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Color name
HEX #559E26

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #559E26 it is the complementary color #AA61D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #559E26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #559E26 shade: #5A9E21, #6BB034, #7CC247, #8DD45A and #9EE66D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #559E26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #559E26 shade: #559E26, #448C13, #337A00, #226800 and #115600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #559E26 shade: #549C25, #739C25, #939C25, #9C8425 and #9C6425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #559E26 shade: #549C25, #349C25, #259C37, #259C57 and #259C77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #559E26 shade matches the following richer shades: #549C25, #50AB16 and #4DBB06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #559E26 shade: #549C25, #578C35, #5A7C45, #5E6C54 and #615D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #559E26 shade: #949C25, #749C25, #559C25, #359C25 and #259C35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #559E26 shade: #305915, #427A1D, #549C25, #65BD2D and #7AD142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #559E26 shade: #559E26, #259C84 and #9C2584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #559E26 shade: #559E26, #25559C and #9C2555

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #559E26 shade: #559E26, #259C84, #6C259C and #9C253D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #559E26 shade: #559E26, #25909C, #6C259C and #9C3125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 76 / 38

HEX #559E26

RGB 85 158 38

HSL 96.5, 0.61%, 0.38%

LAB 58.53, -43.34, 52

 

Complementary color

CMYK 22 / 55 / 0 / 15

HEX #AA61D9

RGB 170 97 217

HSL 276.5, 0.61%, 0.62%

LAB 54.14, 50.43, -50.15

 

CMYK 43 / 0 / 79 / 38

HEX #5A9E21

RGB 90 158 33

HSL 92.64, 0.65%, 0.37%

LAB 58.73, -41.97, 53.95

 

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

CMYK 36 / 0 / 63 / 24

HEX #7CC247

RGB 124 194 71

HSL 94.15, 0.5%, 0.52%

LAB 71.77, -42.73, 53.34

 

CMYK 33 / 0 / 58 / 17

HEX #8DD45A

RGB 141 212 90

HSL 94.92, 0.59%, 0.59%

LAB 78.16, -42.86, 52.42

 

CMYK 31 / 0 / 53 / 10

HEX #9EE66D

RGB 158 230 109

HSL 95.7, 0.71%, 0.66%

LAB 84.47, -42.89, 51.36

 

CMYK 46 / 0 / 76 / 38

HEX #559E26

RGB 85 158 38

HSL 96.5, 0.61%, 0.38%

LAB 58.53, -43.34, 52

 

CMYK 51 / 0 / 86 / 45

HEX #448C13

RGB 68 140 19

HSL 95.7, 0.76%, 0.31%

LAB 51.87, -42.57, 51.34

 

CMYK 58 / 0 / 100 / 52

HEX #337A00

RGB 51 122 0

HSL 94.92, 1%, 0.24%

LAB 45.11, -41.37, 49.42

 

CMYK 67 / 0 / 100 / 59

HEX #226800

RGB 34 104 0

HSL 100.38, 1%, 0.2%

LAB 38.27, -39.25, 43.77

 

CMYK 80 / 0 / 100 / 66

HEX #115600

RGB 17 86 0

HSL 108.14, 1%, 0.17%

LAB 31.29, -36.55, 38.03

 

CMYK 46 / 0 / 76 / 39

HEX #549C25

RGB 84 156 37

HSL 96.3, 0.62%, 0.38%

LAB 57.84, -42.91, 51.66

 

CMYK 26 / 0 / 76 / 39

HEX #739C25

RGB 115 156 37

HSL 80.67, 0.62%, 0.38%

LAB 59.48, -31.52, 53.82

 

CMYK 6 / 0 / 76 / 39

HEX #939C25

RGB 147 156 37

HSL 64.54, 0.62%, 0.38%

LAB 61.75, -17.99, 56.76

 

CMYK 0 / 15 / 76 / 39

HEX #9C8425

RGB 156 132 37

HSL 47.9, 0.62%, 0.38%

LAB 55.79, -1.08, 51.44

 

CMYK 0 / 36 / 76 / 39

HEX #9C6425

RGB 156 100 37

HSL 31.76, 0.62%, 0.38%

LAB 47.39, 17.08, 43.25

 

CMYK 46 / 0 / 76 / 39

HEX #549C25

RGB 84 156 37

HSL 96.3, 0.62%, 0.38%

LAB 57.84, -42.91, 51.66

 

CMYK 67 / 0 / 76 / 39

HEX #349C25

RGB 52 156 37

HSL 112.44, 0.62%, 0.38%

LAB 56.72, -51.7, 50.19

 

CMYK 76 / 0 / 65 / 39

HEX #259C37

RGB 37 156 55

HSL 129.08, 0.62%, 0.38%

LAB 56.53, -52.79, 42.6

 

CMYK 76 / 0 / 44 / 39

HEX #259C57

RGB 37 156 87

HSL 145.21, 0.62%, 0.38%

LAB 56.94, -48.01, 27.13

 

CMYK 76 / 0 / 24 / 39

HEX #259C77

RGB 37 156 119

HSL 161.34, 0.62%, 0.38%

LAB 57.56, -41.11, 10.31

 

CMYK 46 / 0 / 76 / 39

HEX #549C25

RGB 84 156 37

HSL 96.3, 0.62%, 0.38%

LAB 57.84, -42.91, 51.66

 

CMYK 53 / 0 / 87 / 33

HEX #50AB16

RGB 80 171 22

HSL 96.64, 0.77%, 0.38%

LAB 62.41, -50.77, 60.07

 

CMYK 59 / 0 / 97 / 27

HEX #4DBB06

RGB 77 187 6

HSL 96.46, 0.94%, 0.38%

LAB 67.38, -57.76, 66.64

 

