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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52B7A8 it is the complementary color #AD4857. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52B7A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #52B7A8 shade: #57B7A3, #68C9B6, #79DBC9, #8AEDDC and #9BFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52B7A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #52B7A8 shade: #52B7A8, #41A595, #309382, #1F816F and #0E6F5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #52B7A8 shade: #52B6A7, #52B68C, #52B671, #52B656 and #69B652

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #52B7A8 shade: #52B6A7, #52AAB6, #528FB6, #5274B6 and #5259B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #52B7A8 shade matches the following richer shades: #52B6A7, #3ECAB5, #2ADEC3 and #17F2D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #52B7A8 shade: #52B6A7, #66A299, #7A8F8C, #8D7B7E and #A16770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #52B7A8 shade: #52B672, #52B68C, #52B6A7, #52ABB6 and #5290B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #52B7A8 shade: #358075, #429D90, #52B6A7, #6FC2B6 and #8CCFC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #52B7A8 shade: #52B7A8, #5752B6 and #B67F52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #52B7A8 shade: #52B7A8, #A752B6 and #B6A752

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #52B7A8 shade: #52B7A8, #5752B6, #B65261 and #B1B652

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #52B7A8 shade: #52B7A8, #7552B6, #B65261 and #93B652

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 8 / 28

HEX #52B7A8

RGB 82 183 168

HSL 171.09, 0.41%, 0.52%

LAB 68.38, -33.08, -1.28

 

Complementary color

CMYK 0 / 58 / 50 / 32

HEX #AD4857

RGB 173 72 87

HSL 351.09, 0.41%, 0.48%

LAB 44.53, 42.67, 12.24

 

CMYK 52 / 0 / 11 / 28

HEX #57B7A3

RGB 87 183 163

HSL 167.5, 0.4%, 0.53%

LAB 68.41, -33.26, 1.54

 

CMYK 48 / 0 / 9 / 21

HEX #68C9B6

RGB 104 201 182

HSL 168.25, 0.47%, 0.6%

LAB 74.88, -33.23, 0.67

 

CMYK 45 / 0 / 8 / 14

HEX #79DBC9

RGB 121 219 201

HSL 168.98, 0.58%, 0.67%

LAB 81.26, -33.15, -0.13

 

CMYK 42 / 0 / 7 / 7

HEX #8AEDDC

RGB 138 237 220

HSL 169.7, 0.73%, 0.74%

LAB 87.55, -33.04, -0.88

 

CMYK 39 / 0 / 6 / 0

HEX #9BFFEF

RGB 155 255 239

HSL 170.4, 1%, 0.8%

LAB 93.76, -32.92, -1.59

 

CMYK 55 / 0 / 8 / 28

HEX #52B7A8

RGB 82 183 168

HSL 171.09, 0.41%, 0.52%

LAB 68.38, -33.08, -1.28

 

CMYK 61 / 0 / 10 / 35

HEX #41A595

RGB 65 165 149

HSL 170.4, 0.43%, 0.45%

LAB 61.83, -32.91, -0.36

 

CMYK 67 / 0 / 12 / 42

HEX #309382

RGB 48 147 130

HSL 169.7, 0.51%, 0.38%

LAB 55.18, -32.59, 0.67

 

CMYK 76 / 0 / 14 / 49

HEX #1F816F

RGB 31 129 111

HSL 168.98, 0.61%, 0.31%

LAB 48.44, -31.99, 1.84

 

CMYK 87 / 0 / 17 / 56

HEX #0E6F5C

RGB 14 111 92

HSL 168.25, 0.78%, 0.25%

LAB 41.59, -30.96, 3.2

 

CMYK 55 / 0 / 8 / 29

HEX #52B6A7

RGB 82 182 167

HSL 171, 0.41%, 0.52%

LAB 68.05, -32.86, -1.21

 

CMYK 55 / 0 / 23 / 29

HEX #52B68C

RGB 82 182 140

HSL 154.8, 0.41%, 0.52%

LAB 67.38, -39.31, 12.67

 

