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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #545C35 it is the complementary color #ABA3CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #545C35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #545C35 shade: #595C30, #6A6E43, #7B8056, #8C9269 and #9DA47C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #545C35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #545C35 shade: #545C35, #434A22, #32380F, #212600 and #101400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #545C35 shade: #525A34, #5A5834, #5A4D34, #5A4334 and #5A3834

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #545C35 shade: #525A34, #485A34, #3D5A34, #345A34 and #345A3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #545C35 shade matches the following richer shades: #525A34, #596628, #60711D, #677D11 and #6E8805

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #545C35 shade: #525A34, #4B4F3F, #45434B, #3E3856 and #372C62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #545C35 shade: #5A4D34, #5A5834, #525A34, #485A34 and #3E5A34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #545C35 shade: #222616, #3A4025, #525A34, #6A7443 and #828F52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #545C35 shade: #545C35, #345A43 and #52345A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #545C35 shade: #545C35, #34525A and #5A3452

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #545C35 shade: #545C35, #345A43, #3B345A and #5A344B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #545C35 shade: #545C35, #345A4F, #3B345A and #5A343F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 42 / 64

HEX #545C35

RGB 84 92 53

HSL 72.31, 0.27%, 0.28%

LAB 37.47, -10.23, 21.39

 

Complementary color

CMYK 15 / 19 / 0 / 21

HEX #ABA3CA

RGB 171 163 202

HSL 252.31, 0.27%, 0.72%

LAB 68.84, 10.74, -18.87

 

CMYK 3 / 0 / 48 / 64

HEX #595C30

RGB 89 92 48

HSL 64.09, 0.31%, 0.27%

LAB 37.83, -8.59, 24.81

 

CMYK 4 / 0 / 39 / 57

HEX #6A6E43

RGB 106 110 67

HSL 65.58, 0.24%, 0.35%

LAB 45.11, -8.92, 23.48

 

CMYK 4 / 0 / 33 / 50

HEX #7B8056

RGB 123 128 86

HSL 67.14, 0.2%, 0.42%

LAB 52.2, -9.15, 22.23

 

CMYK 4 / 0 / 28 / 43

HEX #8C9269

RGB 140 146 105

HSL 68.78, 0.16%, 0.49%

LAB 59.12, -9.32, 21.06

 

CMYK 4 / 0 / 24 / 36

HEX #9DA47C

RGB 157 164 124

HSL 70.5, 0.18%, 0.56%

LAB 65.88, -9.45, 19.98

 

CMYK 9 / 0 / 42 / 64

HEX #545C35

RGB 84 92 53

HSL 72.31, 0.27%, 0.28%

LAB 37.47, -10.23, 21.39

 

CMYK 9 / 0 / 54 / 71

HEX #434A22

RGB 67 74 34

HSL 70.5, 0.37%, 0.21%

LAB 29.93, -9.96, 22.76

 

CMYK 11 / 0 / 73 / 78

HEX #32380F

RGB 50 56 15

HSL 68.78, 0.58%, 0.14%

LAB 22.09, -9.48, 23.97

 

CMYK 13 / 0 / 100 / 85

HEX #212600

RGB 33 38 0

HSL 67.89, 1%, 0.07%

LAB 13.88, -8.61, 20.21

 

CMYK 20 / 0 / 100 / 92

HEX #101400

RGB 16 20 0

HSL 72, 1%, 0.04%

LAB 5.51, -4.77, 8.17

 

CMYK 9 / 0 / 42 / 65

HEX #525A34

RGB 82 90 52

HSL 72.63, 0.27%, 0.28%

LAB 36.66, -10.1, 20.9

 

CMYK 0 / 2 / 42 / 65

HEX #5A5834

RGB 90 88 52

HSL 56.84, 0.27%, 0.28%

LAB 36.75, -5.29, 21.16

 

CMYK 0 / 14 / 42 / 65

HEX #5A4D34

RGB 90 77 52

HSL 39.47, 0.27%, 0.28%

LAB 33.41, 1.38, 16.84

 

