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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50A099 it is the complementary color #AF5F66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50A099. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50A099 shade: #55A094, #66B2A7, #77C4BA, #88D6CD and #99E8E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50A099. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50A099 shade: #50A099, #3F8E86, #2E7C73, #1D6A60 and #0C584D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50A099 shade: #509F98, #509F83, #509F6D, #509F58 and #5D9F50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50A099 shade: #509F98, #50909F, #507B9F, #50669F and #50509F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50A099 shade matches the following richer shades: #509F98, #3CB2A8, #29C6B8, #16D9C8 and #02ECD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50A099 shade: #509F98, #638C88, #777878, #8A6568 and #9D5158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50A099 shade: #509F6D, #509F82, #509F97, #50929F and #507D9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50A099 shade: #346863, #42837E, #509F98, #66B2AB and #82C0BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50A099 shade: #50A099, #58509F and #9F7750

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50A099 shade: #50A099, #97509F and #9F9750

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50A099 shade: #50A099, #58509F, #9F5058 and #979F50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50A099 shade: #50A099, #6F509F, #9F5058 and #7F9F50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 4 / 37

HEX #50A099

RGB 80 160 153

HSL 174.75, 0.33%, 0.47%

LAB 60.91, -26.25, -3.9

 

Complementary color

CMYK 0 / 46 / 42 / 31

HEX #AF5F66

RGB 175 95 102

HSL 354.75, 0.33%, 0.53%

LAB 49.81, 33.12, 10.58

 

CMYK 47 / 0 / 7 / 37

HEX #55A094

RGB 85 160 148

HSL 170.4, 0.31%, 0.48%

LAB 60.97, -26.34, -0.98

 

CMYK 43 / 0 / 6 / 30

HEX #66B2A7

RGB 102 178 167

HSL 171.32, 0.33%, 0.55%

LAB 67.62, -26.25, -1.76

 

CMYK 39 / 0 / 5 / 23

HEX #77C4BA

RGB 119 196 186

HSL 172.21, 0.39%, 0.62%

LAB 74.16, -26.14, -2.48

 

CMYK 36 / 0 / 4 / 16

HEX #88D6CD

RGB 136 214 205

HSL 173.08, 0.49%, 0.69%

LAB 80.59, -26.01, -3.17

 

CMYK 34 / 0 / 3 / 9

HEX #99E8E0

RGB 153 232 224

HSL 173.92, 0.63%, 0.75%

LAB 86.93, -25.89, -3.81

 

CMYK 50 / 0 / 4 / 37

HEX #50A099

RGB 80 160 153

HSL 174.75, 0.33%, 0.47%

LAB 60.91, -26.25, -3.9

 

CMYK 56 / 0 / 6 / 44

HEX #3F8E86

RGB 63 142 134

HSL 173.92, 0.39%, 0.4%

LAB 54.16, -26.18, -3.09

 

CMYK 63 / 0 / 7 / 51

HEX #2E7C73

RGB 46 124 115

HSL 173.08, 0.46%, 0.33%

LAB 47.28, -25.97, -2.17

 

CMYK 73 / 0 / 9 / 58

HEX #1D6A60

RGB 29 106 96

HSL 172.21, 0.57%, 0.26%

LAB 40.27, -25.52, -1.11

 

CMYK 86 / 0 / 13 / 65

HEX #0C584D

RGB 12 88 77

HSL 171.32, 0.76%, 0.2%

LAB 33.12, -24.62, 0.15

 

CMYK 50 / 0 / 4 / 38

HEX #509F98

RGB 80 159 152

HSL 174.68, 0.33%, 0.47%

LAB 60.58, -26.02, -3.83

 

CMYK 50 / 0 / 18 / 38

HEX #509F83

RGB 80 159 131

HSL 158.73, 0.33%, 0.47%

LAB 60.02, -31.24, 7.2

 

CMYK 50 / 0 / 31 / 38

HEX #509F6D

RGB 80 159 109

HSL 142.03, 0.33%, 0.47%

LAB 59.53, -35.97, 18.81

 

