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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #536092 it is the complementary color #AC9F6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #536092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #536092 shade: #58608D, #6972A0, #7A84B3, #8B96C6 and #9CA8D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #536092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #536092 shade: #536092, #424E7F, #313C6C, #202A59 and #0F1846

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #536092 shade: #525F92, #565292, #685292, #795292 and #8A5292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #536092 shade: #525F92 and #525292

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #536092 shade matches the following richer shades: #525F92, #4054A5, #2D4AB8, #1A3FCA and #0834DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #536092 shade: #525F92, #656A80, #77756D, #8A805B and #9C8B48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #536092 shade: #528292, #527192, #526092, #555292 and #665292

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #536092 shade: #343D5E, #434E78, #525F92, #6573A8 and #808BB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #536092 shade: #536092, #915292 and #7A9252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #536092 shade: #536092, #925260 and #609252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #536092 shade: #536092, #915292, #928452 and #539252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #536092 shade: #536092, #925280, #928452 and #529264

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 34 / 0 / 43

HEX #536092

RGB 83 96 146

HSL 227.62, 0.28%, 0.45%

LAB 41.66, 8.68, -29.1

 

Complementary color

CMYK 0 / 8 / 37 / 33

HEX #AC9F6D

RGB 172 159 109

HSL 47.62, 0.28%, 0.55%

LAB 65.49, -2.8, 27.84

 

CMYK 38 / 32 / 0 / 45

HEX #58608D

RGB 88 96 141

HSL 230.94, 0.23%, 0.45%

LAB 41.79, 8.63, -25.86

 

CMYK 34 / 29 / 0 / 37

HEX #6972A0

RGB 105 114 160

HSL 230.18, 0.22%, 0.52%

LAB 48.98, 8.05, -25.87

 

CMYK 32 / 26 / 0 / 30

HEX #7A84B3

RGB 122 132 179

HSL 229.47, 0.27%, 0.59%

LAB 55.98, 7.57, -25.93

 

CMYK 30 / 24 / 0 / 22

HEX #8B96C6

RGB 139 150 198

HSL 228.81, 0.34%, 0.66%

LAB 62.83, 7.15, -26.04

 

CMYK 28 / 23 / 0 / 15

HEX #9CA8D9

RGB 156 168 217

HSL 228.2, 0.45%, 0.73%

LAB 69.53, 6.78, -26.18

 

CMYK 43 / 34 / 0 / 43

HEX #536092

RGB 83 96 146

HSL 227.62, 0.28%, 0.45%

LAB 41.66, 8.68, -29.1

 

CMYK 48 / 39 / 0 / 50

HEX #424E7F

RGB 66 78 127

HSL 228.2, 0.32%, 0.38%

LAB 34.27, 9.53, -29.22

 

CMYK 55 / 44 / 0 / 58

HEX #313C6C

RGB 49 60 108

HSL 228.81, 0.38%, 0.31%

LAB 26.64, 10.64, -29.43

 

CMYK 64 / 53 / 0 / 65

HEX #202A59

RGB 32 42 89

HSL 229.47, 0.47%, 0.24%

LAB 18.73, 12.19, -29.74

 

CMYK 79 / 66 / 0 / 73

HEX #0F1846

RGB 15 24 70

HSL 230.18, 0.65%, 0.17%

LAB 10.54, 14.54, -30.1

 

CMYK 44 / 35 / 0 / 43

HEX #525F92

RGB 82 95 146

HSL 227.81, 0.28%, 0.45%

LAB 41.3, 9.03, -29.66

 

CMYK 41 / 44 / 0 / 43

HEX #565292

RGB 86 82 146

HSL 243.75, 0.28%, 0.45%

LAB 38, 18.37, -34.84

 

CMYK 29 / 44 / 0 / 43

HEX #685292

RGB 104 82 146

HSL 260.63, 0.28%, 0.45%

LAB 39.67, 23.56, -32.09

 

CMYK 17 / 44 / 0 / 43

HEX #795292

RGB 121 82 146

HSL 276.56, 0.28%, 0.45%

LAB 41.49, 28.78, -29.1

 

CMYK 5 / 44 / 0 / 43

HEX #8A5292

RGB 138 82 146

HSL 292.5, 0.28%, 0.45%

LAB 43.53, 34.16, -25.78

 

CMYK 44 / 35 / 0 / 43

HEX #525F92

RGB 82 95 146

HSL 227.81, 0.28%, 0.45%

LAB 41.3, 9.03, -29.66

 

CMYK 44 / 44 / 0 / 43

HEX #525292

RGB 82 82 146

HSL 240, 0.28%, 0.45%

LAB 37.67, 17.29, -35.39

 

CMYK 44 / 35 / 0 / 43

HEX #525F92

RGB 82 95 146

HSL 227.81, 0.28%, 0.45%

LAB 41.3, 9.03, -29.66

 

CMYK 61 / 49 / 0 / 35

HEX #4054A5

RGB 64 84 165

HSL 228.12, 0.44%, 0.45%

LAB 38.11, 18.15, -46.18

 

CMYK 76 / 60 / 0 / 28

HEX #2D4AB8

RGB 45 74 184

HSL 227.48, 0.61%, 0.45%

LAB 35.82, 28.73, -61.18

 

CMYK 87 / 69 / 0 / 21

HEX #1A3FCA

RGB 26 63 202

HSL 227.39, 0.77%, 0.45%

LAB 34.06, 40.92, -74.64

 

CMYK 96 / 76 / 0 / 13

HEX #0834DD

RGB 8 52 221

HSL 227.61, 0.93%, 0.45%

LAB 33.41, 53.45, -86.71

 

