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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #57DA3E it is the complementary color #A825C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #57DA3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #57DA3E shade: #5CDA39, #6DEC4C, #7EFE5F, #8FFF72 and #A0FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #57DA3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #57DA3E shade: #57DA3E, #46C82B, #35B618, #24A405 and #139200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #57DA3E shade: #57DA3E, #81DA3E, #ABDA3E, #D5DA3E and #DAB43E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #57DA3E shade: #57DA3E, #3EDA4F, #3EDA79, #3EDAA3 and #3EDACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #57DA3E shade matches the following richer shades: #57DA3E and #4AEC2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #57DA3E shade: #57DA3E, #63C750, #70B563, #7DA275 and #899088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #57DA3E shade: #ABDA3E, #81DA3E, #58DA3E, #3EDA4D and #3EDA77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #57DA3E shade: #35A61F, #40C826, #57DA3E, #75E060 and #93E783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #57DA3E shade: #57DA3E, #3ED5DA and #DA3E96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #57DA3E shade: #57DA3E, #3E58DA and #DA3E58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #57DA3E shade: #57DA3E, #3ED5DA, #C03EDA and #DA433E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #57DA3E shade: #57DA3E, #3EA6DA, #C03EDA and #DA723E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

Complementary color

CMYK 13 / 81 / 0 / 24

HEX #A825C1

RGB 168 37 193

HSL 290.38, 0.68%, 0.45%

LAB 43.5, 69.89, -53.4

 

CMYK 58 / 0 / 74 / 15

HEX #5CDA39

RGB 92 218 57

HSL 106.96, 0.69%, 0.54%

LAB 77.71, -62.63, 64.48

 

CMYK 54 / 0 / 68 / 7

HEX #6DEC4C

RGB 109 236 76

HSL 107.63, 0.81%, 0.61%

LAB 83.84, -63.29, 64.1

 

CMYK 50 / 0 / 63 / 0

HEX #7EFE5F

RGB 126 254 95

HSL 108.3, 0.99%, 0.68%

LAB 89.93, -63.7, 63.36

 

CMYK 44 / 0 / 55 / 0

HEX #8FFF72

RGB 143 255 114

HSL 107.66, 1%, 0.72%

LAB 91.04, -57.42, 56.7

 

CMYK 37 / 0 / 48 / 0

HEX #A0FF85

RGB 160 255 133

HSL 106.72, 1%, 0.76%

LAB 91.99, -50.12, 49.33

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

CMYK 65 / 0 / 79 / 22

HEX #46C82B

RGB 70 200 43

HSL 109.68, 0.65%, 0.48%

LAB 71.41, -62.43, 62.63

 

CMYK 71 / 0 / 87 / 29

HEX #35B618

RGB 53 182 24

HSL 108.99, 0.77%, 0.4%

LAB 65.18, -60.89, 61.75

 

CMYK 78 / 0 / 97 / 36

HEX #24A405

RGB 36 164 5

HSL 108.3, 0.94%, 0.33%

LAB 58.92, -58.66, 59.49

 

CMYK 87 / 0 / 100 / 43

HEX #139200

RGB 19 146 0

HSL 112.19, 1%, 0.29%

LAB 52.62, -55.48, 55.08

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

CMYK 41 / 0 / 72 / 15

HEX #81DA3E

RGB 129 218 62

HSL 94.23, 0.68%, 0.55%

LAB 79.13, -51.69, 64.64

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 2 / 0 / 72 / 15

HEX #D5DA3E

RGB 213 218 62

HSL 61.92, 0.68%, 0.55%

LAB 84.3, -19.78, 71.45

 

CMYK 0 / 17 / 72 / 15

HEX #DAB43E

RGB 218 180 62

HSL 45.38, 0.68%, 0.55%

LAB 74.76, 1.66, 62.29

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

CMYK 72 / 0 / 64 / 15

HEX #3EDA4F

RGB 62 218 79

HSL 126.54, 0.68%, 0.55%

LAB 77.12, -66.84, 55.27

 

CMYK 72 / 0 / 44 / 15

HEX #3EDA79

RGB 62 218 121

HSL 142.69, 0.68%, 0.55%

LAB 77.61, -61.13, 36.33

 

CMYK 72 / 0 / 25 / 15

HEX #3EDAA3

RGB 62 218 163

HSL 158.85, 0.68%, 0.55%

LAB 78.35, -52.91, 15.64

 

