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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #519CD6 it is the complementary color #AE6329. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #519CD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #519CD6 shade: #569CD1, #67AEE4, #78C0F7, #89D2FF and #9AE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #519CD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #519CD6 shade: #519CD6, #408AC3, #2F78B0, #1E669D and #0D548A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #519CD6 shade: #519CD6, #5178D6, #5154D6, #7251D6 and #9551D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #519CD6 shade: #519CD6, #5178D6, #5154D6 and #5151D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #519CD6 shade matches the following richer shades: #519CD6, #409EE7 and #2EA0F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #519CD6 shade: #519CD6, #629AC4, #7497B3, #8595A2 and #969390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #519CD6 shade: #51D6C9, #51C0D6, #519CD6, #5179D6 and #5155D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #519CD6 shade: #2873AC, #3089CE, #519CD6, #72AFDE and #94C2E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #519CD6 shade: #519CD6, #A551D6 and #D1D651

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #519CD6 shade: #519CD6, #D6519C and #9CD651

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #519CD6 shade: #519CD6, #A551D6, #D68B51 and #82D651

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #519CD6 shade: #519CD6, #CD51D6, #D68B51 and #5AD651

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

Complementary color

CMYK 0 / 43 / 76 / 32

HEX #AE6329

RGB 174 99 41

HSL 26.17, 0.62%, 0.42%

LAB 49.6, 25.72, 44.4

 

CMYK 59 / 25 / 0 / 18

HEX #569CD1

RGB 86 156 209

HSL 205.85, 0.57%, 0.58%

LAB 61.96, -6.41, -33.76

 

CMYK 55 / 24 / 0 / 11

HEX #67AEE4

RGB 103 174 228

HSL 205.92, 0.7%, 0.65%

LAB 68.57, -7.08, -33.93

 

CMYK 51 / 22 / 0 / 3

HEX #78C0F7

RGB 120 192 247

HSL 205.98, 0.89%, 0.72%

LAB 75.08, -7.62, -34.11

 

CMYK 46 / 18 / 0 / 0

HEX #89D2FF

RGB 137 210 255

HSL 202.88, 1%, 0.77%

LAB 81.09, -11.09, -29.07

 

CMYK 40 / 11 / 0 / 0

HEX #9AE4FF

RGB 154 228 255

HSL 196.04, 1%, 0.8%

LAB 86.79, -16.25, -20.32

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 67 / 29 / 0 / 24

HEX #408AC3

RGB 64 138 195

HSL 206.11, 0.52%, 0.51%

LAB 55.28, -4.74, -36.38

 

CMYK 73 / 32 / 0 / 31

HEX #2F78B0

RGB 47 120 176

HSL 206.05, 0.58%, 0.44%

LAB 48.48, -3.43, -36.2

 

CMYK 81 / 35 / 0 / 38

HEX #1E669D

RGB 30 102 157

HSL 205.98, 0.68%, 0.37%

LAB 41.55, -1.69, -36

 

CMYK 91 / 39 / 0 / 46

HEX #0D548A

RGB 13 84 138

HSL 205.92, 0.83%, 0.3%

LAB 34.52, 0.66, -35.72

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 62 / 44 / 0 / 16

HEX #5178D6

RGB 81 120 214

HSL 222.41, 0.62%, 0.58%

LAB 51.88, 15.56, -52.5

 

CMYK 62 / 61 / 0 / 16

HEX #5154D6

RGB 81 84 214

HSL 238.65, 0.62%, 0.58%

LAB 42.68, 37.88, -67.34

 

CMYK 47 / 62 / 0 / 16

HEX #7251D6

RGB 114 81 214

HSL 254.89, 0.62%, 0.58%

LAB 44.68, 45.51, -63.96

 

CMYK 30 / 62 / 0 / 16

HEX #9551D6

RGB 149 81 214

HSL 270.68, 0.62%, 0.58%

LAB 48.42, 52.91, -57.74

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 62 / 44 / 0 / 16

HEX #5178D6

RGB 81 120 214

HSL 222.41, 0.62%, 0.58%

LAB 51.88, 15.56, -52.5

 

CMYK 62 / 61 / 0 / 16

HEX #5154D6

RGB 81 84 214

HSL 238.65, 0.62%, 0.58%

LAB 42.68, 37.88, -67.34

 

CMYK 62 / 62 / 0 / 16

HEX #5151D6

RGB 81 81 214

HSL 240, 0.62%, 0.58%

LAB 41.98, 39.7, -68.48

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 72 / 32 / 0 / 9

HEX #409EE7

RGB 64 158 231

HSL 206.23, 0.78%, 0.58%

LAB 62.77, -3.84, -44.76

 

