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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56C65A it is the complementary color #A939A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56C65A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56C65A shade: #5BC655, #6CD868, #7DEA7B, #8EFC8E and #9FFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56C65A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56C65A shade: #56C65A, #45B447, #34A234, #239021 and #127E0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56C65A shade: #56C65A, #70C656, #8FC656, #ADC656 and #C6C256

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56C65A shade: #56C65A, #56C678, #56C697, #56C6B5 and #56BAC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56C65A shade matches the following richer shades: #56C65A, #44D949, #32EB38 and #20FD28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56C65A shade: #56C65A, #68B46B, #7BA27C, #8D908D and #9F7E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56C65A shade: #8EC656, #70C656, #56C65A, #56C678 and #56C696

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56C65A shade: #329836, #3DB741, #56C65A, #75D178 and #94DB97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56C65A shade: #56C65A, #56ACC6 and #C6567F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56C65A shade: #56C65A, #5A56C6 and #C65A56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56C65A shade: #56C65A, #56ACC6, #C656C3 and #C67056

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56C65A shade: #56C65A, #568BC6, #C656C3 and #C69256

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

Complementary color

CMYK 0 / 66 / 2 / 34

HEX #A939A5

RGB 169 57 165

HSL 302.14, 0.5%, 0.44%

LAB 44.34, 58.61, -35.54

 

CMYK 54 / 0 / 57 / 22

HEX #5BC655

RGB 91 198 85

HSL 116.81, 0.5%, 0.55%

LAB 71.74, -52.98, 46.69

 

CMYK 50 / 0 / 52 / 15

HEX #6CD868

RGB 108 216 104

HSL 117.86, 0.59%, 0.63%

LAB 78.05, -53.13, 45.46

 

CMYK 47 / 0 / 47 / 8

HEX #7DEA7B

RGB 125 234 123

HSL 118.92, 0.73%, 0.7%

LAB 84.3, -53.12, 44.2

 

CMYK 44 / 0 / 44 / 1

HEX #8EFC8E

RGB 142 252 142

HSL 120, 0.95%, 0.77%

LAB 90.47, -53.03, 42.96

 

CMYK 38 / 0 / 37 / 0

HEX #9FFFA1

RGB 159 255 161

HSL 121.25, 1%, 0.81%

LAB 92.34, -46.59, 36.21

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 62 / 0 / 61 / 29

HEX #45B447

RGB 69 180 71

HSL 121.08, 0.45%, 0.49%

LAB 65.25, -53.25, 45.43

 

CMYK 68 / 0 / 68 / 36

HEX #34A234

RGB 52 162 52

HSL 120, 0.51%, 0.42%

LAB 58.81, -52.5, 46.5

 

CMYK 76 / 0 / 77 / 44

HEX #239021

RGB 35 144 33

HSL 118.92, 0.63%, 0.35%

LAB 52.3, -51.18, 47.1

 

CMYK 86 / 0 / 89 / 51

HEX #127E0E

RGB 18 126 14

HSL 117.86, 0.8%, 0.27%

LAB 45.75, -48.96, 46.62

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 43 / 0 / 57 / 22

HEX #70C656

RGB 112 198 86

HSL 106.07, 0.5%, 0.56%

LAB 72.56, -46.86, 47.4

 

CMYK 28 / 0 / 57 / 22

HEX #8FC656

RGB 143 198 86

HSL 89.46, 0.5%, 0.56%

LAB 74.13, -36.34, 49.61

 

CMYK 13 / 0 / 57 / 22

HEX #ADC656

RGB 173 198 86

HSL 73.39, 0.5%, 0.56%

LAB 76.04, -24.82, 52.31

 

CMYK 0 / 2 / 57 / 22

HEX #C6C256

RGB 198 194 86

HSL 57.86, 0.5%, 0.56%

LAB 76.84, -12.61, 53.73

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 57 / 0 / 39 / 22

HEX #56C678

RGB 86 198 120

HSL 138.21, 0.5%, 0.56%

LAB 72.04, -49.11, 29.72

 

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

CMYK 57 / 0 / 9 / 22

HEX #56C6B5

RGB 86 198 181

HSL 170.89, 0.5%, 0.56%

LAB 73.35, -35.96, -1.1

 

CMYK 57 / 6 / 0 / 22

HEX #56BAC6

RGB 86 186 198

HSL 186.43, 0.5%, 0.56%

LAB 70.3, -25.63, -14.91

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 69 / 0 / 66 / 15

HEX #44D949

RGB 68 217 73

HSL 122.01, 0.66%, 0.56%

LAB 76.88, -66.09, 57.51

 

