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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56C697 it is the complementary color #A93968. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56C697. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56C697 shade: #5BC692, #6CD8A5, #7DEAB8, #8EFCCB and #9FFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56C697. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56C697 shade: #56C697, #45B484, #34A271, #23905E and #127E4B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56C697 shade: #56C697, #56C679, #56C65B, #70C656 and #8EC656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56C697 shade: #56C697, #56C6B6, #56B9C6, #569BC6 and #567CC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56C697 shade matches the following richer shades: #56C697, #44D99A, #32EB9D and #20FDA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56C697 shade: #56C697, #68B494, #7BA291, #8D908F and #9F7E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56C697 shade: #56C65A, #56C678, #56C696, #56C6B4 and #56BBC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56C697 shade: #32986D, #3DB783, #56C697, #75D1AA and #94DBBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56C697 shade: #56C697, #5670C6 and #C66956

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56C697 shade: #56C697, #9656C6 and #C69656

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56C697 shade: #56C697, #5670C6, #C65687 and #C6AC56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56C697 shade: #56C697, #5E56C6, #C65687 and #BFC656

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

Complementary color

CMYK 0 / 66 / 38 / 34

HEX #A93968

RGB 169 57 104

HSL 334.82, 0.5%, 0.44%

LAB 41.78, 49.92, -2.3

 

CMYK 54 / 0 / 26 / 22

HEX #5BC692

RGB 91 198 146

HSL 150.84, 0.48%, 0.57%

LAB 72.69, -42.98, 16.88

 

CMYK 50 / 0 / 24 / 15

HEX #6CD8A5

RGB 108 216 165

HSL 151.67, 0.58%, 0.64%

LAB 79.05, -42.88, 15.75

 

CMYK 47 / 0 / 21 / 8

HEX #7DEAB8

RGB 125 234 184

HSL 152.48, 0.72%, 0.7%

LAB 85.34, -42.72, 14.7

 

CMYK 44 / 0 / 19 / 1

HEX #8EFCCB

RGB 142 252 203

HSL 153.27, 0.95%, 0.77%

LAB 91.54, -42.53, 13.72

 

CMYK 38 / 0 / 13 / 0

HEX #9FFFDE

RGB 159 255 222

HSL 159.38, 1%, 0.81%

LAB 93.52, -35.57, 6.85

 

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

CMYK 62 / 0 / 27 / 29

HEX #45B484

RGB 69 180 132

HSL 154.05, 0.45%, 0.49%

LAB 66.19, -42.97, 15.31

 

CMYK 68 / 0 / 30 / 36

HEX #34A271

RGB 52 162 113

HSL 153.27, 0.51%, 0.42%

LAB 59.67, -42.73, 16.65

 

CMYK 76 / 0 / 35 / 44

HEX #23905E

RGB 35 144 94

HSL 152.48, 0.61%, 0.35%

LAB 53.07, -42.19, 18.15

 

CMYK 86 / 0 / 40 / 51

HEX #127E4B

RGB 18 126 75

HSL 151.67, 0.75%, 0.28%

LAB 46.39, -41.19, 19.85

 

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

CMYK 57 / 0 / 39 / 22

HEX #56C679

RGB 86 198 121

HSL 138.75, 0.5%, 0.56%

LAB 72.06, -48.93, 29.22

 

CMYK 57 / 0 / 54 / 22

HEX #56C65B

RGB 86 198 91

HSL 122.68, 0.5%, 0.56%

LAB 71.64, -53.51, 43.71

 

CMYK 43 / 0 / 57 / 22

HEX #70C656

RGB 112 198 86

HSL 106.07, 0.5%, 0.56%

LAB 72.56, -46.86, 47.4

 

CMYK 28 / 0 / 57 / 22

HEX #8EC656

RGB 142 198 86

HSL 90, 0.5%, 0.56%

LAB 74.07, -36.7, 49.53

 

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

CMYK 57 / 0 / 8 / 22

HEX #56C6B6

RGB 86 198 182

HSL 171.43, 0.5%, 0.56%

LAB 73.38, -35.71, -1.6

 

CMYK 57 / 7 / 0 / 22

HEX #56B9C6

RGB 86 185 198

HSL 186.96, 0.5%, 0.56%

LAB 70, -25.13, -15.36

 

CMYK 57 / 22 / 0 / 22

HEX #569BC6

RGB 86 155 198

HSL 203.04, 0.5%, 0.56%

LAB 61.22, -9.3, -28.77

 

CMYK 57 / 37 / 0 / 22

HEX #567CC6

RGB 86 124 198

HSL 219.64, 0.5%, 0.56%

LAB 52.37, 8.73, -42.61

 

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

CMYK 69 / 0 / 29 / 15

HEX #44D99A

RGB 68 217 154

HSL 154.63, 0.66%, 0.56%

LAB 77.99, -53.58, 19.89

 

CMYK 79 / 0 / 33 / 8

HEX #32EB9D

RGB 50 235 157

HSL 154.7, 0.82%, 0.56%

LAB 83.19, -62.12, 25.42

 