CMYK 0 / 26 / 42 / 65

HEX #5A4334

RGB 90 67 52

HSL 23.68, 0.27%, 0.28%

LAB 30.49, 7.64, 12.95

 

CMYK 0 / 38 / 42 / 65

HEX #5A3834

RGB 90 56 52

HSL 6.32, 0.27%, 0.28%

LAB 27.44, 14.6, 8.78

 

CMYK 9 / 0 / 42 / 65

HEX #525A34

RGB 82 90 52

HSL 72.63, 0.27%, 0.28%

LAB 36.66, -10.1, 20.9

 

CMYK 20 / 0 / 42 / 65

HEX #485A34

RGB 72 90 52

HSL 88.42, 0.27%, 0.28%

LAB 35.86, -14.49, 19.73

 

CMYK 32 / 0 / 42 / 65

HEX #3D5A34

RGB 61 90 52

HSL 105.79, 0.27%, 0.28%

LAB 35.11, -19.01, 18.6

 

CMYK 42 / 0 / 42 / 65

HEX #345A34

RGB 52 90 52

HSL 120, 0.27%, 0.28%

LAB 34.58, -22.4, 17.81

 

CMYK 42 / 0 / 30 / 65

HEX #345A3F

RGB 52 90 63

HSL 137.37, 0.27%, 0.28%

LAB 34.8, -20.24, 11.45

 

CMYK 9 / 0 / 42 / 65

HEX #525A34

RGB 82 90 52

HSL 72.63, 0.27%, 0.28%

LAB 36.66, -10.1, 20.9

 

CMYK 13 / 0 / 61 / 60

HEX #596628

RGB 89 102 40

HSL 72.58, 0.44%, 0.28%

LAB 40.86, -15.08, 32.72

 

CMYK 15 / 0 / 74 / 56

HEX #60711D

RGB 96 113 29

HSL 72.14, 0.59%, 0.28%

LAB 44.78, -18.69, 42.05

 

CMYK 18 / 0 / 86 / 51

HEX #677D11

RGB 103 125 17

HSL 72.22, 0.76%, 0.28%

LAB 49, -22.36, 50.09

 

CMYK 19 / 0 / 96 / 47

HEX #6E8805

RGB 110 136 5

HSL 71.91, 0.93%, 0.28%

LAB 52.88, -25.12, 55.9

 

CMYK 9 / 0 / 42 / 65

HEX #525A34

RGB 82 90 52

HSL 72.63, 0.27%, 0.28%

LAB 36.66, -10.1, 20.9

 

CMYK 5 / 0 / 20 / 69

HEX #4B4F3F

RGB 75 79 63

HSL 75, 0.11%, 0.28%

LAB 32.8, -4.9, 8.92

 

CMYK 8 / 11 / 0 / 71

HEX #45434B

RGB 69 67 75

HSL 255, 0.06%, 0.28%

LAB 28.87, 2.66, -4.52

 

CMYK 28 / 35 / 0 / 66

HEX #3E3856

RGB 62 56 86

HSL 252, 0.21%, 0.28%

LAB 25.33, 10.18, -17.16

 

CMYK 44 / 55 / 0 / 62

HEX #372C62

RGB 55 44 98

HSL 252.22, 0.38%, 0.28%

LAB 21.93, 19.79, -30.45

 

CMYK 0 / 14 / 42 / 65

HEX #5A4D34

RGB 90 77 52

HSL 39.47, 0.27%, 0.28%

LAB 33.41, 1.38, 16.84

 

CMYK 0 / 2 / 42 / 65

HEX #5A5834

RGB 90 88 52

HSL 56.84, 0.27%, 0.28%

LAB 36.75, -5.29, 21.16

 

CMYK 9 / 0 / 42 / 65

HEX #525A34

RGB 82 90 52

HSL 72.63, 0.27%, 0.28%

LAB 36.66, -10.1, 20.9

 

CMYK 20 / 0 / 42 / 65

HEX #485A34

RGB 72 90 52

HSL 88.42, 0.27%, 0.28%

LAB 35.86, -14.49, 19.73

 

