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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 10 123 it is the complementary color RGB 41 245 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 10 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 10 123 shade: RGB 219 10 118, RGB 236 28 137, RGB 253 46 156, RGB 255 64 175 and RGB 255 82 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 10 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 10 123 shade: RGB 214 10 123, RGB 197 0 104, RGB 180 0 85, RGB 163 0 66 and RGB 146 0 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 10 123 shade: RGB 214 10 123, RGB 214 10 68, RGB 214 10 13 and RGB 214 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 10 123 shade: RGB 214 10 123, RGB 214 10 178, RGB 195 10 214, RGB 140 10 214 and RGB 85 10 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 10 123 shade matches the following richer shades: RGB 214 10 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 10 123 shade: RGB 214 10 123, RGB 196 28 121, RGB 177 46 119, RGB 159 64 117 and RGB 141 82 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 10 123 shade: RGB 193 10 214, RGB 214 10 180, RGB 214 10 125, RGB 214 10 71 and RGB 214 10 16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 10 123 shade: RGB 135 6 77, RGB 174 8 100, RGB 214 10 123, RGB 244 21 144 and RGB 245 61 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 10 123 shade: RGB 214 10 123, RGB 214 139 10 and RGB 10 207 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 10 123 shade: RGB 214 10 123, RGB 125 214 10 and RGB 10 125 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 10 123 shade: RGB 214 10 123, RGB 214 139 10, RGB 10 214 98 and RGB 10 84 214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 10 123 shade: RGB 214 10 123, RGB 214 200 10, RGB 10 214 98 and RGB 10 23 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

Complementary color

CMYK 83 / 0 / 46 / 4

HEX #29F584

RGB 41 245 132

HSL 146.76, 0.91%, 0.56%

LAB 85.73, -71, 41.24

 

CMYK 0 / 95 / 46 / 14

HEX #DB0A76

RGB 219 10 118

HSL 329, 0.91%, 0.45%

LAB 47.73, 75.26, -1.13

 

CMYK 0 / 88 / 42 / 7

HEX #EC1C89

RGB 236 28 137

HSL 328.56, 0.85%, 0.52%

LAB 52.36, 78.53, -5.47

 

CMYK 0 / 82 / 38 / 1

HEX #FD2E9C

RGB 253 46 156

HSL 328.12, 0.98%, 0.59%

LAB 57.31, 80.77, -9.06

 

CMYK 0 / 75 / 31 / 0

HEX #FF40AF

RGB 255 64 175

HSL 325.13, 1%, 0.63%

LAB 59.91, 78.61, -16.18

 

CMYK 0 / 68 / 24 / 0

HEX #FF52C2

RGB 255 82 194

HSL 321.16, 1%, 0.66%

LAB 62.67, 75.02, -22.88

 

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

CMYK 0 / 100 / 47 / 23

HEX #C50068

RGB 197 0 104

HSL 328.32, 1%, 0.39%

LAB 42.57, 70.14, -0.53

 

CMYK 0 / 100 / 53 / 29

HEX #B40055

RGB 180 0 85

HSL 331.67, 1%, 0.35%

LAB 38.48, 64.84, 5.18

 

CMYK 0 / 100 / 60 / 36

HEX #A30042

RGB 163 0 66

HSL 335.71, 1%, 0.32%

LAB 34.35, 59.53, 11.2

 

CMYK 0 / 100 / 68 / 43

HEX #92002F

RGB 146 0 47

HSL 340.68, 1%, 0.29%

LAB 30.2, 54.24, 17.57

 

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

CMYK 0 / 95 / 68 / 16

HEX #D60A44

RGB 214 10 68

HSL 342.94, 0.91%, 0.44%

LAB 45.54, 70.9, 26.64

 

CMYK 0 / 95 / 94 / 16

HEX #D60A0D

RGB 214 10 13

HSL 359.12, 0.91%, 0.44%

LAB 45, 69.41, 55.02

 

CMYK 0 / 95 / 95 / 16

HEX #D60A0A

RGB 214 10 10

HSL 0, 0.91%, 0.44%

LAB 44.99, 69.38, 55.94

 

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

CMYK 0 / 95 / 17 / 16

HEX #D60AB2

RGB 214 10 178

HSL 310.59, 0.91%, 0.44%

LAB 49.16, 80.47, -35.12

 

CMYK 9 / 95 / 0 / 16

HEX #C30AD6

RGB 195 10 214

HSL 294.41, 0.91%, 0.44%

LAB 47.85, 82.33, -58.33

 

CMYK 35 / 95 / 0 / 16

HEX #8C0AD6

RGB 140 10 214

HSL 278.24, 0.91%, 0.44%

LAB 38.98, 74.87, -73.14

 

CMYK 60 / 95 / 0 / 16

HEX #550AD6

RGB 85 10 214

HSL 262.06, 0.91%, 0.44%

LAB 31.81, 69.94, -85.21

 

