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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #527885 it is the complementary color #AD877A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #527885. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #527885 shade: #577880, #688A93, #799CA6, #8AAEB9 and #9BC0CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #527885. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #527885 shade: #527885, #416672, #30545F, #1F424C and #0E3039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #527885 shade: #517784, #516984, #515B84, #545184 and #625184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #527885 shade: #517784, #516984, #515B84 and #515184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #527885 shade matches the following richer shades: #517784, #408096, #2E88A7, #1D91B8 and #0C99CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #527885 shade: #517784, #626F73, #746662, #855E50 and #96553F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #527885 shade: #518476, #518483, #517784, #516A84 and #515C84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #527885 shade: #324951, #41606B, #517784, #618E9E and #7AA0AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #527885 shade: #527885, #685184 and #847D51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #527885 shade: #527885, #845177 and #778451

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #527885 shade: #527885, #685184, #845E51 and #6D8451

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #527885 shade: #527885, #775184, #845E51 and #5E8451

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 10 / 0 / 48

HEX #527885

RGB 82 120 133

HSL 195.29, 0.24%, 0.42%

LAB 48.16, -9.82, -11.35

 

Complementary color

CMYK 0 / 22 / 29 / 32

HEX #AD877A

RGB 173 135 122

HSL 15.29, 0.24%, 0.58%

LAB 59.54, 12.58, 12.54

 

CMYK 32 / 6 / 0 / 50

HEX #577880

RGB 87 120 128

HSL 191.71, 0.19%, 0.42%

LAB 48.28, -9.65, -8.18

 

CMYK 29 / 6 / 0 / 42

HEX #688A93

RGB 104 138 147

HSL 192.56, 0.17%, 0.49%

LAB 55.3, -9.64, -8.67

 

CMYK 27 / 6 / 0 / 35

HEX #799CA6

RGB 121 156 166

HSL 193.33, 0.2%, 0.56%

LAB 62.16, -9.63, -9.16

 

CMYK 25 / 6 / 0 / 27

HEX #8AAEB9

RGB 138 174 185

HSL 194.04, 0.25%, 0.63%

LAB 68.88, -9.63, -9.63

 

CMYK 24 / 6 / 0 / 20

HEX #9BC0CC

RGB 155 192 204

HSL 194.69, 0.32%, 0.7%

LAB 75.47, -9.63, -10.1

 

CMYK 38 / 10 / 0 / 48

HEX #527885

RGB 82 120 133

HSL 195.29, 0.24%, 0.42%

LAB 48.16, -9.82, -11.35

 

CMYK 43 / 11 / 0 / 55

HEX #416672

RGB 65 102 114

HSL 194.69, 0.27%, 0.35%

LAB 40.96, -9.73, -10.9

 

CMYK 49 / 12 / 0 / 63

HEX #30545F

RGB 48 84 95

HSL 194.04, 0.33%, 0.28%

LAB 33.55, -9.6, -10.43

 

CMYK 59 / 13 / 0 / 70

HEX #1F424C

RGB 31 66 76

HSL 193.33, 0.42%, 0.21%

LAB 25.89, -9.33, -9.92

 

CMYK 75 / 16 / 0 / 78

HEX #0E3039

RGB 14 48 57

HSL 192.56, 0.61%, 0.14%

LAB 17.93, -8.76, -9.34

 

CMYK 39 / 10 / 0 / 48

HEX #517784

RGB 81 119 132

HSL 195.29, 0.24%, 0.42%

LAB 47.76, -9.81, -11.36

 

CMYK 39 / 20 / 0 / 48

HEX #516984

RGB 81 105 132

HSL 211.76, 0.24%, 0.42%

LAB 43.53, -1.6, -17.79

 

CMYK 39 / 31 / 0 / 48

HEX #515B84

RGB 81 91 132

HSL 228.24, 0.24%, 0.42%

LAB 39.41, 7.03, -24.16

 

