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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #566E56 it is the complementary color #A991A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #566E56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #566E56 shade: #5B6E51, #6C8064, #7D9277, #8EA48A and #9FB69D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #566E56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #566E56 shade: #566E56, #455C43, #344A30, #23381D and #12260A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #566E56 shade: #556C55, #5B6C55, #616C55, #686C55 and #6C6A55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #566E56 shade: #556C55, #556C5B, #556C61, #556C68 and #556A6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #566E56 shade matches the following richer shades: #556C55, #457C45, #358B35, #269B26 and #16AB16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #566E56 shade: #556C55, #645C64, #744D74, #843D84 and #932D93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #566E56 shade: #616C55, #5B6C55, #556C55, #556C5B and #556C61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #566E56 shade: #303E30, #435543, #556C55, #678367 and #7C987C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #566E56 shade: #566E56, #55676C and #6C555E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #566E56 shade: #566E56, #55556C and #6C5555

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #566E56 shade: #566E56, #55676C, #6C556C and #6C5955

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #566E56 shade: #566E56, #55606C, #6C556C and #6C6055

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 22 / 57

HEX #566E56

RGB 86 110 86

HSL 120, 0.12%, 0.38%

LAB 43.95, -14.05, 10.54

 

Complementary color

CMYK 0 / 14 / 0 / 34

HEX #A991A9

RGB 169 145 169

HSL 300, 0.12%, 0.62%

LAB 62.97, 13.32, -9.26

 

CMYK 17 / 0 / 26 / 57

HEX #5B6E51

RGB 91 110 81

HSL 99.31, 0.15%, 0.37%

LAB 44.19, -13.04, 13.9

 

CMYK 16 / 0 / 22 / 50

HEX #6C8064

RGB 108 128 100

HSL 102.86, 0.12%, 0.45%

LAB 51.32, -12.93, 12.83

 

CMYK 14 / 0 / 18 / 43

HEX #7D9277

RGB 125 146 119

HSL 106.67, 0.11%, 0.52%

LAB 58.27, -12.84, 11.85

 

CMYK 13 / 0 / 16 / 36

HEX #8EA48A

RGB 142 164 138

HSL 110.77, 0.13%, 0.59%

LAB 65.07, -12.77, 10.94

 

CMYK 13 / 0 / 14 / 29

HEX #9FB69D

RGB 159 182 157

HSL 115.2, 0.15%, 0.66%

LAB 71.73, -12.7, 10.09

 

CMYK 22 / 0 / 22 / 57

HEX #566E56

RGB 86 110 86

HSL 120, 0.12%, 0.38%

LAB 43.95, -14.05, 10.54

 

CMYK 25 / 0 / 27 / 64

HEX #455C43

RGB 69 92 67

HSL 115.2, 0.16%, 0.31%

LAB 36.6, -14.25, 11.63

 

CMYK 30 / 0 / 35 / 71

HEX #344A30

RGB 52 74 48

HSL 110.77, 0.21%, 0.24%

LAB 29.01, -14.49, 12.87

 

CMYK 38 / 0 / 48 / 78

HEX #23381D

RGB 35 56 29

HSL 106.67, 0.32%, 0.17%

LAB 21.11, -14.73, 14.28

 

CMYK 53 / 0 / 74 / 85

HEX #12260A

RGB 18 38 10

HSL 102.86, 0.58%, 0.09%

LAB 12.84, -14.84, 14.54

 

CMYK 21 / 0 / 21 / 58

HEX #556C55

RGB 85 108 85

HSL 120, 0.12%, 0.38%

LAB 43.23, -13.51, 10.12

 

CMYK 16 / 0 / 21 / 58

HEX #5B6C55

RGB 91 108 85

HSL 104.35, 0.12%, 0.38%

LAB 43.66, -11.18, 10.79

 

CMYK 10 / 0 / 21 / 58

HEX #616C55

RGB 97 108 85

HSL 88.7, 0.12%, 0.38%

LAB 44.12, -8.79, 11.5

 

