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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5566F6 it is the complementary color #AA9909. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5566F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5566F6 shade: #5A66F1, #6B78FF, #7C8AFF, #8D9CFF and #9EAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5566F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5566F6 shade: #5566F6, #4454E3, #3342D0, #2230BD and #111EAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5566F6 shade: #5566F6, #6F55F6, #9B55F6, #C655F6 and #F155F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5566F6 shade: #5566F6 and #5555F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5566F6 shade matches the following richer shades: #5566F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5566F6 shade: #5566F6, #6371E7, #727DD9, #8088CA and #8F93BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5566F6 shade: #55BDF6, #5593F6, #5568F6, #6D55F6 and #9855F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5566F6 shade: #0C24EC, #2E43F4, #5566F6, #7C89F8 and #A3ACFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5566F6 shade: #5566F6, #F655E8 and #A8F655

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5566F6 shade: #5566F6, #F65568 and #68F655

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5566F6 shade: #5566F6, #F655E8, #F6E355 and #55F662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5566F6 shade: #5566F6, #F655B8, #F6E355 and #55F693

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 59 / 0 / 4

HEX #5566F6

RGB 85 102 246

HSL 233.66, 0.9%, 0.65%

LAB 49.6, 38.15, -74.14

 

Complementary color

CMYK 0 / 10 / 95 / 33

HEX #AA9909

RGB 170 153 9

HSL 53.66, 0.9%, 0.35%

LAB 62.8, -6.89, 65.05

 

CMYK 63 / 58 / 0 / 5

HEX #5A66F1

RGB 90 102 241

HSL 235.23, 0.84%, 0.65%

LAB 49.53, 37.24, -71.45

 

CMYK 58 / 53 / 0 / 0

HEX #6B78FF

RGB 107 120 255

HSL 234.73, 1%, 0.71%

LAB 55.87, 33.78, -68.91

 

CMYK 51 / 46 / 0 / 0

HEX #7C8AFF

RGB 124 138 255

HSL 233.59, 1%, 0.74%

LAB 61.38, 26.38, -60

 

CMYK 45 / 39 / 0 / 0

HEX #8D9CFF

RGB 141 156 255

HSL 232.11, 1%, 0.78%

LAB 67.02, 19.71, -50.96

 

CMYK 38 / 32 / 0 / 0

HEX #9EAEFF

RGB 158 174 255

HSL 230.1, 1%, 0.81%

LAB 72.73, 13.71, -41.9

 

CMYK 65 / 59 / 0 / 4

HEX #5566F6

RGB 85 102 246

HSL 233.66, 0.9%, 0.65%

LAB 49.6, 38.15, -74.14

 

CMYK 70 / 63 / 0 / 11

HEX #4454E3

RGB 68 84 227

HSL 233.96, 0.74%, 0.58%

LAB 42.94, 40.45, -74.37

 

CMYK 75 / 68 / 0 / 18

HEX #3342D0

RGB 51 66 208

HSL 234.27, 0.63%, 0.51%

LAB 36.28, 43.04, -74.44

 

CMYK 82 / 75 / 0 / 26

HEX #2230BD

RGB 34 48 189

HSL 234.58, 0.7%, 0.44%

LAB 29.73, 45.81, -74.16

 

CMYK 90 / 82 / 0 / 33

HEX #111EAA

RGB 17 30 170

HSL 234.9, 0.82%, 0.37%

LAB 23.51, 48.39, -73.16

 

CMYK 65 / 59 / 0 / 4

HEX #5566F6

RGB 85 102 246

HSL 233.66, 0.9%, 0.65%

LAB 49.6, 38.15, -74.14

 

CMYK 55 / 65 / 0 / 4

HEX #6F55F6

RGB 111 85 246

HSL 249.69, 0.9%, 0.65%

LAB 47.66, 51.98, -77.23

 

CMYK 37 / 65 / 0 / 4

HEX #9B55F6

RGB 155 85 246

HSL 266.09, 0.9%, 0.65%

LAB 51.97, 59.86, -70.02

 

CMYK 20 / 65 / 0 / 4

HEX #C655F6

RGB 198 85 246

HSL 282.11, 0.9%, 0.65%

LAB 57.23, 68.71, -61.28

 

CMYK 2 / 65 / 0 / 4

HEX #F155F6

RGB 241 85 246

HSL 298.14, 0.9%, 0.65%

LAB 63.22, 78.1, -51.37

 

CMYK 65 / 59 / 0 / 4

HEX #5566F6

RGB 85 102 246

HSL 233.66, 0.9%, 0.65%

LAB 49.6, 38.15, -74.14

 

CMYK 65 / 65 / 0 / 4

HEX #5555F6

RGB 85 85 246

HSL 240, 0.9%, 0.65%

LAB 45.75, 48.25, -80.44

 

CMYK 65 / 59 / 0 / 4

HEX #5566F6

RGB 85 102 246

HSL 233.66, 0.9%, 0.65%

LAB 49.6, 38.15, -74.14

 

CMYK 65 / 59 / 0 / 4

HEX #5566F6

RGB 85 102 246

HSL 233.66, 0.9%, 0.65%

LAB 49.6, 38.15, -74.14

 

CMYK 57 / 51 / 0 / 9

HEX #6371E7

RGB 99 113 231

HSL 233.64, 0.73%, 0.65%

LAB 52.1, 28.84, -61.67

 

