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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 176 52 it is the complementary color RGB 148 79 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 176 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 176 52 shade: RGB 112 176 47, RGB 129 194 66, RGB 146 212 85, RGB 163 230 104 and RGB 180 248 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 176 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 176 52 shade: RGB 107 176 52, RGB 90 158 33, RGB 73 140 14, RGB 56 122 0 and RGB 39 104 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 176 52 shade: RGB 107 176 52, RGB 141 176 52, RGB 174 176 52, RGB 176 145 52 and RGB 176 112 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 176 52 shade: RGB 107 176 52, RGB 74 176 52, RGB 52 176 64, RGB 52 176 98 and RGB 52 176 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 176 52 shade matches the following richer shades: RGB 107 176 52, RGB 105 195 34 and RGB 103 213 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 176 52 shade: RGB 107 176 52, RGB 109 158 71, RGB 111 139 89, RGB 114 121 108 and RGB 116 102 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 176 52 shade: RGB 174 176 52, RGB 141 176 52, RGB 108 176 52, RGB 75 176 52 and RGB 52 176 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 176 52 shade: RGB 69 113 33, RGB 88 144 43, RGB 107 176 52, RGB 128 199 70 and RGB 149 209 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 176 52 shade: RGB 107 176 52, RGB 52 176 145 and RGB 176 52 158

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 176 52 shade: RGB 107 176 52, RGB 52 108 176 and RGB 176 52 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 176 52 shade: RGB 107 176 52, RGB 52 176 145, RGB 120 52 176 and RGB 176 52 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 176 52 shade: RGB 107 176 52, RGB 52 170 176, RGB 120 52 176 and RGB 176 58 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

Complementary color

CMYK 27 / 61 / 0 / 20

HEX #944FCB

RGB 148 79 203

HSL 273.39, 0.54%, 0.55%

LAB 47.24, 51.13, -53.35

 

CMYK 36 / 0 / 73 / 31

HEX #70B02F

RGB 112 176 47

HSL 89.77, 0.58%, 0.44%

LAB 65.51, -41.05, 56.12

 

CMYK 34 / 0 / 66 / 24

HEX #81C242

RGB 129 194 66

HSL 90.47, 0.51%, 0.51%

LAB 71.99, -41.39, 55.73

 

CMYK 31 / 0 / 60 / 17

HEX #92D455

RGB 146 212 85

HSL 91.18, 0.6%, 0.58%

LAB 78.38, -41.59, 54.95

 

CMYK 29 / 0 / 55 / 10

HEX #A3E668

RGB 163 230 104

HSL 91.9, 0.72%, 0.65%

LAB 84.68, -41.68, 53.96

 

CMYK 27 / 0 / 50 / 3

HEX #B4F87B

RGB 180 248 123

HSL 92.64, 0.9%, 0.73%

LAB 90.9, -41.71, 52.89

 

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

CMYK 43 / 0 / 79 / 38

HEX #5A9E21

RGB 90 158 33

HSL 92.64, 0.65%, 0.37%

LAB 58.73, -41.97, 53.95

 

CMYK 48 / 0 / 90 / 45

HEX #498C0E

RGB 73 140 14

HSL 91.9, 0.82%, 0.3%

LAB 52.07, -41.14, 52.74

 

CMYK 54 / 0 / 100 / 52

HEX #387A00

RGB 56 122 0

HSL 92.46, 1%, 0.24%

LAB 45.3, -39.85, 49.65

 

CMYK 63 / 0 / 100 / 59

HEX #276800

RGB 39 104 0

HSL 97.5, 1%, 0.2%

LAB 38.43, -37.92, 43.97

 

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

CMYK 20 / 0 / 70 / 31

HEX #8DB034

RGB 141 176 52

HSL 76.94, 0.54%, 0.45%

LAB 67.25, -29.62, 56.56

 

CMYK 1 / 0 / 70 / 31

HEX #AEB034

RGB 174 176 52

HSL 60.97, 0.54%, 0.45%

LAB 69.68, -15.77, 59.79

 

CMYK 0 / 18 / 70 / 31

HEX #B09134

RGB 176 145 52

HSL 45, 0.54%, 0.45%

LAB 61.42, 1.54, 51.58

 

CMYK 0 / 36 / 70 / 31

HEX #B07034

RGB 176 112 52

HSL 29.03, 0.54%, 0.45%

LAB 53.02, 19.91, 42.76

 

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

CMYK 58 / 0 / 70 / 31

HEX #4AB034

RGB 74 176 52

HSL 109.35, 0.54%, 0.45%

LAB 63.96, -52.47, 52.15

 

CMYK 70 / 0 / 64 / 31

HEX #34B040

RGB 52 176 64

HSL 125.81, 0.54%, 0.45%

LAB 63.47, -56.11, 46.43

 

CMYK 70 / 0 / 44 / 31

HEX #34B062

RGB 52 176 98

HSL 142.26, 0.54%, 0.45%

LAB 63.89, -51.24, 30.36

 

CMYK 70 / 0 / 26 / 31

HEX #34B083

RGB 52 176 131

HSL 158.23, 0.54%, 0.45%

LAB 64.5, -44.52, 13.43

 

