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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABDA3E it is the complementary color #5425C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABDA3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABDA3E shade: #B0DA39, #C1EC4C, #D2FE5F, #E3FF72 and #F4FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABDA3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABDA3E shade: #ABDA3E, #9AC82B, #89B618, #78A405 and #679200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABDA3E shade: #ABDA3E, #D5DA3E, #DAB53E, #DA8B3E and #DA603E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABDA3E shade: #ABDA3E, #81DA3E, #57DA3E, #3EDA4F and #3EDA79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABDA3E shade matches the following richer shades: #ABDA3E and #B2EC2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABDA3E shade: #ABDA3E, #A3C750, #9CB563, #95A275 and #8D9088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABDA3E shade: #DAB53E, #D5DA3E, #ABDA3E, #81DA3E and #58DA3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABDA3E shade: #7DA61F, #97C826, #ABDA3E, #BAE060 and #C9E783

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABDA3E shade: #ABDA3E, #3EDA8C and #CA3EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABDA3E shade: #ABDA3E, #3EABDA and #DA3EAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABDA3E shade: #ABDA3E, #3EDA8C, #6D3EDA and #DA3E8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABDA3E shade: #ABDA3E, #3EDABB, #6D3EDA and #DA3E5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

Complementary color

CMYK 56 / 81 / 0 / 24

HEX #5425C1

RGB 84 37 193

HSL 258.08, 0.68%, 0.45%

LAB 31.94, 57.07, -72.75

 

CMYK 19 / 0 / 74 / 15

HEX #B0DA39

RGB 176 218 57

HSL 75.65, 0.69%, 0.54%

LAB 81.66, -34.99, 69.68

 

CMYK 18 / 0 / 68 / 7

HEX #C1EC4C

RGB 193 236 76

HSL 76.13, 0.81%, 0.61%

LAB 87.9, -35.53, 69.58

 

CMYK 17 / 0 / 63 / 0

HEX #D2FE5F

RGB 210 254 95

HSL 76.6, 0.99%, 0.68%

LAB 94.06, -35.96, 69.06

 

CMYK 11 / 0 / 55 / 0

HEX #E3FF72

RGB 227 255 114

HSL 71.91, 1%, 0.72%

LAB 95.61, -28.51, 63.16

 

CMYK 4 / 0 / 48 / 0

HEX #F4FF85

RGB 244 255 133

HSL 65.41, 1%, 0.76%

LAB 97, -20.36, 56.59

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 23 / 0 / 79 / 22

HEX #9AC82B

RGB 154 200 43

HSL 77.58, 0.65%, 0.48%

LAB 75.05, -36.06, 67.33

 

CMYK 25 / 0 / 87 / 29

HEX #89B618

RGB 137 182 24

HSL 77.09, 0.77%, 0.4%

LAB 68.64, -35.28, 66.08

 

CMYK 27 / 0 / 97 / 36

HEX #78A405

RGB 120 164 5

HSL 76.6, 0.94%, 0.33%

LAB 62.13, -34.26, 63.41

 

CMYK 29 / 0 / 100 / 43

HEX #679200

RGB 103 146 0

HSL 77.67, 1%, 0.29%

LAB 55.52, -32.95, 58.61

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 2 / 0 / 72 / 15

HEX #D5DA3E

RGB 213 218 62

HSL 61.92, 0.68%, 0.55%

LAB 84.3, -19.78, 71.45

 

CMYK 0 / 17 / 72 / 15

HEX #DAB53E

RGB 218 181 62

HSL 45.77, 0.68%, 0.55%

LAB 75.01, 1.13, 62.55

 

CMYK 0 / 36 / 72 / 15

HEX #DA8B3E

RGB 218 139 62

HSL 29.62, 0.68%, 0.55%

LAB 64.74, 23.58, 52.05

 

CMYK 0 / 56 / 72 / 15

HEX #DA603E

RGB 218 96 62

HSL 13.08, 0.68%, 0.55%

LAB 55.7, 45.75, 42.28

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 41 / 0 / 72 / 15

HEX #81DA3E

RGB 129 218 62

HSL 94.23, 0.68%, 0.55%

LAB 79.13, -51.69, 64.64

 

CMYK 60 / 0 / 72 / 15

HEX #57DA3E

RGB 87 218 62

HSL 110.38, 0.68%, 0.55%

LAB 77.59, -63.46, 62.58

 

CMYK 72 / 0 / 64 / 15

HEX #3EDA4F

RGB 62 218 79

HSL 126.54, 0.68%, 0.55%

LAB 77.12, -66.84, 55.27

 

