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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56C341 it is the complementary color #A93CBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56C341. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56C341 shade: #5BC33C, #6CD54F, #7DE762, #8EF975 and #9FFF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56C341. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56C341 shade: #56C341, #45B12E, #349F1B, #238D08 and #127B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56C341 shade: #56C341, #79C341, #9CC341, #BFC341 and #C3A341

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56C341 shade: #56C341, #41C34F, #41C372, #41C395 and #41C3B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56C341 shade matches the following richer shades: #56C341, #48D72C and #3AEB18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56C341 shade: #56C341, #63AE55, #719A69, #7F867D and #8C7291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56C341 shade: #9CC341, #79C341, #56C341, #41C34E and #41C370

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56C341 shade: #39862A, #46A634, #56C341, #71CC60 and #8DD67F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56C341 shade: #56C341, #41BEC3 and #C3418A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56C341 shade: #56C341, #4156C3 and #C34156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56C341 shade: #56C341, #41BEC3, #AD41C3 and #C34541

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56C341 shade: #56C341, #4197C3, #AD41C3 and #C36C41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

Complementary color

CMYK 11 / 68 / 0 / 25

HEX #A93CBE

RGB 169 60 190

HSL 290.31, 0.52%, 0.49%

LAB 46.16, 61.87, -47.39

 

CMYK 53 / 0 / 69 / 24

HEX #5BC33C

RGB 91 195 60

HSL 106.22, 0.53%, 0.5%

LAB 70.58, -54.36, 56.12

 

CMYK 49 / 0 / 63 / 16

HEX #6CD54F

RGB 108 213 79

HSL 107.01, 0.61%, 0.57%

LAB 76.89, -54.76, 55.38

 

CMYK 46 / 0 / 58 / 9

HEX #7DE762

RGB 125 231 98

HSL 107.82, 0.73%, 0.65%

LAB 83.12, -54.95, 54.38

 

CMYK 43 / 0 / 53 / 2

HEX #8EF975

RGB 142 249 117

HSL 108.64, 0.92%, 0.72%

LAB 89.29, -55.01, 53.27

 

CMYK 38 / 0 / 47 / 0

HEX #9FFF88

RGB 159 255 136

HSL 108.4, 1%, 0.77%

LAB 91.98, -50.05, 47.89

 

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

CMYK 61 / 0 / 74 / 31

HEX #45B12E

RGB 69 177 46

HSL 109.47, 0.59%, 0.44%

LAB 64.09, -54.55, 54.48

 

CMYK 67 / 0 / 83 / 38

HEX #349F1B

RGB 52 159 27

HSL 108.64, 0.71%, 0.36%

LAB 57.66, -53.37, 54.25

 

CMYK 75 / 0 / 94 / 45

HEX #238D08

RGB 35 141 8

HSL 107.82, 0.89%, 0.29%

LAB 51.18, -51.49, 52.61

 

CMYK 85 / 0 / 100 / 52

HEX #127B00

RGB 18 123 0

HSL 111.22, 1%, 0.24%

LAB 44.65, -48.58, 48.71

 

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

CMYK 38 / 0 / 67 / 24

HEX #79C341

RGB 121 195 65

HSL 94.15, 0.52%, 0.51%

LAB 71.88, -44.69, 55.89

 

CMYK 20 / 0 / 67 / 24

HEX #9CC341

RGB 156 195 65

HSL 78, 0.52%, 0.51%

LAB 73.86, -31.75, 58.58

 

CMYK 2 / 0 / 67 / 24

HEX #BFC341

RGB 191 195 65

HSL 61.85, 0.52%, 0.51%

LAB 76.37, -17.44, 61.96

 

CMYK 0 / 16 / 67 / 24

HEX #C3A341

RGB 195 163 65

HSL 45.23, 0.52%, 0.51%

LAB 68.15, 0.9, 53.54

 

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

CMYK 67 / 0 / 59 / 24

HEX #41C34F

RGB 65 195 79

HSL 126.46, 0.52%, 0.51%

LAB 69.98, -58.54, 47.2

 

CMYK 67 / 0 / 42 / 24

HEX #41C372

RGB 65 195 114

HSL 142.62, 0.52%, 0.51%

LAB 70.43, -53.35, 30.6

 

CMYK 67 / 0 / 24 / 24

HEX #41C395

RGB 65 195 149

HSL 158.77, 0.52%, 0.51%

LAB 71.09, -46.23, 12.93

 

CMYK 67 / 0 / 6 / 24

HEX #41C3B8

RGB 65 195 184

HSL 174.92, 0.52%, 0.51%

LAB 71.97, -37.44, -4.82

 

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

CMYK 67 / 0 / 80 / 16

HEX #48D72C

RGB 72 215 44

HSL 110.18, 0.68%, 0.51%

LAB 76.17, -66.86, 66.85

 