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

CMYK 46 / 0 / 83 / 24

HEX #69C322

RGB 105 195 34

HSL 93.54, 0.7%, 0.45%

LAB 70.97, -51.86, 65.16

 

CMYK 52 / 0 / 93 / 16

HEX #67D50F

RGB 103 213 15

HSL 93.33, 0.87%, 0.45%

LAB 76.38, -59.75, 73.31

 

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

CMYK 31 / 0 / 55 / 38

HEX #6D9E47

RGB 109 158 71

HSL 93.79, 0.38%, 0.45%

LAB 60.03, -31.97, 39.79

 

CMYK 20 / 0 / 36 / 45

HEX #6F8B59

RGB 111 139 89

HSL 93.6, 0.22%, 0.45%

LAB 54.62, -19.47, 23.59

 

CMYK 6 / 0 / 11 / 53

HEX #72796C

RGB 114 121 108

HSL 92.31, 0.06%, 0.45%

LAB 49.9, -5.22, 6.23

 

CMYK 9 / 20 / 0 / 50

HEX #74667F

RGB 116 102 127

HSL 273.6, 0.11%, 0.45%

LAB 45.29, 10.66, -11.86

 

CMYK 1 / 0 / 70 / 31

HEX #AEB034

RGB 174 176 52

HSL 60.97, 0.54%, 0.45%

LAB 69.68, -15.77, 59.79

 

CMYK 20 / 0 / 70 / 31

HEX #8DB034

RGB 141 176 52

HSL 76.94, 0.54%, 0.45%

LAB 67.25, -29.62, 56.56

 

CMYK 39 / 0 / 70 / 31

HEX #6CB034

RGB 108 176 52

HSL 92.9, 0.54%, 0.45%

LAB 65.35, -42.11, 54.02

 

CMYK 57 / 0 / 70 / 31

HEX #4BB034

RGB 75 176 52

HSL 108.87, 0.54%, 0.45%

LAB 63.99, -52.21, 52.19

 

CMYK 70 / 0 / 64 / 31

HEX #34B03F

RGB 52 176 63

HSL 125.32, 0.54%, 0.45%

LAB 63.46, -56.22, 46.86

 

CMYK 39 / 0 / 71 / 56

HEX #457121

RGB 69 113 33

HSL 93, 0.55%, 0.29%

LAB 43.04, -29.72, 38.03

 

CMYK 39 / 0 / 70 / 44

HEX #58902B

RGB 88 144 43

HSL 93.27, 0.54%, 0.37%

LAB 54.23, -35.97, 45.8

 

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

CMYK 36 / 0 / 65 / 22

HEX #80C746

RGB 128 199 70

HSL 93.02, 0.54%, 0.53%

LAB 73.47, -43.58, 55.65

 

CMYK 29 / 0 / 51 / 18

HEX #95D166

RGB 149 209 102

HSL 93.64, 0.54%, 0.61%

LAB 77.85, -37.48, 46.6

 

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

CMYK 70 / 0 / 18 / 31

HEX #34B091

RGB 52 176 145

HSL 165, 0.54%, 0.45%

LAB 64.82, -41.14, 6.16

 

CMYK 0 / 70 / 10 / 31

HEX #B0349E

RGB 176 52 158

HSL 308.71, 0.54%, 0.45%

LAB 44.45, 61.08, -31.12

 

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

CMYK 70 / 39 / 0 / 31

HEX #346CB0

RGB 52 108 176

HSL 212.9, 0.54%, 0.45%

LAB 45.07, 4.65, -41.58

 

CMYK 0 / 70 / 39 / 31

HEX #B0346C

RGB 176 52 108

HSL 332.9, 0.54%, 0.45%

LAB 42.41, 54.47, -3.72

 

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

CMYK 70 / 0 / 18 / 31

HEX #34B091

RGB 52 176 145

HSL 165, 0.54%, 0.45%

LAB 64.82, -41.14, 6.16

 

CMYK 32 / 70 / 0 / 31

HEX #7834B0

RGB 120 52 176

HSL 272.9, 0.54%, 0.45%

LAB 37.08, 51.85, -54.11

 

CMYK 0 / 70 / 53 / 31

HEX #B03453

RGB 176 52 83

HSL 345, 0.54%, 0.45%

LAB 41.71, 52.06, 10.88

 

CMYK 39 / 0 / 70 / 31

HEX #6BB034

RGB 107 176 52

HSL 93.39, 0.54%, 0.45%

LAB 65.3, -42.46, 53.95

 

CMYK 70 / 3 / 0 / 31

HEX #34AAB0

RGB 52 170 176

HSL 182.9, 0.54%, 0.45%

LAB 63.85, -29.78, -12.54

 

CMYK 32 / 70 / 0 / 31

HEX #7834B0

RGB 120 52 176

HSL 272.9, 0.54%, 0.45%

LAB 37.08, 51.85, -54.11

 

CMYK 0 / 67 / 70 / 31

HEX #B03A34

RGB 176 58 52

HSL 2.9, 0.54%, 0.45%

LAB 42.01, 47.55, 30.32

 

Description

Color code: RGB 107 176 52 | qconv.com Color code: RGB 107 176 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 176 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 176 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 70 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 70% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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