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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5425BB it is the complementary color #ABDA44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5425BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5425BB shade: #5925B6, #6A37C9, #7B49DC, #8C5BEF and #9D6DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5425BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5425BB shade: #5425BB, #4313A8, #320195, #210082 and #10006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5425BB shade: #5425BB, #7C25BB, #A525BB, #BB25A8 and #BB2580

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5425BB shade: #5425BB, #2B25BB and #2525BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5425BB shade matches the following richer shades: #5425BB, #4D12CD and #4600DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5425BB shade: #5425BB, #5A37A9, #614997, #685B84 and #6F6D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5425BB shade: #2548BB, #2A25BB, #5225BB, #7A25BB and #A225BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5425BB shade: #351776, #441E98, #5425BB, #6632D6 and #8055DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5425BB shade: #5425BB, #BB2570 and #34BB25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5425BB shade: #5425BB, #BB5225 and #25BB52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5425BB shade: #5425BB, #BB2570, #8EBB25 and #25BB70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5425BB shade: #5425BB, #BB2543, #8EBB25 and #25BB9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 80 / 0 / 27

HEX #5425BB

RGB 84 37 187

HSL 258.8, 0.67%, 0.44%

LAB 31.34, 55.46, -70.2

 

Complementary color

CMYK 22 / 0 / 69 / 15

HEX #ABDA44

RGB 171 218 68

HSL 78.8, 0.67%, 0.56%

LAB 81.41, -36.31, 65.5

 

CMYK 51 / 80 / 0 / 29

HEX #5925B6

RGB 89 37 182

HSL 261.52, 0.66%, 0.43%

LAB 31.4, 54.77, -67.11

 

CMYK 47 / 73 / 0 / 21

HEX #6A37C9

RGB 106 55 201

HSL 260.96, 0.57%, 0.5%

LAB 37.87, 54.16, -67.61

 

CMYK 44 / 67 / 0 / 14

HEX #7B49DC

RGB 123 73 220

HSL 260.41, 0.68%, 0.57%

LAB 44.44, 53.17, -67.75

 

CMYK 41 / 62 / 0 / 6

HEX #8C5BEF

RGB 140 91 239

HSL 259.86, 0.82%, 0.65%

LAB 51.02, 52.05, -67.72

 

CMYK 38 / 57 / 0 / 0

HEX #9D6DFF

RGB 157 109 255

HSL 259.73, 1%, 0.71%

LAB 57.39, 50.13, -66.25

 

CMYK 55 / 80 / 0 / 27

HEX #5425BB

RGB 84 37 187

HSL 258.8, 0.67%, 0.44%

LAB 31.34, 55.46, -70.2

 

CMYK 60 / 89 / 0 / 34

HEX #4313A8

RGB 67 19 168

HSL 259.33, 0.8%, 0.37%

LAB 25.22, 55.32, -69.01

 

CMYK 66 / 99 / 0 / 42

HEX #320195

RGB 50 1 149

HSL 259.86, 0.99%, 0.29%

LAB 19.51, 53.99, -66.9

 

CMYK 75 / 100 / 0 / 49

HEX #210082

RGB 33 0 130

HSL 255.23, 1%, 0.25%

LAB 15.14, 48.72, -62.31

 

CMYK 86 / 100 / 0 / 56

HEX #10006F

RGB 16 0 111

HSL 248.65, 1%, 0.22%

LAB 10.98, 43.18, -57.05

 

CMYK 55 / 80 / 0 / 27

HEX #5425BB

RGB 84 37 187

HSL 258.8, 0.67%, 0.44%

LAB 31.34, 55.46, -70.2

 

CMYK 34 / 80 / 0 / 27

HEX #7C25BB

RGB 124 37 187

HSL 274.8, 0.67%, 0.44%

LAB 36.36, 61.14, -61.77

 

CMYK 12 / 80 / 0 / 27

HEX #A525BB

RGB 165 37 187

HSL 291.2, 0.67%, 0.44%

LAB 42.63, 68.29, -51.32

 

CMYK 0 / 80 / 10 / 27

HEX #BB25A8

RGB 187 37 168

HSL 307.6, 0.67%, 0.44%

LAB 45.24, 69.6, -35.71

 

CMYK 0 / 80 / 32 / 27

HEX #BB2580

RGB 187 37 128

HSL 323.6, 0.67%, 0.44%

LAB 43.43, 64.42, -14.36

 

CMYK 55 / 80 / 0 / 27

HEX #5425BB

RGB 84 37 187

HSL 258.8, 0.67%, 0.44%

LAB 31.34, 55.46, -70.2

 

CMYK 77 / 80 / 0 / 27

HEX #2B25BB

RGB 43 37 187

HSL 242.4, 0.67%, 0.44%

LAB 27.91, 51.61, -75.98

 

CMYK 80 / 80 / 0 / 27

HEX #2525BB

RGB 37 37 187

HSL 240, 0.67%, 0.44%

LAB 27.58, 51.24, -76.53

 

CMYK 55 / 80 / 0 / 27

HEX #5425BB

RGB 84 37 187

HSL 258.8, 0.67%, 0.44%

LAB 31.34, 55.46, -70.2

 

CMYK 62 / 91 / 0 / 20

HEX #4D12CD

RGB 77 18 205

HSL 258.93, 0.84%, 0.44%

LAB 30.44, 65.72, -82.28

 

CMYK 69 / 100 / 0 / 13

HEX #4600DF

RGB 70 0 223

HSL 258.83, 1%, 0.44%

LAB 30.95, 72.82, -91.88

 