CMYK 36 / 39 / 0 / 48

HEX #545184

RGB 84 81 132

HSL 243.53, 0.24%, 0.42%

LAB 36.81, 14.27, -28.2

 

CMYK 26 / 39 / 0 / 48

HEX #625184

RGB 98 81 132

HSL 260, 0.24%, 0.42%

LAB 38.11, 18.62, -26.08

 

CMYK 39 / 10 / 0 / 48

HEX #517784

RGB 81 119 132

HSL 195.29, 0.24%, 0.42%

LAB 47.76, -9.81, -11.36

 

CMYK 39 / 20 / 0 / 48

HEX #516984

RGB 81 105 132

HSL 211.76, 0.24%, 0.42%

LAB 43.53, -1.6, -17.79

 

CMYK 39 / 31 / 0 / 48

HEX #515B84

RGB 81 91 132

HSL 228.24, 0.24%, 0.42%

LAB 39.41, 7.03, -24.16

 

CMYK 39 / 39 / 0 / 48

HEX #515184

RGB 81 81 132

HSL 240, 0.24%, 0.42%

LAB 36.56, 13.38, -28.62

 

CMYK 39 / 10 / 0 / 48

HEX #517784

RGB 81 119 132

HSL 195.29, 0.24%, 0.42%

LAB 47.76, -9.81, -11.36

 

CMYK 57 / 15 / 0 / 41

HEX #408096

RGB 64 128 150

HSL 195.35, 0.4%, 0.42%

LAB 50.37, -13.86, -18.07

 

CMYK 72 / 19 / 0 / 35

HEX #2E88A7

RGB 46 136 167

HSL 195.37, 0.57%, 0.42%

LAB 52.93, -15.91, -24.06

 

CMYK 84 / 21 / 0 / 28

HEX #1D91B8

RGB 29 145 184

HSL 195.1, 0.73%, 0.42%

LAB 56.06, -16.8, -28.98

 

CMYK 94 / 24 / 0 / 21

HEX #0C99CA

RGB 12 153 202

HSL 195.47, 0.89%, 0.42%

LAB 59.09, -15.72, -34.45

 

CMYK 39 / 10 / 0 / 48

HEX #517784

RGB 81 119 132

HSL 195.29, 0.24%, 0.42%

LAB 47.76, -9.81, -11.36

 

CMYK 15 / 3 / 0 / 55

HEX #626F73

RGB 98 111 115

HSL 194.12, 0.08%, 0.42%

LAB 45.91, -3.96, -3.88

 

CMYK 0 / 12 / 16 / 55

HEX #746662

RGB 116 102 98

HSL 13.33, 0.08%, 0.42%

LAB 44.37, 4.82, 4.29

 

CMYK 0 / 29 / 40 / 48

HEX #855E50

RGB 133 94 80

HSL 15.85, 0.25%, 0.42%

LAB 43.61, 14, 14.35

 

CMYK 0 / 43 / 58 / 41

HEX #96553F

RGB 150 85 63

HSL 15.17, 0.41%, 0.42%

LAB 43.27, 24.7, 24.44

 

CMYK 39 / 0 / 11 / 48

HEX #518476

RGB 81 132 118

HSL 163.53, 0.24%, 0.42%

LAB 51.34, -20.55, 2.16

 

CMYK 39 / 0 / 1 / 48

HEX #518483

RGB 81 132 131

HSL 178.82, 0.24%, 0.42%

LAB 51.71, -17.29, -4.87

 

CMYK 39 / 10 / 0 / 48

HEX #517784

RGB 81 119 132

HSL 195.29, 0.24%, 0.42%

LAB 47.76, -9.81, -11.36

 

CMYK 39 / 20 / 0 / 48

HEX #516A84

RGB 81 106 132

HSL 210.59, 0.24%, 0.42%

LAB 43.83, -2.2, -17.33

 