CMYK 4 / 0 / 21 / 58

HEX #686C55

RGB 104 108 85

HSL 70.43, 0.12%, 0.38%

LAB 44.69, -5.92, 12.38

 

CMYK 0 / 2 / 21 / 58

HEX #6C6A55

RGB 108 106 85

HSL 54.78, 0.12%, 0.38%

LAB 44.45, -3.09, 12.1

 

CMYK 21 / 0 / 21 / 58

HEX #556C55

RGB 85 108 85

HSL 120, 0.12%, 0.38%

LAB 43.23, -13.51, 10.12

 

CMYK 21 / 0 / 16 / 58

HEX #556C5B

RGB 85 108 91

HSL 135.65, 0.12%, 0.38%

LAB 43.38, -12.29, 6.73

 

CMYK 21 / 0 / 10 / 58

HEX #556C61

RGB 85 108 97

HSL 151.3, 0.12%, 0.38%

LAB 43.54, -11.01, 3.35

 

CMYK 21 / 0 / 4 / 58

HEX #556C68

RGB 85 108 104

HSL 169.57, 0.12%, 0.38%

LAB 43.74, -9.41, -0.58

 

CMYK 21 / 2 / 0 / 58

HEX #556A6C

RGB 85 106 108

HSL 185.22, 0.12%, 0.38%

LAB 43.24, -7.3, -3.72

 

CMYK 21 / 0 / 21 / 58

HEX #556C55

RGB 85 108 85

HSL 120, 0.12%, 0.38%

LAB 43.23, -13.51, 10.12

 

CMYK 44 / 0 / 44 / 51

HEX #457C45

RGB 69 124 69

HSL 120, 0.28%, 0.38%

LAB 47.12, -30.37, 24.46

 

CMYK 62 / 0 / 62 / 45

HEX #358B35

RGB 53 139 53

HSL 120, 0.45%, 0.38%

LAB 51.24, -43.67, 37.65

 

CMYK 75 / 0 / 75 / 39

HEX #269B26

RGB 38 155 38

HSL 120, 0.61%, 0.38%

LAB 56.08, -53.94, 49.08

 

CMYK 87 / 0 / 87 / 33

HEX #16AB16

RGB 22 171 22

HSL 120, 0.77%, 0.38%

LAB 61.09, -61.86, 58.4

 

CMYK 21 / 0 / 21 / 58

HEX #556C55

RGB 85 108 85

HSL 120, 0.12%, 0.38%

LAB 43.23, -13.51, 10.12

 

CMYK 0 / 8 / 0 / 61

HEX #645C64

RGB 100 92 100

HSL 300, 0.04%, 0.38%

LAB 40.05, 4.84, -3.41

 

CMYK 0 / 34 / 0 / 55

HEX #744D74

RGB 116 77 116

HSL 300, 0.2%, 0.38%

LAB 38.34, 23.43, -15.71

 

CMYK 0 / 54 / 0 / 48

HEX #843D84

RGB 132 61 132

HSL 300, 0.37%, 0.38%

LAB 37.68, 40.91, -26.45

 

CMYK 0 / 69 / 0 / 42

HEX #932D93

RGB 147 45 147

HSL 300, 0.53%, 0.38%

LAB 38.17, 54.88, -34.69

 

CMYK 10 / 0 / 21 / 58

HEX #616C55

RGB 97 108 85

HSL 88.7, 0.12%, 0.38%

LAB 44.12, -8.79, 11.5

 

CMYK 16 / 0 / 21 / 58

HEX #5B6C55

RGB 91 108 85

HSL 104.35, 0.12%, 0.38%

LAB 43.66, -11.18, 10.79

 

CMYK 21 / 0 / 21 / 58

HEX #556C55

RGB 85 108 85

HSL 120, 0.12%, 0.38%

LAB 43.23, -13.51, 10.12

 

