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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC55BE it is the complementary color #13AA41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC55BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC55BE shade: #F155B9, #FF67CC, #FF79DF, #FF8BF2 and #FF9DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC55BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC55BE shade: #EC55BE, #DB43AB, #CA3198, #B91F85 and #A80D72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC55BE shade: #EC55BE, #EC5595, #EC556C and #EC5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC55BE shade: #EC55BE, #EC55E6, #C855EC, #9F55EC and #7755EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC55BE shade matches the following richer shades: #EC55BE and #FB45C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC55BE shade: #EC55BE, #DC64B8, #CD73B2, #BE82AC and #AF92A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC55BE shade: #C855EC, #EC55E7, #EC55BE, #EC5596 and #EC556E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC55BE shade: #D6179C, #E830AF, #EC55BE, #F07ACC and #F49FDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC55BE shade: #EC55BE, #ECA055 and #55ECDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC55BE shade: #EC55BE, #BEEC55 and #55BEEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC55BE shade: #EC55BE, #ECA055, #55EC82 and #55A0EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC55BE shade: #EC55BE, #ECCD55, #55EC82 and #5573EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

Complementary color

CMYK 89 / 0 / 62 / 33

HEX #13AA41

RGB 19 170 65

HSL 138.28, 0.8%, 0.37%

LAB 61.02, -58.24, 43.07

 

CMYK 0 / 65 / 23 / 5

HEX #F155B9

RGB 241 85 185

HSL 321.54, 0.85%, 0.64%

LAB 60.52, 69.14, -21.23

 

CMYK 0 / 60 / 20 / 0

HEX #FF67CC

RGB 255 103 204

HSL 320.13, 1%, 0.7%

LAB 66, 68.18, -23.45

 

CMYK 0 / 53 / 13 / 0

HEX #FF79DF

RGB 255 121 223

HSL 314.33, 1%, 0.74%

LAB 69.66, 63.01, -28.43

 

CMYK 0 / 45 / 5 / 0

HEX #FF8BF2

RGB 255 139 242

HSL 306.72, 1%, 0.77%

LAB 73.63, 57.53, -32.74

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 0 / 69 / 22 / 14

HEX #DB43AB

RGB 219 67 171

HSL 318.95, 0.68%, 0.56%

LAB 54.04, 68.27, -23.36

 

CMYK 0 / 76 / 25 / 21

HEX #CA3198

RGB 202 49 152

HSL 319.61, 0.61%, 0.49%

LAB 48.29, 67.54, -21.23

 

CMYK 0 / 83 / 28 / 27

HEX #B91F85

RGB 185 31 133

HSL 320.26, 0.71%, 0.42%

LAB 42.74, 66, -18.5

 

CMYK 0 / 92 / 32 / 34

HEX #A80D72

RGB 168 13 114

HSL 320.9, 0.86%, 0.35%

LAB 37.53, 63.3, -14.97

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 0 / 64 / 37 / 7

HEX #EC5595

RGB 236 85 149

HSL 334.57, 0.8%, 0.63%

LAB 58.51, 63.47, -3.49

 

CMYK 0 / 64 / 54 / 7

HEX #EC556C

RGB 236 85 108

HSL 350.86, 0.8%, 0.63%

LAB 57.48, 59.69, 19.08

 

CMYK 0 / 64 / 64 / 7

HEX #EC5555

RGB 236 85 85

HSL 0, 0.8%, 0.63%

LAB 57.06, 58.14, 31.88

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 0 / 64 / 3 / 7

HEX #EC55E6

RGB 236 85 230

HSL 302.38, 0.8%, 0.63%

LAB 61.69, 74.39, -44.94

 

CMYK 15 / 64 / 0 / 7

HEX #C855EC

RGB 200 85 236

HSL 285.7, 0.8%, 0.63%

LAB 56.91, 67.19, -56.2

 

CMYK 33 / 64 / 0 / 7

HEX #9F55EC

RGB 159 85 236

HSL 269.4, 0.8%, 0.63%

LAB 51.75, 58.28, -64.76

 

CMYK 50 / 64 / 0 / 7

HEX #7755EC

RGB 119 85 236

HSL 253.51, 0.8%, 0.63%

LAB 47.59, 50.46, -71.7

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 0 / 73 / 22 / 2

HEX #FB45C4

RGB 251 69 196

HSL 318.13, 0.96%, 0.63%

LAB 60.56, 78.61, -27.32

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 0 / 55 / 16 / 14

HEX #DC64B8

RGB 220 100 184

HSL 318, 0.63%, 0.63%

LAB 59.7, 56.72, -22.18

 

