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Color name
HEX #518C11

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #518C11 it is the complementary color #AE73EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #518C11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #518C11 shade: #568C0C, #679E1F, #78B032, #89C245 and #9AD458

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #518C11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #518C11 shade: #518C11, #407A00, #2F6800, #1E5600 and #0D4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #518C11 shade: #518C11, #728C11, #8C8511, #8C6411 and #8C4211

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #518C11 shade: #518C11, #308C11, #118C13, #118C34 and #118C56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #518C11 shade matches the following richer shades: #518C11 and #529904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #518C11 shade: #518C11, #517F1E, #50732A, #4F6637 and #4F5944

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #518C11 shade: #8C8411, #748C11, #538C11, #328C11 and #118C11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #518C11 shade: #264308, #3C670C, #518C11, #66B115 and #7CD61A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #518C11 shade: #518C11, #118C63 and #8C1184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #518C11 shade: #518C11, #11538C and #8C1153

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #518C11 shade: #518C11, #118C63, #4A118C and #8C113A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #518C11 shade: #518C11, #118C88, #4A118C and #8C1115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 88 / 45

HEX #518C11

RGB 81 140 17

HSL 88.78, 0.78%, 0.31%

LAB 52.45, -38.27, 52.56

 

Complementary color

CMYK 27 / 52 / 0 / 7

HEX #AE73EE

RGB 174 115 238

HSL 268.78, 0.78%, 0.69%

LAB 59.37, 46.72, -53.57

 

CMYK 39 / 0 / 91 / 45

HEX #568C0C

RGB 86 140 12

HSL 85.31, 0.84%, 0.3%

LAB 52.69, -36.6, 53.91

 

CMYK 35 / 0 / 80 / 38

HEX #679E1F

RGB 103 158 31

HSL 85.98, 0.67%, 0.37%

LAB 59.38, -37.4, 55.41

 

CMYK 32 / 0 / 72 / 31

HEX #78B032

RGB 120 176 50

HSL 86.67, 0.56%, 0.44%

LAB 65.96, -37.93, 55.6

 

CMYK 29 / 0 / 64 / 24

HEX #89C245

RGB 137 194 69

HSL 87.36, 0.51%, 0.52%

LAB 72.45, -38.25, 55.12

 

CMYK 27 / 0 / 58 / 17

HEX #9AD458

RGB 154 212 88

HSL 88.06, 0.59%, 0.59%

LAB 78.85, -38.45, 54.28

 

CMYK 42 / 0 / 88 / 45

HEX #518C11

RGB 81 140 17

HSL 88.78, 0.78%, 0.31%

LAB 52.45, -38.27, 52.56

 

CMYK 48 / 0 / 100 / 52

HEX #407A00

RGB 64 122 0

HSL 88.52, 1%, 0.24%

LAB 45.65, -37.2, 50.06

 

CMYK 55 / 0 / 100 / 59

HEX #2F6800

RGB 47 104 0

HSL 92.88, 1%, 0.2%

LAB 38.73, -35.49, 44.33

 

CMYK 65 / 0 / 100 / 66

HEX #1E5600

RGB 30 86 0

HSL 99.07, 1%, 0.17%

LAB 31.65, -33.48, 38.48

 

CMYK 81 / 0 / 100 / 73

HEX #0D4400

RGB 13 68 0

HSL 108.53, 1%, 0.13%

LAB 24.39, -30.87, 32.08

 

CMYK 42 / 0 / 88 / 45

HEX #518C11

RGB 81 140 17

HSL 88.78, 0.78%, 0.31%

LAB 52.45, -38.27, 52.56

 

CMYK 19 / 0 / 88 / 45

HEX #728C11

RGB 114 140 17

HSL 72.68, 0.78%, 0.31%

LAB 54.42, -25.08, 55.02

 

CMYK 0 / 5 / 88 / 45

HEX #8C8511

RGB 140 133 17

HSL 56.59, 0.78%, 0.31%

LAB 54.44, -9.71, 55.89

 

CMYK 0 / 29 / 88 / 45

HEX #8C6411

RGB 140 100 17

HSL 40.49, 0.78%, 0.31%

LAB 45.26, 8.95, 48.34

 

CMYK 0 / 53 / 88 / 45

HEX #8C4211

RGB 140 66 17

HSL 23.9, 0.78%, 0.31%

LAB 36.95, 28.47, 41.42

 

CMYK 42 / 0 / 88 / 45

HEX #518C11

RGB 81 140 17

HSL 88.78, 0.78%, 0.31%

LAB 52.45, -38.27, 52.56

 

CMYK 66 / 0 / 88 / 45

HEX #308C11

RGB 48 140 17

HSL 104.88, 0.78%, 0.31%

LAB 51.18, -48.16, 50.96

 

CMYK 88 / 0 / 86 / 45

HEX #118C13

RGB 17 140 19

HSL 120.98, 0.78%, 0.31%

LAB 50.6, -53.18, 49.72

 

CMYK 88 / 0 / 63 / 45

HEX #118C34

RGB 17 140 52

HSL 137.07, 0.78%, 0.31%

LAB 50.83, -50.23, 37.46

 

CMYK 88 / 0 / 39 / 45

HEX #118C56

RGB 17 140 86

HSL 153.66, 0.78%, 0.31%

LAB 51.32, -44.4, 20.23

 

CMYK 42 / 0 / 88 / 45

HEX #518C11

RGB 81 140 17

HSL 88.78, 0.78%, 0.31%

LAB 52.45, -38.27, 52.56

 

CMYK 46 / 0 / 97 / 40

HEX #529904

RGB 82 153 4

HSL 88.59, 0.95%, 0.31%

LAB 56.67, -43.67, 58.39

 

