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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #524174 it is the complementary color #ADBE8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #524174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #524174 shade: #57416F, #685382, #796595, #8A77A8 and #9B89BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #524174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #524174 shade: #524174, #412F61, #301D4E, #1F0B3B and #0E0028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #524174 shade: #504072, #5E4072, #6B4072, #72406B and #72405D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #524174 shade: #504072, #434072 and #404072

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #524174 shade matches the following richer shades: #504072, #4C3180, #47238F, #42149D and #3D06AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #524174 shade: #504072, #554E63, #5A5D55, #5F6B46 and #647A38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #524174 shade: #404A72, #434072, #504072, #5E4072 and #6B4072

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #524174 shade: #2B223D, #3E3157, #504072, #634F8C and #765FA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #524174 shade: #524174, #724057 and #437240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #524174 shade: #524174, #725040 and #407250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #524174 shade: #524174, #724057, #617240 and #40725A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #524174 shade: #524174, #724048, #617240 and #407269

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 44 / 0 / 55

HEX #524174

RGB 82 65 116

HSL 260, 0.28%, 0.35%

LAB 31.43, 19.36, -26.74

 

Complementary color

CMYK 9 / 0 / 27 / 25

HEX #ADBE8B

RGB 173 190 139

HSL 80, 0.28%, 0.65%

LAB 74.56, -14.68, 23.88

 

CMYK 22 / 41 / 0 / 56

HEX #57416F

RGB 87 65 111

HSL 268.7, 0.26%, 0.35%

LAB 31.7, 19.63, -23.12

 

CMYK 20 / 36 / 0 / 49

HEX #685382

RGB 104 83 130

HSL 266.81, 0.22%, 0.42%

LAB 39.14, 18.82, -23.2

 

CMYK 19 / 32 / 0 / 42

HEX #796595

RGB 121 101 149

HSL 265, 0.19%, 0.49%

LAB 46.37, 18.11, -23.31

 

CMYK 18 / 29 / 0 / 34

HEX #8A77A8

RGB 138 119 168

HSL 263.27, 0.22%, 0.56%

LAB 53.41, 17.49, -23.46

 

CMYK 17 / 27 / 0 / 27

HEX #9B89BB

RGB 155 137 187

HSL 261.6, 0.27%, 0.64%

LAB 60.29, 16.93, -23.63

 

CMYK 29 / 44 / 0 / 55

HEX #524174

RGB 82 65 116

HSL 260, 0.28%, 0.35%

LAB 31.43, 19.36, -26.74

 

CMYK 33 / 52 / 0 / 62

HEX #412F61

RGB 65 47 97

HSL 261.6, 0.35%, 0.28%

LAB 23.74, 20.39, -26.85

 

CMYK 38 / 63 / 0 / 69

HEX #301D4E

RGB 48 29 78

HSL 263.27, 0.46%, 0.21%

LAB 15.78, 21.6, -26.98

 

CMYK 47 / 81 / 0 / 77

HEX #1F0B3B

RGB 31 11 59

HSL 265, 0.69%, 0.14%

LAB 7.65, 22.77, -26.93

 

CMYK 65 / 100 / 0 / 84

HEX #0E0028

RGB 14 0 40

HSL 261, 1%, 0.08%

LAB 2.23, 13.51, -21.57

 

CMYK 30 / 44 / 0 / 55

HEX #504072

RGB 80 64 114

HSL 259.2, 0.28%, 0.35%

LAB 30.85, 18.81, -26.41

 

CMYK 18 / 44 / 0 / 55

HEX #5E4072

RGB 94 64 114

HSL 276, 0.28%, 0.35%

LAB 32.39, 23.34, -23.88

 

CMYK 6 / 44 / 0 / 55

HEX #6B4072

RGB 107 64 114

HSL 291.6, 0.28%, 0.35%

LAB 34, 27.66, -21.25

 

CMYK 0 / 44 / 6 / 55

HEX #72406B

RGB 114 64 107

HSL 308.4, 0.28%, 0.35%

LAB 34.61, 28.62, -15.83

 

CMYK 0 / 44 / 18 / 55

HEX #72405D

RGB 114 64 93

HSL 325.2, 0.28%, 0.35%

LAB 34.05, 26.04, -7.8

 

CMYK 30 / 44 / 0 / 55

HEX #504072

RGB 80 64 114

HSL 259.2, 0.28%, 0.35%

LAB 30.85, 18.81, -26.41

 

CMYK 41 / 44 / 0 / 55

HEX #434072

RGB 67 64 114

HSL 243.6, 0.28%, 0.35%

LAB 29.6, 14.86, -28.46

 

CMYK 44 / 44 / 0 / 55

HEX #404072

RGB 64 64 114

HSL 240, 0.28%, 0.35%

LAB 29.34, 14, -28.89

 

CMYK 30 / 44 / 0 / 55

HEX #504072

RGB 80 64 114

HSL 259.2, 0.28%, 0.35%

LAB 30.85, 18.81, -26.41

 

CMYK 41 / 62 / 0 / 50

HEX #4C3180

RGB 76 49 128

HSL 260.51, 0.45%, 0.35%

LAB 27.55, 31.18, -40.51

 

CMYK 50 / 76 / 0 / 44

HEX #47238F

RGB 71 35 143

HSL 260, 0.61%, 0.35%

LAB 25.34, 42.38, -53.49

 

CMYK 58 / 87 / 0 / 38

HEX #42149D

RGB 66 20 157

HSL 260.15, 0.77%, 0.35%

LAB 23.98, 52.01, -64.37

 

CMYK 65 / 97 / 0 / 33

HEX #3D06AC

RGB 61 6 172

HSL 259.88, 0.93%, 0.35%

LAB 24, 59.1, -73.46

 