CMYK 55 / 0 / 38 / 29

HEX #52B671

RGB 82 182 113

HSL 138.6, 0.41%, 0.52%

LAB 66.86, -44.71, 26.51

 

CMYK 55 / 0 / 53 / 29

HEX #52B656

RGB 82 182 86

HSL 122.4, 0.41%, 0.52%

LAB 66.46, -48.96, 39.84

 

CMYK 42 / 0 / 55 / 29

HEX #69B652

RGB 105 182 82

HSL 106.2, 0.41%, 0.52%

LAB 67.33, -42.81, 43.04

 

CMYK 55 / 0 / 8 / 29

HEX #52B6A7

RGB 82 182 167

HSL 171, 0.41%, 0.52%

LAB 68.05, -32.86, -1.21

 

CMYK 55 / 7 / 0 / 29

HEX #52AAB6

RGB 82 170 182

HSL 187.2, 0.41%, 0.52%

LAB 64.9, -22.9, -14.22

 

CMYK 55 / 21 / 0 / 29

HEX #528FB6

RGB 82 143 182

HSL 203.4, 0.41%, 0.52%

LAB 56.9, -8.4, -26.43

 

CMYK 55 / 36 / 0 / 29

HEX #5274B6

RGB 82 116 182

HSL 219.6, 0.41%, 0.52%

LAB 49.08, 7.49, -38.62

 

CMYK 55 / 51 / 0 / 29

HEX #5259B6

RGB 82 89 182

HSL 235.8, 0.41%, 0.52%

LAB 41.71, 24.38, -50.36

 

CMYK 55 / 0 / 8 / 29

HEX #52B6A7

RGB 82 182 167

HSL 171, 0.41%, 0.52%

LAB 68.05, -32.86, -1.21

 

CMYK 69 / 0 / 10 / 21

HEX #3ECAB5

RGB 62 202 181

HSL 171, 0.57%, 0.52%

LAB 73.93, -41.82, -0.32

 

CMYK 81 / 0 / 12 / 13

HEX #2ADEC3

RGB 42 222 195

HSL 171, 0.73%, 0.52%

LAB 80, -48.94, 0.98

 

CMYK 90 / 0 / 14 / 5

HEX #17F2D1

RGB 23 242 209

HSL 170.96, 0.89%, 0.52%

LAB 86.15, -54.65, 2.52

 

CMYK 55 / 0 / 8 / 29

HEX #52B6A7

RGB 82 182 167

HSL 171, 0.41%, 0.52%

LAB 68.05, -32.86, -1.21

 

CMYK 37 / 0 / 6 / 36

HEX #66A299

RGB 102 162 153

HSL 171, 0.24%, 0.52%

LAB 62.48, -21.58, -1.49

 

CMYK 15 / 0 / 2 / 44

HEX #7A8F8C

RGB 122 143 140

HSL 171.43, 0.09%, 0.52%

LAB 57.73, -8.11, -0.93

 

CMYK 0 / 13 / 11 / 45

HEX #8D7B7E

RGB 141 123 126

HSL 350, 0.07%, 0.52%

LAB 53.31, 7.45, 0.91

 

CMYK 0 / 36 / 30 / 37

HEX #A16770

RGB 161 103 112

HSL 350.69, 0.24%, 0.52%

LAB 50.03, 24.55, 4.69

 

CMYK 55 / 0 / 37 / 29

HEX #52B672

RGB 82 182 114

HSL 139.2, 0.41%, 0.52%

LAB 66.87, -44.53, 26

 

CMYK 55 / 0 / 23 / 29

HEX #52B68C

RGB 82 182 140

HSL 154.8, 0.41%, 0.52%

LAB 67.38, -39.31, 12.67

 

CMYK 55 / 0 / 8 / 29

HEX #52B6A7

RGB 82 182 167

HSL 171, 0.41%, 0.52%

LAB 68.05, -32.86, -1.21

 

CMYK 55 / 6 / 0 / 29

HEX #52ABB6

RGB 82 171 182

HSL 186.6, 0.41%, 0.52%

LAB 65.2, -23.4, -13.77

 