CMYK 0 / 44 / 13 / 20

HEX #CD73B2

RGB 205 115 178

HSL 318, 0.47%, 0.63%

LAB 60.3, 43.76, -18.02

 

CMYK 0 / 32 / 9 / 25

HEX #BE82AC

RGB 190 130 172

HSL 318, 0.32%, 0.63%

LAB 61.56, 29.66, -12.86

 

CMYK 0 / 17 / 5 / 31

HEX #AF92A6

RGB 175 146 166

HSL 318.62, 0.15%, 0.63%

LAB 63.69, 14.34, -6.43

 

CMYK 15 / 64 / 0 / 7

HEX #C855EC

RGB 200 85 236

HSL 285.7, 0.8%, 0.63%

LAB 56.91, 67.19, -56.2

 

CMYK 0 / 64 / 2 / 7

HEX #EC55E7

RGB 236 85 231

HSL 301.99, 0.8%, 0.63%

LAB 61.74, 74.54, -45.42

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 0 / 64 / 36 / 7

HEX #EC5596

RGB 236 85 150

HSL 334.17, 0.8%, 0.63%

LAB 58.54, 63.58, -4.03

 

CMYK 0 / 64 / 53 / 7

HEX #EC556E

RGB 236 85 110

HSL 350.07, 0.8%, 0.63%

LAB 57.52, 59.85, 17.97

 

CMYK 0 / 89 / 27 / 16

HEX #D6179C

RGB 214 23 156

HSL 318.22, 0.81%, 0.46%

LAB 48.65, 76.42, -22.88

 

CMYK 0 / 79 / 25 / 9

HEX #E830AF

RGB 232 48 175

HSL 318.59, 0.8%, 0.55%

LAB 54.41, 77.56, -24.94

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 0 / 49 / 15 / 6

HEX #F07ACC

RGB 240 122 204

HSL 318.31, 0.8%, 0.71%

LAB 67.13, 55.27, -21.9

 

CMYK 0 / 35 / 11 / 4

HEX #F49FDA

RGB 244 159 218

HSL 318.35, 0.79%, 0.79%

LAB 75.51, 40.04, -16.89

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 0 / 32 / 64 / 7

HEX #ECA055

RGB 236 160 85

HSL 29.8, 0.8%, 0.63%

LAB 71.98, 21.15, 49.69

 

CMYK 64 / 0 / 6 / 7

HEX #55ECDD

RGB 85 236 221

HSL 174.04, 0.8%, 0.63%

LAB 85.58, -43.02, -4.51

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 19 / 0 / 64 / 7

HEX #BEEC55

RGB 190 236 85

HSL 78.28, 0.8%, 0.63%

LAB 87.77, -36.09, 65.94

 

CMYK 64 / 19 / 0 / 7

HEX #55BEEC

RGB 85 190 236

HSL 198.28, 0.8%, 0.63%

LAB 72.77, -16.56, -31.85

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 0 / 32 / 64 / 7

HEX #ECA055

RGB 236 160 85

HSL 29.8, 0.8%, 0.63%

LAB 71.98, 21.15, 49.69

 

CMYK 64 / 0 / 45 / 7

HEX #55EC82

RGB 85 236 130

HSL 137.88, 0.8%, 0.63%

LAB 83.72, -62.24, 39.81

 

CMYK 64 / 32 / 0 / 7

HEX #55A0EC

RGB 85 160 236

HSL 210.2, 0.8%, 0.63%

LAB 64.27, -0.11, -45.11

 

CMYK 0 / 64 / 19 / 7

HEX #EC55BE

RGB 236 85 190

HSL 318.28, 0.8%, 0.63%

LAB 59.93, 68.47, -25.06

 

CMYK 0 / 13 / 64 / 7

HEX #ECCD55

RGB 236 205 85

HSL 47.68, 0.8%, 0.63%

LAB 82.99, -2.45, 61.88

 

CMYK 64 / 0 / 45 / 7

HEX #55EC82

RGB 85 236 130

HSL 137.88, 0.8%, 0.63%

LAB 83.72, -62.24, 39.81

 

CMYK 64 / 51 / 0 / 7

HEX #5573EC

RGB 85 115 236

HSL 228.08, 0.8%, 0.63%

LAB 52.12, 26.82, -64.48

 

Description

Color code: HEX #EC55BE | qconv.com Color code: HEX #EC55BE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 85 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 85 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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