CMYK 30 / 44 / 0 / 55

HEX #504072

RGB 80 64 114

HSL 259.2, 0.28%, 0.35%

LAB 30.85, 18.81, -26.41

 

CMYK 14 / 21 / 0 / 61

HEX #554E63

RGB 85 78 99

HSL 260, 0.12%, 0.35%

LAB 34.56, 7.6, -11.16

 

CMYK 3 / 0 / 9 / 64

HEX #5A5D55

RGB 90 93 85

HSL 82.5, 0.04%, 0.35%

LAB 39, -2.84, 4.18

 

CMYK 11 / 0 / 35 / 58

HEX #5F6B46

RGB 95 107 70

HSL 79.46, 0.21%, 0.35%

LAB 43.35, -11.53, 19.28

 

CMYK 18 / 0 / 54 / 52

HEX #647A38

RGB 100 122 56

HSL 80, 0.37%, 0.35%

LAB 48.15, -19.37, 33.15

 

CMYK 44 / 35 / 0 / 55

HEX #404A72

RGB 64 74 114

HSL 228, 0.28%, 0.35%

LAB 32.26, 7.38, -24.29

 

CMYK 41 / 44 / 0 / 55

HEX #434072

RGB 67 64 114

HSL 243.6, 0.28%, 0.35%

LAB 29.6, 14.86, -28.46

 

CMYK 30 / 44 / 0 / 55

HEX #504072

RGB 80 64 114

HSL 259.2, 0.28%, 0.35%

LAB 30.85, 18.81, -26.41

 

CMYK 18 / 44 / 0 / 55

HEX #5E4072

RGB 94 64 114

HSL 276, 0.28%, 0.35%

LAB 32.39, 23.34, -23.88

 

CMYK 6 / 44 / 0 / 55

HEX #6B4072

RGB 107 64 114

HSL 291.6, 0.28%, 0.35%

LAB 34, 27.66, -21.25

 

CMYK 30 / 44 / 0 / 76

HEX #2B223D

RGB 43 34 61

HSL 260, 0.28%, 0.19%

LAB 15.46, 11.31, -15.78

 

CMYK 29 / 44 / 0 / 66

HEX #3E3157

RGB 62 49 87

HSL 260.53, 0.28%, 0.27%

LAB 23.37, 15.19, -20.89

 

CMYK 30 / 44 / 0 / 55

HEX #504072

RGB 80 64 114

HSL 259.2, 0.28%, 0.35%

LAB 30.85, 18.81, -26.41

 

CMYK 29 / 44 / 0 / 45

HEX #634F8C

RGB 99 79 140

HSL 259.67, 0.28%, 0.43%

LAB 38.09, 22.31, -30.98

 

CMYK 28 / 42 / 0 / 35

HEX #765FA5

RGB 118 95 165

HSL 259.71, 0.28%, 0.51%

LAB 45.29, 24.81, -34.48

 

CMYK 29 / 44 / 0 / 55

HEX #524174

RGB 82 65 116

HSL 260, 0.28%, 0.35%

LAB 31.43, 19.36, -26.74

 

CMYK 0 / 44 / 24 / 55

HEX #724057

RGB 114 64 87

HSL 332.4, 0.28%, 0.35%

LAB 33.84, 25.03, -4.29

 

CMYK 41 / 0 / 44 / 55

HEX #437240

RGB 67 114 64

HSL 116.4, 0.28%, 0.35%

LAB 43.65, -27.07, 22.77

 

CMYK 29 / 44 / 0 / 55

HEX #524174

RGB 82 65 116

HSL 260, 0.28%, 0.35%

LAB 31.43, 19.36, -26.74

 

CMYK 0 / 30 / 44 / 55

HEX #725040

RGB 114 80 64

HSL 19.2, 0.28%, 0.35%

LAB 37.27, 12.06, 15.09

 

CMYK 44 / 0 / 30 / 55

HEX #407250

RGB 64 114 80

HSL 139.2, 0.28%, 0.35%

LAB 43.81, -25.09, 13.7

 

CMYK 29 / 44 / 0 / 55

HEX #524174

RGB 82 65 116

HSL 260, 0.28%, 0.35%

LAB 31.43, 19.36, -26.74

 

CMYK 0 / 44 / 24 / 55

HEX #724057

RGB 114 64 87

HSL 332.4, 0.28%, 0.35%

LAB 33.84, 25.03, -4.29

 

CMYK 15 / 0 / 44 / 55

HEX #617240

RGB 97 114 64

HSL 80.4, 0.28%, 0.35%

LAB 45.56, -15.41, 25.6

 

CMYK 44 / 0 / 21 / 55

HEX #40725A

RGB 64 114 90

HSL 151.2, 0.28%, 0.35%

LAB 44.04, -22.91, 8.09

 

CMYK 29 / 44 / 0 / 55

HEX #524174

RGB 82 65 116

HSL 260, 0.28%, 0.35%

LAB 31.43, 19.36, -26.74

 

CMYK 0 / 44 / 37 / 55

HEX #724048

RGB 114 64 72

HSL 350.4, 0.28%, 0.35%

LAB 33.38, 22.76, 4.65

 

CMYK 15 / 0 / 44 / 55

HEX #617240

RGB 97 114 64

HSL 80.4, 0.28%, 0.35%

LAB 45.56, -15.41, 25.6

 

CMYK 44 / 0 / 8 / 55

HEX #407269

RGB 64 114 105

HSL 169.2, 0.28%, 0.35%

LAB 44.44, -19.23, -0.29

 

Description

Color code: HEX #524174 | qconv.com Color code: HEX #524174 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 65 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 65 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 44 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 44% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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