CMYK 87 / 0 / 37 / 1

HEX #20FDA0

RGB 32 253 160

HSL 154.75, 0.98%, 0.56%

LAB 88.49, -69.36, 31.02

 

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

CMYK 42 / 0 / 18 / 29

HEX #68B494

RGB 104 180 148

HSL 154.74, 0.34%, 0.56%

LAB 67.82, -31.08, 9.02

 

CMYK 24 / 0 / 10 / 36

HEX #7BA291

RGB 123 162 145

HSL 153.85, 0.17%, 0.56%

LAB 63.42, -16.93, 4.52

 

CMYK 2 / 0 / 1 / 44

HEX #8D908F

RGB 141 144 143

HSL 160, 0.01%, 0.56%

LAB 59.52, -1.29, 0.14

 

CMYK 0 / 21 / 12 / 38

HEX #9F7E8C

RGB 159 126 140

HSL 334.55, 0.15%, 0.56%

LAB 56.27, 15.09, -2.7

 

CMYK 57 / 0 / 55 / 22

HEX #56C65A

RGB 86 198 90

HSL 122.14, 0.5%, 0.56%

LAB 71.63, -53.63, 44.17

 

CMYK 57 / 0 / 39 / 22

HEX #56C678

RGB 86 198 120

HSL 138.21, 0.5%, 0.56%

LAB 72.04, -49.11, 29.72

 

CMYK 57 / 0 / 24 / 22

HEX #56C696

RGB 86 198 150

HSL 154.29, 0.5%, 0.56%

LAB 72.61, -43.25, 14.6

 

CMYK 57 / 0 / 9 / 22

HEX #56C6B4

RGB 86 198 180

HSL 170.36, 0.5%, 0.56%

LAB 73.33, -36.21, -0.59

 

CMYK 57 / 6 / 0 / 22

HEX #56BBC6

RGB 86 187 198

HSL 185.89, 0.5%, 0.56%

LAB 70.59, -26.13, -14.47

 

CMYK 67 / 0 / 28 / 40

HEX #32986D

RGB 50 152 109

HSL 154.71, 0.5%, 0.4%

LAB 56.33, -39.74, 14.25

 

CMYK 67 / 0 / 28 / 28

HEX #3DB783

RGB 61 183 131

HSL 154.43, 0.5%, 0.48%

LAB 66.9, -45.95, 16.8

 

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

CMYK 44 / 0 / 19 / 18

HEX #75D1AA

RGB 117 209 170

HSL 154.57, 0.5%, 0.64%

LAB 77.45, -36.44, 10.89

 

CMYK 32 / 0 / 14 / 14

HEX #94DBBD

RGB 148 219 189

HSL 154.65, 0.5%, 0.72%

LAB 82.18, -28.57, 7.73

 

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

CMYK 57 / 43 / 0 / 22

HEX #5670C6

RGB 86 112 198

HSL 226.07, 0.5%, 0.56%

LAB 49.06, 16.09, -47.86

 

CMYK 0 / 47 / 57 / 22

HEX #C66956

RGB 198 105 86

HSL 10.18, 0.5%, 0.56%

LAB 54.85, 35.14, 27.28

 

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

CMYK 24 / 57 / 0 / 22

HEX #9656C6

RGB 150 86 198

HSL 274.29, 0.5%, 0.56%

LAB 48.53, 46.83, -48.38

 

CMYK 0 / 24 / 57 / 22

HEX #C69656

RGB 198 150 86

HSL 34.29, 0.5%, 0.56%

LAB 65.35, 10.7, 40.36

 

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

CMYK 57 / 43 / 0 / 22

HEX #5670C6

RGB 86 112 198

HSL 226.07, 0.5%, 0.56%

LAB 49.06, 16.09, -47.86

 

CMYK 0 / 57 / 32 / 22

HEX #C65687

RGB 198 86 135

HSL 333.75, 0.5%, 0.56%

LAB 52.3, 49.75, -5.08

 

CMYK 0 / 13 / 57 / 22

HEX #C6AC56

RGB 198 172 86

HSL 46.07, 0.5%, 0.56%

LAB 71, -1.16, 47.04

 

CMYK 57 / 0 / 24 / 22

HEX #56C697

RGB 86 198 151

HSL 154.82, 0.5%, 0.56%

LAB 72.63, -43.04, 14.09

 

CMYK 53 / 57 / 0 / 22

HEX #5E56C6

RGB 94 86 198

HSL 244.29, 0.5%, 0.56%

LAB 42.93, 33.84, -57.67

 

CMYK 0 / 57 / 32 / 22

HEX #C65687

RGB 198 86 135

HSL 333.75, 0.5%, 0.56%

LAB 52.3, 49.75, -5.08

 

CMYK 4 / 0 / 57 / 22

HEX #BFC656

RGB 191 198 86

HSL 63.75, 0.5%, 0.56%

LAB 77.36, -17.52, 54.16

 

Description

Color code: HEX #56C697 | qconv.com Color code: HEX #56C697 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 198 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 198 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 24 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 24% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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