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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #553E14 it is the complementary color #AAC1EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #553E14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #553E14 shade: #5A3E0F, #6B5022, #7C6235, #8D7448 and #9E865B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #553E14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #553E14 shade: #553E14, #442C01, #331A00, #220800 and #110000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #553E14 shade: #563F14, #562D14, #561B14 and #561414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #553E14 shade: #563F14, #565114, #4A5614, #385614 and #265614

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #553E14 shade matches the following richer shades: #563F14, #5F410B and #684403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #553E14 shade: #563F14, #4E3C1D, #453A25, #3C372E and #343537

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #553E14 shade: #561A14, #562C14, #563E14, #565014 and #4B5614

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #553E14 shade: #130E04, #35260C, #563F14, #78571C and #996F24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #553E14 shade: #553E14, #1F5614 and #231456

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #553E14 shade: #553E14, #14563E and #3E1456

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #553E14 shade: #553E14, #1F5614, #142C56 and #4B1456

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #553E14 shade: #553E14, #14561D, #142C56 and #56144D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 76 / 67

HEX #553E14

RGB 85 62 20

HSL 38.77, 0.62%, 0.21%

LAB 27.92, 5.2, 28.71

 

Complementary color

CMYK 28 / 18 / 0 / 8

HEX #AAC1EB

RGB 170 193 235

HSL 218.77, 0.62%, 0.79%

LAB 77.69, 1.52, -23.41

 

CMYK 0 / 31 / 83 / 65

HEX #5A3E0F

RGB 90 62 15

HSL 37.6, 0.71%, 0.21%

LAB 28.52, 7.47, 31.94

 

CMYK 0 / 25 / 68 / 58

HEX #6B5022

RGB 107 80 34

HSL 37.81, 0.52%, 0.28%

LAB 35.94, 5.85, 30.8

 

CMYK 0 / 21 / 57 / 51

HEX #7C6235

RGB 124 98 53

HSL 38.03, 0.4%, 0.35%

LAB 43.18, 4.65, 29.34

 

CMYK 0 / 18 / 49 / 45

HEX #8D7448

RGB 141 116 72

HSL 38.26, 0.32%, 0.42%

LAB 50.24, 3.72, 27.88

 

CMYK 0 / 15 / 42 / 38

HEX #9E865B

RGB 158 134 91

HSL 38.51, 0.27%, 0.49%

LAB 57.15, 2.98, 26.52

 

CMYK 0 / 27 / 76 / 67

HEX #553E14

RGB 85 62 20

HSL 38.77, 0.62%, 0.21%

LAB 27.92, 5.2, 28.71

 

CMYK 0 / 35 / 99 / 73

HEX #442C01

RGB 68 44 1

HSL 38.51, 0.97%, 0.14%

LAB 20.17, 7.03, 28.48

 

CMYK 0 / 49 / 100 / 80

HEX #331A00

RGB 51 26 0

HSL 30.59, 1%, 0.1%

LAB 12.24, 9.92, 18.43

 

CMYK 0 / 76 / 100 / 87

HEX #220800

RGB 34 8 0

HSL 14.12, 1%, 0.07%

LAB 4.64, 10.58, 7.15

 

CMYK 0 / 100 / 100 / 93

HEX #110000

RGB 17 0 0

HSL 0, 1%, 0.03%

LAB 1.08, 4.83, 1.7

 

CMYK 0 / 27 / 77 / 66

HEX #563F14

RGB 86 63 20

HSL 39.09, 0.62%, 0.21%

LAB 28.34, 5.07, 29.18

 

CMYK 0 / 48 / 77 / 66

HEX #562D14

RGB 86 45 20

HSL 22.73, 0.62%, 0.21%

LAB 23.36, 16.48, 23.88

 

CMYK 0 / 69 / 77 / 66

HEX #561B14

RGB 86 27 20

HSL 6.36, 0.62%, 0.21%

LAB 19.28, 26.87, 19.29

 

CMYK 0 / 77 / 77 / 66

HEX #561414

RGB 86 20 20

HSL 0, 0.62%, 0.21%

LAB 18.05, 30.2, 17.85

 

CMYK 0 / 27 / 77 / 66

HEX #563F14

RGB 86 63 20

HSL 39.09, 0.62%, 0.21%

LAB 28.34, 5.07, 29.18

 

CMYK 0 / 6 / 77 / 66

HEX #565114

RGB 86 81 20

HSL 55.45, 0.62%, 0.21%

LAB 33.8, -6.02, 34.68

 

CMYK 14 / 0 / 77 / 66

HEX #4A5614

RGB 74 86 20

HSL 70.91, 0.62%, 0.21%

LAB 34.32, -14.77, 34.82

 

CMYK 35 / 0 / 77 / 66

HEX #385614

RGB 56 86 20

HSL 87.27, 0.62%, 0.21%

LAB 33.02, -22.89, 33.1

 

CMYK 56 / 0 / 77 / 66

HEX #265614

RGB 38 86 20

HSL 103.64, 0.62%, 0.21%

LAB 32.07, -29.7, 31.83

 

CMYK 0 / 27 / 77 / 66

HEX #563F14

RGB 86 63 20

HSL 39.09, 0.62%, 0.21%

LAB 28.34, 5.07, 29.18

 

CMYK 0 / 32 / 88 / 63

HEX #5F410B

RGB 95 65 11

HSL 38.57, 0.79%, 0.21%

LAB 30, 7.94, 35.2

 

CMYK 0 / 35 / 97 / 59

HEX #684403

RGB 104 68 3

HSL 38.61, 0.94%, 0.21%

LAB 32, 10.33, 40.28

 

