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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #534711 it is the complementary color #ACB8EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #534711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #534711 shade: #58470C, #69591F, #7A6B32, #8B7D45 and #9C8F58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #534711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #534711 shade: #534711, #423500, #312300, #201100 and #0F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #534711 shade: #544811, #543611, #542411, #541111 and #541111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #534711 shade: #544811, #4E5411, #3C5411, #2A5411 and #185411

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #534711 shade matches the following richer shades: #544811, #5C4D09 and #655200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #534711 shade: #544811, #4C4319, #443D21, #3B382A and #333332

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #534711 shade: #542411, #543611, #544811, #4F5411 and #3D5411

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #534711 shade: #100D03, #322B0A, #544811, #766518 and #99831F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #534711 shade: #534711, #115412 and #2D1154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #534711 shade: #534711, #115448 and #481154

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #534711 shade: #534711, #115412, #111D54 and #541153

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #534711 shade: #534711, #115426, #111D54 and #54113F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 80 / 67

HEX #534711

RGB 83 71 17

HSL 49.09, 0.66%, 0.2%

LAB 30.37, -1.64, 32.53

 

Complementary color

CMYK 28 / 23 / 0 / 7

HEX #ACB8EE

RGB 172 184 238

HSL 229.09, 0.66%, 0.8%

LAB 75.59, 7.72, -28.22

 

CMYK 0 / 19 / 86 / 65

HEX #58470C

RGB 88 71 12

HSL 46.58, 0.76%, 0.2%

LAB 30.9, 0.68, 35.28

 

CMYK 0 / 15 / 70 / 59

HEX #69591F

RGB 105 89 31

HSL 47.03, 0.54%, 0.27%

LAB 38.28, -0.76, 34.8

 

CMYK 0 / 12 / 59 / 52

HEX #7A6B32

RGB 122 107 50

HSL 47.5, 0.42%, 0.34%

LAB 45.47, -1.8, 33.61

 

CMYK 0 / 10 / 50 / 45

HEX #8B7D45

RGB 139 125 69

HSL 48, 0.34%, 0.41%

LAB 52.49, -2.59, 32.28

 

CMYK 0 / 8 / 44 / 39

HEX #9C8F58

RGB 156 143 88

HSL 48.53, 0.28%, 0.48%

LAB 59.36, -3.21, 30.97

 

CMYK 0 / 14 / 80 / 67

HEX #534711

RGB 83 71 17

HSL 49.09, 0.66%, 0.2%

LAB 30.37, -1.64, 32.53

 

CMYK 0 / 20 / 100 / 74

HEX #423500

RGB 66 53 0

HSL 48.18, 1%, 0.13%

LAB 22.67, -0.02, 31.51

 

CMYK 0 / 29 / 100 / 81

HEX #312300

RGB 49 35 0

HSL 42.86, 1%, 0.1%

LAB 14.71, 2.56, 21.64

 

CMYK 0 / 47 / 100 / 87

HEX #201100

RGB 32 17 0

HSL 31.88, 1%, 0.06%

LAB 6.4, 5.05, 9.67

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 14 / 80 / 67

HEX #544811

RGB 84 72 17

HSL 49.25, 0.66%, 0.2%

LAB 30.78, -1.74, 32.97

 

CMYK 0 / 36 / 80 / 67

HEX #543611

RGB 84 54 17

HSL 33.13, 0.66%, 0.2%

LAB 25.45, 9.62, 27.67

 

CMYK 0 / 57 / 80 / 67

HEX #542411

RGB 84 36 17

HSL 17.01, 0.66%, 0.2%

LAB 20.78, 20.85, 22.75

 

CMYK 0 / 80 / 80 / 67

HEX #541111

RGB 84 17 17

HSL 0, 0.66%, 0.2%

LAB 17.11, 30.57, 18.48

 

CMYK 0 / 80 / 80 / 67

HEX #541111

RGB 84 17 17

HSL 0, 0.66%, 0.2%

LAB 17.11, 30.57, 18.48

 

CMYK 0 / 14 / 80 / 67

HEX #544811

RGB 84 72 17

HSL 49.25, 0.66%, 0.2%

LAB 30.78, -1.74, 32.97

 

CMYK 7 / 0 / 80 / 67

HEX #4E5411

RGB 78 84 17

HSL 65.37, 0.66%, 0.2%

LAB 33.98, -11.89, 35.84

 

CMYK 29 / 0 / 80 / 67

HEX #3C5411

RGB 60 84 17

HSL 81.49, 0.66%, 0.2%

LAB 32.57, -20.35, 33.99

 

CMYK 50 / 0 / 80 / 67

HEX #2A5411

RGB 42 84 17

HSL 97.61, 0.66%, 0.2%

LAB 31.52, -27.68, 32.59

 

CMYK 71 / 0 / 80 / 67

HEX #185411

RGB 24 84 17

HSL 113.73, 0.66%, 0.2%

LAB 30.82, -33.15, 31.66

 

CMYK 0 / 14 / 80 / 67

HEX #544811

RGB 84 72 17

HSL 49.25, 0.66%, 0.2%

LAB 30.78, -1.74, 32.97

 

CMYK 0 / 16 / 90 / 64

HEX #5C4D09

RGB 92 77 9

HSL 49.16, 0.82%, 0.2%

LAB 33.14, -1.07, 38.43

 

CMYK 0 / 19 / 100 / 60

HEX #655200

RGB 101 82 0

HSL 48.71, 1%, 0.2%

LAB 35.6, 0.17, 43.76

 

