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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AA11F it is the complementary color #855EE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AA11F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AA11F shade: #7FA11A, #90B32D, #A1C540, #B2D753 and #C3E966

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AA11F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AA11F shade: #7AA11F, #698F0C, #587D00, #476B00 and #365900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AA11F shade: #7BA21F, #9EA21F, #A2831F, #A25F1F and #A23C1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AA11F shade: #7BA21F, #57A21F, #34A21F, #1FA22D and #1FA250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AA11F shade matches the following richer shades: #7BA21F and #81B20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AA11F shade: #7BA21F, #74932E, #6E833E, #68734E and #62645D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AA11F shade: #A2841F, #9EA21F, #7BA21F, #58A21F and #34A21F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AA11F shade: #465D11, #618018, #7BA21F, #95C525 and #A9D93A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AA11F shade: #7AA11F, #1FA260 and #951FA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AA11F shade: #7AA11F, #1F7BA2 and #A21F7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AA11F shade: #7AA11F, #1FA260, #461FA2 and #A21F60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AA11F shade: #7AA11F, #1FA288, #461FA2 and #A21F39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 81 / 37

HEX #7AA11F

RGB 122 161 31

HSL 78, 0.68%, 0.38%

LAB 61.42, -31.34, 57.68

 

Complementary color

CMYK 41 / 58 / 0 / 12

HEX #855EE0

RGB 133 94 224

HSL 258, 0.68%, 0.62%

LAB 49.95, 44.96, -61.05

 

CMYK 21 / 0 / 84 / 37

HEX #7FA11A

RGB 127 161 26

HSL 75.11, 0.72%, 0.37%

LAB 61.72, -29.48, 59.45

 

CMYK 20 / 0 / 75 / 30

HEX #90B32D

RGB 144 179 45

HSL 75.67, 0.6%, 0.44%

LAB 68.28, -30.22, 60.16

 

CMYK 18 / 0 / 68 / 23

HEX #A1C540

RGB 161 197 64

HSL 76.24, 0.53%, 0.51%

LAB 74.75, -30.78, 60

 

CMYK 17 / 0 / 61 / 16

HEX #B2D753

RGB 178 215 83

HSL 76.82, 0.62%, 0.58%

LAB 81.12, -31.19, 59.37

 

CMYK 16 / 0 / 56 / 9

HEX #C3E966

RGB 195 233 102

HSL 77.4, 0.75%, 0.66%

LAB 87.41, -31.49, 58.5

 

CMYK 24 / 0 / 81 / 37

HEX #7AA11F

RGB 122 161 31

HSL 78, 0.68%, 0.38%

LAB 61.42, -31.34, 57.68

 

CMYK 27 / 0 / 92 / 44

HEX #698F0C

RGB 105 143 12

HSL 77.4, 0.85%, 0.3%

LAB 54.74, -30.47, 56.05

 

CMYK 30 / 0 / 100 / 51

HEX #587D00

RGB 88 125 0

HSL 77.76, 1%, 0.25%

LAB 47.93, -29.3, 52.4

 

CMYK 34 / 0 / 100 / 58

HEX #476B00

RGB 71 107 0

HSL 80.19, 1%, 0.21%

LAB 40.98, -27.82, 46.61

 

CMYK 39 / 0 / 100 / 65

HEX #365900

RGB 54 89 0

HSL 83.6, 1%, 0.17%

LAB 33.83, -26.29, 40.66

 

CMYK 24 / 0 / 81 / 36

HEX #7BA21F

RGB 123 162 31

HSL 77.86, 0.68%, 0.38%

LAB 61.78, -31.4, 58.04

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 0 / 19 / 81 / 36

HEX #A2831F

RGB 162 131 31

HSL 45.8, 0.68%, 0.38%

LAB 56.1, 1.99, 54.13

 

CMYK 0 / 41 / 81 / 36

HEX #A25F1F

RGB 162 95 31

HSL 29.31, 0.68%, 0.38%

LAB 46.93, 22.34, 45.74

 

CMYK 0 / 63 / 81 / 36

HEX #A23C1F

RGB 162 60 31

HSL 13.28, 0.68%, 0.38%

LAB 39.6, 40.74, 38.73

 

CMYK 24 / 0 / 81 / 36

HEX #7BA21F

RGB 123 162 31

HSL 77.86, 0.68%, 0.38%

LAB 61.78, -31.4, 58.04

 

CMYK 46 / 0 / 81 / 36

HEX #57A21F

RGB 87 162 31

HSL 94.35, 0.68%, 0.38%

LAB 59.86, -44.72, 55.57

 

CMYK 68 / 0 / 81 / 36

HEX #34A21F

RGB 52 162 31

HSL 110.38, 0.68%, 0.38%

LAB 58.67, -54.16, 54.03

 

CMYK 81 / 0 / 72 / 36

HEX #1FA22D

RGB 31 162 45

HSL 126.41, 0.68%, 0.38%

LAB 58.34, -56.63, 48.72

 

CMYK 81 / 0 / 51 / 36

HEX #1FA250

RGB 31 162 80

HSL 142.44, 0.68%, 0.38%

LAB 58.71, -52.21, 33.03

 

CMYK 24 / 0 / 81 / 36

HEX #7BA21F

RGB 123 162 31

HSL 77.86, 0.68%, 0.38%

LAB 61.78, -31.4, 58.04

 

CMYK 28 / 0 / 92 / 30

HEX #81B20F

RGB 129 178 15

HSL 78.04, 0.84%, 0.38%

LAB 66.93, -36.85, 66.11

 

CMYK 24 / 0 / 81 / 36

HEX #7BA21F

RGB 123 162 31

HSL 77.86, 0.68%, 0.38%

LAB 61.78, -31.4, 58.04

 