CMYK 72 / 0 / 44 / 15

HEX #3EDA79

RGB 62 218 121

HSL 142.69, 0.68%, 0.55%

LAB 77.61, -61.13, 36.33

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 25 / 0 / 82 / 7

HEX #B2EC2B

RGB 178 236 43

HSL 78.03, 0.84%, 0.55%

LAB 86.82, -42.82, 78.4

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 18 / 0 / 60 / 22

HEX #A3C750

RGB 163 199 80

HSL 78.15, 0.52%, 0.55%

LAB 75.58, -29.75, 54.29

 

CMYK 14 / 0 / 45 / 29

HEX #9CB563

RGB 156 181 99

HSL 78.29, 0.36%, 0.55%

LAB 70.19, -21.91, 38.81

 

CMYK 8 / 0 / 28 / 36

HEX #95A275

RGB 149 162 117

HSL 77.33, 0.19%, 0.55%

LAB 64.58, -12.55, 21.93

 

CMYK 2 / 0 / 6 / 44

HEX #8D9088

RGB 141 144 136

HSL 82.5, 0.03%, 0.55%

LAB 59.33, -2.64, 3.86

 

CMYK 0 / 17 / 72 / 15

HEX #DAB53E

RGB 218 181 62

HSL 45.77, 0.68%, 0.55%

LAB 75.01, 1.13, 62.55

 

CMYK 2 / 0 / 72 / 15

HEX #D5DA3E

RGB 213 218 62

HSL 61.92, 0.68%, 0.55%

LAB 84.3, -19.78, 71.45

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 41 / 0 / 72 / 15

HEX #81DA3E

RGB 129 218 62

HSL 94.23, 0.68%, 0.55%

LAB 79.13, -51.69, 64.64

 

CMYK 60 / 0 / 72 / 15

HEX #58DA3E

RGB 88 218 62

HSL 110, 0.68%, 0.55%

LAB 77.62, -63.22, 62.61

 

CMYK 25 / 0 / 81 / 35

HEX #7DA61F

RGB 125 166 31

HSL 78.22, 0.69%, 0.39%

LAB 63.12, -32.46, 59.29

 

CMYK 25 / 0 / 81 / 22

HEX #97C826

RGB 151 200 38

HSL 78.15, 0.68%, 0.47%

LAB 74.84, -37.44, 68.47

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 17 / 0 / 57 / 12

HEX #BAE060

RGB 186 224 96

HSL 77.81, 0.67%, 0.63%

LAB 84.27, -31.25, 57.42

 

CMYK 13 / 0 / 43 / 9

HEX #C9E783

RGB 201 231 131

HSL 78, 0.68%, 0.71%

LAB 87.59, -25.44, 45.31

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 72 / 0 / 36 / 15

HEX #3EDA8C

RGB 62 218 140

HSL 150, 0.68%, 0.55%

LAB 77.91, -57.71, 27.06

 

CMYK 7 / 72 / 0 / 15

HEX #CA3EDA

RGB 202 62 218

HSL 293.85, 0.68%, 0.55%

LAB 53.02, 73.2, -52.25

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 72 / 22 / 0 / 15

HEX #3EABDA

RGB 62 171 218

HSL 198.08, 0.68%, 0.55%

LAB 65.91, -15.68, -32.68

 

CMYK 0 / 72 / 22 / 15

HEX #DA3EAB

RGB 218 62 171

HSL 318.08, 0.68%, 0.55%

LAB 53.27, 69.74, -24.57

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 72 / 0 / 36 / 15

HEX #3EDA8C

RGB 62 218 140

HSL 150, 0.68%, 0.55%

LAB 77.91, -57.71, 27.06

 

CMYK 50 / 72 / 0 / 15

HEX #6D3EDA

RGB 109 62 218

HSL 258.08, 0.68%, 0.55%

LAB 40.83, 55.79, -72.56

 

CMYK 0 / 72 / 36 / 15

HEX #DA3E8C

RGB 218 62 140

HSL 330, 0.68%, 0.55%

LAB 52.11, 66.05, -7.99

 

CMYK 22 / 0 / 72 / 15

HEX #ABDA3E

RGB 171 218 62

HSL 78.08, 0.68%, 0.55%

LAB 81.37, -36.66, 67.61

 

CMYK 72 / 0 / 14 / 15

HEX #3EDABB

RGB 62 218 187

HSL 168.08, 0.68%, 0.55%

LAB 78.9, -47.19, 3.68

 

CMYK 50 / 72 / 0 / 15

HEX #6D3EDA

RGB 109 62 218

HSL 258.08, 0.68%, 0.55%

LAB 40.83, 55.79, -72.56

 

CMYK 0 / 72 / 57 / 15

HEX #DA3E5D

RGB 218 62 93

HSL 348.08, 0.68%, 0.55%

LAB 50.85, 61.88, 18.5

 

Description

Color code: HEX #ABDA3E | qconv.com Color code: HEX #ABDA3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 218 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 218 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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