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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #521AB0 it is the complementary color #ADE54F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #521AB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #521AB0 shade: #571AAB, #682CBE, #793ED1, #8A50E4 and #9B62F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #521AB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #521AB0 shade: #521AB0, #41089D, #30008A, #1F0077 and #0E0064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #521AB0 shade: #521AB1, #7B1AB1, #A41AB1, #B11A95 and #B11A6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #521AB0 shade: #521AB1, #2A1AB1 and #1A1AB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #521AB0 shade matches the following richer shades: #521AB1 and #4E0AC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #521AB0 shade: #521AB1, #572BA0, #5B3B90, #5F4C7F and #635C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #521AB0 shade: #1A33B1, #291AB1, #511AB1, #7A1AB1 and #A21AB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #521AB0 shade: #310F69, #42158D, #521AB1, #631FD5 and #7A3CE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #521AB0 shade: #521AB0, #B11A5B and #1FB11A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #521AB0 shade: #521AB0, #B1511A and #1AB151

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #521AB0 shade: #521AB0, #B11A5B, #7AB11A and #1AB170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #521AB0 shade: #521AB0, #B11A2E, #7AB11A and #1AB19D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 85 / 0 / 31

HEX #521AB0

RGB 82 26 176

HSL 262.4, 0.74%, 0.4%

LAB 28.56, 56.57, -68.25

 

Complementary color

CMYK 24 / 0 / 66 / 10

HEX #ADE54F

RGB 173 229 79

HSL 82.4, 0.74%, 0.6%

LAB 84.73, -39.76, 64.78

 

CMYK 49 / 85 / 0 / 33

HEX #571AAB

RGB 87 26 171

HSL 265.24, 0.74%, 0.39%

LAB 28.66, 55.89, -65.06

 

CMYK 45 / 77 / 0 / 25

HEX #682CBE

RGB 104 44 190

HSL 264.66, 0.62%, 0.46%

LAB 34.93, 56.01, -65.99

 

CMYK 42 / 70 / 0 / 18

HEX #793ED1

RGB 121 62 209

HSL 264.08, 0.62%, 0.53%

LAB 41.4, 55.43, -66.41

 

CMYK 39 / 65 / 0 / 11

HEX #8A50E4

RGB 138 80 228

HSL 263.51, 0.73%, 0.6%

LAB 47.93, 54.54, -66.55

 

CMYK 37 / 60 / 0 / 3

HEX #9B62F7

RGB 155 98 247

HSL 262.95, 0.9%, 0.68%

LAB 54.47, 53.52, -66.54

 

CMYK 53 / 85 / 0 / 31

HEX #521AB0

RGB 82 26 176

HSL 262.4, 0.74%, 0.4%

LAB 28.56, 56.57, -68.25

 

CMYK 59 / 95 / 0 / 38

HEX #41089D

RGB 65 8 157

HSL 262.95, 0.9%, 0.32%

LAB 22.76, 55.21, -66.38

 

CMYK 65 / 100 / 0 / 46

HEX #30008A

RGB 48 0 138

HSL 260.87, 1%, 0.27%

LAB 17.75, 51.44, -62.98

 

CMYK 74 / 100 / 0 / 53

HEX #1F0077

RGB 31 0 119

HSL 255.63, 1%, 0.23%

LAB 13.37, 45.78, -58.23

 

CMYK 86 / 100 / 0 / 61

HEX #0E0064

RGB 14 0 100

HSL 248.4, 1%, 0.2%

LAB 9.1, 40.12, -52.93

 

CMYK 54 / 85 / 0 / 31

HEX #521AB1

RGB 82 26 177

HSL 262.25, 0.74%, 0.4%

LAB 28.66, 56.82, -68.67

 

CMYK 31 / 85 / 0 / 31

HEX #7B1AB1

RGB 123 26 177

HSL 278.54, 0.74%, 0.4%

LAB 34.24, 62.22, -59.31

 

CMYK 7 / 85 / 0 / 31

HEX #A41AB1

RGB 164 26 177

HSL 294.83, 0.74%, 0.4%

LAB 40.91, 69.05, -48.2

 

CMYK 0 / 85 / 16 / 31

HEX #B11A95

RGB 177 26 149

HSL 311.13, 0.74%, 0.4%

LAB 41.62, 67.34, -30.13

 

CMYK 0 / 85 / 38 / 31

HEX #B11A6D

RGB 177 26 109

HSL 327.02, 0.74%, 0.4%

LAB 39.9, 62.58, -8.07

 

CMYK 54 / 85 / 0 / 31

HEX #521AB1

RGB 82 26 177

HSL 262.25, 0.74%, 0.4%

LAB 28.66, 56.82, -68.67

 

CMYK 76 / 85 / 0 / 31

HEX #2A1AB1

RGB 42 26 177

HSL 246.36, 0.74%, 0.4%

LAB 24.97, 53.48, -74.9

 

CMYK 85 / 85 / 0 / 31

HEX #1A1AB1

RGB 26 26 177

HSL 240, 0.74%, 0.4%

LAB 24.11, 52.74, -76.36

 

CMYK 54 / 85 / 0 / 31

HEX #521AB1

RGB 82 26 177

HSL 262.25, 0.74%, 0.4%

LAB 28.66, 56.82, -68.67

 

CMYK 60 / 95 / 0 / 24

HEX #4E0AC1

RGB 78 10 193

HSL 262.3, 0.9%, 0.4%

LAB 28.61, 64.51, -78.28

 

CMYK 54 / 85 / 0 / 31

HEX #521AB1

RGB 82 26 177

HSL 262.25, 0.74%, 0.4%

LAB 28.66, 56.82, -68.67

 

