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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #509A42 it is the complementary color #AF65BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #509A42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #509A42 shade: #559A3D, #66AC50, #77BE63, #88D076 and #99E289

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #509A42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #509A42 shade: #509A42, #3F882F, #2E761C, #1D6409 and #0C5200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #509A42 shade: #4F9941, #679941, #7F9941, #969941 and #998441

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #509A42 shade: #4F9941, #41994B, #419963, #41997A and #419992

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #509A42 shade matches the following richer shades: #4F9941, #43AB30, #37BC1E and #2BCE0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #509A42 shade: #4F9941, #5B8753, #677665, #746477 and #805288

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #509A42 shade: #7F9941, #679941, #509941, #41994A and #419961

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #509A42 shade: #315F29, #407C35, #4F9941, #60B450 and #7AC06D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #509A42 shade: #509A42, #419699 and #994173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #509A42 shade: #509A42, #415099 and #994150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #509A42 shade: #509A42, #419699, #8A4199 and #994441

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #509A42 shade: #509A42, #417C99, #8A4199 and #995F41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 57 / 40

HEX #509A42

RGB 80 154 66

HSL 110.45, 0.4%, 0.43%

LAB 57.28, -40.66, 38.63

 

Complementary color

CMYK 7 / 47 / 0 / 26

HEX #AF65BD

RGB 175 101 189

HSL 290.45, 0.4%, 0.57%

LAB 54.13, 43.8, -34.16

 

CMYK 45 / 0 / 60 / 40

HEX #559A3D

RGB 85 154 61

HSL 104.52, 0.43%, 0.42%

LAB 57.44, -39.66, 41.27

 

CMYK 41 / 0 / 53 / 33

HEX #66AC50

RGB 102 172 80

HSL 105.65, 0.37%, 0.49%

LAB 64.09, -39.7, 40.11

 

CMYK 37 / 0 / 48 / 25

HEX #77BE63

RGB 119 190 99

HSL 106.81, 0.41%, 0.57%

LAB 70.63, -39.63, 38.88

 

CMYK 35 / 0 / 43 / 18

HEX #88D076

RGB 136 208 118

HSL 108, 0.49%, 0.64%

LAB 77.07, -39.48, 37.66

 

CMYK 32 / 0 / 39 / 11

HEX #99E289

RGB 153 226 137

HSL 109.21, 0.61%, 0.71%

LAB 83.43, -39.31, 36.46

 

CMYK 48 / 0 / 57 / 40

HEX #509A42

RGB 80 154 66

HSL 110.45, 0.4%, 0.43%

LAB 57.28, -40.66, 38.63

 

CMYK 54 / 0 / 65 / 47

HEX #3F882F

RGB 63 136 47

HSL 109.21, 0.49%, 0.36%

LAB 50.54, -40.45, 39.76

 

CMYK 61 / 0 / 76 / 54

HEX #2E761C

RGB 46 118 28

HSL 108, 0.62%, 0.29%

LAB 43.69, -39.85, 40.45

 

CMYK 71 / 0 / 91 / 61

HEX #1D6409

RGB 29 100 9

HSL 106.81, 0.83%, 0.21%

LAB 36.73, -38.55, 39.95

 

CMYK 85 / 0 / 100 / 68

HEX #0C5200

RGB 12 82 0

HSL 111.22, 1%, 0.16%

LAB 29.7, -36.04, 36.72

 

CMYK 48 / 0 / 58 / 40

HEX #4F9941

RGB 79 153 65

HSL 110.45, 0.4%, 0.43%

LAB 56.91, -40.67, 38.67

 

CMYK 33 / 0 / 58 / 40

HEX #679941

RGB 103 153 65

HSL 94.09, 0.4%, 0.43%

LAB 58.08, -32.51, 40.34

 

CMYK 17 / 0 / 58 / 40

HEX #7F9941

RGB 127 153 65

HSL 77.73, 0.4%, 0.43%

LAB 59.6, -23.1, 42.48

 

