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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #563532 it is the complementary color #A9CACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #563532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #563532 shade: #5B352D, #6C4740, #7D5953, #8E6B66 and #9F7D79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #563532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #563532 shade: #563532, #45231F, #34110C, #230000 and #120000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #563532 shade: #563532 and #563232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #563532 shade: #563532, #563F32, #564932, #565232 and #505632

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #563532 shade matches the following richer shades: #563532, #612C27, #6D231C, #781A11 and #831006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #563532 shade: #563532, #4B3F3E, #404849, #355154 and #2A5B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #563532 shade: #563243, #563239, #563532, #563F32 and #564932

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #563532 shade: #221514, #3C2523, #563532, #704642 and #8A5651

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #563532 shade: #563532, #4C5632 and #323E56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #563532 shade: #563532, #325635 and #353256

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #563532 shade: #563532, #4C5632, #325356 and #3D3256

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #563532 shade: #563532, #415632, #325356 and #473256

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

Complementary color

CMYK 18 / 1 / 0 / 20

HEX #A9CACD

RGB 169 202 205

HSL 185, 0.26%, 0.73%

LAB 79.09, -10.31, -5.17

 

CMYK 0 / 42 / 51 / 64

HEX #5B352D

RGB 91 53 45

HSL 10.43, 0.34%, 0.27%

LAB 26.62, 16.05, 12.28

 

CMYK 0 / 34 / 41 / 58

HEX #6C4740

RGB 108 71 64

HSL 9.55, 0.26%, 0.34%

LAB 34.12, 14.9, 10.67

 

CMYK 0 / 29 / 34 / 51

HEX #7D5953

RGB 125 89 83

HSL 8.57, 0.2%, 0.41%

LAB 41.42, 13.96, 9.35

 

CMYK 0 / 25 / 28 / 44

HEX #8E6B66

RGB 142 107 102

HSL 7.5, 0.16%, 0.48%

LAB 48.54, 13.18, 8.21

 

CMYK 0 / 21 / 24 / 38

HEX #9F7D79

RGB 159 125 121

HSL 6.32, 0.17%, 0.55%

LAB 55.5, 12.52, 7.2

 

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

CMYK 0 / 49 / 55 / 73

HEX #45231F

RGB 69 35 31

HSL 6.32, 0.38%, 0.2%

LAB 18.22, 15.68, 9.83

 

CMYK 0 / 67 / 77 / 80

HEX #34110C

RGB 52 17 12

HSL 7.5, 0.63%, 0.13%

LAB 10.24, 17.22, 10.75

 

CMYK 0 / 100 / 100 / 86

HEX #230000

RGB 35 0 0

HSL 0, 1%, 0.07%

LAB 3.23, 14.48, 5.1

 

CMYK 0 / 100 / 100 / 93

HEX #120000

RGB 18 0 0

HSL 0, 1%, 0.04%

LAB 1.16, 5.21, 1.84

 

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

CMYK 0 / 42 / 42 / 66

HEX #563232

RGB 86 50 50

HSL 0, 0.26%, 0.27%

LAB 25.23, 16.31, 6.94

 

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

CMYK 0 / 27 / 42 / 66

HEX #563F32

RGB 86 63 50

HSL 21.67, 0.26%, 0.27%

LAB 28.81, 8.04, 11.88

 

CMYK 0 / 15 / 42 / 66

HEX #564932

RGB 86 73 50

HSL 38.33, 0.26%, 0.27%

LAB 31.75, 1.72, 15.81

 

CMYK 0 / 5 / 42 / 66

HEX #565232

RGB 86 82 50

HSL 53.33, 0.26%, 0.27%

LAB 34.48, -3.81, 19.37

 

CMYK 7 / 0 / 42 / 66

HEX #505632

RGB 80 86 50

HSL 70, 0.26%, 0.27%

LAB 35.19, -8.95, 20.16

 

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

CMYK 0 / 55 / 60 / 62

HEX #612C27

RGB 97 44 39

HSL 5.17, 0.43%, 0.27%

LAB 25.23, 23.54, 14.55

 

CMYK 0 / 68 / 74 / 57

HEX #6D231C

RGB 109 35 28

HSL 5.19, 0.59%, 0.27%

LAB 25.37, 32.42, 22.35

 

CMYK 0 / 78 / 86 / 53

HEX #781A11

RGB 120 26 17

HSL 5.24, 0.75%, 0.27%

LAB 26.08, 39.72, 30.41

 

CMYK 0 / 88 / 95 / 49

HEX #831006

RGB 131 16 6

HSL 4.8, 0.91%, 0.27%

LAB 27.32, 45.94, 37.48

 