CMYK 0 / 27 / 77 / 66

HEX #563F14

RGB 86 63 20

HSL 39.09, 0.62%, 0.21%

LAB 28.34, 5.07, 29.18

 

CMYK 0 / 23 / 63 / 69

HEX #4E3C1D

RGB 78 60 29

HSL 37.96, 0.46%, 0.21%

LAB 26.56, 3.63, 21.94

 

CMYK 0 / 16 / 46 / 73

HEX #453A25

RGB 69 58 37

HSL 39.38, 0.3%, 0.21%

LAB 25.03, 1.33, 14.84

 

CMYK 0 / 8 / 23 / 76

HEX #3C372E

RGB 60 55 46

HSL 38.57, 0.13%, 0.21%

LAB 23.31, 0.38, 6.44

 

CMYK 5 / 4 / 0 / 78

HEX #343537

RGB 52 53 55

HSL 220, 0.03%, 0.21%

LAB 22.13, 0.04, -1.41

 

CMYK 0 / 70 / 77 / 66

HEX #561A14

RGB 86 26 20

HSL 5.45, 0.62%, 0.21%

LAB 19.09, 27.38, 19.07

 

CMYK 0 / 49 / 77 / 66

HEX #562C14

RGB 86 44 20

HSL 21.82, 0.62%, 0.21%

LAB 23.1, 17.1, 23.6

 

CMYK 0 / 28 / 77 / 66

HEX #563E14

RGB 86 62 20

HSL 38.18, 0.62%, 0.21%

LAB 28.05, 5.71, 28.88

 

CMYK 0 / 7 / 77 / 66

HEX #565014

RGB 86 80 20

HSL 54.55, 0.62%, 0.21%

LAB 33.49, -5.42, 34.37

 

CMYK 13 / 0 / 77 / 66

HEX #4B5614

RGB 75 86 20

HSL 70, 0.62%, 0.21%

LAB 34.4, -14.3, 34.93

 

CMYK 0 / 26 / 79 / 93

HEX #130E04

RGB 19 14 4

HSL 40, 0.65%, 0.05%

LAB 4.17, 0.37, 4.6

 

CMYK 0 / 28 / 77 / 79

HEX #35260C

RGB 53 38 12

HSL 38.05, 0.63%, 0.13%

LAB 16.35, 3.63, 18.91

 

CMYK 0 / 27 / 77 / 66

HEX #563F14

RGB 86 63 20

HSL 39.09, 0.62%, 0.21%

LAB 28.34, 5.07, 29.18

 

CMYK 0 / 28 / 77 / 53

HEX #78571C

RGB 120 87 28

HSL 38.48, 0.62%, 0.29%

LAB 39.4, 7.52, 37.91

 

CMYK 0 / 27 / 76 / 40

HEX #996F24

RGB 153 111 36

HSL 38.46, 0.62%, 0.37%

LAB 49.82, 9.36, 45.98

 

CMYK 0 / 27 / 76 / 67

HEX #553E14

RGB 85 62 20

HSL 38.77, 0.62%, 0.21%

LAB 27.92, 5.2, 28.71

 

CMYK 64 / 0 / 77 / 66

HEX #1F5614

RGB 31 86 20

HSL 110, 0.62%, 0.21%

LAB 31.8, -31.84, 31.46

 

CMYK 59 / 77 / 0 / 66

HEX #231456

RGB 35 20 86

HSL 253.64, 0.62%, 0.21%

LAB 12.79, 26.98, -37.35

 

CMYK 0 / 27 / 76 / 67

HEX #553E14

RGB 85 62 20

HSL 38.77, 0.62%, 0.21%

LAB 27.92, 5.2, 28.71

 

CMYK 77 / 0 / 28 / 66

HEX #14563E

RGB 20 86 62

HSL 158.18, 0.62%, 0.21%

LAB 32.15, -26.86, 8.19

 

CMYK 28 / 77 / 0 / 66

HEX #3E1456

RGB 62 20 86

HSL 278.18, 0.62%, 0.21%

LAB 16.49, 32.67, -31.18

 

CMYK 0 / 27 / 76 / 67

HEX #553E14

RGB 85 62 20

HSL 38.77, 0.62%, 0.21%

LAB 27.92, 5.2, 28.71

 

CMYK 64 / 0 / 77 / 66

HEX #1F5614

RGB 31 86 20

HSL 110, 0.62%, 0.21%

LAB 31.8, -31.84, 31.46

 

CMYK 77 / 49 / 0 / 66

HEX #142C56

RGB 20 44 86

HSL 218.18, 0.62%, 0.21%

LAB 18.46, 7.14, -28.21

 

CMYK 13 / 77 / 0 / 66

HEX #4B1456

RGB 75 20 86

HSL 290, 0.62%, 0.21%

LAB 18.66, 35.81, -27.57

 

CMYK 0 / 27 / 76 / 67

HEX #553E14

RGB 85 62 20

HSL 38.77, 0.62%, 0.21%

LAB 27.92, 5.2, 28.71

 

CMYK 77 / 0 / 66 / 66

HEX #14561D

RGB 20 86 29

HSL 128.18, 0.62%, 0.21%

LAB 31.56, -33.47, 26.79

 

CMYK 77 / 49 / 0 / 66

HEX #142C56

RGB 20 44 86

HSL 218.18, 0.62%, 0.21%

LAB 18.46, 7.14, -28.21

 

CMYK 0 / 77 / 10 / 66

HEX #56144D

RGB 86 20 77

HSL 308.18, 0.62%, 0.21%

LAB 20.1, 36.93, -19.07

 

Description

Color code: HEX #553E14 | qconv.com Color code: HEX #553E14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 62 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 62 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 76 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 76% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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