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

CMYK 0 / 86 / 38 / 23

HEX #C41C79

RGB 196 28 121

HSL 326.79, 0.75%, 0.44%

LAB 44.16, 67.89, -8.78

 

CMYK 0 / 74 / 33 / 31

HEX #B12E77

RGB 177 46 119

HSL 326.56, 0.59%, 0.44%

LAB 42.2, 58.14, -10.83

 

CMYK 0 / 60 / 26 / 38

HEX #9F4075

RGB 159 64 117

HSL 326.53, 0.43%, 0.44%

LAB 41.72, 45.29, -10.62

 

CMYK 0 / 42 / 18 / 45

HEX #8D5273

RGB 141 82 115

HSL 326.44, 0.26%, 0.44%

LAB 42.67, 29.38, -8.24

 

CMYK 10 / 95 / 0 / 16

HEX #C10AD6

RGB 193 10 214

HSL 293.82, 0.91%, 0.44%

LAB 47.51, 82.03, -58.89

 

CMYK 0 / 95 / 16 / 16

HEX #D60AB4

RGB 214 10 180

HSL 310, 0.91%, 0.44%

LAB 49.26, 80.72, -36.14

 

CMYK 0 / 95 / 42 / 16

HEX #D60A7D

RGB 214 10 125

HSL 326.18, 0.91%, 0.44%

LAB 46.97, 74.76, -6.67

 

CMYK 0 / 95 / 67 / 16

HEX #D60A47

RGB 214 10 71

HSL 342.06, 0.91%, 0.44%

LAB 45.59, 71.04, 24.86

 

CMYK 0 / 95 / 93 / 16

HEX #D60A10

RGB 214 10 16

HSL 358.24, 0.91%, 0.44%

LAB 45.01, 69.44, 54

 

CMYK 0 / 96 / 43 / 47

HEX #87064D

RGB 135 6 77

HSL 326.98, 0.91%, 0.28%

LAB 28.95, 52.82, -4.65

 

CMYK 0 / 95 / 43 / 32

HEX #AE0864

RGB 174 8 100

HSL 326.75, 0.91%, 0.36%

LAB 38.01, 63.82, -5.26

 

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

CMYK 0 / 91 / 41 / 4

HEX #F41590

RGB 244 21 144

HSL 326.91, 0.91%, 0.52%

LAB 53.8, 81.83, -7.36

 

CMYK 0 / 75 / 33 / 4

HEX #F53DA3

RGB 245 61 163

HSL 326.74, 0.9%, 0.6%

LAB 57.46, 75.75, -13.08

 

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

CMYK 0 / 35 / 95 / 16

HEX #D68B0A

RGB 214 139 10

HSL 37.94, 0.91%, 0.44%

LAB 63.99, 20.38, 67.93

 

CMYK 95 / 3 / 0 / 16

HEX #0ACFD6

RGB 10 207 214

HSL 182.06, 0.91%, 0.44%

LAB 75.79, -38.72, -15.47

 

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

CMYK 42 / 0 / 95 / 16

HEX #7DD60A

RGB 125 214 10

HSL 86.18, 0.91%, 0.44%

LAB 77.56, -53.44, 75.18

 

CMYK 95 / 42 / 0 / 16

HEX #0A7DD6

RGB 10 125 214

HSL 206.18, 0.91%, 0.44%

LAB 51.37, 5.01, -53.42

 

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

CMYK 0 / 35 / 95 / 16

HEX #D68B0A

RGB 214 139 10

HSL 37.94, 0.91%, 0.44%

LAB 63.99, 20.38, 67.93

 

CMYK 95 / 0 / 54 / 16

HEX #0AD662

RGB 10 214 98

HSL 145.88, 0.91%, 0.44%

LAB 75.48, -68.16, 44.73

 

CMYK 95 / 61 / 0 / 16

HEX #0A54D6

RGB 10 84 214

HSL 218.24, 0.91%, 0.44%

LAB 40.02, 31.33, -71.81

 

CMYK 0 / 95 / 43 / 16

HEX #D60A7B

RGB 214 10 123

HSL 326.76, 0.91%, 0.44%

LAB 46.9, 74.58, -5.54

 

CMYK 0 / 7 / 95 / 16

HEX #D6C80A

RGB 214 200 10

HSL 55.88, 0.91%, 0.44%

LAB 79.4, -11.82, 79.1

 

CMYK 95 / 0 / 54 / 16

HEX #0AD662

RGB 10 214 98

HSL 145.88, 0.91%, 0.44%

LAB 75.48, -68.16, 44.73

 

CMYK 95 / 89 / 0 / 16

HEX #0A17D6

RGB 10 23 214

HSL 236.18, 0.91%, 0.44%

LAB 28.2, 64.22, -91.35

 

Description

Color code: RGB 214 10 123 | qconv.com Color code: RGB 214 10 123 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 10 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 10 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 43 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 43% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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