CMYK 79 / 0 / 76 / 8

HEX #32EB38

RGB 50 235 56

HSL 121.95, 0.82%, 0.56%

LAB 82.04, -75.72, 68.77

 

CMYK 87 / 0 / 84 / 1

HEX #20FD28

RGB 32 253 40

HSL 122.17, 0.98%, 0.56%

LAB 87.34, -83.34, 77.83

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 42 / 0 / 41 / 29

HEX #68B46B

RGB 104 180 107

HSL 122.37, 0.34%, 0.56%

LAB 67.01, -38.8, 30.04

 

CMYK 24 / 0 / 23 / 36

HEX #7BA27C

RGB 123 162 124

HSL 121.54, 0.17%, 0.56%

LAB 62.93, -21.04, 15.54

 

CMYK 2 / 0 / 2 / 44

HEX #8D908D

RGB 141 144 141

HSL 120, 0.01%, 0.56%

LAB 59.46, -1.68, 1.2

 

CMYK 0 / 21 / 1 / 38

HEX #9F7E9E

RGB 159 126 158

HSL 301.82, 0.15%, 0.56%

LAB 56.84, 18.44, -12.26

 

CMYK 28 / 0 / 57 / 22

HEX #8EC656

RGB 142 198 86

HSL 90, 0.5%, 0.56%

LAB 74.07, -36.7, 49.53

 

CMYK 43 / 0 / 57 / 22

HEX #70C656

RGB 112 198 86

HSL 106.07, 0.5%, 0.56%

LAB 72.56, -46.86, 47.4

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 57 / 0 / 39 / 22

HEX #56C678

RGB 86 198 120

HSL 138.21, 0.5%, 0.56%

LAB 72.04, -49.11, 29.72

 

CMYK 57 / 0 / 24 / 22

HEX #56C696

RGB 86 198 150

HSL 154.29, 0.5%, 0.56%

LAB 72.61, -43.25, 14.6

 

CMYK 67 / 0 / 64 / 40

HEX #329836

RGB 50 152 54

HSL 122.35, 0.5%, 0.4%

LAB 55.48, -49.12, 41.96

 

CMYK 67 / 0 / 64 / 28

HEX #3DB741

RGB 61 183 65

HSL 121.97, 0.5%, 0.48%

LAB 65.94, -56.71, 48.81

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 44 / 0 / 43 / 18

HEX #75D178

RGB 117 209 120

HSL 121.96, 0.5%, 0.64%

LAB 76.52, -45.51, 35.76

 

CMYK 32 / 0 / 31 / 14

HEX #94DB97

RGB 148 219 151

HSL 122.54, 0.5%, 0.72%

LAB 81.4, -35.59, 26.59

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 57 / 13 / 0 / 22

HEX #56ACC6

RGB 86 172 198

HSL 193.93, 0.5%, 0.56%

LAB 66.18, -18.47, -21.15

 

CMYK 0 / 57 / 36 / 22

HEX #C6567F

RGB 198 86 127

HSL 338.04, 0.5%, 0.56%

LAB 52.06, 48.77, -0.68

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 55 / 57 / 0 / 22

HEX #5A56C6

RGB 90 86 198

HSL 242.14, 0.5%, 0.56%

LAB 42.62, 33.05, -58.19

 

CMYK 0 / 55 / 57 / 22

HEX #C65A56

RGB 198 90 86

HSL 2.14, 0.5%, 0.56%

LAB 51.83, 42.8, 23.36

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 57 / 13 / 0 / 22

HEX #56ACC6

RGB 86 172 198

HSL 193.93, 0.5%, 0.56%

LAB 66.18, -18.47, -21.15

 

CMYK 0 / 57 / 2 / 22

HEX #C656C3

RGB 198 86 195

HSL 301.61, 0.5%, 0.56%

LAB 54.66, 58.75, -36.55

 

CMYK 0 / 43 / 57 / 22

HEX #C67056

RGB 198 112 86

HSL 13.93, 0.5%, 0.56%

LAB 56.35, 31.43, 29.21

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 57 / 30 / 0 / 22

HEX #568BC6

RGB 86 139 198

HSL 211.61, 0.5%, 0.56%

LAB 56.61, -0.19, -35.94

 

CMYK 0 / 57 / 2 / 22

HEX #C656C3

RGB 198 86 195

HSL 301.61, 0.5%, 0.56%

LAB 54.66, 58.75, -36.55

 

CMYK 0 / 26 / 57 / 22

HEX #C69256

RGB 198 146 86

HSL 32.14, 0.5%, 0.56%

LAB 64.35, 12.88, 39.15

 

Description

Color code: HEX #56C65A | qconv.com Color code: HEX #56C65A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 198 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 198 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 55 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 55% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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