CMYK 0 / 14 / 80 / 67

HEX #544811

RGB 84 72 17

HSL 49.25, 0.66%, 0.2%

LAB 30.78, -1.74, 32.97

 

CMYK 0 / 12 / 67 / 70

HEX #4C4319

RGB 76 67 25

HSL 49.41, 0.5%, 0.2%

LAB 28.44, -2.17, 26.31

 

CMYK 0 / 10 / 51 / 73

HEX #443D21

RGB 68 61 33

HSL 48, 0.35%, 0.2%

LAB 25.79, -1.6, 18.31

 

CMYK 0 / 5 / 29 / 77

HEX #3B382A

RGB 59 56 42

HSL 49.41, 0.17%, 0.2%

LAB 23.42, -1.46, 9.24

 

CMYK 0 / 0 / 2 / 80

HEX #333332

RGB 51 51 50

HSL 60, 0.01%, 0.2%

LAB 21.21, -0.23, 0.63

 

CMYK 0 / 57 / 80 / 67

HEX #542411

RGB 84 36 17

HSL 17.01, 0.66%, 0.2%

LAB 20.78, 20.85, 22.75

 

CMYK 0 / 36 / 80 / 67

HEX #543611

RGB 84 54 17

HSL 33.13, 0.66%, 0.2%

LAB 25.45, 9.62, 27.67

 

CMYK 0 / 14 / 80 / 67

HEX #544811

RGB 84 72 17

HSL 49.25, 0.66%, 0.2%

LAB 30.78, -1.74, 32.97

 

CMYK 6 / 0 / 80 / 67

HEX #4F5411

RGB 79 84 17

HSL 64.48, 0.66%, 0.2%

LAB 34.07, -11.41, 35.95

 

CMYK 27 / 0 / 80 / 67

HEX #3D5411

RGB 61 84 17

HSL 80.6, 0.66%, 0.2%

LAB 32.64, -19.9, 34.08

 

CMYK 0 / 19 / 81 / 94

HEX #100D03

RGB 16 13 3

HSL 46.15, 0.68%, 0.04%

LAB 3.65, -0.43, 4.23

 

CMYK 0 / 14 / 80 / 80

HEX #322B0A

RGB 50 43 10

HSL 49.5, 0.67%, 0.12%

LAB 17.59, -1.55, 21.2

 

CMYK 0 / 14 / 80 / 67

HEX #544811

RGB 84 72 17

HSL 49.25, 0.66%, 0.2%

LAB 30.78, -1.74, 32.97

 

CMYK 0 / 14 / 80 / 54

HEX #766518

RGB 118 101 24

HSL 49.15, 0.66%, 0.28%

LAB 43.1, -1.91, 43.08

 

CMYK 0 / 14 / 80 / 40

HEX #99831F

RGB 153 131 31

HSL 49.18, 0.66%, 0.36%

LAB 55.18, -2.15, 52.95

 

CMYK 0 / 14 / 80 / 67

HEX #534711

RGB 83 71 17

HSL 49.09, 0.66%, 0.2%

LAB 30.37, -1.64, 32.53

 

CMYK 80 / 0 / 79 / 67

HEX #115412

RGB 17 84 18

HSL 120.9, 0.66%, 0.2%

LAB 30.65, -34.56, 31.01

 

CMYK 46 / 80 / 0 / 67

HEX #2D1154

RGB 45 17 84

HSL 265.07, 0.66%, 0.2%

LAB 13.22, 29.97, -35.24

 

CMYK 0 / 14 / 80 / 67

HEX #534711

RGB 83 71 17

HSL 49.09, 0.66%, 0.2%

LAB 30.37, -1.64, 32.53

 

CMYK 80 / 0 / 14 / 67

HEX #115448

RGB 17 84 72

HSL 169.25, 0.66%, 0.2%

LAB 31.64, -23.52, 1.16

 

CMYK 14 / 80 / 0 / 67

HEX #481154

RGB 72 17 84

HSL 289.25, 0.66%, 0.2%

LAB 17.55, 35.92, -28.03

 

CMYK 0 / 14 / 80 / 67

HEX #534711

RGB 83 71 17

HSL 49.09, 0.66%, 0.2%

LAB 30.37, -1.64, 32.53

 

CMYK 80 / 0 / 79 / 67

HEX #115412

RGB 17 84 18

HSL 120.9, 0.66%, 0.2%

LAB 30.65, -34.56, 31.01

 

CMYK 80 / 65 / 0 / 67

HEX #111D54

RGB 17 29 84

HSL 229.25, 0.66%, 0.2%

LAB 13.46, 17.02, -34.97

 

CMYK 0 / 80 / 1 / 67

HEX #541153

RGB 84 17 83

HSL 300.9, 0.66%, 0.2%

LAB 19.68, 38.63, -23.82

 

CMYK 0 / 14 / 80 / 67

HEX #534711

RGB 83 71 17

HSL 49.09, 0.66%, 0.2%

LAB 30.37, -1.64, 32.53

 

CMYK 80 / 0 / 55 / 67

HEX #115426

RGB 17 84 38

HSL 138.81, 0.66%, 0.2%

LAB 30.88, -31.82, 21.03

 

CMYK 80 / 65 / 0 / 67

HEX #111D54

RGB 17 29 84

HSL 229.25, 0.66%, 0.2%

LAB 13.46, 17.02, -34.97

 

CMYK 0 / 80 / 25 / 67

HEX #54113F

RGB 84 17 63

HSL 318.81, 0.66%, 0.2%

LAB 18.56, 35.25, -11.85

 

Description

Color code: HEX #534711 | qconv.com Color code: HEX #534711 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 71 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 71 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 80 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 80% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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