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Color name
HEX #57A61B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57A61B it is the complementary color #A859E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57A61B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57A61B shade: #5CA616, #6DB829, #7ECA3C, #8FDC4F and #A0EE62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57A61B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57A61B shade: #57A61B, #469408, #358200, #247000 and #135E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57A61B shade: #57A61B, #7CA61B, #A2A61B, #A6851B and #A65F1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57A61B shade: #57A61B, #31A61B, #1BA62A, #1BA64F and #1BA675

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57A61B shade matches the following richer shades: #57A61B and #55B60B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57A61B shade: #57A61B, #59962A, #5B873A, #5D774A and #5F6759

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57A61B shade: #A2A61B, #7CA61B, #57A61B, #32A61B and #1BA629

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57A61B shade: #325F0F, #448315, #57A61B, #69CA20 and #7EDE36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57A61B shade: #57A61B, #1BA686 and #A61B8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57A61B shade: #57A61B, #1B57A6 and #A61B57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57A61B shade: #57A61B, #1BA686, #6A1BA6 and #A61B3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57A61B shade: #57A61B, #1B9DA6, #6A1BA6 and #A6241B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

Complementary color

CMYK 26 / 61 / 0 / 11

HEX #A859E4

RGB 168 89 228

HSL 274.1, 0.72%, 0.62%

LAB 53.03, 56.44, -58.16

 

CMYK 45 / 0 / 87 / 35

HEX #5CA616

RGB 92 166 22

HSL 90.83, 0.77%, 0.37%

LAB 61.31, -45.08, 59.3

 

CMYK 41 / 0 / 78 / 28

HEX #6DB829

RGB 109 184 41

HSL 91.47, 0.64%, 0.44%

LAB 67.79, -45.82, 60.3

 

CMYK 38 / 0 / 70 / 21

HEX #7ECA3C

RGB 126 202 60

HSL 92.11, 0.57%, 0.51%

LAB 74.19, -46.29, 60.32

 

CMYK 35 / 0 / 64 / 14

HEX #8FDC4F

RGB 143 220 79

HSL 92.77, 0.67%, 0.59%

LAB 80.51, -46.58, 59.78

 

CMYK 33 / 0 / 59 / 7

HEX #A0EE62

RGB 160 238 98

HSL 93.43, 0.8%, 0.66%

LAB 86.75, -46.74, 58.96

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 53 / 0 / 95 / 42

HEX #469408

RGB 70 148 8

HSL 93.43, 0.9%, 0.31%

LAB 54.55, -45.44, 55.83

 

CMYK 59 / 0 / 100 / 49

HEX #358200

RGB 53 130 0

HSL 95.54, 1%, 0.25%

LAB 47.91, -43.83, 51.65

 

CMYK 68 / 0 / 100 / 56

HEX #247000

RGB 36 112 0

HSL 100.71, 1%, 0.22%

LAB 41.16, -41.67, 46.08

 

CMYK 80 / 0 / 100 / 63

HEX #135E00

RGB 19 94 0

HSL 107.87, 1%, 0.18%

LAB 34.28, -38.96, 40.44

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 25 / 0 / 84 / 35

HEX #7CA61B

RGB 124 166 27

HSL 78.13, 0.72%, 0.38%

LAB 63.04, -33.02, 60.27

 

CMYK 2 / 0 / 84 / 35

HEX #A2A61B

RGB 162 166 27

HSL 61.73, 0.72%, 0.38%

LAB 65.77, -16.9, 63.7

 

CMYK 0 / 20 / 84 / 35

HEX #A6851B

RGB 166 133 27

HSL 45.76, 0.72%, 0.38%

LAB 57.04, 2.57, 56.4

 

CMYK 0 / 43 / 84 / 35

HEX #A65F1B

RGB 166 95 27

HSL 29.35, 0.72%, 0.38%

LAB 47.46, 23.95, 48.06

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 70 / 0 / 84 / 35

HEX #31A61B

RGB 49 166 27

HSL 110.5, 0.72%, 0.38%

LAB 59.89, -56.32, 56.27

 

CMYK 84 / 0 / 75 / 35

HEX #1BA62A

RGB 27 166 42

HSL 126.47, 0.72%, 0.38%

LAB 59.59, -58.62, 51.11

 

CMYK 84 / 0 / 52 / 35

HEX #1BA64F

RGB 27 166 79

HSL 142.45, 0.72%, 0.38%

LAB 59.95, -54.21, 35.07

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 53 / 0 / 94 / 29

HEX #55B60B

RGB 85 182 11

HSL 94.04, 0.89%, 0.38%

LAB 66.07, -53.72, 65.1

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 41 / 0 / 72 / 41

HEX #59962A

RGB 89 150 42

HSL 93.89, 0.56%, 0.38%

LAB 56.19, -38.33, 48.24

 