CMYK 39 / 30 / 0 / 48

HEX #515C84

RGB 81 92 132

HSL 227.06, 0.24%, 0.42%

LAB 39.7, 6.4, -23.71

 

CMYK 38 / 10 / 0 / 68

HEX #324951

RGB 50 73 81

HSL 195.48, 0.24%, 0.26%

LAB 29.51, -6.54, -7.61

 

CMYK 39 / 10 / 0 / 58

HEX #41606B

RGB 65 96 107

HSL 195.71, 0.24%, 0.34%

LAB 38.81, -8.23, -9.86

 

CMYK 39 / 10 / 0 / 48

HEX #517784

RGB 81 119 132

HSL 195.29, 0.24%, 0.42%

LAB 47.76, -9.81, -11.36

 

CMYK 39 / 10 / 0 / 38

HEX #618E9E

RGB 97 142 158

HSL 195.74, 0.24%, 0.5%

LAB 56.44, -11.07, -13.34

 

CMYK 29 / 8 / 0 / 32

HEX #7AA0AD

RGB 122 160 173

HSL 195.29, 0.24%, 0.58%

LAB 63.59, -9.8, -10.96

 

CMYK 38 / 10 / 0 / 48

HEX #527885

RGB 82 120 133

HSL 195.29, 0.24%, 0.42%

LAB 48.16, -9.82, -11.35

 

CMYK 21 / 39 / 0 / 48

HEX #685184

RGB 104 81 132

HSL 267.06, 0.24%, 0.42%

LAB 38.71, 20.56, -25.09

 

CMYK 0 / 5 / 39 / 48

HEX #847D51

RGB 132 125 81

HSL 51.76, 0.24%, 0.42%

LAB 52.03, -4.31, 24.96

 

CMYK 38 / 10 / 0 / 48

HEX #527885

RGB 82 120 133

HSL 195.29, 0.24%, 0.42%

LAB 48.16, -9.82, -11.35

 

CMYK 0 / 39 / 10 / 48

HEX #845177

RGB 132 81 119

HSL 315.29, 0.24%, 0.42%

LAB 41.41, 27.4, -12.7

 

CMYK 10 / 0 / 39 / 48

HEX #778451

RGB 119 132 81

HSL 75.29, 0.24%, 0.42%

LAB 52.97, -13.68, 25.97

 

CMYK 38 / 10 / 0 / 48

HEX #527885

RGB 82 120 133

HSL 195.29, 0.24%, 0.42%

LAB 48.16, -9.82, -11.35

 

CMYK 21 / 39 / 0 / 48

HEX #685184

RGB 104 81 132

HSL 267.06, 0.24%, 0.42%

LAB 38.71, 20.56, -25.09

 

CMYK 0 / 29 / 39 / 48

HEX #845E51

RGB 132 94 81

HSL 15.29, 0.24%, 0.42%

LAB 43.51, 13.69, 13.59

 

CMYK 17 / 0 / 39 / 48

HEX #6D8451

RGB 109 132 81

HSL 87.06, 0.24%, 0.42%

LAB 52.23, -17.76, 24.86

 

CMYK 38 / 10 / 0 / 48

HEX #527885

RGB 82 120 133

HSL 195.29, 0.24%, 0.42%

LAB 48.16, -9.82, -11.35

 

CMYK 10 / 39 / 0 / 48

HEX #775184

RGB 119 81 132

HSL 284.71, 0.24%, 0.42%

LAB 40.37, 25.52, -22.39

 

CMYK 0 / 29 / 39 / 48

HEX #845E51

RGB 132 94 81

HSL 15.29, 0.24%, 0.42%

LAB 43.51, 13.69, 13.59

 

CMYK 29 / 0 / 39 / 48

HEX #5E8451

RGB 94 132 81

HSL 104.71, 0.24%, 0.42%

LAB 51.24, -23.57, 23.39

 

Description

Color code: HEX #527885 | qconv.com Color code: HEX #527885 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 120 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 120 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 10 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 10% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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