CMYK 21 / 0 / 16 / 58

HEX #556C5B

RGB 85 108 91

HSL 135.65, 0.12%, 0.38%

LAB 43.38, -12.29, 6.73

 

CMYK 21 / 0 / 10 / 58

HEX #556C61

RGB 85 108 97

HSL 151.3, 0.12%, 0.38%

LAB 43.54, -11.01, 3.35

 

CMYK 23 / 0 / 23 / 76

HEX #303E30

RGB 48 62 48

HSL 120, 0.13%, 0.22%

LAB 24.6, -9.04, 6.77

 

CMYK 21 / 0 / 21 / 67

HEX #435543

RGB 67 85 67

HSL 120, 0.12%, 0.3%

LAB 34.18, -11.03, 8.25

 

CMYK 21 / 0 / 21 / 58

HEX #556C55

RGB 85 108 85

HSL 120, 0.12%, 0.38%

LAB 43.23, -13.51, 10.12

 

CMYK 21 / 0 / 21 / 49

HEX #678367

RGB 103 131 103

HSL 120, 0.12%, 0.46%

LAB 51.94, -15.88, 11.92

 

CMYK 18 / 0 / 18 / 40

HEX #7C987C

RGB 124 152 124

HSL 120, 0.12%, 0.54%

LAB 60.07, -15.49, 11.54

 

CMYK 22 / 0 / 22 / 57

HEX #566E56

RGB 86 110 86

HSL 120, 0.12%, 0.38%

LAB 43.95, -14.05, 10.54

 

CMYK 21 / 5 / 0 / 58

HEX #55676C

RGB 85 103 108

HSL 193.04, 0.12%, 0.38%

LAB 42.33, -5.54, -5.07

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 22 / 0 / 22 / 57

HEX #566E56

RGB 86 110 86

HSL 120, 0.12%, 0.38%

LAB 43.95, -14.05, 10.54

 

CMYK 21 / 21 / 0 / 58

HEX #55556C

RGB 85 85 108

HSL 240, 0.12%, 0.38%

LAB 36.95, 5.44, -13.16

 

CMYK 0 / 21 / 21 / 58

HEX #6C5555

RGB 108 85 85

HSL 0, 0.12%, 0.38%

LAB 38.45, 9.51, 3.62

 

CMYK 22 / 0 / 22 / 57

HEX #566E56

RGB 86 110 86

HSL 120, 0.12%, 0.38%

LAB 43.95, -14.05, 10.54

 

CMYK 21 / 5 / 0 / 58

HEX #55676C

RGB 85 103 108

HSL 193.04, 0.12%, 0.38%

LAB 42.33, -5.54, -5.07

 

CMYK 0 / 21 / 0 / 58

HEX #6C556C

RGB 108 85 108

HSL 300, 0.12%, 0.38%

LAB 39.19, 13.93, -9.56

 

CMYK 0 / 18 / 21 / 58

HEX #6C5955

RGB 108 89 85

HSL 10.43, 0.12%, 0.38%

LAB 39.56, 7.07, 5.22

 

CMYK 22 / 0 / 22 / 57

HEX #566E56

RGB 86 110 86

HSL 120, 0.12%, 0.38%

LAB 43.95, -14.05, 10.54

 

CMYK 21 / 11 / 0 / 58

HEX #55606C

RGB 85 96 108

HSL 211.3, 0.12%, 0.38%

LAB 40.21, -1.35, -8.23

 

CMYK 0 / 21 / 0 / 58

HEX #6C556C

RGB 108 85 108

HSL 300, 0.12%, 0.38%

LAB 39.19, 13.93, -9.56

 

CMYK 0 / 11 / 21 / 58

HEX #6C6055

RGB 108 96 85

HSL 28.7, 0.12%, 0.38%

LAB 41.55, 2.83, 8.04

 

Description

Color code: HEX #566E56 | qconv.com Color code: HEX #566E56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 110 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 110 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 22 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 22% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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