CMYK 50 / 0 / 45 / 38

HEX #509F58

RGB 80 159 88

HSL 126.08, 0.33%, 0.47%

LAB 59.16, -39.71, 29.71

 

CMYK 42 / 0 / 50 / 38

HEX #5D9F50

RGB 93 159 80

HSL 110.13, 0.33%, 0.47%

LAB 59.62, -36.91, 34.57

 

CMYK 50 / 0 / 4 / 38

HEX #509F98

RGB 80 159 152

HSL 174.68, 0.33%, 0.47%

LAB 60.58, -26.02, -3.83

 

CMYK 50 / 9 / 0 / 38

HEX #50909F

RGB 80 144 159

HSL 191.39, 0.33%, 0.47%

LAB 56.24, -16.3, -14.29

 

CMYK 50 / 23 / 0 / 38

HEX #507B9F

RGB 80 123 159

HSL 207.34, 0.33%, 0.47%

LAB 49.95, -4.49, -23.91

 

CMYK 50 / 36 / 0 / 38

HEX #50669F

RGB 80 102 159

HSL 223.29, 0.33%, 0.47%

LAB 43.82, 8.21, -33.47

 

CMYK 50 / 50 / 0 / 38

HEX #50509F

RGB 80 80 159

HSL 240, 0.33%, 0.47%

LAB 37.75, 22.17, -43.11

 

CMYK 50 / 0 / 4 / 38

HEX #509F98

RGB 80 159 152

HSL 174.68, 0.33%, 0.47%

LAB 60.58, -26.02, -3.83

 

CMYK 66 / 0 / 6 / 30

HEX #3CB2A8

RGB 60 178 168

HSL 174.92, 0.5%, 0.47%

LAB 66.24, -34.74, -4.51

 

CMYK 79 / 0 / 7 / 22

HEX #29C6B8

RGB 41 198 184

HSL 174.65, 0.66%, 0.47%

LAB 72.44, -41.69, -4.18

 

CMYK 90 / 0 / 8 / 15

HEX #16D9C8

RGB 22 217 200

HSL 174.77, 0.82%, 0.47%

LAB 78.44, -46.76, -3.99

 

CMYK 99 / 0 / 8 / 7

HEX #02ECD8

RGB 2 236 216

HSL 174.87, 0.98%, 0.47%

LAB 84.46, -50.95, -3.63

 

CMYK 50 / 0 / 4 / 38

HEX #509F98

RGB 80 159 152

HSL 174.68, 0.33%, 0.47%

LAB 60.58, -26.02, -3.83

 

CMYK 29 / 0 / 3 / 45

HEX #638C88

RGB 99 140 136

HSL 174.15, 0.17%, 0.47%

LAB 55.26, -14.98, -2.42

 

CMYK 1 / 0 / 0 / 53

HEX #777878

RGB 119 120 120

HSL 180, 0%, 0.47%

LAB 50.35, -0.37, -0.14

 

CMYK 0 / 27 / 25 / 46

HEX #8A6568

RGB 138 101 104

HSL 355.14, 0.15%, 0.47%

LAB 46.59, 15.38, 4.17

 

CMYK 0 / 48 / 44 / 38

HEX #9D5158

RGB 157 81 88

HSL 354.47, 0.32%, 0.47%

LAB 43.88, 32.21, 10.36

 

CMYK 50 / 0 / 31 / 38

HEX #509F6D

RGB 80 159 109

HSL 142.03, 0.33%, 0.47%

LAB 59.53, -35.97, 18.81

 

CMYK 50 / 0 / 18 / 38

HEX #509F82

RGB 80 159 130

HSL 157.97, 0.33%, 0.47%

LAB 59.99, -31.47, 7.73

 

CMYK 50 / 0 / 5 / 38

HEX #509F97

RGB 80 159 151

HSL 173.92, 0.33%, 0.47%

LAB 60.55, -26.28, -3.31

 

CMYK 50 / 8 / 0 / 38

HEX #50929F

RGB 80 146 159

HSL 189.87, 0.33%, 0.47%

LAB 56.85, -17.37, -13.38

 