CMYK 46 / 0 / 76 / 39

HEX #549C25

RGB 84 156 37

HSL 96.3, 0.62%, 0.38%

LAB 57.84, -42.91, 51.66

 

CMYK 38 / 0 / 62 / 45

HEX #578C35

RGB 87 140 53

HSL 96.55, 0.45%, 0.38%

LAB 52.99, -33.63, 40.02

 

CMYK 27 / 0 / 44 / 51

HEX #5A7C45

RGB 90 124 69

HSL 97.09, 0.28%, 0.38%

LAB 48.28, -22.83, 26.18

 

CMYK 13 / 0 / 22 / 58

HEX #5E6C54

RGB 94 108 84

HSL 95, 0.13%, 0.38%

LAB 43.86, -10.17, 11.7

 

CMYK 3 / 7 / 0 / 61

HEX #615D64

RGB 97 93 100

HSL 274.29, 0.04%, 0.38%

LAB 40.06, 3.06, -3.43

 

CMYK 5 / 0 / 76 / 39

HEX #949C25

RGB 148 156 37

HSL 64.03, 0.62%, 0.38%

LAB 61.83, -17.55, 56.87

 

CMYK 26 / 0 / 76 / 39

HEX #749C25

RGB 116 156 37

HSL 80.17, 0.62%, 0.38%

LAB 59.55, -31.12, 53.9

 

CMYK 46 / 0 / 76 / 39

HEX #559C25

RGB 85 156 37

HSL 95.8, 0.62%, 0.38%

LAB 57.89, -42.58, 51.72

 

CMYK 66 / 0 / 76 / 39

HEX #359C25

RGB 53 156 37

HSL 111.93, 0.62%, 0.38%

LAB 56.75, -51.48, 50.22

 

CMYK 76 / 0 / 66 / 39

HEX #259C35

RGB 37 156 53

HSL 128.07, 0.62%, 0.38%

LAB 56.51, -53.01, 43.47

 

CMYK 46 / 0 / 76 / 65

HEX #305915

RGB 48 89 21

HSL 96.18, 0.62%, 0.22%

LAB 33.62, -27.46, 33.13

 

CMYK 46 / 0 / 76 / 52

HEX #427A1D

RGB 66 122 29

HSL 96.13, 0.62%, 0.3%

LAB 45.86, -35.19, 42.51

 

CMYK 46 / 0 / 76 / 39

HEX #549C25

RGB 84 156 37

HSL 96.3, 0.62%, 0.38%

LAB 57.84, -42.91, 51.66

 

CMYK 47 / 0 / 76 / 26

HEX #65BD2D

RGB 101 189 45

HSL 96.67, 0.62%, 0.46%

LAB 69.01, -50.2, 60.05

 

CMYK 42 / 0 / 68 / 18

HEX #7AD142

RGB 122 209 66

HSL 96.5, 0.61%, 0.54%

LAB 76.15, -50.05, 60.01

 

CMYK 46 / 0 / 76 / 38

HEX #559E26

RGB 85 158 38

HSL 96.5, 0.61%, 0.38%

LAB 58.53, -43.34, 52

 

CMYK 76 / 0 / 15 / 39

HEX #259C84

RGB 37 156 132

HSL 167.9, 0.62%, 0.38%

LAB 57.88, -37.76, 3.41

 

CMYK 0 / 76 / 15 / 39

HEX #9C2584

RGB 156 37 132

HSL 312.1, 0.62%, 0.38%

LAB 37.94, 57.44, -25.75

 

CMYK 46 / 0 / 76 / 38

HEX #559E26

RGB 85 158 38

HSL 96.5, 0.61%, 0.38%

LAB 58.53, -43.34, 52

 

CMYK 76 / 46 / 0 / 39

HEX #25559C

RGB 37 85 156

HSL 215.8, 0.62%, 0.38%

LAB 36.54, 9.68, -43.38

 

CMYK 0 / 76 / 46 / 39

HEX #9C2555

RGB 156 37 85

HSL 335.8, 0.62%, 0.38%

LAB 36.07, 51.68, 1.09

 

CMYK 46 / 0 / 76 / 38

HEX #559E26

RGB 85 158 38

HSL 96.5, 0.61%, 0.38%

LAB 58.53, -43.34, 52

 

CMYK 76 / 0 / 15 / 39

HEX #259C84

RGB 37 156 132

HSL 167.9, 0.62%, 0.38%

LAB 57.88, -37.76, 3.41

 

CMYK 31 / 76 / 0 / 39

HEX #6C259C

RGB 108 37 156

HSL 275.8, 0.62%, 0.38%

LAB 31.6, 51.41, -51.05

 

CMYK 0 / 76 / 61 / 39

HEX #9C253D

RGB 156 37 61

HSL 347.9, 0.62%, 0.38%

LAB 35.46, 49.69, 15.7

 

CMYK 46 / 0 / 76 / 38

HEX #559E26

RGB 85 158 38

HSL 96.5, 0.61%, 0.38%

LAB 58.53, -43.34, 52

 

CMYK 76 / 8 / 0 / 39

HEX #25909C

RGB 37 144 156

HSL 186.05, 0.62%, 0.38%

LAB 54.8, -24.94, -14.88

 

CMYK 31 / 76 / 0 / 39

HEX #6C259C

RGB 108 37 156

HSL 275.8, 0.62%, 0.38%

LAB 31.6, 51.41, -51.05

 

CMYK 0 / 69 / 76 / 39

HEX #9C3125

RGB 156 49 37

HSL 6.05, 0.62%, 0.38%

LAB 36.74, 43.73, 32.14

 

Description

Color code: HEX #559E26 | qconv.com Color code: HEX #559E26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 158 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 158 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 76 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 76% 38% C M Y K

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Provide designers and agencies with accurate color values.

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