CMYK 31 / 0 / 42 / 65

HEX #3E5A34

RGB 62 90 52

HSL 104.21, 0.27%, 0.28%

LAB 35.17, -18.62, 18.69

 

CMYK 11 / 0 / 42 / 85

HEX #222616

RGB 34 38 22

HSL 75, 0.27%, 0.12%

LAB 14.31, -5.3, 10.04

 

CMYK 9 / 0 / 42 / 75

HEX #3A4025

RGB 58 64 37

HSL 73.33, 0.27%, 0.2%

LAB 25.86, -7.8, 15.7

 

CMYK 9 / 0 / 42 / 65

HEX #525A34

RGB 82 90 52

HSL 72.63, 0.27%, 0.28%

LAB 36.66, -10.1, 20.9

 

CMYK 9 / 0 / 42 / 55

HEX #6A7443

RGB 106 116 67

HSL 72.24, 0.27%, 0.36%

LAB 46.92, -12.27, 25.8

 

CMYK 9 / 0 / 43 / 44

HEX #828F52

RGB 130 143 82

HSL 72.79, 0.27%, 0.44%

LAB 57.08, -14.88, 30.84

 

CMYK 9 / 0 / 42 / 64

HEX #545C35

RGB 84 92 53

HSL 72.31, 0.27%, 0.28%

LAB 37.47, -10.23, 21.39

 

CMYK 42 / 0 / 26 / 65

HEX #345A43

RGB 52 90 67

HSL 143.68, 0.27%, 0.28%

LAB 34.9, -19.36, 9.11

 

CMYK 9 / 42 / 0 / 65

HEX #52345A

RGB 82 52 90

HSL 287.37, 0.27%, 0.28%

LAB 26.7, 20.97, -17.48

 

CMYK 9 / 0 / 42 / 64

HEX #545C35

RGB 84 92 53

HSL 72.31, 0.27%, 0.28%

LAB 37.47, -10.23, 21.39

 

CMYK 42 / 9 / 0 / 65

HEX #34525A

RGB 52 82 90

HSL 192.63, 0.27%, 0.28%

LAB 32.93, -8.76, -8.2

 

CMYK 0 / 42 / 9 / 65

HEX #5A3452

RGB 90 52 82

HSL 312.63, 0.27%, 0.28%

LAB 27.4, 22.17, -11.06

 

CMYK 9 / 0 / 42 / 64

HEX #545C35

RGB 84 92 53

HSL 72.31, 0.27%, 0.28%

LAB 37.47, -10.23, 21.39

 

CMYK 42 / 0 / 26 / 65

HEX #345A43

RGB 52 90 67

HSL 143.68, 0.27%, 0.28%

LAB 34.9, -19.36, 9.11

 

CMYK 34 / 42 / 0 / 65

HEX #3B345A

RGB 59 52 90

HSL 251.05, 0.27%, 0.28%

LAB 24.08, 13.05, -21.77

 

CMYK 0 / 42 / 17 / 65

HEX #5A344B

RGB 90 52 75

HSL 323.68, 0.27%, 0.28%

LAB 27.12, 20.82, -6.88

 

CMYK 9 / 0 / 42 / 64

HEX #545C35

RGB 84 92 53

HSL 72.31, 0.27%, 0.28%

LAB 37.47, -10.23, 21.39

 

CMYK 42 / 0 / 12 / 65

HEX #345A4F

RGB 52 90 79

HSL 162.63, 0.27%, 0.28%

LAB 35.22, -16.46, 2.11

 

CMYK 34 / 42 / 0 / 65

HEX #3B345A

RGB 59 52 90

HSL 251.05, 0.27%, 0.28%

LAB 24.08, 13.05, -21.77

 

CMYK 0 / 42 / 30 / 65

HEX #5A343F

RGB 90 52 63

HSL 342.63, 0.27%, 0.28%

LAB 26.7, 18.73, 0.46

 

Description

Color code: HEX #545C35 | qconv.com Color code: HEX #545C35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 92 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 92 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 42 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 42% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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