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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #531126 it is the complementary color #ACEED9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #531126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #531126 shade: #581121, #692334, #7A3547, #8B475A and #9C596D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #531126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #531126 shade: #531126, #420013, #310000, #200000 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #531126 shade: #541126, #541114 and #541111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #531126 shade: #541126, #541138, #54114B, #4C1154 and #391154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #531126 shade matches the following richer shades: #541126, #5C0923 and #650020

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #531126 shade: #541126, #4C1929, #44212C, #3B2A2F and #333232

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #531126 shade: #54114B, #541139, #541127, #541115 and #541E11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #531126 shade: #100307, #320A17, #541126, #761836 and #991F46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #531126 shade: #531126, #544B11 and #114254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #531126 shade: #531126, #275411 and #112754

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #531126 shade: #531126, #544B11, #11543E and #111A54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #531126 shade: #531126, #495411, #11543E and #1C1154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 54 / 67

HEX #531126

RGB 83 17 38

HSL 340.91, 0.66%, 0.2%

LAB 17.37, 31.79, 4.1

 

Complementary color

CMYK 28 / 0 / 9 / 7

HEX #ACEED9

RGB 172 238 217

HSL 160.91, 0.66%, 0.8%

LAB 89.36, -24.95, 3.52

 

CMYK 0 / 81 / 63 / 65

HEX #581121

RGB 88 17 33

HSL 346.48, 0.68%, 0.21%

LAB 18.3, 33.03, 9.14

 

CMYK 0 / 67 / 50 / 59

HEX #692334

RGB 105 35 52

HSL 345.43, 0.5%, 0.27%

LAB 25.12, 32.82, 5.9

 

CMYK 0 / 57 / 42 / 52

HEX #7A3547

RGB 122 53 71

HSL 344.35, 0.39%, 0.34%

LAB 32.12, 32.01, 3.66

 

CMYK 0 / 49 / 35 / 45

HEX #8B475A

RGB 139 71 90

HSL 343.24, 0.32%, 0.41%

LAB 39.13, 31.05, 1.99

 

CMYK 0 / 43 / 30 / 39

HEX #9C596D

RGB 156 89 109

HSL 342.09, 0.27%, 0.48%

LAB 46.07, 30.09, 0.67

 

CMYK 0 / 80 / 54 / 67

HEX #531126

RGB 83 17 38

HSL 340.91, 0.66%, 0.2%

LAB 17.37, 31.79, 4.1

 

CMYK 0 / 100 / 71 / 74

HEX #420013

RGB 66 0 19

HSL 342.73, 1%, 0.13%

LAB 10.6, 31.32, 7.91

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 80 / 55 / 67

HEX #541126

RGB 84 17 38

HSL 341.19, 0.66%, 0.2%

LAB 17.58, 32.12, 4.43

 

CMYK 0 / 80 / 76 / 67

HEX #541114

RGB 84 17 20

HSL 357.31, 0.66%, 0.2%

LAB 17.16, 30.73, 16.67

 

CMYK 0 / 80 / 80 / 67

HEX #541111

RGB 84 17 17

HSL 0, 0.66%, 0.2%

LAB 17.11, 30.57, 18.48

 

CMYK 0 / 80 / 55 / 67

HEX #541126

RGB 84 17 38

HSL 341.19, 0.66%, 0.2%

LAB 17.58, 32.12, 4.43

 

CMYK 0 / 80 / 33 / 67

HEX #541138

RGB 84 17 56

HSL 325.07, 0.66%, 0.2%

LAB 18.24, 34.24, -7.44

 

CMYK 0 / 80 / 11 / 67

HEX #54114B

RGB 84 17 75

HSL 308.06, 0.66%, 0.2%

LAB 19.2, 37.2, -19.15

 

CMYK 10 / 80 / 0 / 67

HEX #4C1154

RGB 76 17 84

HSL 292.84, 0.66%, 0.2%

LAB 18.27, 36.88, -26.84

 

CMYK 32 / 80 / 0 / 67

HEX #391154

RGB 57 17 84

HSL 275.82, 0.66%, 0.2%

LAB 15.01, 32.48, -32.25

 

CMYK 0 / 80 / 55 / 67

HEX #541126

RGB 84 17 38

HSL 341.19, 0.66%, 0.2%

LAB 17.58, 32.12, 4.43

 

CMYK 0 / 90 / 62 / 64

HEX #5C0923

RGB 92 9 35

HSL 341.2, 0.82%, 0.2%

LAB 18.33, 37.03, 7.9

 

CMYK 0 / 100 / 68 / 60

HEX #650020

RGB 101 0 32

HSL 340.99, 1%, 0.2%

LAB 19.52, 41.78, 12.01

 

CMYK 0 / 80 / 55 / 67

HEX #541126

RGB 84 17 38

HSL 341.19, 0.66%, 0.2%

LAB 17.58, 32.12, 4.43

 

CMYK 0 / 67 / 46 / 70

HEX #4C1929

RGB 76 25 41

HSL 341.18, 0.5%, 0.2%

LAB 17.42, 25.83, 1.84

 

CMYK 0 / 51 / 35 / 73

HEX #44212C

RGB 68 33 44

HSL 341.14, 0.35%, 0.2%

LAB 17.91, 18.29, 0.24

 