CMYK 21 / 0 / 69 / 42

HEX #74932E

RGB 116 147 46

HSL 78.42, 0.52%, 0.38%

LAB 56.86, -26.23, 47.81

 

CMYK 16 / 0 / 53 / 49

HEX #6E833E

RGB 110 131 62

HSL 78.26, 0.36%, 0.38%

LAB 51.72, -19.21, 34.46

 

CMYK 10 / 0 / 32 / 55

HEX #68734E

RGB 104 115 78

HSL 77.84, 0.19%, 0.38%

LAB 46.65, -11.02, 19.15

 

CMYK 2 / 0 / 7 / 61

HEX #62645D

RGB 98 100 93

HSL 77.14, 0.04%, 0.38%

LAB 42, -2.21, 3.69

 

CMYK 0 / 19 / 81 / 36

HEX #A2841F

RGB 162 132 31

HSL 46.26, 0.68%, 0.38%

LAB 56.37, 1.43, 54.37

 

CMYK 2 / 0 / 81 / 36

HEX #9EA21F

RGB 158 162 31

HSL 61.83, 0.68%, 0.38%

LAB 64.33, -16.48, 61.27

 

CMYK 24 / 0 / 81 / 36

HEX #7BA21F

RGB 123 162 31

HSL 77.86, 0.68%, 0.38%

LAB 61.78, -31.4, 58.04

 

CMYK 46 / 0 / 81 / 36

HEX #58A21F

RGB 88 162 31

HSL 93.89, 0.68%, 0.38%

LAB 59.9, -44.39, 55.62

 

CMYK 68 / 0 / 81 / 36

HEX #34A21F

RGB 52 162 31

HSL 110.38, 0.68%, 0.38%

LAB 58.67, -54.16, 54.03

 

CMYK 25 / 0 / 82 / 64

HEX #465D11

RGB 70 93 17

HSL 78.16, 0.69%, 0.22%

LAB 36.31, -20.58, 37.81

 

CMYK 24 / 0 / 81 / 50

HEX #618018

RGB 97 128 24

HSL 77.88, 0.68%, 0.3%

LAB 49.55, -26.17, 48.4

 

CMYK 24 / 0 / 81 / 36

HEX #7BA21F

RGB 123 162 31

HSL 77.86, 0.68%, 0.38%

LAB 61.78, -31.4, 58.04

 

CMYK 24 / 0 / 81 / 23

HEX #95C525

RGB 149 197 37

HSL 78, 0.68%, 0.46%

LAB 73.84, -36.91, 67.8

 

CMYK 22 / 0 / 73 / 15

HEX #A9D93A

RGB 169 217 58

HSL 78.11, 0.68%, 0.54%

LAB 80.94, -37.2, 68.51

 

CMYK 24 / 0 / 81 / 37

HEX #7AA11F

RGB 122 161 31

HSL 78, 0.68%, 0.38%

LAB 61.42, -31.34, 57.68

 

CMYK 81 / 0 / 41 / 36

HEX #1FA260

RGB 31 162 96

HSL 149.77, 0.68%, 0.38%

LAB 58.95, -49.33, 24.91

 

CMYK 8 / 81 / 0 / 36

HEX #951FA2

RGB 149 31 162

HSL 294.05, 0.68%, 0.38%

LAB 37.8, 62.51, -44.35

 

CMYK 24 / 0 / 81 / 37

HEX #7AA11F

RGB 122 161 31

HSL 78, 0.68%, 0.38%

LAB 61.42, -31.34, 57.68

 

CMYK 81 / 24 / 0 / 36

HEX #1F7BA2

RGB 31 123 162

HSL 197.86, 0.68%, 0.38%

LAB 48.34, -12.22, -28.29

 

CMYK 0 / 81 / 24 / 36

HEX #A21F7B

RGB 162 31 123

HSL 317.86, 0.68%, 0.38%

LAB 38.01, 59.39, -19.98

 

CMYK 24 / 0 / 81 / 37

HEX #7AA11F

RGB 122 161 31

HSL 78, 0.68%, 0.38%

LAB 61.42, -31.34, 57.68

 

CMYK 81 / 0 / 41 / 36

HEX #1FA260

RGB 31 162 96

HSL 149.77, 0.68%, 0.38%

LAB 58.95, -49.33, 24.91

 

CMYK 57 / 81 / 0 / 36

HEX #461FA2

RGB 70 31 162

HSL 257.86, 0.68%, 0.38%

LAB 26.42, 49.5, -63.37

 

CMYK 0 / 81 / 41 / 36

HEX #A21F60

RGB 162 31 96

HSL 330.23, 0.68%, 0.38%

LAB 36.94, 56.26, -4.56

 

CMYK 24 / 0 / 81 / 37

HEX #7AA11F

RGB 122 161 31

HSL 78, 0.68%, 0.38%

LAB 61.42, -31.34, 57.68

 

CMYK 81 / 0 / 16 / 36

HEX #1FA288

RGB 31 162 136

HSL 168.09, 0.68%, 0.38%

LAB 59.81, -40, 3.92

 

CMYK 57 / 81 / 0 / 36

HEX #461FA2

RGB 70 31 162

HSL 257.86, 0.68%, 0.38%

LAB 26.42, 49.5, -63.37

 

CMYK 0 / 81 / 65 / 36

HEX #A21F39

RGB 162 31 57

HSL 348.09, 0.68%, 0.38%

LAB 35.9, 53.11, 19.08

 

Description

Color code: HEX #7AA11F | qconv.com Color code: HEX #7AA11F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 161 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 161 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 81 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 81% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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