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Color name
HEX #57A120

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57A120 it is the complementary color #A85EDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57A120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57A120 shade: #5CA11B, #6DB32E, #7EC541, #8FD754 and #A0E967

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57A120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57A120 shade: #57A120, #468F0D, #357D00, #246B00 and #135900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57A120 shade: #57A11F, #7AA11F, #9DA11F, #A1831F and #A1601F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57A120 shade: #57A11F, #34A11F, #1FA12E, #1FA151 and #1FA174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57A120 shade matches the following richer shades: #57A11F, #55B110 and #52C100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57A120 shade: #57A11F, #59922F, #5B823F, #5E724F and #60635E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57A120 shade: #9DA11F, #7AA11F, #58A11F, #35A11F and #1FA12C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57A120 shade: #325C12, #447F19, #57A11F, #69C426 and #7ED83B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57A120 shade: #57A120, #1FA183 and #A11F8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57A120 shade: #57A120, #1F58A1 and #A11F58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57A120 shade: #57A120, #1FA183, #691FA1 and #A11F3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57A120 shade: #57A120, #1F99A1, #691FA1 and #A1281F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 80 / 37

HEX #57A120

RGB 87 161 32

HSL 94.42, 0.67%, 0.38%

LAB 59.54, -44.26, 54.97

 

Complementary color

CMYK 25 / 58 / 0 / 13

HEX #A85EDF

RGB 168 94 223

HSL 274.42, 0.67%, 0.62%

LAB 53.66, 52.82, -54.32

 

CMYK 43 / 0 / 83 / 37

HEX #5CA11B

RGB 92 161 27

HSL 90.9, 0.71%, 0.37%

LAB 59.75, -42.83, 56.68

 

CMYK 39 / 0 / 74 / 30

HEX #6DB32E

RGB 109 179 46

HSL 91.58, 0.59%, 0.44%

LAB 66.28, -43.45, 57.18

 

CMYK 36 / 0 / 67 / 23

HEX #7EC541

RGB 126 197 65

HSL 92.27, 0.53%, 0.51%

LAB 72.73, -43.82, 56.87

 

CMYK 33 / 0 / 61 / 16

HEX #8FD754

RGB 143 215 84

HSL 92.98, 0.62%, 0.59%

LAB 79.09, -44.03, 56.13

 

CMYK 31 / 0 / 56 / 9

HEX #A0E967

RGB 160 233 103

HSL 93.69, 0.75%, 0.66%

LAB 85.37, -44.13, 55.17

 

CMYK 46 / 0 / 80 / 37

HEX #57A120

RGB 87 161 32

HSL 94.42, 0.67%, 0.38%

LAB 59.54, -44.26, 54.97

 

CMYK 51 / 0 / 91 / 44

HEX #468F0D

RGB 70 143 13

HSL 93.69, 0.83%, 0.31%

LAB 52.92, -43.35, 53.62

 

CMYK 58 / 0 / 100 / 51

HEX #357D00

RGB 53 125 0

HSL 94.56, 1%, 0.25%

LAB 46.21, -41.93, 50.31

 

CMYK 66 / 0 / 100 / 58

HEX #246B00

RGB 36 107 0

HSL 99.81, 1%, 0.21%

LAB 39.4, -39.85, 44.69

 

CMYK 79 / 0 / 100 / 65

HEX #135900

RGB 19 89 0

HSL 107.19, 1%, 0.17%

LAB 32.44, -37.23, 38.97

 

CMYK 46 / 0 / 81 / 37

HEX #57A11F

RGB 87 161 31

HSL 94.15, 0.68%, 0.38%

LAB 59.54, -44.31, 55.27

 

CMYK 24 / 0 / 81 / 37

HEX #7AA11F

RGB 122 161 31

HSL 78, 0.68%, 0.38%

LAB 61.42, -31.34, 57.68

 

CMYK 2 / 0 / 81 / 37

HEX #9DA11F

RGB 157 161 31

HSL 61.85, 0.68%, 0.38%

LAB 63.96, -16.41, 60.92

 