CMYK 47 / 42 / 0 / 15

HEX #727DD9

RGB 114 125 217

HSL 233.59, 0.58%, 0.65%

LAB 55.33, 20.39, -48.57

 

CMYK 37 / 33 / 0 / 21

HEX #8088CA

RGB 128 136 202

HSL 233.51, 0.41%, 0.65%

LAB 58.47, 13.14, -35.1

 

CMYK 24 / 22 / 0 / 26

HEX #8F93BC

RGB 143 147 188

HSL 234.67, 0.25%, 0.65%

LAB 61.94, 7.61, -21.75

 

CMYK 65 / 23 / 0 / 4

HEX #55BDF6

RGB 85 189 246

HSL 201.24, 0.9%, 0.65%

LAB 72.88, -12.9, -37.09

 

CMYK 65 / 40 / 0 / 4

HEX #5593F6

RGB 85 147 246

HSL 216.89, 0.9%, 0.65%

LAB 61.18, 10.82, -55.49

 

CMYK 65 / 58 / 0 / 4

HEX #5568F6

RGB 85 104 246

HSL 232.92, 0.9%, 0.65%

LAB 50.08, 36.94, -73.36

 

CMYK 56 / 65 / 0 / 4

HEX #6D55F6

RGB 109 85 246

HSL 248.94, 0.9%, 0.65%

LAB 47.5, 51.67, -77.5

 

CMYK 38 / 65 / 0 / 4

HEX #9855F6

RGB 152 85 246

HSL 264.97, 0.9%, 0.65%

LAB 51.64, 59.27, -70.58

 

CMYK 95 / 85 / 0 / 7

HEX #0C24EC

RGB 12 36 236

HSL 233.57, 0.9%, 0.49%

LAB 32.69, 65.75, -96.48

 

CMYK 81 / 73 / 0 / 4

HEX #2E43F4

RGB 46 67 244

HSL 233.64, 0.9%, 0.57%

LAB 39.79, 54.22, -89.19

 

CMYK 65 / 59 / 0 / 4

HEX #5566F6

RGB 85 102 246

HSL 233.66, 0.9%, 0.65%

LAB 49.6, 38.15, -74.14

 

CMYK 50 / 45 / 0 / 3

HEX #7C89F8

RGB 124 137 248

HSL 233.71, 0.9%, 0.73%

LAB 60.74, 24.86, -57.17

 

CMYK 35 / 31 / 0 / 2

HEX #A3ACFA

RGB 163 172 250

HSL 233.79, 0.9%, 0.81%

LAB 72.36, 14.85, -39.76

 

CMYK 65 / 59 / 0 / 4

HEX #5566F6

RGB 85 102 246

HSL 233.66, 0.9%, 0.65%

LAB 49.6, 38.15, -74.14

 

CMYK 0 / 65 / 6 / 4

HEX #F655E8

RGB 246 85 232

HSL 305.22, 0.9%, 0.65%

LAB 63.27, 77.02, -43.46

 

CMYK 32 / 0 / 65 / 4

HEX #A8F655

RGB 168 246 85

HSL 89.07, 0.9%, 0.65%

LAB 89.34, -48.44, 67.23

 

CMYK 65 / 59 / 0 / 4

HEX #5566F6

RGB 85 102 246

HSL 233.66, 0.9%, 0.65%

LAB 49.6, 38.15, -74.14

 

CMYK 0 / 65 / 58 / 4

HEX #F65568

RGB 246 85 104

HSL 352.92, 0.9%, 0.65%

LAB 59.06, 62.54, 23.83

 

CMYK 58 / 0 / 65 / 4

HEX #68F655

RGB 104 246 85

HSL 112.92, 0.9%, 0.65%

LAB 86.76, -67.27, 63.69

 

CMYK 65 / 59 / 0 / 4

HEX #5566F6

RGB 85 102 246

HSL 233.66, 0.9%, 0.65%

LAB 49.6, 38.15, -74.14

 

CMYK 0 / 65 / 6 / 4

HEX #F655E8

RGB 246 85 232

HSL 305.22, 0.9%, 0.65%

LAB 63.27, 77.02, -43.46

 

CMYK 0 / 8 / 65 / 4

HEX #F6E355

RGB 246 227 85

HSL 52.92, 0.9%, 0.65%

LAB 89.48, -9.41, 69

 

CMYK 65 / 0 / 60 / 4

HEX #55F662

RGB 85 246 98

HSL 124.84, 0.9%, 0.65%

LAB 86.37, -69.99, 57.78

 

CMYK 65 / 59 / 0 / 4

HEX #5566F6

RGB 85 102 246

HSL 233.66, 0.9%, 0.65%

LAB 49.6, 38.15, -74.14

 

CMYK 0 / 65 / 25 / 4

HEX #F655B8

RGB 246 85 184

HSL 323.11, 0.9%, 0.65%

LAB 61.26, 70.34, -19.44

 

CMYK 0 / 8 / 65 / 4

HEX #F6E355

RGB 246 227 85

HSL 52.92, 0.9%, 0.65%

LAB 89.48, -9.41, 69

 

CMYK 65 / 0 / 40 / 4

HEX #55F693

RGB 85 246 147

HSL 143.11, 0.9%, 0.65%

LAB 86.97, -63.1, 35.63

 

Description

Color code: HEX #5566F6 | qconv.com Color code: HEX #5566F6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 102 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 102 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 59 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 59% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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