CMYK 46 / 73 / 0 / 37

HEX #572BA0

RGB 87 43 160

HSL 262.56, 0.58%, 0.4%

LAB 30.14, 45.82, -55.99

 

CMYK 37 / 59 / 0 / 44

HEX #5B3B90

RGB 91 59 144

HSL 262.59, 0.42%, 0.4%

LAB 32.63, 33.42, -42.17

 

CMYK 25 / 40 / 0 / 50

HEX #5F4C7F

RGB 95 76 127

HSL 262.35, 0.25%, 0.4%

LAB 36.24, 19.47, -25.95

 

CMYK 11 / 17 / 0 / 56

HEX #635C6F

RGB 99 92 111

HSL 262.11, 0.09%, 0.4%

LAB 40.34, 6.9, -9.77

 

CMYK 85 / 71 / 0 / 31

HEX #1A33B1

RGB 26 51 177

HSL 230.07, 0.74%, 0.4%

LAB 28.8, 39.3, -68.58

 

CMYK 77 / 85 / 0 / 31

HEX #291AB1

RGB 41 26 177

HSL 245.96, 0.74%, 0.4%

LAB 24.9, 53.43, -75.01

 

CMYK 54 / 85 / 0 / 31

HEX #511AB1

RGB 81 26 177

HSL 261.85, 0.74%, 0.4%

LAB 28.54, 56.71, -68.87

 

CMYK 31 / 85 / 0 / 31

HEX #7A1AB1

RGB 122 26 177

HSL 278.15, 0.74%, 0.4%

LAB 34.09, 62.07, -59.56

 

CMYK 8 / 85 / 0 / 31

HEX #A21AB1

RGB 162 26 177

HSL 294.04, 0.74%, 0.4%

LAB 40.56, 68.69, -48.77

 

CMYK 53 / 86 / 0 / 59

HEX #310F69

RGB 49 15 105

HSL 262.67, 0.75%, 0.24%

LAB 15.56, 37.68, -45.42

 

CMYK 53 / 85 / 0 / 45

HEX #42158D

RGB 66 21 141

HSL 262.5, 0.74%, 0.32%

LAB 22.36, 47.39, -57.15

 

CMYK 54 / 85 / 0 / 31

HEX #521AB1

RGB 82 26 177

HSL 262.25, 0.74%, 0.4%

LAB 28.66, 56.82, -68.67

 

CMYK 54 / 85 / 0 / 16

HEX #631FD5

RGB 99 31 213

HSL 262.42, 0.75%, 0.48%

LAB 34.88, 65.94, -79.51

 

CMYK 46 / 73 / 0 / 12

HEX #7A3CE1

RGB 122 60 225

HSL 262.55, 0.73%, 0.56%

LAB 42.47, 60.6, -73.82

 

CMYK 53 / 85 / 0 / 31

HEX #521AB0

RGB 82 26 176

HSL 262.4, 0.74%, 0.4%

LAB 28.56, 56.57, -68.25

 

CMYK 0 / 85 / 49 / 31

HEX #B11A5B

RGB 177 26 91

HSL 334.17, 0.74%, 0.4%

LAB 39.31, 60.9, 2.46

 

CMYK 82 / 0 / 85 / 31

HEX #1FB11A

RGB 31 177 26

HSL 118.01, 0.74%, 0.4%

LAB 63.19, -62.54, 59.38

 

CMYK 53 / 85 / 0 / 31

HEX #521AB0

RGB 82 26 176

HSL 262.4, 0.74%, 0.4%

LAB 28.56, 56.57, -68.25

 

CMYK 0 / 54 / 85 / 31

HEX #B1511A

RGB 177 81 26

HSL 21.85, 0.74%, 0.4%

LAB 46.05, 36.05, 47.87

 

CMYK 85 / 0 / 54 / 31

HEX #1AB151

RGB 26 177 81

HSL 141.85, 0.74%, 0.4%

LAB 63.56, -57.74, 38.48

 

CMYK 53 / 85 / 0 / 31

HEX #521AB0

RGB 82 26 176

HSL 262.4, 0.74%, 0.4%

LAB 28.56, 56.57, -68.25

 

CMYK 0 / 85 / 49 / 31

HEX #B11A5B

RGB 177 26 91

HSL 334.17, 0.74%, 0.4%

LAB 39.31, 60.9, 2.46

 

CMYK 31 / 0 / 85 / 31

HEX #7AB11A

RGB 122 177 26

HSL 81.85, 0.74%, 0.4%

LAB 66.26, -38.81, 63.26

 

CMYK 85 / 0 / 37 / 31

HEX #1AB170

RGB 26 177 112

HSL 154.17, 0.74%, 0.4%

LAB 64.03, -52.21, 23.05

 

CMYK 53 / 85 / 0 / 31

HEX #521AB0

RGB 82 26 176

HSL 262.4, 0.74%, 0.4%

LAB 28.56, 56.57, -68.25

 

CMYK 0 / 85 / 74 / 31

HEX #B11A2E

RGB 177 26 46

HSL 352.05, 0.74%, 0.4%

LAB 38.35, 58.07, 29.7

 

CMYK 31 / 0 / 85 / 31

HEX #7AB11A

RGB 122 177 26

HSL 81.85, 0.74%, 0.4%

LAB 66.26, -38.81, 63.26

 

CMYK 85 / 0 / 11 / 31

HEX #1AB19D

RGB 26 177 157

HSL 172.05, 0.74%, 0.4%

LAB 65.04, -41.23, -0.23

 

Description

Color code: HEX #521AB0 | qconv.com Color code: HEX #521AB0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 26 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 26 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 85 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 85% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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