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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #550AD6 it is the complementary color #AAF529. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #550AD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #550AD6 shade: #5A0AD1, #6B1CE4, #7C2EF7, #8D40FF and #9E52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #550AD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #550AD6 shade: #550AD6, #4400C3, #3300B0, #22009D and #11008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #550AD6 shade: #550AD6, #8C0AD6, #C30AD6, #D60AB2 and #D60A7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #550AD6 shade: #550AD6, #1E0AD6 and #0A0AD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #550AD6 shade matches the following richer shades: #550AD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #550AD6 shade: #550AD6, #591CC4, #5E2EB1, #63409F and #68528D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #550AD6 shade: #0A2CD6, #1E0AD6, #540AD6, #8B0AD6 and #C10AD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #550AD6 shade: #350687, #4508AE, #550AD6, #6715F4 and #813DF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #550AD6 shade: #550AD6, #D60A62 and #10D60A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #550AD6 shade: #550AD6, #D6540A and #0AD654

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #550AD6 shade: #550AD6, #D60A62, #8BD60A and #0AD67D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #550AD6 shade: #550AD6, #D60A25, #8BD60A and #0AD6BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

Complementary color

CMYK 31 / 0 / 83 / 4

HEX #AAF529

RGB 170 245 41

HSL 82.06, 0.91%, 0.56%

LAB 88.93, -49.64, 80.53

 

CMYK 57 / 95 / 0 / 18

HEX #5A0AD1

RGB 90 10 209

HSL 264.12, 0.91%, 0.43%

LAB 31.79, 69.11, -82.32

 

CMYK 53 / 88 / 0 / 11

HEX #6B1CE4

RGB 107 28 228

HSL 263.7, 0.79%, 0.5%

LAB 37.04, 71.16, -84.53

 

CMYK 50 / 81 / 0 / 3

HEX #7C2EF7

RGB 124 46 247

HSL 263.28, 0.93%, 0.57%

LAB 42.69, 71.9, -85.89

 

CMYK 45 / 75 / 0 / 0

HEX #8D40FF

RGB 141 64 255

HSL 264.19, 1%, 0.63%

LAB 47.69, 69.17, -82.09

 

CMYK 38 / 68 / 0 / 0

HEX #9E52FF

RGB 158 82 255

HSL 266.36, 1%, 0.66%

LAB 52.42, 64.02, -74.28

 

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

CMYK 65 / 100 / 0 / 24

HEX #4400C3

RGB 68 0 195

HSL 260.92, 1%, 0.38%

LAB 27.21, 66.2, -81.81

 

CMYK 71 / 100 / 0 / 31

HEX #3300B0

RGB 51 0 176

HSL 257.39, 1%, 0.35%

LAB 23.13, 60.92, -77.34

 

CMYK 78 / 100 / 0 / 38

HEX #22009D

RGB 34 0 157

HSL 252.99, 1%, 0.31%

LAB 19.12, 55.65, -72.53

 

CMYK 88 / 100 / 0 / 46

HEX #11008A

RGB 17 0 138

HSL 247.39, 1%, 0.27%

LAB 15.24, 50.38, -67.22

 

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

CMYK 35 / 95 / 0 / 16

HEX #8C0AD6

RGB 140 10 214

HSL 278.24, 0.91%, 0.44%

LAB 38.98, 74.87, -73.14

 

CMYK 9 / 95 / 0 / 16

HEX #C30AD6

RGB 195 10 214

HSL 294.41, 0.91%, 0.44%

LAB 47.85, 82.33, -58.33

 

CMYK 0 / 95 / 17 / 16

HEX #D60AB2

RGB 214 10 178

HSL 310.59, 0.91%, 0.44%

LAB 49.16, 80.47, -35.12

 

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

CMYK 86 / 95 / 0 / 16

HEX #1E0AD6

RGB 30 10 214

HSL 245.88, 0.91%, 0.44%

LAB 27.7, 67.78, -92.16

 

CMYK 95 / 95 / 0 / 16

HEX #0A0AD6

RGB 10 10 214

HSL 240, 0.91%, 0.44%

LAB 27.12, 67.53, -93.15

 

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

CMYK 55 / 86 / 0 / 23

HEX #591CC4

RGB 89 28 196

HSL 261.79, 0.75%, 0.44%

LAB 31.67, 61.69, -74.94

 