CMYK 42 / 0 / 88 / 45

HEX #518C11

RGB 81 140 17

HSL 88.78, 0.78%, 0.31%

LAB 52.45, -38.27, 52.56

 

CMYK 36 / 0 / 76 / 50

HEX #517F1E

RGB 81 127 30

HSL 88.45, 0.62%, 0.31%

LAB 48.29, -31.85, 44.79

 

CMYK 30 / 0 / 63 / 55

HEX #50732A

RGB 80 115 42

HSL 88.77, 0.46%, 0.31%

LAB 44.42, -25.54, 35.55

 

CMYK 23 / 0 / 46 / 60

HEX #4F6637

RGB 79 102 55

HSL 89.36, 0.3%, 0.31%

LAB 40.31, -17.69, 23.77

 

CMYK 11 / 0 / 24 / 65

HEX #4F5944

RGB 79 89 68

HSL 88.57, 0.13%, 0.31%

LAB 36.41, -8.26, 10.88

 

CMYK 0 / 6 / 88 / 45

HEX #8C8411

RGB 140 132 17

HSL 56.1, 0.78%, 0.31%

LAB 54.15, -9.17, 55.65

 

CMYK 17 / 0 / 88 / 45

HEX #748C11

RGB 116 140 17

HSL 71.71, 0.78%, 0.31%

LAB 54.56, -24.21, 55.2

 

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

CMYK 64 / 0 / 88 / 45

HEX #328C11

RGB 50 140 17

HSL 103.9, 0.78%, 0.31%

LAB 51.24, -47.68, 51.03

 

CMYK 88 / 0 / 88 / 45

HEX #118C11

RGB 17 140 17

HSL 120, 0.78%, 0.31%

LAB 50.59, -53.28, 50.21

 

CMYK 43 / 0 / 88 / 74

HEX #264308

RGB 38 67 8

HSL 89.49, 0.79%, 0.15%

LAB 25.09, -21.76, 29.85

 

CMYK 42 / 0 / 88 / 60

HEX #3C670C

RGB 60 103 12

HSL 88.35, 0.79%, 0.23%

LAB 39.05, -29.92, 41.68

 

CMYK 42 / 0 / 88 / 45

HEX #518C11

RGB 81 140 17

HSL 88.78, 0.78%, 0.31%

LAB 52.45, -38.27, 52.56

 

CMYK 42 / 0 / 88 / 31

HEX #66B115

RGB 102 177 21

HSL 88.85, 0.79%, 0.39%

LAB 65.22, -46.2, 63.05

 

CMYK 42 / 0 / 88 / 16

HEX #7CD61A

RGB 124 214 26

HSL 88.72, 0.78%, 0.47%

LAB 77.55, -53.44, 72.94

 

CMYK 42 / 0 / 88 / 45

HEX #518C11

RGB 81 140 17

HSL 88.78, 0.78%, 0.31%

LAB 52.45, -38.27, 52.56

 

CMYK 88 / 0 / 29 / 45

HEX #118C63

RGB 17 140 99

HSL 160, 0.78%, 0.31%

LAB 51.58, -41.44, 13.24

 

CMYK 0 / 88 / 6 / 45

HEX #8C1184

RGB 140 17 132

HSL 303.9, 0.78%, 0.31%

LAB 33.23, 59.1, -33.38

 

CMYK 42 / 0 / 88 / 45

HEX #518C11

RGB 81 140 17

HSL 88.78, 0.78%, 0.31%

LAB 52.45, -38.27, 52.56

 

CMYK 88 / 41 / 0 / 45

HEX #11538C

RGB 17 83 140

HSL 207.8, 0.78%, 0.31%

LAB 34.39, 2.43, -37.14

 

CMYK 0 / 88 / 41 / 45

HEX #8C1153

RGB 140 17 83

HSL 327.8, 0.78%, 0.31%

LAB 30.88, 52.72, -5.63

 

CMYK 42 / 0 / 88 / 45

HEX #518C11

RGB 81 140 17

HSL 88.78, 0.78%, 0.31%

LAB 52.45, -38.27, 52.56

 

CMYK 88 / 0 / 29 / 45

HEX #118C63

RGB 17 140 99

HSL 160, 0.78%, 0.31%

LAB 51.58, -41.44, 13.24

 

CMYK 47 / 88 / 0 / 45

HEX #4A118C

RGB 74 17 140

HSL 267.8, 0.78%, 0.31%

LAB 22.83, 49.53, -55.73

 

CMYK 0 / 88 / 59 / 45

HEX #8C113A

RGB 140 17 58

HSL 340, 0.78%, 0.31%

LAB 30.11, 50.52, 9.87

 

CMYK 42 / 0 / 88 / 45

HEX #518C11

RGB 81 140 17

HSL 88.78, 0.78%, 0.31%

LAB 52.45, -38.27, 52.56

 

CMYK 88 / 0 / 3 / 45

HEX #118C88

RGB 17 140 136

HSL 178.05, 0.78%, 0.31%

LAB 52.57, -31.16, -6.71

 

CMYK 47 / 88 / 0 / 45

HEX #4A118C

RGB 74 17 140

HSL 267.8, 0.78%, 0.31%

LAB 22.83, 49.53, -55.73

 

CMYK 0 / 88 / 85 / 45

HEX #8C1115

RGB 140 17 21

HSL 358.05, 0.78%, 0.31%

LAB 29.49, 48.7, 32.89

 

Description

Color code: HEX #518C11 | qconv.com Color code: HEX #518C11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 140 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 140 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 88 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 88% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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