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Color name
HEX #1BA675

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1BA675 it is the complementary color #E4598A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1BA675. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1BA675 shade: #20A670, #31B883, #42CA96, #53DCA9 and #64EEBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1BA675. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1BA675 shade: #1BA675, #0A9462, #00824F, #00703C and #005E29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1BA675 shade: #1BA675, #1BA64F, #1BA62A, #31A61B and #57A61B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1BA675 shade: #1BA675, #1BA69B, #1B8CA6, #1B66A6 and #1B41A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1BA675 shade matches the following richer shades: #1BA675 and #0BB67A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1BA675 shade: #1BA675, #2A9670, #3A876C, #4A7767 and #596762

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1BA675 shade: #1BA629, #1BA64E, #1BA673, #1BA698 and #1B8FA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1BA675 shade: #0F5F43, #15835C, #1BA675, #20CA8E and #36DEA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1BA675 shade: #1BA675, #1B32A6 and #A63B1B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1BA675 shade: #1BA675, #731BA6 and #A6731B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1BA675 shade: #1BA675, #1B32A6, #A61B4E and #A68F1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1BA675 shade: #1BA675, #2D1BA6, #A61B4E and #94A61B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

Complementary color

CMYK 0 / 61 / 39 / 11

HEX #E4598A

RGB 228 89 138

HSL 338.85, 0.72%, 0.62%

LAB 57.53, 58.22, 1.37

 

CMYK 81 / 0 / 33 / 35

HEX #20A670

RGB 32 166 112

HSL 155.82, 0.68%, 0.39%

LAB 60.56, -47.42, 18.36

 

CMYK 73 / 0 / 29 / 28

HEX #31B883

RGB 49 184 131

HSL 156.44, 0.58%, 0.46%

LAB 66.96, -48.24, 16.84

 

CMYK 67 / 0 / 26 / 21

HEX #42CA96

RGB 66 202 150

HSL 157.06, 0.56%, 0.53%

LAB 73.29, -48.74, 15.47

 

CMYK 62 / 0 / 23 / 14

HEX #53DCA9

RGB 83 220 169

HSL 157.66, 0.66%, 0.59%

LAB 79.55, -49.02, 14.23

 

CMYK 58 / 0 / 21 / 7

HEX #64EEBC

RGB 100 238 188

HSL 158.26, 0.8%, 0.66%

LAB 85.75, -49.15, 13.09

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 93 / 0 / 34 / 42

HEX #0A9462

RGB 10 148 98

HSL 158.26, 0.87%, 0.31%

LAB 54.16, -45.33, 17.34

 

CMYK 100 / 0 / 39 / 49

HEX #00824F

RGB 0 130 79

HSL 156.46, 1%, 0.25%

LAB 47.66, -43.23, 19.25

 

CMYK 100 / 0 / 46 / 56

HEX #00703C

RGB 0 112 60

HSL 152.14, 1%, 0.22%

LAB 41.08, -40.42, 21.36

 

CMYK 100 / 0 / 56 / 63

HEX #005E29

RGB 0 94 41

HSL 146.17, 1%, 0.18%

LAB 34.33, -37.35, 23.53

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 84 / 0 / 52 / 35

HEX #1BA64F

RGB 27 166 79

HSL 142.45, 0.72%, 0.38%

LAB 59.95, -54.21, 35.07

 

CMYK 84 / 0 / 75 / 35

HEX #1BA62A

RGB 27 166 42

HSL 126.47, 0.72%, 0.38%

LAB 59.59, -58.62, 51.11

 

CMYK 70 / 0 / 84 / 35

HEX #31A61B

RGB 49 166 27

HSL 110.5, 0.72%, 0.38%

LAB 59.89, -56.32, 56.27

 

CMYK 48 / 0 / 84 / 35

HEX #57A61B

RGB 87 166 27

HSL 94.1, 0.72%, 0.38%

LAB 61.11, -46.51, 57.83

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 84 / 0 / 7 / 35

HEX #1BA69B

RGB 27 166 155

HSL 175.25, 0.72%, 0.38%

LAB 61.54, -36.82, -4.24

 

CMYK 84 / 16 / 0 / 35

HEX #1B8CA6

RGB 27 140 166

HSL 191.22, 0.72%, 0.38%

LAB 53.75, -20.54, -22.25

 

CMYK 84 / 39 / 0 / 35

HEX #1B66A6

RGB 27 102 166

HSL 207.63, 0.72%, 0.38%

LAB 41.98, 1.51, -40.66

 

CMYK 84 / 61 / 0 / 35

HEX #1B41A6

RGB 27 65 166

HSL 223.6, 0.72%, 0.38%

LAB 31.27, 26.03, -57.93

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 94 / 0 / 33 / 29

HEX #0BB67A

RGB 11 182 122

HSL 158.95, 0.89%, 0.38%

LAB 65.7, -52.88, 19.91

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 72 / 0 / 25 / 41

HEX #2A9670

RGB 42 150 112

HSL 158.89, 0.56%, 0.38%

LAB 55.56, -39.53, 11.46

 