CMYK 47 / 74 / 0 / 31

HEX #5E2EB1

RGB 94 46 177

HSL 261.98, 0.59%, 0.44%

LAB 32.94, 50.13, -61.6

 

CMYK 38 / 60 / 0 / 38

HEX #63409F

RGB 99 64 159

HSL 262.11, 0.43%, 0.44%

LAB 35.64, 36.58, -46.39

 

CMYK 26 / 42 / 0 / 45

HEX #68528D

RGB 104 82 141

HSL 262.37, 0.26%, 0.44%

LAB 39.41, 22.25, -29.47

 

CMYK 95 / 79 / 0 / 16

HEX #0A2CD6

RGB 10 44 214

HSL 230, 0.91%, 0.44%

LAB 31.16, 55.4, -86.41

 

CMYK 86 / 95 / 0 / 16

HEX #1E0AD6

RGB 30 10 214

HSL 245.88, 0.91%, 0.44%

LAB 27.7, 67.78, -92.16

 

CMYK 61 / 95 / 0 / 16

HEX #540AD6

RGB 84 10 214

HSL 261.76, 0.91%, 0.44%

LAB 31.71, 69.87, -85.39

 

CMYK 35 / 95 / 0 / 16

HEX #8B0AD6

RGB 139 10 214

HSL 277.94, 0.91%, 0.44%

LAB 38.83, 74.76, -73.39

 

CMYK 10 / 95 / 0 / 16

HEX #C10AD6

RGB 193 10 214

HSL 293.82, 0.91%, 0.44%

LAB 47.51, 82.03, -58.89

 

CMYK 61 / 96 / 0 / 47

HEX #350687

RGB 53 6 135

HSL 261.86, 0.91%, 0.28%

LAB 18.52, 49.23, -59.79

 

CMYK 60 / 95 / 0 / 32

HEX #4508AE

RGB 69 8 174

HSL 262.05, 0.91%, 0.36%

LAB 25.24, 59.68, -72.58

 

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

CMYK 58 / 91 / 0 / 4

HEX #6715F4

RGB 103 21 244

HSL 262.06, 0.91%, 0.52%

LAB 37.76, 76.18, -92.44

 

CMYK 47 / 75 / 0 / 4

HEX #813DF5

RGB 129 61 245

HSL 262.17, 0.9%, 0.6%

LAB 45.08, 66.24, -80.83

 

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

CMYK 0 / 95 / 54 / 16

HEX #D60A62

RGB 214 10 98

HSL 334.12, 0.91%, 0.44%

LAB 46.17, 72.62, 8.85

 

CMYK 93 / 0 / 95 / 16

HEX #10D60A

RGB 16 214 10

HSL 118.24, 0.91%, 0.44%

LAB 74.97, -74.69, 71.99

 

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

CMYK 0 / 61 / 95 / 16

HEX #D6540A

RGB 214 84 10

HSL 21.76, 0.91%, 0.44%

LAB 52.57, 48.44, 60.32

 

CMYK 95 / 0 / 61 / 16

HEX #0AD654

RGB 10 214 84

HSL 141.76, 0.91%, 0.44%

LAB 75.33, -70.02, 50.94

 

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

CMYK 0 / 95 / 54 / 16

HEX #D60A62

RGB 214 10 98

HSL 334.12, 0.91%, 0.44%

LAB 46.17, 72.62, 8.85

 

CMYK 35 / 0 / 95 / 16

HEX #8BD60A

RGB 139 214 10

HSL 82.06, 0.91%, 0.44%

LAB 78.23, -48.64, 75.99

 

CMYK 95 / 0 / 42 / 16

HEX #0AD67D

RGB 10 214 125

HSL 153.82, 0.91%, 0.44%

LAB 75.85, -63.7, 31.91

 

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

CMYK 0 / 95 / 83 / 16

HEX #D60A25

RGB 214 10 37

HSL 352.06, 0.91%, 0.44%

LAB 45.15, 69.82, 44.4

 

CMYK 35 / 0 / 95 / 16

HEX #8BD60A

RGB 139 214 10

HSL 82.06, 0.91%, 0.44%

LAB 78.23, -48.64, 75.99

 

CMYK 95 / 0 / 13 / 16

HEX #0AD6BB

RGB 10 214 187

HSL 172.06, 0.91%, 0.44%

LAB 77.13, -49.49, 1.04

 

Description

Color code: HEX #550AD6 | qconv.com Color code: HEX #550AD6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 10 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 10 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 95 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 95% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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