CMYK 33 / 0 / 57 / 47

HEX #5B873A

RGB 91 135 58

HSL 94.29, 0.4%, 0.38%

LAB 51.68, -29.28, 36.14

 

CMYK 22 / 0 / 38 / 53

HEX #5D774A

RGB 93 119 74

HSL 94.67, 0.23%, 0.38%

LAB 46.99, -18.3, 21.75

 

CMYK 8 / 0 / 14 / 60

HEX #5F6759

RGB 95 103 89

HSL 94.29, 0.07%, 0.38%

LAB 42.54, -5.96, 6.86

 

CMYK 2 / 0 / 84 / 35

HEX #A2A61B

RGB 162 166 27

HSL 61.73, 0.72%, 0.38%

LAB 65.77, -16.9, 63.7

 

CMYK 25 / 0 / 84 / 35

HEX #7CA61B

RGB 124 166 27

HSL 78.13, 0.72%, 0.38%

LAB 63.04, -33.02, 60.27

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 70 / 0 / 84 / 35

HEX #32A61B

RGB 50 166 27

HSL 110.07, 0.72%, 0.38%

LAB 59.92, -56.13, 56.3

 

CMYK 84 / 0 / 75 / 35

HEX #1BA629

RGB 27 166 41

HSL 126.04, 0.72%, 0.38%

LAB 59.59, -58.7, 51.46

 

CMYK 47 / 0 / 84 / 63

HEX #325F0F

RGB 50 95 15

HSL 93.75, 0.73%, 0.22%

LAB 35.79, -29.89, 37.6

 

CMYK 48 / 0 / 84 / 49

HEX #448315

RGB 68 131 21

HSL 94.36, 0.72%, 0.3%

LAB 48.9, -38.81, 48.13

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 48 / 0 / 84 / 21

HEX #69CA20

RGB 105 202 32

HSL 94.24, 0.73%, 0.46%

LAB 73.12, -54.62, 67.56

 

CMYK 43 / 0 / 76 / 13

HEX #7EDE36

RGB 126 222 54

HSL 94.29, 0.72%, 0.54%

LAB 80.15, -54.72, 68.27

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 84 / 0 / 19 / 35

HEX #1BA686

RGB 27 166 134

HSL 166.19, 0.72%, 0.38%

LAB 60.98, -42.62, 6.73

 

CMYK 0 / 84 / 14 / 35

HEX #A61B8F

RGB 166 27 143

HSL 309.93, 0.72%, 0.38%

LAB 39.37, 63.98, -30.15

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 84 / 48 / 0 / 35

HEX #1B57A6

RGB 27 87 166

HSL 214.1, 0.72%, 0.38%

LAB 37.49, 11.21, -47.85

 

CMYK 0 / 84 / 48 / 35

HEX #A61B57

RGB 166 27 87

HSL 334.1, 0.72%, 0.38%

LAB 37.08, 57.49, 1.5

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 84 / 0 / 19 / 35

HEX #1BA686

RGB 27 166 134

HSL 166.19, 0.72%, 0.38%

LAB 60.98, -42.62, 6.73

 

CMYK 36 / 84 / 0 / 35

HEX #6A1BA6

RGB 106 27 166

HSL 274.1, 0.72%, 0.38%

LAB 30.88, 56.98, -58.3

 

CMYK 0 / 84 / 64 / 35

HEX #A61B3B

RGB 166 27 59

HSL 346.19, 0.72%, 0.38%

LAB 36.38, 55.43, 18.58

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 84 / 5 / 0 / 35

HEX #1B9DA6

RGB 27 157 166

HSL 183.88, 0.72%, 0.38%

LAB 59.07, -29.21, -14.15

 

CMYK 36 / 84 / 0 / 35

HEX #6A1BA6

RGB 106 27 166

HSL 274.1, 0.72%, 0.38%

LAB 30.88, 56.98, -58.3

 

CMYK 0 / 78 / 84 / 35

HEX #A6241B

RGB 166 36 27

HSL 3.88, 0.72%, 0.38%

LAB 36.83, 51.5, 38.43

 

Description

Color code: HEX #57A61B | qconv.com Color code: HEX #57A61B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 166 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 166 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 84 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 84% 35% C M Y K

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Provide designers and agencies with accurate color values.

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