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

CMYK 0 / 16 / 17 / 71

HEX #4B3F3E

RGB 75 63 62

HSL 4.62, 0.09%, 0.27%

LAB 27.84, 4.99, 2.53

 

CMYK 12 / 1 / 0 / 71

HEX #404849

RGB 64 72 73

HSL 186.67, 0.07%, 0.27%

LAB 29.93, -3, -1.71

 

CMYK 37 / 4 / 0 / 67

HEX #355154

RGB 53 81 84

HSL 185.81, 0.23%, 0.27%

LAB 32.44, -9.59, -5.11

 

CMYK 56 / 4 / 0 / 63

HEX #2A5B5F

RGB 42 91 95

HSL 184.53, 0.39%, 0.27%

LAB 35.6, -15.23, -7.38

 

CMYK 0 / 42 / 22 / 66

HEX #563243

RGB 86 50 67

HSL 331.67, 0.26%, 0.27%

LAB 25.76, 19, -3.66

 

CMYK 0 / 42 / 34 / 66

HEX #563239

RGB 86 50 57

HSL 348.33, 0.26%, 0.27%

LAB 25.43, 17.34, 2.54

 

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

CMYK 0 / 27 / 42 / 66

HEX #563F32

RGB 86 63 50

HSL 21.67, 0.26%, 0.27%

LAB 28.81, 8.04, 11.88

 

CMYK 0 / 15 / 42 / 66

HEX #564932

RGB 86 73 50

HSL 38.33, 0.26%, 0.27%

LAB 31.75, 1.72, 15.81

 

CMYK 0 / 38 / 41 / 87

HEX #221514

RGB 34 21 20

HSL 4.29, 0.26%, 0.11%

LAB 8.37, 6.47, 3.2

 

CMYK 0 / 38 / 42 / 76

HEX #3C2523

RGB 60 37 35

HSL 4.8, 0.26%, 0.19%

LAB 17.48, 10.62, 5.81

 

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

CMYK 0 / 38 / 41 / 56

HEX #704642

RGB 112 70 66

HSL 5.22, 0.26%, 0.35%

LAB 34.43, 17.51, 9.92

 

CMYK 0 / 38 / 41 / 46

HEX #8A5651

RGB 138 86 81

HSL 5.26, 0.26%, 0.43%

LAB 42.24, 20.94, 11.95

 

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

CMYK 12 / 0 / 42 / 66

HEX #4C5632

RGB 76 86 50

HSL 76.67, 0.26%, 0.27%

LAB 34.85, -10.75, 19.66

 

CMYK 42 / 28 / 0 / 66

HEX #323E56

RGB 50 62 86

HSL 220, 0.26%, 0.27%

LAB 26.14, 2.1, -15.99

 

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

CMYK 42 / 0 / 38 / 66

HEX #325635

RGB 50 86 53

HSL 125, 0.26%, 0.27%

LAB 33.12, -20.85, 15.25

 

CMYK 38 / 42 / 0 / 66

HEX #353256

RGB 53 50 86

HSL 245, 0.26%, 0.27%

LAB 22.69, 11.24, -21.36

 

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

CMYK 12 / 0 / 42 / 66

HEX #4C5632

RGB 76 86 50

HSL 76.67, 0.26%, 0.27%

LAB 34.85, -10.75, 19.66

 

CMYK 42 / 3 / 0 / 66

HEX #325356

RGB 50 83 86

HSL 185, 0.26%, 0.27%

LAB 33, -11.14, -5.57

 

CMYK 29 / 42 / 0 / 66

HEX #3D3256

RGB 61 50 86

HSL 258.33, 0.26%, 0.27%

LAB 23.49, 13.89, -20.04

 

CMYK 0 / 38 / 42 / 66

HEX #563532

RGB 86 53 50

HSL 5, 0.26%, 0.27%

LAB 26.02, 14.42, 8.05

 

CMYK 24 / 0 / 42 / 66

HEX #415632

RGB 65 86 50

HSL 95, 0.26%, 0.27%

LAB 34, -15.53, 18.41

 

CMYK 42 / 3 / 0 / 66

HEX #325356

RGB 50 83 86

HSL 185, 0.26%, 0.27%

LAB 33, -11.14, -5.57

 

CMYK 17 / 42 / 0 / 66

HEX #473256

RGB 71 50 86

HSL 275, 0.26%, 0.27%

LAB 24.62, 17.37, -18.2

 

Description

Color code: HEX #563532 | qconv.com Color code: HEX #563532 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 53 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 53 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 42 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 42% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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