CMYK 2 / 0 / 58 / 40

HEX #969941

RGB 150 153 65

HSL 62.05, 0.4%, 0.43%

LAB 61.35, -13.37, 44.94

 

CMYK 0 / 14 / 58 / 40

HEX #998441

RGB 153 132 65

HSL 45.68, 0.4%, 0.43%

LAB 55.74, -0.65, 38.59

 

CMYK 48 / 0 / 58 / 40

HEX #4F9941

RGB 79 153 65

HSL 110.45, 0.4%, 0.43%

LAB 56.91, -40.67, 38.67

 

CMYK 58 / 0 / 51 / 40

HEX #41994B

RGB 65 153 75

HSL 126.82, 0.4%, 0.43%

LAB 56.5, -43.26, 33.03

 

CMYK 58 / 0 / 35 / 40

HEX #419963

RGB 65 153 99

HSL 143.18, 0.4%, 0.43%

LAB 56.89, -39.11, 20.66

 

CMYK 58 / 0 / 20 / 40

HEX #41997A

RGB 65 153 122

HSL 158.86, 0.4%, 0.43%

LAB 57.38, -34.11, 8.45

 

CMYK 58 / 0 / 5 / 40

HEX #419992

RGB 65 153 146

HSL 175.23, 0.4%, 0.43%

LAB 58.02, -27.94, -4.26

 

CMYK 48 / 0 / 58 / 40

HEX #4F9941

RGB 79 153 65

HSL 110.45, 0.4%, 0.43%

LAB 56.91, -40.67, 38.67

 

CMYK 61 / 0 / 72 / 33

HEX #43AB30

RGB 67 171 48

HSL 110.73, 0.56%, 0.43%

LAB 62.11, -52.72, 51.71

 

CMYK 71 / 0 / 84 / 26

HEX #37BC1E

RGB 55 188 30

HSL 110.51, 0.72%, 0.43%

LAB 67.18, -62.17, 62.16

 

CMYK 79 / 0 / 94 / 19

HEX #2BCE0C

RGB 43 206 12

HSL 110.41, 0.89%, 0.43%

LAB 72.68, -70.07, 70

 

CMYK 48 / 0 / 58 / 40

HEX #4F9941

RGB 79 153 65

HSL 110.45, 0.4%, 0.43%

LAB 56.91, -40.67, 38.67

 

CMYK 33 / 0 / 39 / 47

HEX #5B8753

RGB 91 135 83

HSL 110.77, 0.24%, 0.43%

LAB 52.04, -25.85, 23.28

 

CMYK 13 / 0 / 14 / 54

HEX #677665

RGB 103 118 101

HSL 112.94, 0.08%, 0.43%

LAB 47.98, -9.1, 7.5

 

CMYK 3 / 16 / 0 / 53

HEX #746477

RGB 116 100 119

HSL 290.53, 0.09%, 0.43%

LAB 44.46, 10.13, -8.28

 

CMYK 6 / 40 / 0 / 47

HEX #805288

RGB 128 82 136

HSL 291.11, 0.25%, 0.43%

LAB 41.85, 28.81, -22.44

 

CMYK 17 / 0 / 58 / 40

HEX #7F9941

RGB 127 153 65

HSL 77.73, 0.4%, 0.43%

LAB 59.6, -23.1, 42.48

 

CMYK 33 / 0 / 58 / 40

HEX #679941

RGB 103 153 65

HSL 94.09, 0.4%, 0.43%

LAB 58.08, -32.51, 40.34

 

CMYK 48 / 0 / 58 / 40

HEX #509941

RGB 80 153 65

HSL 109.77, 0.4%, 0.43%

LAB 56.95, -40.36, 38.73

 

CMYK 58 / 0 / 52 / 40

HEX #41994A

RGB 65 153 74

HSL 126.14, 0.4%, 0.43%

LAB 56.49, -43.4, 33.53

 