CMYK 72 / 0 / 6 / 15

HEX #3EDACD

RGB 62 218 205

HSL 175, 0.68%, 0.55%

LAB 79.37, -42.49, -5.24

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

CMYK 69 / 0 / 82 / 7

HEX #4AEC2B

RGB 74 236 43

HSL 110.36, 0.84%, 0.55%

LAB 82.71, -73.15, 73.18

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

CMYK 50 / 0 / 60 / 22

HEX #63C750

RGB 99 199 80

HSL 110.42, 0.52%, 0.55%

LAB 72.28, -51.77, 49.67

 

CMYK 38 / 0 / 45 / 29

HEX #70B563

RGB 112 181 99

HSL 110.49, 0.36%, 0.55%

LAB 67.57, -37.92, 34.98

 

CMYK 23 / 0 / 28 / 36

HEX #7DA275

RGB 125 162 117

HSL 109.33, 0.19%, 0.55%

LAB 62.91, -21.56, 19.4

 

CMYK 5 / 0 / 6 / 44

HEX #899088

RGB 137 144 136

HSL 112.5, 0.03%, 0.55%

LAB 59.01, -4.12, 3.36

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 41 / 0 / 72 / 15

HEX #81DA3E

RGB 129 218 62

HSL 94.23, 0.68%, 0.55%

LAB 79.13, -51.69, 64.64

 

CMYK 60 / 0 / 72 / 15

HEX #58DA3E

RGB 88 218 62

HSL 110, 0.68%, 0.55%

LAB 77.62, -63.22, 62.61

 

CMYK 72 / 0 / 65 / 15

HEX #3EDA4D

RGB 62 218 77

HSL 125.77, 0.68%, 0.55%

LAB 77.1, -67.05, 56.08

 

CMYK 72 / 0 / 45 / 15

HEX #3EDA77

RGB 62 218 119

HSL 141.92, 0.68%, 0.55%

LAB 77.58, -61.46, 37.29

 

CMYK 68 / 0 / 81 / 35

HEX #35A61F

RGB 53 166 31

HSL 110.22, 0.69%, 0.39%

LAB 60, -55.31, 55.29

 

CMYK 68 / 0 / 81 / 22

HEX #40C826

RGB 64 200 38

HSL 110.37, 0.68%, 0.47%

LAB 71.24, -63.93, 63.86

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

CMYK 48 / 0 / 57 / 12

HEX #75E060

RGB 117 224 96

HSL 110.16, 0.67%, 0.63%

LAB 80.7, -54.72, 52.39

 

CMYK 36 / 0 / 43 / 9

HEX #93E783

RGB 147 231 131

HSL 110.4, 0.68%, 0.71%

LAB 84.48, -44.26, 40.74

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

CMYK 72 / 2 / 0 / 15

HEX #3ED5DA

RGB 62 213 218

HSL 181.92, 0.68%, 0.55%

LAB 78.27, -36.6, -13.83

 

CMYK 0 / 72 / 31 / 15

HEX #DA3E96

RGB 218 62 150

HSL 326.15, 0.68%, 0.55%

LAB 52.46, 67.16, -13.43

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

CMYK 72 / 60 / 0 / 15

HEX #3E58DA

RGB 62 88 218

HSL 230, 0.68%, 0.55%

LAB 42.86, 34.11, -69.38

 

CMYK 0 / 72 / 60 / 15

HEX #DA3E58

RGB 218 62 88

HSL 350, 0.68%, 0.55%

LAB 50.75, 61.55, 21.37

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

CMYK 72 / 2 / 0 / 15

HEX #3ED5DA

RGB 62 213 218

HSL 181.92, 0.68%, 0.55%

LAB 78.27, -36.6, -13.83

 

CMYK 12 / 72 / 0 / 15

HEX #C03EDA

RGB 192 62 218

HSL 290, 0.68%, 0.55%

LAB 51.51, 71.15, -54.75

 

CMYK 0 / 69 / 72 / 15

HEX #DA433E

RGB 218 67 62

HSL 1.92, 0.68%, 0.55%

LAB 51, 58.29, 36.95

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

CMYK 72 / 24 / 0 / 15

HEX #3EA6DA

RGB 62 166 218

HSL 200, 0.68%, 0.55%

LAB 64.45, -12.98, -34.95

 

CMYK 12 / 72 / 0 / 15

HEX #C03EDA

RGB 192 62 218

HSL 290, 0.68%, 0.55%

LAB 51.51, 71.15, -54.75

 

CMYK 0 / 48 / 72 / 15

HEX #DA723E

RGB 218 114 62

HSL 20, 0.68%, 0.55%

LAB 59.24, 36.78, 46.18

 

Description

Color code: HEX #57DA3E | qconv.com Color code: HEX #57DA3E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 218 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 218 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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