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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55BEEC it is the complementary color #AA4113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55BEEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55BEEC shade: #5ABEE7, #6BD0FA, #7CE2FF, #8DF4FF and #9EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55BEEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55BEEC shade: #55BEEC, #44ACD9, #339AC6, #2288B3 and #1176A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55BEEC shade: #55BEEC, #5595EC, #556CEC, #6655EC and #8F55EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55BEEC shade: #55BEEC, #5595EC, #556CEC and #5555EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55BEEC shade matches the following richer shades: #55BEEC and #45C4FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55BEEC shade: #55BEEC, #64B8DC, #73B2CD, #82ACBE and #92A6AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55BEEC shade: #55ECC8, #55E7EC, #55BEEC, #5596EC and #556EEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55BEEC shade: #179CD6, #30AFE8, #55BEEC, #7ACCF0 and #9FDAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55BEEC shade: #55BEEC, #A055EC and #ECDD55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55BEEC shade: #55BEEC, #EC55BE and #BEEC55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55BEEC shade: #55BEEC, #A055EC, #EC8255 and #A0EC55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55BEEC shade: #55BEEC, #CD55EC, #EC8255 and #73EC55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

Complementary color

CMYK 0 / 62 / 89 / 33

HEX #AA4113

RGB 170 65 19

HSL 18.28, 0.8%, 0.37%

LAB 41.8, 41.06, 46.67

 

CMYK 61 / 18 / 0 / 9

HEX #5ABEE7

RGB 90 190 231

HSL 197.45, 0.75%, 0.63%

LAB 72.74, -17.24, -29.18

 

CMYK 57 / 17 / 0 / 2

HEX #6BD0FA

RGB 107 208 250

HSL 197.62, 0.93%, 0.7%

LAB 79.12, -17.8, -29.54

 

CMYK 51 / 11 / 0 / 0

HEX #7CE2FF

RGB 124 226 255

HSL 193.28, 1%, 0.74%

LAB 84.94, -22.12, -23.24

 

CMYK 45 / 4 / 0 / 0

HEX #8DF4FF

RGB 141 244 255

HSL 185.79, 1%, 0.78%

LAB 90.59, -27.25, -14.66

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 69 / 21 / 0 / 15

HEX #44ACD9

RGB 68 172 217

HSL 198.12, 0.66%, 0.56%

LAB 66.32, -15.7, -31.48

 

CMYK 74 / 22 / 0 / 22

HEX #339AC6

RGB 51 154 198

HSL 197.96, 0.59%, 0.49%

LAB 59.79, -14.6, -31.07

 

CMYK 81 / 24 / 0 / 30

HEX #2288B3

RGB 34 136 179

HSL 197.79, 0.68%, 0.42%

LAB 53.17, -13.16, -30.61

 

CMYK 89 / 26 / 0 / 37

HEX #1176A0

RGB 17 118 160

HSL 197.62, 0.81%, 0.35%

LAB 46.46, -11.27, -30.06

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 64 / 37 / 0 / 7

HEX #5595EC

RGB 85 149 236

HSL 214.57, 0.8%, 0.63%

LAB 61.2, 6.26, -49.94

 

CMYK 64 / 54 / 0 / 7

HEX #556CEC

RGB 85 108 236

HSL 230.86, 0.8%, 0.63%

LAB 50.35, 31.13, -67.34

 

CMYK 57 / 64 / 0 / 7

HEX #6655EC

RGB 102 85 236

HSL 246.75, 0.8%, 0.63%

LAB 46.15, 47.57, -74.12

 

CMYK 39 / 64 / 0 / 7

HEX #8F55EC

RGB 143 85 236

HSL 263.05, 0.8%, 0.63%

LAB 49.97, 55.01, -67.73

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 64 / 37 / 0 / 7

HEX #5595EC

RGB 85 149 236

HSL 214.57, 0.8%, 0.63%

LAB 61.2, 6.26, -49.94

 

CMYK 64 / 54 / 0 / 7

HEX #556CEC

RGB 85 108 236

HSL 230.86, 0.8%, 0.63%

LAB 50.35, 31.13, -67.34

 