CMYK 58 / 0 / 37 / 40

HEX #419961

RGB 65 153 97

HSL 141.82, 0.4%, 0.43%

LAB 56.85, -39.5, 21.71

 

CMYK 48 / 0 / 57 / 63

HEX #315F29

RGB 49 95 41

HSL 111.11, 0.4%, 0.27%

LAB 35.98, -27.66, 25.84

 

CMYK 48 / 0 / 57 / 51

HEX #407C35

RGB 64 124 53

HSL 110.7, 0.4%, 0.35%

LAB 46.66, -34.33, 32.42

 

CMYK 48 / 0 / 58 / 40

HEX #4F9941

RGB 79 153 65

HSL 110.45, 0.4%, 0.43%

LAB 56.91, -40.67, 38.67

 

CMYK 47 / 0 / 56 / 29

HEX #60B450

RGB 96 180 80

HSL 110.4, 0.4%, 0.51%

LAB 66.3, -45, 42.68

 

CMYK 36 / 0 / 43 / 25

HEX #7AC06D

RGB 122 192 109

HSL 110.6, 0.4%, 0.59%

LAB 71.51, -38.17, 34.98

 

CMYK 48 / 0 / 57 / 40

HEX #509A42

RGB 80 154 66

HSL 110.45, 0.4%, 0.43%

LAB 57.28, -40.66, 38.63

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 0 / 58 / 25 / 40

HEX #994173

RGB 153 65 115

HSL 325.91, 0.4%, 0.43%

LAB 40.88, 42.6, -10.75

 

CMYK 48 / 0 / 57 / 40

HEX #509A42

RGB 80 154 66

HSL 110.45, 0.4%, 0.43%

LAB 57.28, -40.66, 38.63

 

CMYK 58 / 48 / 0 / 40

HEX #415099

RGB 65 80 153

HSL 229.77, 0.4%, 0.43%

LAB 36.29, 16.77, -41.89

 

CMYK 0 / 58 / 48 / 40

HEX #994150

RGB 153 65 80

HSL 349.77, 0.4%, 0.43%

LAB 39.8, 38.26, 9.51

 

CMYK 48 / 0 / 57 / 40

HEX #509A42

RGB 80 154 66

HSL 110.45, 0.4%, 0.43%

LAB 57.28, -40.66, 38.63

 

CMYK 58 / 2 / 0 / 40

HEX #419699

RGB 65 150 153

HSL 182.05, 0.4%, 0.43%

LAB 57.31, -24.46, -9.32

 

CMYK 10 / 58 / 0 / 40

HEX #8A4199

RGB 138 65 153

HSL 289.77, 0.4%, 0.43%

LAB 40.38, 44.74, -34.92

 

CMYK 0 / 56 / 58 / 40

HEX #994441

RGB 153 68 65

HSL 2.05, 0.4%, 0.43%

LAB 40.06, 35.34, 19.19

 

CMYK 48 / 0 / 57 / 40

HEX #509A42

RGB 80 154 66

HSL 110.45, 0.4%, 0.43%

LAB 57.28, -40.66, 38.63

 

CMYK 58 / 19 / 0 / 40

HEX #417C99

RGB 65 124 153

HSL 199.77, 0.4%, 0.43%

LAB 49.3, -10.44, -21.46

 

CMYK 10 / 58 / 0 / 40

HEX #8A4199

RGB 138 65 153

HSL 289.77, 0.4%, 0.43%

LAB 40.38, 44.74, -34.92

 

CMYK 0 / 38 / 58 / 40

HEX #995F41

RGB 153 95 65

HSL 20.45, 0.4%, 0.43%

LAB 46.09, 20.46, 26.93

 

Description

Color code: HEX #509A42 | qconv.com Color code: HEX #509A42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 154 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 154 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 57 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 57% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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