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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #51328E it is the complementary color #AECD71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #51328E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #51328E shade: #563289, #67449C, #7856AF, #8968C2 and #9A7AD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #51328E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #51328E shade: #51328E, #40207B, #2F0E68, #1E0055 and #0D0042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #51328E shade: #51328F, #6A328F, #83328F, #8F3281 and #8F3268

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #51328E shade: #51328F, #38328F and #32328F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #51328E shade matches the following richer shades: #51328F, #4C229F, #4713AE and #4203BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #51328E shade: #51328F, #56427F, #5B5170, #616160 and #667150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #51328E shade: #32448F, #38328F, #51328F, #6A328F and #83328F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #51328E shade: #2E1C52, #402770, #51328F, #633DAD and #7752C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #51328E shade: #51328E, #8F325D and #388F32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #51328E shade: #51328E, #8F5132 and #328F51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #51328E shade: #51328E, #8F325D, #708F32 and #328F64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #51328E shade: #51328E, #8F3241, #708F32 and #328F7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 65 / 0 / 44

HEX #51328E

RGB 81 50 142

HSL 260.22, 0.48%, 0.38%

LAB 29.37, 35.79, -46.25

 

Complementary color

CMYK 15 / 0 / 45 / 20

HEX #AECD71

RGB 174 205 113

HSL 80.22, 0.48%, 0.62%

LAB 78.38, -25.15, 42.26

 

CMYK 37 / 64 / 0 / 46

HEX #563289

RGB 86 50 137

HSL 264.83, 0.47%, 0.37%

LAB 29.58, 35.53, -42.79

 

CMYK 34 / 56 / 0 / 39

HEX #67449C

RGB 103 68 156

HSL 263.86, 0.39%, 0.44%

LAB 36.78, 34.42, -42.73

 

CMYK 31 / 51 / 0 / 31

HEX #7856AF

RGB 120 86 175

HSL 262.92, 0.36%, 0.51%

LAB 43.86, 33.35, -42.63

 

CMYK 29 / 46 / 0 / 24

HEX #8968C2

RGB 137 104 194

HSL 262, 0.42%, 0.58%

LAB 50.82, 32.36, -42.52

 

CMYK 28 / 43 / 0 / 16

HEX #9A7AD5

RGB 154 122 213

HSL 261.1, 0.52%, 0.66%

LAB 57.65, 31.45, -42.44

 

CMYK 43 / 65 / 0 / 44

HEX #51328E

RGB 81 50 142

HSL 260.22, 0.48%, 0.38%

LAB 29.37, 35.79, -46.25

 

CMYK 48 / 74 / 0 / 52

HEX #40207B

RGB 64 32 123

HSL 261.1, 0.59%, 0.3%

LAB 22.14, 36.96, -46.2

 

CMYK 55 / 87 / 0 / 59

HEX #2F0E68

RGB 47 14 104

HSL 262, 0.76%, 0.23%

LAB 15.05, 37.55, -45.61

 

CMYK 65 / 100 / 0 / 67

HEX #1E0055

RGB 30 0 85

HSL 261.18, 1%, 0.17%

LAB 8.41, 36.74, -43.92

 

CMYK 80 / 100 / 0 / 74

HEX #0D0042

RGB 13 0 66

HSL 251.82, 1%, 0.13%

LAB 4.33, 27.15, -37.45

 

CMYK 43 / 65 / 0 / 44

HEX #51328F

RGB 81 50 143

HSL 260, 0.48%, 0.38%

LAB 29.45, 36.08, -46.74

 

CMYK 26 / 65 / 0 / 44

HEX #6A328F

RGB 106 50 143

HSL 276.13, 0.48%, 0.38%

LAB 32.54, 41.89, -41.59

 

CMYK 8 / 65 / 0 / 44

HEX #83328F

RGB 131 50 143

HSL 292.26, 0.48%, 0.38%

LAB 36.16, 48.12, -35.61

 

CMYK 0 / 65 / 10 / 44

HEX #8F3281

RGB 143 50 129

HSL 309.03, 0.48%, 0.38%

LAB 37.31, 48.75, -25.05

 

CMYK 0 / 65 / 27 / 44

HEX #8F3268

RGB 143 50 104

HSL 325.16, 0.48%, 0.38%

LAB 36.21, 44.94, -11.08

 

CMYK 43 / 65 / 0 / 44

HEX #51328F

RGB 81 50 143

HSL 260, 0.48%, 0.38%

LAB 29.45, 36.08, -46.74

 

CMYK 61 / 65 / 0 / 44

HEX #38328F

RGB 56 50 143

HSL 243.87, 0.48%, 0.38%

LAB 27.03, 31.14, -50.78

 

CMYK 65 / 65 / 0 / 44

HEX #32328F

RGB 50 50 143

HSL 240, 0.48%, 0.38%

LAB 26.57, 30.14, -51.55

 

CMYK 43 / 65 / 0 / 44

HEX #51328F

RGB 81 50 143

HSL 260, 0.48%, 0.38%

LAB 29.45, 36.08, -46.74

 

CMYK 52 / 79 / 0 / 38

HEX #4C229F

RGB 76 34 159

HSL 260.16, 0.65%, 0.38%

LAB 27.25, 48.11, -60.16

 

CMYK 59 / 89 / 0 / 32

HEX #4713AE

RGB 71 19 174

HSL 260.13, 0.8%, 0.38%

LAB 26.34, 57.21, -70.76

 

CMYK 65 / 98 / 0 / 25

HEX #4203BE

RGB 66 3 190

HSL 260.21, 0.97%, 0.38%

LAB 26.57, 64.35, -79.94

 

