK 8 / 73 / 0 / 44

HEX #852790

RGB 133 39 144

HSL 293.71, 0.57%, 0.36%

LAB 34.91, 53.35, -38.2

 

CMYK 46 / 73 / 0 / 69

HEX #2B154F

RGB 43 21 79

HSL 262.76, 0.58%, 0.2%

LAB 13.32, 25.73, -31.68

 

CMYK 45 / 73 / 0 / 56

HEX #3D1E6F

RGB 61 30 111

HSL 262.96, 0.57%, 0.28%

LAB 20.32, 33.98, -41.49

 

CMYK 45 / 73 / 0 / 44

HEX #4F2790

RGB 79 39 144

HSL 262.86, 0.57%, 0.36%

LAB 27.09, 42.01, -51.2

 

CMYK 45 / 73 / 0 / 31

HEX #6130B0

RGB 97 48 176

HSL 262.97, 0.57%, 0.44%

LAB 33.54, 49.4, -60

 

CMYK 43 / 69 / 0 / 21

HEX #743FCA

RGB 116 63 202

HSL 262.88, 0.57%, 0.52%

LAB 40.46, 52.23, -63.9

 

CMYK 45 / 72 / 0 / 43

HEX #502891

RGB 80 40 145

HSL 262.86, 0.57%, 0.36%

LAB 27.48, 41.96, -51.18

 

CMYK 0 / 73 / 42 / 44

HEX #902754

RGB 144 39 84

HSL 334.29, 0.57%, 0.36%

LAB 34.03, 47.34, -1.53

 

CMYK 71 / 0 / 73 / 44

HEX #2A9027

RGB 42 144 39

HSL 118.29, 0.57%, 0.36%

LAB 52.49, -49.41, 45.08

 

CMYK 45 / 72 / 0 / 43

HEX #502891

RGB 80 40 145

HSL 262.86, 0.57%, 0.36%

LAB 27.48, 41.96, -51.18

 

CMYK 0 / 47 / 73 / 44

HEX #904D27

RGB 144 77 39

HSL 21.71, 0.57%, 0.36%

LAB 40.22, 24.97, 34.25

 

CMYK 73 / 0 / 47 / 44

HEX #27904D

RGB 39 144 77

HSL 141.71, 0.57%, 0.36%

LAB 52.85, -44.92, 27.24

 

CMYK 45 / 72 / 0 / 43

HEX #502891

RGB 80 40 145

HSL 262.86, 0.57%, 0.36%

LAB 27.48, 41.96, -51.18

 

CMYK 0 / 73 / 42 / 44

HEX #902754

RGB 144 39 84

HSL 334.29, 0.57%, 0.36%

LAB 34.03, 47.34, -1.53

 

CMYK 27 / 0 / 73 / 44

HEX #699027

RGB 105 144 39

HSL 82.29, 0.57%, 0.36%

LAB 55.17, -29.75, 48.66

 

CMYK 73 / 0 / 32 / 44

HEX #279062

RGB 39 144 98

HSL 153.71, 0.57%, 0.36%

LAB 53.23, -40.7, 16.14

 

CMYK 45 / 72 / 0 / 43

HEX #502891

RGB 80 40 145

HSL 262.86, 0.57%, 0.36%

LAB 27.48, 41.96, -51.18

 

CMYK 0 / 73 / 63 / 44

HEX #902735

RGB 144 39 53

HSL 352, 0.57%, 0.36%

LAB 33.22, 44.61, 17.47

 

CMYK 27 / 0 / 73 / 44

HEX #699027

RGB 105 144 39

HSL 82.29, 0.57%, 0.36%

LAB 55.17, -29.75, 48.66

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

Description

Color code: HEX #502891 | qconv.com Color code: HEX #502891 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 40 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 40 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 72 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 72% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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