CMYK 50 / 21 / 0 / 38

HEX #507D9F

RGB 80 125 159

HSL 205.82, 0.33%, 0.47%

LAB 50.54, -5.66, -23

 

CMYK 50 / 0 / 5 / 59

HEX #346863

RGB 52 104 99

HSL 174.23, 0.33%, 0.31%

LAB 40.46, -18.74, -2.57

 

CMYK 50 / 0 / 4 / 49

HEX #42837E

RGB 66 131 126

HSL 175.38, 0.33%, 0.39%

LAB 50.57, -22.06, -3.72

 

CMYK 50 / 0 / 4 / 38

HEX #509F98

RGB 80 159 152

HSL 174.68, 0.33%, 0.47%

LAB 60.58, -26.02, -3.83

 

CMYK 43 / 0 / 4 / 30

HEX #66B2AB

RGB 102 178 171

HSL 174.47, 0.33%, 0.55%

LAB 67.73, -25.26, -3.81

 

CMYK 32 / 0 / 3 / 25

HEX #82C0BA

RGB 130 192 186

HSL 174.19, 0.33%, 0.63%

LAB 73.54, -21.13, -3.33

 

CMYK 50 / 0 / 4 / 37

HEX #50A099

RGB 80 160 153

HSL 174.75, 0.33%, 0.47%

LAB 60.91, -26.25, -3.9

 

CMYK 45 / 50 / 0 / 38

HEX #58509F

RGB 88 80 159

HSL 246.08, 0.33%, 0.47%

LAB 38.4, 24.12, -42.02

 

CMYK 0 / 25 / 50 / 38

HEX #9F7750

RGB 159 119 80

HSL 29.62, 0.33%, 0.47%

LAB 53.11, 10.71, 27.45

 

CMYK 50 / 0 / 4 / 37

HEX #50A099

RGB 80 160 153

HSL 174.75, 0.33%, 0.47%

LAB 60.91, -26.25, -3.9

 

CMYK 5 / 50 / 0 / 38

HEX #97509F

RGB 151 80 159

HSL 293.92, 0.33%, 0.47%

LAB 45.39, 41.88, -30.52

 

CMYK 0 / 5 / 50 / 38

HEX #9F9750

RGB 159 151 80

HSL 53.92, 0.33%, 0.47%

LAB 61.73, -7.1, 38.17

 

CMYK 50 / 0 / 4 / 37

HEX #50A099

RGB 80 160 153

HSL 174.75, 0.33%, 0.47%

LAB 60.91, -26.25, -3.9

 

CMYK 45 / 50 / 0 / 38

HEX #58509F

RGB 88 80 159

HSL 246.08, 0.33%, 0.47%

LAB 38.4, 24.12, -42.02

 

CMYK 0 / 50 / 45 / 38

HEX #9F5058

RGB 159 80 88

HSL 353.92, 0.33%, 0.47%

LAB 43.96, 33.52, 10.52

 

CMYK 5 / 0 / 50 / 38

HEX #979F50

RGB 151 159 80

HSL 66.08, 0.33%, 0.47%

LAB 63.31, -14.75, 39.91

 

CMYK 50 / 0 / 4 / 37

HEX #50A099

RGB 80 160 153

HSL 174.75, 0.33%, 0.47%

LAB 60.91, -26.25, -3.9

 

CMYK 30 / 50 / 0 / 38

HEX #6F509F

RGB 111 80 159

HSL 263.54, 0.33%, 0.47%

LAB 40.61, 30.25, -38.38

 

CMYK 0 / 50 / 45 / 38

HEX #9F5058

RGB 159 80 88

HSL 353.92, 0.33%, 0.47%

LAB 43.96, 33.52, 10.52

 

CMYK 20 / 0 / 50 / 38

HEX #7F9F50

RGB 127 159 80

HSL 84.3, 0.33%, 0.47%

LAB 61.56, -24.54, 37.39

 

Description

Color code: HEX #50A099 | qconv.com Color code: HEX #50A099 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 160 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 160 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 4 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 4% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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