CMYK 44 / 35 / 0 / 43

HEX #525F92

RGB 82 95 146

HSL 227.81, 0.28%, 0.45%

LAB 41.3, 9.03, -29.66

 

CMYK 21 / 17 / 0 / 50

HEX #656A80

RGB 101 106 128

HSL 228.89, 0.12%, 0.45%

LAB 45.13, 3.17, -12.83

 

CMYK 0 / 2 / 8 / 53

HEX #77756D

RGB 119 117 109

HSL 48, 0.04%, 0.45%

LAB 49.19, -0.78, 4.68

 

CMYK 0 / 7 / 34 / 46

HEX #8A805B

RGB 138 128 91

HSL 47.23, 0.21%, 0.45%

LAB 53.6, -2.15, 21.49

 

CMYK 0 / 11 / 54 / 39

HEX #9C8B48

RGB 156 139 72

HSL 47.86, 0.37%, 0.45%

LAB 58.04, -2.61, 37.78

 

CMYK 44 / 11 / 0 / 43

HEX #528292

RGB 82 130 146

HSL 195, 0.28%, 0.45%

LAB 51.65, -11.82, -13.71

 

CMYK 44 / 23 / 0 / 43

HEX #527192

RGB 82 113 146

HSL 210.94, 0.28%, 0.45%

LAB 46.55, -2, -21.5

 

CMYK 44 / 34 / 0 / 43

HEX #526092

RGB 82 96 146

HSL 226.88, 0.28%, 0.45%

LAB 41.59, 8.41, -29.21

 

CMYK 42 / 44 / 0 / 43

HEX #555292

RGB 85 82 146

HSL 242.81, 0.28%, 0.45%

LAB 37.92, 18.1, -34.98

 

CMYK 30 / 44 / 0 / 43

HEX #665292

RGB 102 82 146

HSL 258.75, 0.28%, 0.45%

LAB 39.47, 22.97, -32.42

 

CMYK 45 / 35 / 0 / 63

HEX #343D5E

RGB 52 61 94

HSL 227.14, 0.29%, 0.29%

LAB 26.38, 5.99, -20.82

 

CMYK 44 / 35 / 0 / 53

HEX #434E78

RGB 67 78 120

HSL 227.55, 0.28%, 0.37%

LAB 33.98, 7.55, -25.33

 

CMYK 44 / 35 / 0 / 43

HEX #525F92

RGB 82 95 146

HSL 227.81, 0.28%, 0.45%

LAB 41.3, 9.03, -29.66

 

CMYK 40 / 32 / 0 / 34

HEX #6573A8

RGB 101 115 168

HSL 227.46, 0.28%, 0.53%

LAB 49.32, 8.56, -30.04

 

CMYK 30 / 24 / 0 / 28

HEX #808BB7

RGB 128 139 183

HSL 228, 0.28%, 0.61%

LAB 58.48, 6.34, -24.32

 

CMYK 43 / 34 / 0 / 43

HEX #536092

RGB 83 96 146

HSL 227.62, 0.28%, 0.45%

LAB 41.66, 8.68, -29.1

 

CMYK 1 / 44 / 0 / 43

HEX #915292

RGB 145 82 146

HSL 299.06, 0.28%, 0.45%

LAB 44.42, 36.39, -24.32

 

CMYK 16 / 0 / 44 / 43

HEX #7A9252

RGB 122 146 82

HSL 82.5, 0.28%, 0.45%

LAB 57.37, -19.71, 31.09

 

CMYK 43 / 34 / 0 / 43

HEX #536092

RGB 83 96 146

HSL 227.62, 0.28%, 0.45%

LAB 41.66, 8.68, -29.1

 

CMYK 0 / 44 / 34 / 43

HEX #925260

RGB 146 82 96

HSL 346.88, 0.28%, 0.45%

LAB 42.75, 28.39, 3.63

 

CMYK 34 / 0 / 44 / 43

HEX #609252

RGB 96 146 82

HSL 106.88, 0.28%, 0.45%

LAB 55.74, -29.59, 28.68

 

CMYK 43 / 34 / 0 / 43

HEX #536092

RGB 83 96 146

HSL 227.62, 0.28%, 0.45%

LAB 41.66, 8.68, -29.1

 

CMYK 1 / 44 / 0 / 43

HEX #915292

RGB 145 82 146

HSL 299.06, 0.28%, 0.45%

LAB 44.42, 36.39, -24.32

 

CMYK 0 / 10 / 44 / 43

HEX #928452

RGB 146 132 82

HSL 46.88, 0.28%, 0.45%

LAB 55.3, -2.08, 28.88

 

CMYK 43 / 0 / 44 / 43

HEX #539252

RGB 83 146 82

HSL 119.06, 0.28%, 0.45%

LAB 55.08, -33.97, 27.7

 

CMYK 43 / 34 / 0 / 43

HEX #536092

RGB 83 96 146

HSL 227.62, 0.28%, 0.45%

LAB 41.66, 8.68, -29.1

 

CMYK 0 / 44 / 12 / 43

HEX #925280

RGB 146 82 128

HSL 316.88, 0.28%, 0.45%

LAB 43.81, 33.37, -14.38

 

CMYK 0 / 10 / 44 / 43

HEX #928452

RGB 146 132 82

HSL 46.88, 0.28%, 0.45%

LAB 55.3, -2.08, 28.88

 

CMYK 44 / 0 / 32 / 43

HEX #529264

RGB 82 146 100

HSL 136.88, 0.28%, 0.45%

LAB 55.35, -31.13, 18.14

 

Description

Color code: HEX #536092 | qconv.com Color code: HEX #536092 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 96 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 96 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 34 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 34% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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