CMYK 43 / 65 / 0 / 44

HEX #51328F

RGB 81 50 143

HSL 260, 0.48%, 0.38%

LAB 29.45, 36.08, -46.74

 

CMYK 32 / 48 / 0 / 50

HEX #56427F

RGB 86 66 127

HSL 259.67, 0.32%, 0.38%

LAB 32.72, 23, -31.56

 

CMYK 19 / 28 / 0 / 56

HEX #5B5170

RGB 91 81 112

HSL 259.35, 0.16%, 0.38%

LAB 36.52, 11.1, -16.26

 

CMYK 0 / 0 / 1 / 62

HEX #616160

RGB 97 97 96

HSL 60, 0.01%, 0.38%

LAB 41.11, -0.21, 0.56

 

CMYK 10 / 0 / 29 / 56

HEX #667150

RGB 102 113 80

HSL 80, 0.17%, 0.38%

LAB 45.93, -10.42, 16.99

 

CMYK 65 / 52 / 0 / 44

HEX #32448F

RGB 50 68 143

HSL 228.39, 0.48%, 0.38%

LAB 31.34, 18.15, -43.82

 

CMYK 61 / 65 / 0 / 44

HEX #38328F

RGB 56 50 143

HSL 243.87, 0.48%, 0.38%

LAB 27.03, 31.14, -50.78

 

CMYK 43 / 65 / 0 / 44

HEX #51328F

RGB 81 50 143

HSL 260, 0.48%, 0.38%

LAB 29.45, 36.08, -46.74

 

CMYK 26 / 65 / 0 / 44

HEX #6A328F

RGB 106 50 143

HSL 276.13, 0.48%, 0.38%

LAB 32.54, 41.89, -41.59

 

CMYK 8 / 65 / 0 / 44

HEX #83328F

RGB 131 50 143

HSL 292.26, 0.48%, 0.38%

LAB 36.16, 48.12, -35.61

 

CMYK 44 / 66 / 0 / 68

HEX #2E1C52

RGB 46 28 82

HSL 260, 0.49%, 0.22%

LAB 15.59, 22.96, -30.02

 

CMYK 43 / 65 / 0 / 56

HEX #402770

RGB 64 39 112

HSL 260.55, 0.48%, 0.3%

LAB 22.69, 29.67, -38.26

 

CMYK 43 / 65 / 0 / 44

HEX #51328F

RGB 81 50 143

HSL 260, 0.48%, 0.38%

LAB 29.45, 36.08, -46.74

 

CMYK 43 / 65 / 0 / 32

HEX #633DAD

RGB 99 61 173

HSL 260.36, 0.48%, 0.46%

LAB 36, 42.15, -54.2

 

CMYK 39 / 58 / 0 / 24

HEX #7752C2

RGB 119 82 194

HSL 259.82, 0.48%, 0.54%

LAB 44.02, 40.48, -53.49

 

CMYK 43 / 65 / 0 / 44

HEX #51328E

RGB 81 50 142

HSL 260.22, 0.48%, 0.38%

LAB 29.37, 35.79, -46.25

 

CMYK 0 / 65 / 35 / 44

HEX #8F325D

RGB 143 50 93

HSL 332.26, 0.48%, 0.38%

LAB 35.81, 43.49, -4.7

 

CMYK 61 / 0 / 65 / 44

HEX #388F32

RGB 56 143 50

HSL 116.13, 0.48%, 0.38%

LAB 52.64, -44.81, 40.65

 

CMYK 43 / 65 / 0 / 44

HEX #51328E

RGB 81 50 142

HSL 260.22, 0.48%, 0.38%

LAB 29.37, 35.79, -46.25

 

CMYK 0 / 43 / 65 / 44

HEX #8F5132

RGB 143 81 50

HSL 20, 0.48%, 0.38%

LAB 41.14, 22.96, 29.16

 

CMYK 65 / 0 / 43 / 44

HEX #328F51

RGB 50 143 81

HSL 140, 0.48%, 0.38%

LAB 52.86, -41.7, 25.13

 

CMYK 43 / 65 / 0 / 44

HEX #51328E

RGB 81 50 142

HSL 260.22, 0.48%, 0.38%

LAB 29.37, 35.79, -46.25

 

CMYK 0 / 65 / 35 / 44

HEX #8F325D

RGB 143 50 93

HSL 332.26, 0.48%, 0.38%

LAB 35.81, 43.49, -4.7

 

CMYK 22 / 0 / 65 / 44

HEX #708F32

RGB 112 143 50

HSL 80, 0.48%, 0.38%

LAB 55.4, -25.6, 44.47

 

CMYK 65 / 0 / 30 / 44

HEX #328F64

RGB 50 143 100

HSL 152.26, 0.48%, 0.38%

LAB 53.21, -37.86, 15.02

 

CMYK 43 / 65 / 0 / 44

HEX #51328E

RGB 81 50 142

HSL 260.22, 0.48%, 0.38%

LAB 29.37, 35.79, -46.25

 

CMYK 0 / 65 / 55 / 44

HEX #8F3241

RGB 143 50 65

HSL 350.32, 0.48%, 0.38%

LAB 35.01, 40.51, 12.11

 

CMYK 22 / 0 / 65 / 44

HEX #708F32

RGB 112 143 50

HSL 80, 0.48%, 0.38%

LAB 55.4, -25.6, 44.47

 

CMYK 65 / 0 / 11 / 44

HEX #328F7F

RGB 50 143 127

HSL 169.68, 0.48%, 0.38%

LAB 53.87, -31.16, 0.49

 

Description

Color code: HEX #51328E | qconv.com Color code: HEX #51328E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 50 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 50 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 65 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 65% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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