CMYK 0 / 19 / 81 / 37

HEX #A1831F

RGB 161 131 31

HSL 46.15, 0.68%, 0.38%

LAB 56, 1.53, 54

 

CMYK 0 / 40 / 81 / 37

HEX #A1601F

RGB 161 96 31

HSL 30, 0.68%, 0.38%

LAB 47.03, 21.33, 45.79

 

CMYK 46 / 0 / 81 / 37

HEX #57A11F

RGB 87 161 31

HSL 94.15, 0.68%, 0.38%

LAB 59.54, -44.31, 55.27

 

CMYK 68 / 0 / 81 / 37

HEX #34A11F

RGB 52 161 31

HSL 110.31, 0.68%, 0.38%

LAB 58.34, -53.82, 53.72

 

CMYK 81 / 0 / 71 / 37

HEX #1FA12E

RGB 31 161 46

HSL 126.92, 0.68%, 0.38%

LAB 58.02, -56.22, 47.99

 

CMYK 81 / 0 / 50 / 37

HEX #1FA151

RGB 31 161 81

HSL 143.08, 0.68%, 0.38%

LAB 58.39, -51.69, 32.12

 

CMYK 81 / 0 / 28 / 37

HEX #1FA174

RGB 31 161 116

HSL 159.23, 0.68%, 0.38%

LAB 59.01, -44.62, 14.01

 

CMYK 46 / 0 / 81 / 37

HEX #57A11F

RGB 87 161 31

HSL 94.15, 0.68%, 0.38%

LAB 59.54, -44.31, 55.27

 

CMYK 52 / 0 / 91 / 31

HEX #55B110

RGB 85 177 16

HSL 94.29, 0.83%, 0.38%

LAB 64.49, -51.75, 63.06

 

CMYK 58 / 0 / 100 / 24

HEX #52C100

RGB 82 193 0

HSL 94.51, 1%, 0.38%

LAB 69.42, -58.67, 69.04

 

CMYK 46 / 0 / 81 / 37

HEX #57A11F

RGB 87 161 31

HSL 94.15, 0.68%, 0.38%

LAB 59.54, -44.31, 55.27

 

CMYK 39 / 0 / 68 / 43

HEX #59922F

RGB 89 146 47

HSL 94.55, 0.51%, 0.38%

LAB 54.96, -36.17, 44.9

 

CMYK 30 / 0 / 52 / 49

HEX #5B823F

RGB 91 130 63

HSL 94.93, 0.35%, 0.38%

LAB 50.15, -26.26, 31.76

 

CMYK 18 / 0 / 31 / 55

HEX #5E724F

RGB 94 114 79

HSL 94.29, 0.18%, 0.38%

LAB 45.61, -14.4, 17.03

 

CMYK 3 / 0 / 5 / 61

HEX #60635E

RGB 96 99 94

HSL 96, 0.03%, 0.38%

LAB 41.56, -2.21, 2.43

 

CMYK 2 / 0 / 81 / 37

HEX #9DA11F

RGB 157 161 31

HSL 61.85, 0.68%, 0.38%

LAB 63.96, -16.41, 60.92

 

CMYK 24 / 0 / 81 / 37

HEX #7AA11F

RGB 122 161 31

HSL 78, 0.68%, 0.38%

LAB 61.42, -31.34, 57.68

 

CMYK 45 / 0 / 81 / 37

HEX #58A11F

RGB 88 161 31

HSL 93.69, 0.68%, 0.38%

LAB 59.58, -43.99, 55.33

 

CMYK 67 / 0 / 81 / 37

HEX #35A11F

RGB 53 161 31

HSL 109.85, 0.68%, 0.38%

LAB 58.36, -53.61, 53.75

 

CMYK 81 / 0 / 73 / 37

HEX #1FA12C

RGB 31 161 44

HSL 126, 0.68%, 0.38%

LAB 58, -56.4, 48.75

 