CMYK 75 / 0 / 90 / 8

HEX #3AEB18

RGB 58 235 24

HSL 110.33, 0.84%, 0.51%

LAB 82.05, -76.16, 76.31

 

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

CMYK 43 / 0 / 51 / 32

HEX #63AE55

RGB 99 174 85

HSL 110.56, 0.35%, 0.51%

LAB 64.63, -40.91, 38.26

 

CMYK 27 / 0 / 32 / 40

HEX #719A69

RGB 113 154 105

HSL 110.2, 0.2%, 0.51%

LAB 59.56, -23.84, 21.34

 

CMYK 5 / 0 / 7 / 47

HEX #7F867D

RGB 127 134 125

HSL 106.67, 0.04%, 0.51%

LAB 55.12, -4.37, 3.95

 

CMYK 3 / 21 / 0 / 43

HEX #8C7291

RGB 140 114 145

HSL 290.32, 0.12%, 0.51%

LAB 51.44, 16.02, -13.02

 

CMYK 20 / 0 / 67 / 24

HEX #9CC341

RGB 156 195 65

HSL 78, 0.52%, 0.51%

LAB 73.86, -31.75, 58.58

 

CMYK 38 / 0 / 67 / 24

HEX #79C341

RGB 121 195 65

HSL 94.15, 0.52%, 0.51%

LAB 71.88, -44.69, 55.89

 

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

CMYK 67 / 0 / 60 / 24

HEX #41C34E

RGB 65 195 78

HSL 126, 0.52%, 0.51%

LAB 69.97, -58.66, 47.64

 

CMYK 67 / 0 / 43 / 24

HEX #41C370

RGB 65 195 112

HSL 141.69, 0.52%, 0.51%

LAB 70.4, -53.7, 31.6

 

CMYK 57 / 0 / 69 / 47

HEX #39862A

RGB 57 134 42

HSL 110.22, 0.52%, 0.35%

LAB 49.6, -41.86, 40.91

 

CMYK 58 / 0 / 69 / 35

HEX #46A634

RGB 70 166 52

HSL 110.53, 0.52%, 0.43%

LAB 60.62, -49.78, 48.6

 

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

CMYK 45 / 0 / 53 / 20

HEX #71CC60

RGB 113 204 96

HSL 110.56, 0.51%, 0.59%

LAB 74.53, -47.87, 45.05

 

CMYK 34 / 0 / 41 / 16

HEX #8DD67F

RGB 141 214 127

HSL 110.34, 0.51%, 0.67%

LAB 79.21, -39.27, 35.91

 

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

CMYK 67 / 3 / 0 / 24

HEX #41BEC3

RGB 65 190 195

HSL 182.31, 0.52%, 0.51%

LAB 70.8, -32.02, -12.58

 

CMYK 0 / 67 / 29 / 24

HEX #C3418A

RGB 195 65 138

HSL 326.31, 0.52%, 0.51%

LAB 48.53, 58.38, -12.56

 

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

CMYK 67 / 56 / 0 / 24

HEX #4156C3

RGB 65 86 195

HSL 230.31, 0.52%, 0.51%

LAB 40.77, 27.65, -59.53

 

CMYK 0 / 67 / 56 / 24

HEX #C34156

RGB 195 65 86

HSL 350.31, 0.52%, 0.51%

LAB 47.05, 53.14, 16.9

 

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

CMYK 67 / 3 / 0 / 24

HEX #41BEC3

RGB 65 190 195

HSL 182.31, 0.52%, 0.51%

LAB 70.8, -32.02, -12.58

 

CMYK 11 / 67 / 0 / 24

HEX #AD41C3

RGB 173 65 195

HSL 289.85, 0.52%, 0.51%

LAB 47.76, 61.69, -47.7

 

CMYK 0 / 65 / 67 / 24

HEX #C34541

RGB 195 69 65

HSL 1.85, 0.52%, 0.51%

LAB 47.29, 50.06, 29.82

 

CMYK 56 / 0 / 67 / 24

HEX #56C341

RGB 86 195 65

HSL 110.31, 0.52%, 0.51%

LAB 70.45, -55.25, 53.94

 

CMYK 67 / 23 / 0 / 24

HEX #4197C3

RGB 65 151 195

HSL 200.31, 0.52%, 0.51%

LAB 59.16, -11.94, -30.34

 

CMYK 11 / 67 / 0 / 24

HEX #AD41C3

RGB 173 65 195

HSL 289.85, 0.52%, 0.51%

LAB 47.76, 61.69, -47.7

 

CMYK 0 / 45 / 67 / 24

HEX #C36C41

RGB 195 108 65

HSL 19.85, 0.52%, 0.51%

LAB 54.77, 30.87, 38.73

 

Description

Color code: HEX #56C341 | qconv.com Color code: HEX #56C341 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 195 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 195 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 67 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 67% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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