CMYK 64 / 64 / 0 / 7

HEX #5555EC

RGB 85 85 236

HSL 240, 0.8%, 0.63%

LAB 44.92, 45.04, -76.17

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 73 / 22 / 0 / 2

HEX #45C4FB

RGB 69 196 251

HSL 198.13, 0.96%, 0.63%

LAB 74.64, -17.23, -37.08

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 55 / 16 / 0 / 14

HEX #64B8DC

RGB 100 184 220

HSL 198, 0.63%, 0.63%

LAB 70.98, -15.46, -25.87

 

CMYK 44 / 13 / 0 / 20

HEX #73B2CD

RGB 115 178 205

HSL 198, 0.47%, 0.63%

LAB 69.39, -13.1, -20.01

 

CMYK 32 / 9 / 0 / 25

HEX #82ACBE

RGB 130 172 190

HSL 198, 0.32%, 0.63%

LAB 68, -9.74, -13.77

 

CMYK 17 / 5 / 0 / 31

HEX #92A6AF

RGB 146 166 175

HSL 198.62, 0.15%, 0.63%

LAB 66.88, -5.03, -7

 

CMYK 64 / 0 / 15 / 7

HEX #55ECC8

RGB 85 236 200

HSL 165.7, 0.8%, 0.63%

LAB 85.04, -48.25, 5.75

 

CMYK 64 / 2 / 0 / 7

HEX #55E7EC

RGB 85 231 236

HSL 181.99, 0.8%, 0.63%

LAB 84.56, -36.75, -13.93

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 64 / 36 / 0 / 7

HEX #5596EC

RGB 85 150 236

HSL 214.17, 0.8%, 0.63%

LAB 61.48, 5.68, -49.5

 

CMYK 64 / 53 / 0 / 7

HEX #556EEC

RGB 85 110 236

HSL 230.07, 0.8%, 0.63%

LAB 50.85, 29.9, -66.53

 

CMYK 89 / 27 / 0 / 16

HEX #179CD6

RGB 23 156 214

HSL 198.22, 0.81%, 0.46%

LAB 60.62, -12.56, -38.77

 

CMYK 79 / 25 / 0 / 9

HEX #30AFE8

RGB 48 175 232

HSL 198.59, 0.8%, 0.55%

LAB 67.36, -14.73, -38.14

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 49 / 15 / 0 / 6

HEX #7ACCF0

RGB 122 204 240

HSL 198.31, 0.8%, 0.71%

LAB 78.24, -15.49, -25.5

 

CMYK 35 / 11 / 0 / 4

HEX #9FDAF4

RGB 159 218 244

HSL 198.35, 0.79%, 0.79%

LAB 83.99, -12.58, -18.72

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 32 / 64 / 0 / 7

HEX #A055EC

RGB 160 85 236

HSL 269.8, 0.8%, 0.63%

LAB 51.87, 58.48, -64.57

 

CMYK 0 / 6 / 64 / 7

HEX #ECDD55

RGB 236 221 85

HSL 54.04, 0.8%, 0.63%

LAB 87.1, -10.54, 66.24

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 19 / 0 / 64 / 7

HEX #BEEC55

RGB 190 236 85

HSL 78.28, 0.8%, 0.63%

LAB 87.77, -36.09, 65.94

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 32 / 64 / 0 / 7

HEX #A055EC

RGB 160 85 236

HSL 269.8, 0.8%, 0.63%

LAB 51.87, 58.48, -64.57

 

CMYK 0 / 45 / 64 / 7

HEX #EC8255

RGB 236 130 85

HSL 17.88, 0.8%, 0.63%

LAB 65.32, 36.89, 41.94

 

CMYK 32 / 0 / 64 / 7

HEX #A0EC55

RGB 160 236 85

HSL 90.2, 0.8%, 0.63%

LAB 86.07, -47, 63.61

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 13 / 64 / 0 / 7

HEX #CD55EC

RGB 205 85 236

HSL 287.68, 0.8%, 0.63%

LAB 57.59, 68.31, -55.07

 

CMYK 0 / 45 / 64 / 7

HEX #EC8255

RGB 236 130 85

HSL 17.88, 0.8%, 0.63%

LAB 65.32, 36.89, 41.94

 

CMYK 51 / 0 / 64 / 7

HEX #73EC55

RGB 115 236 85

HSL 108.08, 0.8%, 0.63%

LAB 84.12, -60.93, 60.92

 

Description

Color code: HEX #55BEEC | qconv.com Color code: HEX #55BEEC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 190 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 190 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 19 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 19% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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