CMYK 55 / 21 / 0 / 29

HEX #5290B6

RGB 82 144 182

HSL 202.8, 0.41%, 0.52%

LAB 57.19, -8.96, -25.97

 

CMYK 59 / 0 / 9 / 50

HEX #358075

RGB 53 128 117

HSL 171.2, 0.41%, 0.35%

LAB 48.86, -25.99, -1.01

 

CMYK 58 / 0 / 8 / 38

HEX #429D90

RGB 66 157 144

HSL 171.43, 0.41%, 0.44%

LAB 59.24, -30.23, -1.33

 

CMYK 55 / 0 / 8 / 29

HEX #52B6A7

RGB 82 182 167

HSL 171, 0.41%, 0.52%

LAB 68.05, -32.86, -1.21

 

CMYK 43 / 0 / 6 / 24

HEX #6FC2B6

RGB 111 194 182

HSL 171.33, 0.4%, 0.6%

LAB 73.12, -28.17, -1.88

 

CMYK 32 / 0 / 5 / 19

HEX #8CCFC5

RGB 140 207 197

HSL 171.04, 0.41%, 0.68%

LAB 78.6, -23.3, -1.79

 

CMYK 55 / 0 / 8 / 28

HEX #52B7A8

RGB 82 183 168

HSL 171.09, 0.41%, 0.52%

LAB 68.38, -33.08, -1.28

 

CMYK 52 / 55 / 0 / 29

HEX #5752B6

RGB 87 82 182

HSL 243, 0.41%, 0.52%

LAB 40.31, 29.82, -52.61

 

CMYK 0 / 30 / 55 / 29

HEX #B67F52

RGB 182 127 82

HSL 27, 0.41%, 0.52%

LAB 57.78, 16.26, 32.8

 

CMYK 55 / 0 / 8 / 28

HEX #52B7A8

RGB 82 183 168

HSL 171.09, 0.41%, 0.52%

LAB 68.38, -33.08, -1.28

 

CMYK 8 / 55 / 0 / 29

HEX #A752B6

RGB 167 82 182

HSL 291, 0.41%, 0.52%

LAB 49.04, 49.94, -38.16

 

CMYK 0 / 8 / 55 / 29

HEX #B6A752

RGB 182 167 82

HSL 51, 0.41%, 0.52%

LAB 68.16, -5.64, 45.31

 

CMYK 55 / 0 / 8 / 28

HEX #52B7A8

RGB 82 183 168

HSL 171.09, 0.41%, 0.52%

LAB 68.38, -33.08, -1.28

 

CMYK 52 / 55 / 0 / 29

HEX #5752B6

RGB 87 82 182

HSL 243, 0.41%, 0.52%

LAB 40.31, 29.82, -52.61

 

CMYK 0 / 55 / 47 / 29

HEX #B65261

RGB 182 82 97

HSL 351, 0.41%, 0.52%

LAB 48.06, 41.94, 11.29

 

CMYK 3 / 0 / 55 / 29

HEX #B1B652

RGB 177 182 82

HSL 63, 0.41%, 0.52%

LAB 71.83, -15.55, 49.44

 

CMYK 55 / 0 / 8 / 28

HEX #52B7A8

RGB 82 183 168

HSL 171.09, 0.41%, 0.52%

LAB 68.38, -33.08, -1.28

 

CMYK 36 / 55 / 0 / 29

HEX #7552B6

RGB 117 82 182

HSL 261, 0.41%, 0.52%

LAB 43.05, 36.77, -48.05

 

CMYK 0 / 55 / 47 / 29

HEX #B65261

RGB 182 82 97

HSL 351, 0.41%, 0.52%

LAB 48.06, 41.94, 11.29

 

CMYK 19 / 0 / 55 / 29

HEX #93B652

RGB 147 182 82

HSL 81, 0.41%, 0.52%

LAB 69.66, -27.72, 46.36

 

Description

Color code: HEX #52B7A8 | qconv.com Color code: HEX #52B7A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 183 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 183 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 8 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 8% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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