CMYK 55 / 80 / 0 / 27

HEX #5425BB

RGB 84 37 187

HSL 258.8, 0.67%, 0.44%

LAB 31.34, 55.46, -70.2

 

CMYK 47 / 67 / 0 / 34

HEX #5A37A9

RGB 90 55 169

HSL 258.42, 0.51%, 0.44%

LAB 33.5, 42.55, -55.91

 

CMYK 36 / 52 / 0 / 41

HEX #614997

RGB 97 73 151

HSL 258.46, 0.35%, 0.44%

LAB 37.01, 28.47, -39.39

 

CMYK 21 / 31 / 0 / 48

HEX #685B84

RGB 104 91 132

HSL 259.02, 0.18%, 0.44%

LAB 41.36, 14.37, -20.98

 

CMYK 3 / 4 / 0 / 55

HEX #6F6D72

RGB 111 109 114

HSL 264, 0.02%, 0.44%

LAB 46.35, 1.8, -2.51

 

CMYK 80 / 61 / 0 / 27

HEX #2548BB

RGB 37 72 187

HSL 226, 0.67%, 0.44%

LAB 35.23, 30.34, -63.92

 

CMYK 78 / 80 / 0 / 27

HEX #2A25BB

RGB 42 37 187

HSL 242, 0.67%, 0.44%

LAB 27.85, 51.54, -76.07

 

CMYK 56 / 80 / 0 / 27

HEX #5225BB

RGB 82 37 187

HSL 258, 0.67%, 0.44%

LAB 31.13, 55.22, -70.56

 

CMYK 35 / 80 / 0 / 27

HEX #7A25BB

RGB 122 37 187

HSL 274, 0.67%, 0.44%

LAB 36.08, 60.83, -62.25

 

CMYK 13 / 80 / 0 / 27

HEX #A225BB

RGB 162 37 187

HSL 290, 0.67%, 0.44%

LAB 42.14, 67.73, -52.13

 

CMYK 55 / 81 / 0 / 54

HEX #351776

RGB 53 23 118

HSL 258.95, 0.67%, 0.28%

LAB 18.7, 38.32, -48.68

 

CMYK 55 / 80 / 0 / 40

HEX #441E98

RGB 68 30 152

HSL 258.69, 0.67%, 0.36%

LAB 25.03, 46.89, -59.56

 

CMYK 55 / 80 / 0 / 27

HEX #5425BB

RGB 84 37 187

HSL 258.8, 0.67%, 0.44%

LAB 31.34, 55.46, -70.2

 

CMYK 52 / 77 / 0 / 16

HEX #6632D6

RGB 102 50 214

HSL 259.02, 0.67%, 0.52%

LAB 37.77, 59.33, -75.3

 

CMYK 42 / 62 / 0 / 13

HEX #8055DD

RGB 128 85 221

HSL 258.97, 0.67%, 0.6%

LAB 47.37, 48.05, -63.53

 

CMYK 55 / 80 / 0 / 27

HEX #5425BB

RGB 84 37 187

HSL 258.8, 0.67%, 0.44%

LAB 31.34, 55.46, -70.2

 

CMYK 0 / 80 / 40 / 27

HEX #BB2570

RGB 187 37 112

HSL 330, 0.67%, 0.44%

LAB 42.85, 62.71, -5.34

 

CMYK 72 / 0 / 80 / 27

HEX #34BB25

RGB 52 187 37

HSL 114, 0.67%, 0.44%

LAB 66.83, -62.02, 59.93

 

CMYK 55 / 80 / 0 / 27

HEX #5425BB

RGB 84 37 187

HSL 258.8, 0.67%, 0.44%

LAB 31.34, 55.46, -70.2

 

CMYK 0 / 56 / 80 / 27

HEX #BB5225

RGB 187 82 37

HSL 18, 0.67%, 0.44%

LAB 47.92, 39.82, 45.29

 

CMYK 80 / 0 / 56 / 27

HEX #25BB52

RGB 37 187 82

HSL 138, 0.67%, 0.44%

LAB 66.93, -59.8, 42.09

 

CMYK 55 / 80 / 0 / 27

HEX #5425BB

RGB 84 37 187

HSL 258.8, 0.67%, 0.44%

LAB 31.34, 55.46, -70.2

 

CMYK 0 / 80 / 40 / 27

HEX #BB2570

RGB 187 37 112

HSL 330, 0.67%, 0.44%

LAB 42.85, 62.71, -5.34

 

CMYK 24 / 0 / 80 / 27

HEX #8EBB25

RGB 142 187 37

HSL 78, 0.67%, 0.44%

LAB 70.47, -35.12, 64.62

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 55 / 80 / 0 / 27

HEX #5425BB

RGB 84 37 187

HSL 258.8, 0.67%, 0.44%

LAB 31.34, 55.46, -70.2

 

CMYK 0 / 80 / 64 / 27

HEX #BB2543

RGB 187 37 67

HSL 348, 0.67%, 0.44%

LAB 41.68, 59.16, 21.22

 

CMYK 24 / 0 / 80 / 27

HEX #8EBB25

RGB 142 187 37

HSL 78, 0.67%, 0.44%

LAB 70.47, -35.12, 64.62

 

CMYK 80 / 0 / 16 / 27

HEX #25BB9D

RGB 37 187 157

HSL 168, 0.67%, 0.44%

LAB 68.29, -44.6, 4.51

 

Description

Color code: HEX #5425BB | qconv.com Color code: HEX #5425BB | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 37 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 37 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 80 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 80% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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