CMYK 81 / 35 / 0 / 3

HEX #2EA0F8

RGB 46 160 248

HSL 206.14, 0.94%, 0.58%

LAB 63.75, -0.93, -52.57

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 50 / 21 / 0 / 23

HEX #629AC4

RGB 98 154 196

HSL 205.71, 0.45%, 0.58%

LAB 61.39, -6.7, -27.34

 

CMYK 35 / 16 / 0 / 30

HEX #7497B3

RGB 116 151 179

HSL 206.67, 0.29%, 0.58%

LAB 60.87, -5.08, -18.48

 

CMYK 18 / 8 / 0 / 36

HEX #8595A2

RGB 133 149 162

HSL 206.9, 0.13%, 0.58%

LAB 60.86, -2.85, -8.76

 

CMYK 0 / 2 / 4 / 41

HEX #969390

RGB 150 147 144

HSL 30, 0.03%, 0.58%

LAB 61.1, 0.53, 1.97

 

CMYK 62 / 0 / 6 / 16

HEX #51D6C9

RGB 81 214 201

HSL 174.14, 0.62%, 0.58%

LAB 78.5, -39.03, -4.34

 

CMYK 62 / 10 / 0 / 16

HEX #51C0D6

RGB 81 192 214

HSL 189.92, 0.62%, 0.58%

LAB 72.43, -24.91, -20.44

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 62 / 43 / 0 / 16

HEX #5179D6

RGB 81 121 214

HSL 221.95, 0.62%, 0.58%

LAB 52.15, 14.94, -52.06

 

CMYK 62 / 60 / 0 / 16

HEX #5155D6

RGB 81 85 214

HSL 238.2, 0.62%, 0.58%

LAB 42.92, 37.27, -66.96

 

CMYK 77 / 33 / 0 / 33

HEX #2873AC

RGB 40 115 172

HSL 205.91, 0.62%, 0.42%

LAB 46.57, -2.81, -36.9

 

CMYK 77 / 33 / 0 / 19

HEX #3089CE

RGB 48 137 206

HSL 206.2, 0.62%, 0.5%

LAB 55.05, -2.51, -43.01

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 49 / 21 / 0 / 13

HEX #72AFDE

RGB 114 175 222

HSL 206.11, 0.62%, 0.66%

LAB 69.12, -6.97, -29.77

 

CMYK 35 / 15 / 0 / 10

HEX #94C2E5

RGB 148 194 229

HSL 205.93, 0.61%, 0.74%

LAB 76.4, -6.71, -22.27

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 23 / 62 / 0 / 16

HEX #A551D6

RGB 165 81 214

HSL 277.89, 0.62%, 0.58%

LAB 50.38, 56.55, -54.49

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 0 / 62 / 27 / 16

HEX #D6519C

RGB 214 81 156

HSL 326.17, 0.62%, 0.58%

LAB 54.64, 59.53, -13.73

 

CMYK 27 / 0 / 62 / 16

HEX #9CD651

RGB 156 214 81

HSL 86.17, 0.62%, 0.58%

LAB 79.47, -39.21, 58.03

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 23 / 62 / 0 / 16

HEX #A551D6

RGB 165 81 214

HSL 277.89, 0.62%, 0.58%

LAB 50.38, 56.55, -54.49

 

CMYK 0 / 35 / 62 / 16

HEX #D68B51

RGB 214 139 81

HSL 26.17, 0.62%, 0.58%

LAB 64.45, 23.03, 42.29

 

CMYK 39 / 0 / 62 / 16

HEX #82D651

RGB 130 214 81

HSL 97.89, 0.62%, 0.58%

LAB 78.13, -48.25, 56.17

 

CMYK 62 / 27 / 0 / 16

HEX #519CD6

RGB 81 156 214

HSL 206.17, 0.62%, 0.58%

LAB 61.98, -5.75, -36.53

 

CMYK 4 / 62 / 0 / 16

HEX #CD51D6

RGB 205 81 214

HSL 295.94, 0.62%, 0.58%

LAB 55.81, 65.99, -45.52

 

CMYK 0 / 35 / 62 / 16

HEX #D68B51

RGB 214 139 81

HSL 26.17, 0.62%, 0.58%

LAB 64.45, 23.03, 42.29

 

CMYK 58 / 0 / 62 / 16

HEX #5AD651

RGB 90 214 81

HSL 115.94, 0.62%, 0.58%

LAB 76.59, -59.64, 54.03

 

Description

Color code: HEX #519CD6 | qconv.com Color code: HEX #519CD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 156 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 156 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 27 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 27% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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