CMYK 46 / 0 / 80 / 64

HEX #325C12

RGB 50 92 18

HSL 94.05, 0.67%, 0.22%

LAB 34.75, -28.33, 35.52

 

CMYK 46 / 0 / 80 / 50

HEX #447F19

RGB 68 127 25

HSL 94.71, 0.67%, 0.3%

LAB 47.6, -36.91, 45.66

 

CMYK 46 / 0 / 81 / 37

HEX #57A11F

RGB 87 161 31

HSL 94.15, 0.68%, 0.38%

LAB 59.54, -44.31, 55.27

 

CMYK 46 / 0 / 81 / 23

HEX #69C426

RGB 105 196 38

HSL 94.56, 0.68%, 0.46%

LAB 71.3, -52.06, 64.39

 

CMYK 42 / 0 / 73 / 15

HEX #7ED83B

RGB 126 216 59

HSL 94.39, 0.67%, 0.54%

LAB 78.38, -52.06, 64.89

 

CMYK 46 / 0 / 80 / 37

HEX #57A120

RGB 87 161 32

HSL 94.42, 0.67%, 0.38%

LAB 59.54, -44.26, 54.97

 

CMYK 81 / 0 / 19 / 37

HEX #1FA183

RGB 31 161 131

HSL 166.15, 0.68%, 0.38%

LAB 59.36, -40.89, 6.1

 

CMYK 0 / 81 / 13 / 37

HEX #A11F8C

RGB 161 31 140

HSL 309.69, 0.68%, 0.38%

LAB 38.64, 61.49, -29.52

 

CMYK 46 / 0 / 80 / 37

HEX #57A120

RGB 87 161 32

HSL 94.42, 0.67%, 0.38%

LAB 59.54, -44.26, 54.97

 

CMYK 81 / 45 / 0 / 37

HEX #1F58A1

RGB 31 88 161

HSL 213.69, 0.68%, 0.38%

LAB 37.56, 8.95, -44.74

 

CMYK 0 / 81 / 45 / 37

HEX #A11F58

RGB 161 31 88

HSL 333.69, 0.68%, 0.38%

LAB 36.48, 55.21, -0.13

 

CMYK 46 / 0 / 80 / 37

HEX #57A120

RGB 87 161 32

HSL 94.42, 0.67%, 0.38%

LAB 59.54, -44.26, 54.97

 

CMYK 81 / 0 / 19 / 37

HEX #1FA183

RGB 31 161 131

HSL 166.15, 0.68%, 0.38%

LAB 59.36, -40.89, 6.1

 

CMYK 35 / 81 / 0 / 37

HEX #691FA1

RGB 105 31 161

HSL 274.15, 0.68%, 0.38%

LAB 30.78, 54.33, -55.45

 

CMYK 0 / 81 / 61 / 37

HEX #A11F3E

RGB 161 31 62

HSL 345.69, 0.68%, 0.38%

LAB 35.8, 53.13, 15.69

 

CMYK 46 / 0 / 80 / 37

HEX #57A120

RGB 87 161 32

HSL 94.42, 0.67%, 0.38%

LAB 59.54, -44.26, 54.97

 

CMYK 81 / 5 / 0 / 37

HEX #1F99A1

RGB 31 153 161

HSL 183.69, 0.68%, 0.38%

LAB 57.7, -28.49, -13.37

 

CMYK 35 / 81 / 0 / 37

HEX #691FA1

RGB 105 31 161

HSL 274.15, 0.68%, 0.38%

LAB 30.78, 54.33, -55.45

 

CMYK 0 / 75 / 81 / 37

HEX #A1281F

RGB 161 40 31

HSL 4.15, 0.68%, 0.38%

LAB 36.35, 48.7, 35.44

 

Description

Color code: HEX #57A120 | qconv.com Color code: HEX #57A120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 161 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 161 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 80 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 80% 37% C M Y K

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Provide designers and agencies with accurate color values.

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