CMYK 0 / 29 / 20 / 77

HEX #3B2A2F

RGB 59 42 47

HSL 342.35, 0.17%, 0.2%

LAB 19.19, 8.85, -0.16

 

CMYK 0 / 2 / 2 / 80

HEX #333232

RGB 51 50 50

HSL 0, 0.01%, 0.2%

LAB 20.89, 0.44, 0.15

 

CMYK 0 / 80 / 11 / 67

HEX #54114B

RGB 84 17 75

HSL 308.06, 0.66%, 0.2%

LAB 19.2, 37.2, -19.15

 

CMYK 0 / 80 / 32 / 67

HEX #541139

RGB 84 17 57

HSL 324.18, 0.66%, 0.2%

LAB 18.28, 34.38, -8.08

 

CMYK 0 / 80 / 54 / 67

HEX #541127

RGB 84 17 39

HSL 340.3, 0.66%, 0.2%

LAB 17.61, 32.22, 3.75

 

CMYK 0 / 80 / 75 / 67

HEX #541115

RGB 84 17 21

HSL 356.42, 0.66%, 0.2%

LAB 17.18, 30.79, 16.02

 

CMYK 0 / 64 / 80 / 67

HEX #541E11

RGB 84 30 17

HSL 11.64, 0.66%, 0.2%

LAB 19.45, 24.28, 21.25

 

CMYK 0 / 81 / 56 / 94

HEX #100307

RGB 16 3 7

HSL 341.54, 0.68%, 0.04%

LAB 1.72, 4.24, -0.22

 

CMYK 0 / 80 / 54 / 80

HEX #320A17

RGB 50 10 23

HSL 340.5, 0.67%, 0.12%

LAB 8.63, 21.41, 1.83

 

CMYK 0 / 80 / 55 / 67

HEX #541126

RGB 84 17 38

HSL 341.19, 0.66%, 0.2%

LAB 17.58, 32.12, 4.43

 

CMYK 0 / 80 / 54 / 54

HEX #761836

RGB 118 24 54

HSL 340.85, 0.66%, 0.28%

LAB 26.07, 41.93, 6.25

 

CMYK 0 / 80 / 54 / 40

HEX #991F46

RGB 153 31 70

HSL 340.82, 0.66%, 0.36%

LAB 34.38, 51.41, 8.31

 

CMYK 0 / 80 / 54 / 67

HEX #531126

RGB 83 17 38

HSL 340.91, 0.66%, 0.2%

LAB 17.37, 31.79, 4.1

 

CMYK 0 / 11 / 80 / 67

HEX #544B11

RGB 84 75 17

HSL 51.94, 0.66%, 0.2%

LAB 31.71, -3.58, 33.86

 

CMYK 80 / 21 / 0 / 67

HEX #114254

RGB 17 66 84

HSL 196.12, 0.66%, 0.2%

LAB 25.73, -9.21, -15.45

 

CMYK 0 / 80 / 54 / 67

HEX #531126

RGB 83 17 38

HSL 340.91, 0.66%, 0.2%

LAB 17.37, 31.79, 4.1

 

CMYK 54 / 0 / 80 / 67

HEX #275411

RGB 39 84 17

HSL 100.3, 0.66%, 0.2%

LAB 31.38, -28.74, 32.4

 

CMYK 80 / 54 / 0 / 67

HEX #112754

RGB 17 39 84

HSL 220.3, 0.66%, 0.2%

LAB 16.55, 9.5, -29.95

 

CMYK 0 / 80 / 54 / 67

HEX #531126

RGB 83 17 38

HSL 340.91, 0.66%, 0.2%

LAB 17.37, 31.79, 4.1

 

CMYK 0 / 11 / 80 / 67

HEX #544B11

RGB 84 75 17

HSL 51.94, 0.66%, 0.2%

LAB 31.71, -3.58, 33.86

 

CMYK 80 / 0 / 26 / 67

HEX #11543E

RGB 17 84 62

HSL 160.3, 0.66%, 0.2%

LAB 31.36, -26.4, 7.08

 

CMYK 80 / 69 / 0 / 67

HEX #111A54

RGB 17 26 84

HSL 231.94, 0.66%, 0.2%

LAB 12.6, 19.25, -36.38

 

CMYK 0 / 80 / 54 / 67

HEX #531126

RGB 83 17 38

HSL 340.91, 0.66%, 0.2%

LAB 17.37, 31.79, 4.1

 

CMYK 13 / 0 / 80 / 67

HEX #495411

RGB 73 84 17

HSL 69.85, 0.66%, 0.2%

LAB 33.56, -14.31, 35.28

 

CMYK 80 / 0 / 26 / 67

HEX #11543E

RGB 17 84 62

HSL 160.3, 0.66%, 0.2%

LAB 31.36, -26.4, 7.08

 

CMYK 67 / 80 / 0 / 67

HEX #1C1154

RGB 28 17 84

HSL 249.85, 0.66%, 0.2%

LAB 11.19, 26.99, -38.65

 

Description

Color code: HEX #531126 | qconv.com Color code: HEX #531126 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 17 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 17 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 54 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 54% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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