CMYK 57 / 0 / 20 / 47

HEX #3A876C

RGB 58 135 108

HSL 158.96, 0.4%, 0.38%

LAB 51.05, -30.62, 7.44

 

CMYK 38 / 0 / 13 / 53

HEX #4A7767

RGB 74 119 103

HSL 158.67, 0.23%, 0.38%

LAB 46.48, -19.41, 3.93

 

CMYK 14 / 0 / 5 / 60

HEX #596762

RGB 89 103 98

HSL 158.57, 0.07%, 0.38%

LAB 42.32, -6.42, 1.02

 

CMYK 84 / 0 / 75 / 35

HEX #1BA629

RGB 27 166 41

HSL 126.04, 0.72%, 0.38%

LAB 59.59, -58.7, 51.46

 

CMYK 84 / 0 / 53 / 35

HEX #1BA64E

RGB 27 166 78

HSL 142.01, 0.72%, 0.38%

LAB 59.94, -54.37, 35.55

 

CMYK 84 / 0 / 31 / 35

HEX #1BA673

RGB 27 166 115

HSL 157.99, 0.72%, 0.38%

LAB 60.55, -47.26, 16.69

 

CMYK 84 / 0 / 8 / 35

HEX #1BA698

RGB 27 166 152

HSL 173.96, 0.72%, 0.38%

LAB 61.46, -37.69, -2.68

 

CMYK 84 / 14 / 0 / 35

HEX #1B8FA6

RGB 27 143 166

HSL 189.93, 0.72%, 0.38%

LAB 54.69, -22.12, -20.81

 

CMYK 84 / 0 / 29 / 63

HEX #0F5F43

RGB 15 95 67

HSL 159, 0.73%, 0.22%

LAB 35.38, -30.43, 9.6

 

CMYK 84 / 0 / 30 / 49

HEX #15835C

RGB 21 131 92

HSL 158.73, 0.72%, 0.3%

LAB 48.47, -39.05, 12.94

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 84 / 0 / 30 / 21

HEX #20CA8E

RGB 32 202 142

HSL 158.82, 0.73%, 0.46%

LAB 72.56, -54.69, 18.65

 

CMYK 76 / 0 / 27 / 13

HEX #36DEA2

RGB 54 222 162

HSL 158.57, 0.72%, 0.54%

LAB 79.41, -55.73, 17.62

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 84 / 70 / 0 / 35

HEX #1B32A6

RGB 27 50 166

HSL 230.07, 0.72%, 0.38%

LAB 27.48, 35.95, -64.15

 

CMYK 0 / 64 / 84 / 35

HEX #A63B1B

RGB 166 59 27

HSL 13.81, 0.72%, 0.38%

LAB 40.1, 42.55, 41.45

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 31 / 84 / 0 / 35

HEX #731BA6

RGB 115 27 166

HSL 277.99, 0.72%, 0.38%

LAB 32.22, 58.38, -56.06

 

CMYK 0 / 31 / 84 / 35

HEX #A6731B

RGB 166 115 27

HSL 37.99, 0.72%, 0.38%

LAB 52.34, 12.68, 52.35

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 84 / 70 / 0 / 35

HEX #1B32A6

RGB 27 50 166

HSL 230.07, 0.72%, 0.38%

LAB 27.48, 35.95, -64.15

 

CMYK 0 / 84 / 53 / 35

HEX #A61B4E

RGB 166 27 78

HSL 337.99, 0.72%, 0.38%

LAB 36.82, 56.74, 6.93

 

CMYK 0 / 14 / 84 / 35

HEX #A68F1B

RGB 166 143 27

HSL 50.07, 0.72%, 0.38%

LAB 59.74, -2.93, 58.71

 

CMYK 84 / 0 / 30 / 35

HEX #1BA675

RGB 27 166 117

HSL 158.85, 0.72%, 0.38%

LAB 60.6, -46.8, 15.64

 

CMYK 73 / 84 / 0 / 35

HEX #2D1BA6

RGB 45 27 166

HSL 247.77, 0.72%, 0.38%

LAB 23.98, 50, -69.9

 

CMYK 0 / 84 / 53 / 35

HEX #A61B4E

RGB 166 27 78

HSL 337.99, 0.72%, 0.38%

LAB 36.82, 56.74, 6.93

 

CMYK 11 / 0 / 84 / 35

HEX #94A61B

RGB 148 166 27

HSL 67.77, 0.72%, 0.38%

LAB 64.68, -23, 62.33

 

Description

Color code: HEX #1BA675 | qconv.com Color code: HEX #1BA675 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 166 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 166 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 30 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 30% 35% C M Y K

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Provide designers and agencies with accurate color values.

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